Wednesday, September 30, 2009

Is There A Battletech...Okay, MechWarrior, Movie On The Horizon?

Written By: Ken Hulsey
Source: 411 Mania

It would figure with a big robot movie like "Robotech" in development, somebody would tap the "MechWarrior" video game franchise for another film idea.

Former Disney boss Michael Eisner's production house, The Tornate Company, has just purchased the rights to "MechWarrior" and are planning to develop it into a big screen CGI cluster f**k. (I'm sure).

But, hold on. There are plenty of legal issues that need to worked out before this one go get rolling. Smith and Tinker and Piranha studios were planning to reboot the "MechWarrior" video game franchise, then Harmony Gold sent them cease-and-desist letters because the bots in their promo trailer looked like those featured in the animated series "Robotech".

Harmony Gold may have a legit claim here. If you know your big 80s and 90s robot history, like me, then you know that there is way more than meets the eye involved here. Try to follow along.

As most of you know, "Robotech" was an Americanised composite of three Japanese animated series, "Macross", "The Super Dimension Cavalry Southern Cross" and "Genesis Climber MOSPEADA".

Many of the giant robots from the series "Robotech", and also from the 1981 Japanese animated series, "Fang of the Sun Dougram", were used in the FASA board game, "Battletech."

One of the games that sprang from "Battletech" was the role-playing game, "MechWarrior."

That role-playing game was combined with the bots from the later "Battletech" expansions to form the basis for the "MechWarrior" video game developed by Dynamix for Activision.

The list could go on and on. Let's just say that there are a whole slew of lawsuits waiting in the wings before this movie could go forward.

It's interesting to note that several years ago, "Godzilla" producer Dean Devlin, was trying to develop a "MechWarrior" movie, but he eventually abandoned it. Maybe he saw the potential for legal friction and opted not to mess with the whole thing?

Thank goodness for that, I can only imagine what kind of a mess Devlin could have made out of it.

I just want to point out that I spent many an hour playing "Battletech" with my High School friends. There was this one time that one of my friends, Sam, had just created a brand-new "mech" and it was making it's debut in combat. As a matter of luck, I shot at it from way across the playing field with long-range missiles and got a critical hit on it. His pride and joy fell face first into a lake, destroyed. To this very day, and grant it, this was some twenty years ago now, he still remembers the incident, and still doesn't forgive me for it.

See Also: Robotech Movie News Just Keeps Getting Worse And Worse / Robotech - Movie May Not Follow Original Story / Tony Oliver To Host Voice Acting Class For Bang Zoom / Tobey Maguire Reportedly Signing On For Spider-Man 4 And 5 / The Robotech Prayer / The Power Of The Force Will Be Used To Write The Robotech Movie Script / Fox Gives Green Light To A Live-Action Cowboy Bebop Movie / Kikô sôseiki Mospeada (1983-84)(TV) / The Super Dimension Fortress Macross: Do You Remember Love?

John Simm Promises That Tennant's Doctor Will Get A 'Brilliant Send-Off'

Written By: Ken Hulsey
Source: BBC News

Actor John Simm, who plays the Doctor's long-time nemesis, The Master, in the upcoming two-part Christmas special, reports that the episodes are now completed. The holiday airing of "Doctor Who" will mark the end of David Tennant's run as the iconic sci fi character. Tennant, who replaced Christopher Eccleston after just one season as the Doctor, has become a fan favorite and has virtually made the character his own. But worry not fans, Simm promises that Tennant's "Who" will get a "brilliant send-off".

Simm recently told BBC news, "It's all done. I've just spoken to David (Tennant) and he hasn't seen it either. We're doing some dubbing and we go in and do the voice-overs.

"Hopefully we'll see a bit of it then. I'm looking forward to seeing it. It was a great script and we had such fun doing it.

"It'll be a brilliant send-off for Mr Tennant. Last time I did it (in 2005) it was such fun to do. It was wonderful to be asked back and to be in the very, very last one.

"To go head-to-head with him was a real honour. It was lovely to be asked. It was a great, great experience. We had such fun doing it. Hopefully it'll come across."

Details about the episode, which reportedly will be called "The End of Time", have been kept relatively secret, though details about the cast were leaked some time ago. Alongside Tennant will be actress Catherine Tate, who will reprise her role as the Doctor's companion Donna Noble, former companions, Billie Piper (Rose Tyler) and Elisabeth Sladen (Sarah Jane Smith), John Barrowman (Captain Jack Harkness), Camille Coduri (Jackie Tyler) and Timothy Dalton as The Narrator.

Of course, at the end of the special, Tennant's Doctor (the 10th) will regenerate into the 11th Doctor played by Matt Smith.

Here are some photos to hold you off until Christmas:






See Also: A Sneak Peek At The The Ultimate Monster Guide And Other Doctor Who Tidbits / 'Four Weddings And A Funeral' Scribe Richard Curtis To Write For Doctor Who / The Name Is 'Who'......'Doctor Who' / Doctor Who Black And White Action Figures - Second Doctor & Cyberman / The First Look At The Animated Doctor Who From Dreamland / Doctor Who Star David Tennant Sends 'Postcard' From America / Doctor Who - Filming Begins For The 11th Doctor / Doctor Who: The Waters Of Mars - Sneak Preview / Euros Lyn To Helm Doctor Who Movie For 2011? / Torchwood: Children Earth Doctor Who On BBC America In July / The Doctors New Traveling Companion Will Be Karen Gillan / Tennant's Doctor Making The Move From TV To Big Screen / The Doctor Makes A Surprise Appearance On The Sarah Jane Adventures / Gillian Anderson To Guest Star On Doctor Who / Doctor Who Theme Voted Best On Online Poll / Simpson And Bennett Named As Producers For Doctor Who / David Tennant And Michelle Ryan Talk About Doctor Who: Planet Of The Dead / Doctor Who - Planet Of The Dead / Doctor Who 5-Inch Wave 4 Action Figure Case / Tonight's The Night Gives One Doctor Who Fan The Chance Of A Lifetime / Doctor Who Remote Control K-9 / Lindsay Duncan Joins The Doctor For The Second Special Of 2009 / Doctor Who Arrives In Dubai / A David Tennant Lookalike Warns About David Tennant Impostors / Dubai Bus Accident Leads To Doctor Who Re-Write

Scarlet Salem Heats Up The Autumn Air With New Photos And A New Website!

Written By: Ken Hulsey
Source: Scarlet Salem
Photo Credit(s): Scott Miron

Since the temperatures around the country are starting to cool off, I figured that I would heat things right back up again with some brand new photos of Scarlet Salem. If these shots to make you all warm and toasty on a cold Autumn night, well you must not have a pulse.

In many recent posts about Scarlet I have sung the praises of photographer H Morgen and her great work with the actress/model in creating some of the best horror related images I've ever seen. In doing so, however, I have failed to mention the equally terrific work of photographer Scott Miron, who, as you can see here, has really created some very sexy images of Ms. Salem.

I have also mentioned over-and-over-again about how Scarlet has been working on Jason Stephenson's naughty little horror movie "Strip Club Slasher", so I won't bother you with any more details about that.

By the way, Scarlet has been taking a break from the film, relaxing, and touring local cemeteries. No, seriously she digs cemeteries.

You will, undoubtedly, be happy to learn that Scarlet's website, http://www.scarletsalem.net/, is getting a brand-new look, with more images of the stunning scream queen. The site isn't ready to go quite yet, but Scarlet says that it should be ready in about a week or so.

Just keep your cool until then gentleman, and enjoy these new pics of Scarlet Salem!:





See Also:Sexy Scarlet Salem Poses In A Cemetary For 'Women In Horror' / Hot & Sexy Photos From Jason Stephenson's 'Strip Club Slasher' / New Behind The Scenes Photos Of Scarlet Salem From The Movie 'Strip Club Slasher' / "Stripper Wanted!" For Strip Club Slasher Movie / A Crazed Scarlet Salem - Lizzy Borden Has Nothing On You / Horrifying New Photos Of Scarlet Salem By H Morgan / Scarlet Salem - Gothic Never Looked So Sexy / More Hot and Sexy Photos Of Scarlet Salem / David Byron Takes A Look At Modern Femme Fatales In Queens Of Scream: The New Blood / Strip Club Slasher Poster, Casting and Photos Of Scarlet Salem / A Different Kind Of 4th Of July Fireworks - Killer Biker Chicks / The Many Looks Of Scarlet Salem - Blond Or Redhead? / Heat Up Your Memorial Day Weekend With A Little Scarlet Salem / Terror Overload - Tales From Satan's Truck Stop Premiere Info And Pics / There Is Some True Grind House Being Made In Minnesota / The Many Faces Of Scarlet Salem - Plenty Of Fooling Around

Tuesday, September 29, 2009

Defying Gravity (2009)(Fox/Omni Film Productions)

Written By: Ken Hulsey
Source: BBC (Press Material)

The BBC and Fox television, take prime-time television back to where it always belonged, outer-space.

Ron Livingston (Sex And The City, Band Of Brothers) stars in Defying Gravity, a new adventure drama series from creator and executive producer James Parriott (Grey's Anatomy) and executive producer Michael Edelstein (Desperate Housewives). The 13-part series will broadcast on BBC Two in October 2009.

Set in the near future, Defying Gravity revolves around the exploits of eight astronauts from five countries (four men and four women) who undertake a mysterious six-year international space mission through the solar system. With the eyes of the world upon them (everything they do is monitored and every emotion they feel scrutinised) they soon discover that their real assignment is not at all what they thought...

The series' international ensemble cast is led by Ron Livingston (Sex And The City) as flight engineer Maddux Donner, Laura Harris (24) as ship's geologist Zoe Barnes, Malik Yoba (New York Undercover) as flight commander Ted Shaw, Christina Cox (Blood Ties) as biologist Jen Crane, Florentine Lahme (Impact) as pilot Nadia Schilling, Paula Garces (The Shield) as pilot, scientist and on-board documentary producer Paula Morales, Eyal Podell (24) as psychiatrist and medical officer Evram Mintz, and Dylan Taylor (House Party) as theoretical physicist Steve Wassenfelder.

The cast on planet Earth is led by Andrew Airlie (Reaper) as Mission Control Commander Mike Goss, Karen LeBlanc (ReGenesis) as scientist Eve Shaw, Zahf Paroo (Battlestar Gallactica) as grounded flight engineer Ajay Sharma, Maxim Roy (MVP) as flight surgeon Claire Dereux and Ty Olsson as Rollie Crane, once Mission Commander on board Antares, and now cap comm; episodic director Peter Howitt (Sliding Doors; Bread) also plays the role of British journalist, Trevor Williams.

Though "Defying Gravity" is mostly a US/Canadian co-production by Fox Television Studios and Omni Film Productions Ltd (Canada), German broadcaster ProSieben, and the BBC, were also contributors, the production team felt that it would be in their best interest to release the series in the UK, and other international markets, before bringing the series to American shores.

Producer James Parriott explains, "Michael (producer Michael Edelstein) was trying to find a show that would work under this independent film type of financial model, the idea of starting a project by selling foreign first and bringing it back to the United States. It was instantly appealing to me, because with an international space mission you have crew members who are from different countries. It's an international effort, so it has an international feel. It's about humankind and it's about man's place in the universe, as opposed to the United States planting a flag on the Moon."

In developing the sci fi series, the producers went out of their way to make sure that the show didn't feel like a typical sci fi series. This, of course, caused them to have second thoughts, once they realised just how much of a daunting task they had just gotten themselves into.

Parriott commented, "Do we really want to do space? Because that's weightlessness, that's big sets, it's expensive, and it's difficult to produce.' I don't think we realised how difficult it was to produce until we really got into it."

It was at that point that the duo realized that if they were going to make a 'realistic' sci fi based series, then they would have to go straight to the source, NASA, for their research.

Edelstein adds, "We both made trips to the Kennedy Space Center and to the Johnson Space Center, and we started from a basis of fact."

"Then we started to do research and talked to a number of very high-ranking scientists in NASA. We asked them, 'If you were to do a manned mission through the solar system, what would you need?' So that was sort of our jumping-off point."

They even went as far as to take several astronauts to dinner, a kind of relaxed way to pick their brains, over a casual meal and a few drinks.

Once the science facts had been dealt with, the producers then began to focus on the sci fi elements of the program.

Edelstein explains, "Jim created his characters and his story and this over-arching mystery, which took us a little bit more into the world of sci-fi. But we tried to make the spaceship and the space environment seem real, and that was a choice we deliberately wanted to make.

The creative aspect of the show, as a kind of hybrid of scientifically-based science-fiction with character-driven drama, gives Defying Gravity a unique position within the sci-fi genre.

"And we certainly have a mystery element as part of the show, this dark secret that unfolds. But I think we stand out as different as what you typically think of as a sci-fi show in that we're doing a character-based drama that also has humour. We're probably a 'girlier' show than most sci-fi shows, but I think that's what makes it interesting and gives it a new spin. I do think that when people watch this, they'll say, 'I haven't seen anything like that before'."

Like all good science fiction films, and television series, before it, "Defying Gravity" is much more than just spaceships and aliens, there are also deep issues to be dealt with.

"It's set in the near future, but that's really simplifying what it is. What Jim has created is a complex soap opera set in space and also on earth during the training process. It's a little bit of Grey's Anatomy. It's got an overarching mystery like Lost, so it's sort of a show that's never really existed before.

The setting for the show also allows room for exploration into many aspects of human development and interaction and highlights the underlying theme that runs throughout.

I think the central theme of Defying Gravity is about man finding himself and his place in the universe." adds Parriott.

Episode Synopsis:

Episode 1

Only hours from leaving Earth's orbit for Venus and a six-year inter-planetary sojourn aboard the spaceship Antares, two of the eight novice astronauts on board mysteriously develop heart ailments.

For ship's engineer Ajay (Zahf Paroo) and Rollie (Ty Olssen) it means a premature return to Earth, and replacement by Donner (Ron Livingston), an experienced astronaut who lives under the shadow of a previous mission during which he was forced to abandon two people on Mars, and Ted (Malik Yoba) who will have to leave behind his wife, Eve, (Karen LeBlanc) at Mission Control.

Donner's arrival disturbs beautiful young astronaut Zoe (Laura Harris) who is linked to him by a strange dream and a romantic encounter from their early training days, but delights the sensual Nadia (Florentine Lahme) who has strictly carnal intentions.

Although nearly every facet of life on the Antares is broadcast to avid viewers on Earth by documentarian Paula (Paula Garces), there is also a hidden force that appears to be controlling events from within the spacecraft.

While Zoe tries to locate the source of a baby's cry, audible only to her, Ajay is devastated at his impending departure from the ship and ejects himself into space.

Fighting against time and ignoring orders from Mission Control, Donner rescues Ajay in a courageous act of redemption and profound spiritual significance.

With the real purpose of the mission known only to flight director Mike Goss (Andrew Airlie), and a select few, the Antares finally leaves Earth's orbit for the immensity of interstellar space.

Episode 2

With the Antares en-route to Venus, the crew finds that some past choices, combined with an unknown element in the ship's mysterious Storage Pod 4, lead to a complex web of dreams, desires and illusions that result in a life-threatening crisis.

Look for "Defying Gravity" this October on BBC 2. The US air date has not yet been determined.




'Where The Wild Things Are' - Creating A Mythical World To Match The Book

Source: Warner Bros

When it came to design, what mattered most about the Wild Things' big-screen debut was that they had the depth of feeling, humor, ferocity and tenderness the story required. They had to be alive.

Author, and producer on the film, Maurice Sendak was offered "the last word on what they looked like and how they moved. Yet, at the same time, I didn't want to lock them into place so that they were stuck rather than creatively excited by the prospect of what the monsters looked like," the author said. "When I was doing the book, nobody bugged me. Nobody said the monsters should look like this or that, because nobody knew what they should look like."

Directer Spike Jonze and producer Vincent Landay first delved into the world of creature movies, the history of suit performances and animatronics, to see what they liked or didn't like, and why. It was hard to find a direct parallel. Research with designers and effects companies turned up options that Jonze deemed "too troll-like or monster-like," or sometimes the opposite, "too cute." Repeatedly, they were advised toward full CGI and cautioned that recreating the book's proportions in real space would be a nearly insurmountable challenge. But they never gave up.

A friend referred them to artist Sonny Gerasimowicz, whose early sketches conveyed the blend of humor, whimsy and pathos they were looking for. Together, they experimented with color, textures and fur and from there moved into the model stage.

The Jim Henson Company and its legendary Creature Shop in Los Angeles built and refined the enormous costumes over a six-month period before shipping them to Australia, at which point Sydney-based Dave Elsey and an Australian team of costumers continued with on-site adjustments and reconfigurations to meet the unique demands of location shooting, such as one Wild Thing hurling another into the air, an effort involving wire work, pulleys and special rigs.

Peter Brooke, Creative Supervisor for the Creature Shop, begins, "We scanned the maquette, then enlarged the head to actual size and modeled that in foam, covered with clay. We re-sculpted the body of the maquette without fur, and were left with the understructure. Then we enlarged the pattern off the maquette and cut it out of foam. Within a week, we managed to get the basic shape and size of the character."

Thinking from the inside out, he continues, "We tried to transfer most of the weight of the costume to the hips of the performer. Basically, we approached the project as if these were huge puppets that were going to be puppeteered from inside, as opposed to thinking of them as huge costumes."

Elsey then adds, "Over the skeleton is the muscle suit, which gives the creature shape. When the actors flex their arms the muscles actually flex; when they lift, the rib cage will expand. That's what we call 'soft mechanics.' Fabricating these things is a real art form. The actor inside has to be capable of moving around and doing everything in the costume seemingly effortlessly. 'Soft mechanics' has been done before but this is on a whole different scale. The costumes are an amazing combination of engineering and art."

The final touch was enabling the Wild Things' features to match their emotions. Rather than using animatronic models, which would have caused lip-sync problems due to the creatures' enormous mouths, Jonze opted to enhance their expressions in post-production with computer animation, led by animation and visual effects supervisor Daniel Jeannette.

Says Jeannette, "Even with the static images, you could already see a lot of the impact they would have. We looked at the film and it was so beautiful we tried to animate the faces without creating a completely CG version of them. Instead, we did only the movement of the face in CGI."

Jonze clarifies, "Basically, they are creating 3D models of each creature's face in the computer. They used wire frame models to animate; then, the animation of those wire frames dictated the faces that were shot on camera. It's as if they were able to slide that wire animation under the faces of the puppets. Then that animation moved the fur on the faces that we shot on set."

"It looks real," Jeannette sums up, "because it's based on a real image."

One special costume that fell outside the purview of the Henson designers and Dave Elsey was Max's second skin and alter ego: the wolf suit he wears while making mischief at home and that later helps assert his animal nature over the Wild Things. That suit--plus 56 individual versions of it, was provided by costume designer Casey Storm, based on a drawing by Gerasimowicz that aged up the footed pajamas of the book into something a boy of eight or nine might wear. Storm's design included flocked whiskers, bendable ears, broken buttons, snaps under the chin to keep Max's "head" on tight through the wildest of rumpuses, and fingerless gloves.

Since Max is always in the wolf outfit, Records needed an entire wardrobe of them in various stages of wear: some dirty and some pristine, some warmer and others cooler in hue to match the tone of certain scenes and the camera's different light filters.

"When you think of the setting for the characters in the book, they're in some type of woods, on an island, a beach," says production designer K.K. Barrett, marking his third collaboration with Jonze on "Where the Wild Things Are." "We wanted the environment we put them in to be gritty and realistic, with natural elements. We wanted it to feel like somewhere no one has visited before."

After considering places as diverse as Argentina, Hawaii, New Zealand, California and the Southern U.S., the filmmakers found a home for the Wild Things in the hills, quarries and shoreline areas of outer Melbourne, at the southern tip of Australia. Here, says Jonze, "It felt like the edge of the world, on this rocky cliff." The area's barren forest proved a perfect graphic background for the action and suited the film's overall palette.

In keeping with the idea that they were discovering, along with Max, the creatures' natural habitat, Jonze and director of photography Lance Acord gave the island scenes a lived-in quality. Says Acord, "We needed a certain amount of texture and lack of resolution, so we were under-exposing a fair amount and letting the shadows go quite dark. The colors are less saturated than if you have a sharp, high-contrast negative."

The downside of working in a place where your nearest neighbor is Antarctica is that the production had to contend with bracing and often unpredictable winds and a rough ocean, which Acord vividly recalls, describing a scene in which the voyager Max pilots his boat alone toward the unknown shore. "I was shooting with a hand-held in the back of the boat. Suddenly we heard people in the other Zodiac yelling. A set of rogue waves was coming through, breaking at around 10 to 12 feet. They crashed over our boat and knocked the camera into the water. It started dragging along the ocean floor and, unfortunately, it was tied around the weight belt I had on, so was dragging me down with it. I struggled to get the belt off before being drowned by my own camera."

Acord made maximum use of hand-held cameras throughout the shoot because, notes Jonze, "We wanted it to feel as if this movie is being told through Max's eyes."

That point of view was a constant theme and extended to elements of production design. Upon his arrival at the island, Max finds the Wild Things happily demolishing their own homes, their immediate joy at wanton destruction prevailing over their less-immediate need for a place to sleep. Later, as their King, Max launches construction on the Ultimate Fort, in which they will all live together. This meant Barrett had to design huts and a fort that that could withstand some action but also look like something sprung from a child's drawings and built by a crew of unskilled and impatient monsters.

After abandoning early attempts as too sophisticated, they finally hit upon the perfect formula: a circle. "It took a long path to get to an idea that was actually very simple," Jonze admits. "The round hut, the round door with the round floor; there's no shape simpler than a circle." Adds Barrett, "The circle-based bird's nest kept showing up in our sketches. We figured if a bird could build it, they could build it. When you look at all the twigs and lines in nests, and then look at Maurice's drawings, it just made sense."

At more than 40-feet high, the fort was a formidable undertaking. Twice. Says Jonze, "We built two forts in Australia. The first one we built on the desert location in order to shoot exterior shots and the second one was built on a stage to shoot the interiors." Much of the physical fort was made of gravity-defying molded foam, to offset the structure's outsized scale, and painted to look like a weave of sticks, with actual sticks substituted in close-up.

The production included upwards of 400 people working on three separate stages and one location, with a shooting schedule divided between first unit, second unit, reduced unit and puppet unit--all of which evolved on a daily basis.

New challenges arose regularly as might be expected while working in rough terrain with actors navigating nine-foot costumes with giant heads. It took 45 minutes of prep time prior to each shot to clear a path the actor would then tread on faith. "But," Jonze specifies, "you'd have to make a path that wouldn't look like a path on camera, that looked just like the forest floor. We had to fill in potholes, and all the roots and rocks would be taken out so there wouldn't be anything to trip on."

On-set art director Tim Disney remembers some of the shoot's other inherent challenges: "250 people's footprints in the sand dunes that had to be gone by morning. Could we bring in choppers to 'buzz' them out? A hundred tons of kelp was getting in the way of Max's island departure. Do we get boats to drag it back into the ocean or pull it out? If Spike needed a forest down the side of a mountain, he got it."

See Also: Sneak Previews: Where The Wild Things Are, Whiteout, The Box, Sherlock Holmes And Ninja Assassin / Sneak Preview - Where The Wild Things Are

Famous Monsters Of Filmland Is Reborn On The World Wide Web

Sources: Famous Monsters of Filmland / Kristen Snyder (Press Release)

Famous Monsters of Filmland is back! Created in 1958 by sci-fi and horror aficionado Forrest J Ackerman, the magazine that captured the imaginations of legions of fans, including some of today's most iconic storytellers and entertainers launches its newly redesigned website, famousmonsters.com.

USA TODAY's David Colton reports that "[Ackerman] was affectionately known as ‘Uncle Forry' by a generation of Hollywood creators such as Steven Spielberg, John Landis, Peter Jackson, Tim Burton and Stephen King, who credited Ackerman's pun-filled Famous Monsters magazine with sparking their careers."

Harry Knowles of 'Ain't It Cool News' says, "Ackerman is one of the founders of my love of cinema . . . and I'm the geek I am because of his magazine."

Legendary sci-fi author Ray Bradbury once said of Forrest, "He changed my life . . . I'm a writer because of him."
Re-imagined on the web at famousmonsters.com, the site will pay tribute to the monsters of old while keeping up with all things current in the world of genre. Over the course of the following months, famousmonsters.com will continue to evolve and grow as we add new features and technology to bring the fans the most cutting edge web experience available today.

Stay tuned to Famous Monsters TV for original programming, Famous Monsters exclusive merchandise, and exclusive feature films available only through famousmonsters.com. As Ackerman said, "You axed for it!"

About Famousmonsters.com

Famousmonsters.com is a cutting edge online portal for all things relating to genre entertainment. Visitors to the site will experience a rich and multifaceted world comprised of videos, games, contests, shopping, social networking, and news.

'Primeval' Survives Extinction!

Written By: Ken Hulsey
Sources: Dark Horizons / Avery Guerra

This past June, ITV announced that it was scaling back many of it's productions to cut costs during the bad world-wide economic crisis. One of the victims of the ax was the very popular sci fi series, "Primeval", which features a great deal of high end, and expensive, computer generated effects. Though the series had gained a following both in the UK and here in the United States, the network felt that the series costs out-weighed it's profits.

Immediately after the shows cancellation the makers of the series vowed to keep it alive, and irate fans went to the Internet to make their voices heard through message board posts and various websites.

Apparently ITV, took notice, because the series has been brought back from the dead.

A new deal has been forged between ITV, BBC Worldwide, BBC America and Germany's Pro7 to produce thirteen new episodes for 2010 and 2011. Actually to be more accurate, thirteen episodes will be produced and half will air in 2010 and half in 2011, an interesting change of pace, and an obvious cost cutting move. Maybe the episodes will air as a week long special mini-series like "Torchwood: Children of Earth"? Who knows?

All the involved entities will shoulder the financial 'burden' for "Primeval", with ITV and UKTV channel Watch, both sharing, and swapping the rights to air the new episodes.

"Primeval" follows the adventures of an unlikely group of zoologists as they try to stop prehistoric creatures from invading the modern day through an anomaly in time, a strange, unexplained natural phenomena that no one seems to know anything about.

See, sometimes if you bitch loud enough, good things can come of it!

See Also: High Costs Drive Primeval To Extinction

It's 'Voltron', 'Ultraman' and 'The Power Rangers' Thrown In A Blender For 5432 Film's "Megabot"

Written By: Ken Hulsey
Sources: Geek To Me / Megabot Website

I really think that most people really under appreciate the amount of influence Japanese sci fi series like, "Ultraman", "Gundam", "Voltron", "The Power Rangers" (actually 'Super Sentai' in Japan), Gamera, and of course, the Godzilla films have had on American pop-culture. Film makers these days are making their own homages to these often underground, and often misunderstood, Japanese characters hand over fist as of late.

One has to look no further than 5432 Films latest production, "Megabot", to see just how much all this Japanese entertainment has permeated our very soul. Well, all you have to do is look at my office wall, with all the Bandai figures and Godzilla movie posters, to see just how much it has had an impact on me anyway.

"Megabot" is the brainchild of writer Micah Fitzerman-Blue, directers Nathan Kitada, Aaron Umetani and producer Jonako Donley. Of course, the series, which recently premiered as a webisode at Atom.com, is spoof, but as we all know, satire is the purest form of flatery.

Writer Fitzerman-Blue explains in a recent interview at the 'Geek to Me' blog on the Chicago Now website, "...the idea (for 'Megabot'), a lot of our sensibilities come from Saturday morning cartoons and video games just gone horribly wrong.

So we're big fans of Voltron and we watched over our little sister and brother's shoulders as they got into the 'Mighty Morphin' Power Rangers' and we thought 'here is a great opportunity just to kind of skewer it. And we just started talking and you know on one of our endless kind of 'neo-meetings.' (We asked) what would happen if these hand-picked, multi-ethnic ideal American teenagers, who were lucky enough to fight crime in a big robot, um, what if they just kind of kept doing it? And what if the stakes didn't really change? What if the problems of a quarter-life crisis, what if they sort of began to creep in? And that's were we started thinking 'Bots was going to be a hilarious little web-series.

So what we did is reach out to our friends at Cherry Sky Films. Cherry Sky is an independent film company and we decided to ask them if they would give us the financing to turn a whole season out. So we shot five episodes and they said 'yes' graciously. We cut it and did a lot of post-production. You'll notice on our 'gag reel' on YouTube that it was all shot on green screen, we did that later. And then we found a home for it on Atom.com."

"Megabot" stars television actors, Fran Kranz and Miles Fisher, journalist/comedian, Heather Anne Campbell, reality TV star, Randall Park, up-and-coming movie actor, Giovanni Adams and the voice talents of stand-up comedian Jonathan Oliver.

Here is the plot:

Seven years ago, five attractive, multi-ethnic students from Anytown High discovered mystical PowerSleeves. United, the PowerSleeves control MegaBot, a colossal crime-fighting robot, designed by Lord Galgon, who must defend Earth from BioBorg invasion, week after week...

"Megabot" is a great spoof of all the stuff, we Generation X types grew up with. Just one warning though, the series does contain a lot of 'colorful' language which may not be suitable for younger fans. Amazingly enough, I kinda envision that this is how the members of the "Voltron" team would have actually talked to each other in real life.

Here is the trailer, plus a special 'gag reel', for "Megabot":



Friday, September 25, 2009

Surrogates (2009)(Touchstone Pictures)

Source: Touchstone Pictures

People are living their lives remotely from the safety of their own homes via robotic surrogate, sexy, physically perfect mechanical representations of themselves. It’s an ideal world where crime, pain, fear and consequences don’t exist. When the first murder in years jolts this utopia, FBI agent Greer (BRUCE WILLIS) discovers a vast conspiracy behind the surrogate phenomenon and must abandon his own surrogate, risking his life to unravel the mystery.

First the computer. Then email, tiny cell phones and the Internet. Today, sexy robotic surrogates fill in for their less attractive human counterparts, regular people who no longer have to venture out into the real world themselves. In the world of “SURROGATES,” has technology gone too far?

“The premise of the movie is that surrogacy has taken over the world like cell phones and computers,” says director Jonathan Mostow. “Surrogates are new devices that offer users the opportunity to experience life vicariously from the comfort and safety of their own homes. In our film, surrogates represent the ultimate freedom, from both physical harm and the mental toll of everyday life. Pleasure is achievable simply by plugging in.

“But for some, surrogacy feels like the abandonment of humanity itself,” Mostow continues. “In a world where actual physical contact is increasingly rare, does the very notion of love threaten to lose its meaning? Those are some of the ideas we explore in our story.”

First-time author Robert Venditti came up with the unique premise while working at Top Shelf Publications in their shipping warehouse in suburban Atlanta. Looking for a new spin on the graphic novel, Venditti recalled a sociology book he had read for one of his graduate school courses which depicted “an actual study of people who played one of those early community-type online games,” says Venditti. “I was fascinated by how these people just became so involved in this game, creating these alternate personas for themselves. They became so identified with them that they would lose their jobs, their marriages, because they just couldn’t separate their lives from this persona that they created. It was an idea that stuck with me, the basic human desire to be something other than oneself.”

The author fleshed out his idea further by imagining various reasons people would have for using a surrogate. “My idea was to create this persona that would go to work and earn money for you, a practical reason for having a surrogate. I looked at the idea of self-improvement, where these surrogates represent plastic surgery to the extreme where you could maintain yourself as forever young, or be more muscular, look like your dream self.”

“The story has always spoken to me about technology versus humanity,” producer Hoberman says. “I am someone who has come very late to computers, the Internet, email and iPhones. Until recently, I knew nothing. This story addressed, in a compelling manner, what would happen if everybody basically lived inside a computer, and their lives were being lived by someone else out there. It just spoke to where technology is going. I think it also spoke to plastic surgery and things people do to their bodies. I thought it was an interesting idea to explore in a film.”

Bruce Willis (“Die Hard,” “Twelve Monkeys,” “The Sixth Sense”) and Radha Mitchell (“Man on Fire,” “Melinda and Melinda,” “Pitch Black”) star as FBI agents Thomas Greer and Jennifer Peters, newly teamed partners charged with investigating a murder. It’s the first murder in years for their utopian society, and one that triggers questions about the ethics of surrogate technology and the future of society

Says Mostow: “This movie is a mystery, a detective story, with Bruce Willis as an FBI agent whose investigation into the mysterious murder of a surrogate finds the hero confronting a conspiracy that calls into question the very definition of humanity.”

“It’s a cautionary tale about how people live their lives in this technological world of today,” adds Hoberman.

In the film, Dr. Lionel Canter is a reclusive billionaire and M.I.T. genius whose groundbreaking experiments have led to the creation of the surrogate population. Confined to a wheelchair, Canter began experimenting with prosthetic limbs while at M.I.T. His research led to a new technology for decoding brain impulses, which he discovered could be transferred as signals to synthetic humans. These remotely operated “surrogates” are distinguishable from their flesh-and-blood counterparts primarily by their physical perfection. Each surrogate is linked directly to a human being, blocks or hundreds of miles away, who control their replicants neurally. Without a human mind sending and receiving impulses while sitting in a special device called a “stim chair,” these robotic doubles are completely inert.

So, the world of surrogacy was born, to the applause of millions, and the regret and contempt of others. Ving Rhames (“Pulp Fiction,” “Mission: Impossible,” “Con Air”) portrays The Prophet, the self-styled leader of a group of disaffected citizens who passionately oppose the inhumanity of this technological lifestyle.

“The core idea of ‘Surrogates’ is how we retain our humanity in this increasingly, relentlessly technological world that we live in,” says Mostow. “Technology is great. The fantasy of technology is that it frees us to be creative, productive and to do all these wonderful things. The flip side to that is that we wind up being servants to it in a certain way. We’re tethered to our cell phones, to our BlackBerries. It’s great to have email, but when you spend hours a day returning emails, it becomes an obligation. So, these new opportunities and possibilities in life also restrain us in certain ways.”

“Technology becomes a lifestyle,” says producer Todd Lieberman. “That seems to happen with a lot of technology. It pervades society and people then depend on it in their lives. What would we do today without the Internet? Without cell phones? It’s hard to imagine. In this world, what would they do without surrogates?”

“The story’s just meant to raise such questions,” Venditti concludes. “I don’t know the answers to the questions. When I wrote the story, I wanted people to see the good uses surrogates would present to society, as well as the bad ones. Ultimately, I wanted the readers to make that determination for themselves.”

Producer Max Handelman, a lifelong comic book aficionado, optioned the graphic novel from Venditti. He found the story’s themes compelling. “The story really moves along at a great pace and allows you to imagine something that could impact our society someday. Are we all going to have surrogates? Probably not. But it’s a metaphor for our society’s increasing reliance on technology and increasingly virtual communication.”

Handelman brought the comic to a college friend, veteran producer Todd Lieberman, who is partnered with longtime industry producer and studio executive David Hoberman at Mandeville Films.

“I was looking for something with an edge, a film noir-type story and I found that in Robert’s story,” says Lieberman. “The movie starts with two really attractive people outside of a club. All of the sudden, some guy approaches and they fall dead. You have no idea what’s going on. In comes a detective, Bruce Willis’ character, and his partner. And you realize pretty quickly that we’re living in a world that’s not our world.

“The two people who’ve been killed are actually surrogates,” continues Lieberman. “Not only are the surrogates getting destroyed, but the people controlling them at home have been murdered, which is something that’s never happened in the history of surrogacy. The entire world of surrogates is at risk because the fail-safe of not harming the user is the cornerstone of the technology.”

Jonathan Mostow agreed to direct the film; his longtime writing partners, John Brancato and Michael Ferris (“Terminator 3: Rise of the Machines,” the 1991 telefilm, “Flight of Black Angel”), were tapped to tackle the script, marking a professional reunion for the trio of Harvard University alums.

“As soon as Mike and I read the graphic novel, we felt it could make a great film,” says Brancato. “The concept of surrogacy speaks to the modern condition in ways direct and oblique, a metaphor at once for the Internet, plastic surgery, addiction, role-playing games. Not to mention outer versus inner selves.”

To capture the flavor the writers sought to depict in this present-day/near-future universe populated almost exclusively by robots, the pair began to research the technology that reflected Venditti’s ideas in the graphic novel.

Their studies led the scripters to a Japanese scientist named Hiroshi Ishiguro, who has been using a plastic version of himself to lecture around the world without leaving his Osaka office. They also uncovered a rhesus monkey in North Carolina that has been wired to make a robot in Kyoto walk, merely by thinking. The technology continues to improve with groundbreaking advances that are already benefiting people with debilitating diseases.

Hunting For Monsters And Other Unexplained Mysteries In My Own Backyard

Written By: Ken Hulsey

In various articles about strange phenomena and mysterious creatures I have mentioned how my family and I are huge fans of such television programs as "Ghost Hunters", "Monster Quest" and "Destination Truth". Now as luck would have it, I stumbled upon a very interesting book at my local Barnes and Noble called "Weird California" written by Greg Bishop, Joe Oesterle and many others. Come to find out, while Josh Gates of "Destination Truth" regularly jets off from Los Angeles to points across the globe to search for the Yeti, or ghosts in King Tut's tomb, there are about a zillion such mysteries here in his (our)(I also reside in CA) very own backyard.

Now, this is not going to be a shameless plug for the "Weird California" book, though I do recommend you pick up a copy, especially if you reside here in Wackyfornia, and I am providing a link from Amazon where you can purchase it.



I will, however, be featuring articles about subjects I pull from the book and other sources, over the next few months for my new "Hunting For Monsters And Other Unexplained Mysteries In My Own Backyard" series of articles here at Monster Island News.

I plan to do a lot of research, and go out and explore (with my reluctant son, and wife, in tow no doubt) some these fascinating anomalies for myself. It should be great fun!

Though I have just begun ready into some of these local California mysteries and legends, I have been really fascinated by how many of these reports seem very similar and in some way could be connected.

Case in point, the mysterious 'Lizard People' that turn up in the legends of several Native American tribes across the state. Could these "Reptoids" be connected to Charles Wetzel's report of a strange creature near Riverside in 1958? Would Indians describe 'Grey Aliens' as 'Lizard People'? and if so, does that tie-in with the numerous UFO and USO sightings in, and around, areas that these creatures are fabled to dwell?

Does their reported thirteen settlements across the state include one under Los Angeles, which G. Warren Shufelt spent his life looking for?

Is there a wrecked Spanish sailing ship full of pearls in the middle of the desert? Do the sand dunes sing? What is the mystery around Zzyzx, a town off the 15 freeway on the way to Las Vegas that I must have sped past a hundred times?

All good questions, well worth my spare time to get to the bottom of.

What makes me qualified for this task of getting to the bottom of California's legends? Well....I have seen Bigfoot, I saw a wax banana fly across a kitchen and I've seen a lot of things in the sky I can't explain.

Okay, that stuff made me sound like a complete nut-job. Honestly, I'm just a guy that has seen, and experienced, more strange things in his life than he has answers for, and this has sparked a flame of curiosity in my soul that I can't make go away.

I would, of course, love it if some television producer read this and decided that the idea would make for a great series starring yours truly and drove a U-haul full of money up to my door. (Okay, that sounds nuts too)

That is not likely to happen, so you will have to learn to deal with my crude and amateurish ways of getting to the bottom of things.

Come on! It will be fun!

'Savage' To Premiere At Horrorfind Weekend In Maryland

Written By: Ken Hulsey
Sources: Fearmakers / Avery Guerra

Ah, here is a film that I have wanted to talk about for some time, but for various reasons, haven't had a chance to get to.....until now......

Trust me, it really feels good to talk about a straight-up Bigfoot horror movie for a change, and not an absolutely gonzo one, like, "The Bloody Rage of Bigfoot", or one that is supposed to have the monster in it, and doesn't, like "Boggy Creek."

Fearmakers studios, under the direction of Jordan Blum, have produced just such a film, called "Savage", which is set to make it's debut the weekend of September 25th at the Horrorfind Weekend in Hunt Valley, Maryland.

"Savage" stars veteran television and movie actor, Marty Kove (The Karate Kid, 2 & 3), Tony Becker (Little House on the Prairie), renowned fantastic films star, Lisa Wilcox (Nightmare on Elm Street 4, Star Trek: The Next Generation), soap opera star, Anna Enger and small screen actor, Shane Callahan (Dawson's Creek).

Here's the plot:

A blazing forest fire rips its way through Bear Mountain National Park. As the firefighters try to contain it, the animals are being forced out of their habitat including a beast that was better left undiscovered. Now several firefighters are missing or found mutilated.

When word about the fire spreads, Dale, a scientist dedicated to proving the existence of Bigfoot, hires Jack, a local Bigfoot hunting legend, to help him track the beast. Dale wishes to provide proof of the beast’s existence, Jack wants to find it for revenge. Owen, a park ranger, begins poking around searching for poachers who might be interested in taking pop shots at the fleeing wildlife. He stumbles across Richard and Gabrielle, two petty criminals who are on the run from the law. Owen soon discovers that this simple arrest is anything but routine when he encounters the Bigfoot.

As the creature tears a path through the forest destroying everything and everyone it comes in contact with, Owen must race home to rescue his pregnant wife who stands in the beast’s deadly path and restore order to the park.

Sounds cool enough.

Oh, and before I forget, Marty Kove, Tony Becker and Lisa Wilcox will be on hand at Horrorfind Weekend to promote the film.

Here is the trailer and a couple of pics (including the film's poster) from "Savage":





See Also: The Bloody Rage Of Bigfoot - Two Hot Girls On A Motorcycle / Baack's Hardcore Bigfoot Babes....With Guns! / The Bloody Rage Of Bigfoot - Censored For Your Protection / New Photos And Trailer For Trailer Park Geocachers Meet Bigfoot / Satantha And Loosey-Fur The Two Wicked Witches From The Bloody Rage Of Bigfoot / Turning A Unique Hobby And A love For Caddyshack Into A Bigfoot Movie Series / Satantha Cuts Through The News - The Bloody Rage Of Bigfoot / The Bloody Rage Of Bigfoot (3D) - Beauty And The Beast....Well, More Like Beauty Is The Beast.. / Brian Regal Wants To Prove That The Werewolf Myth Mutated Into The Bigfoot Phenomenon / Oklahoma Bigfoot Researchers Come Home With Prints And Personal Encounters / Researcher Hopes Flooding Will Flush Out The Yowie / Russian Yetis Cutting Into Siberian Food Supply / The Bloody Rage Of Bigfoot - New Trailer And Filming News / The Bloody Rage Of Bigfoot - Bigfoot Revealed! / Bigfoot Southern Fried - The Monster Of Gum Hill Caught On Tape! / The First Image Of The Monster From The Bloody Rage Of Bigfoot / The First Publicity Stills From The Bloody Rage Of Bigfoot / Bigfoot Discovered In Windows 7 Wallpaper? / A Close Encounter With Bigfoot - Highway 180 - Arizona

Megan Fox vs Godzilla On Saturday Night Live?

Written By: Ken Hulsey
Source: The Weekly World News

Okay, right out of the gate I know what your gonna say, "The Weekly World News, Ken, are you kidding me?" I know, I know, but on this one it is hard to tell if this is one of their usual stories, which is total 'bull biscuits', or if they actually have a scoop?

Of course, I think its all made up, but regardless, it sure is funny.

According to sources, Weekly World News sources, actress Megan Fox has filmed a special digital short for the season premiere of "Saturday Night Live", which is set to air this weekend.The clip is reportedly a spoof of her current film, "Jennifer's Body", and her upcoming role as Mother Theresa in the comedy, "How To Lose Friends and Alienate People."

Now, here is an except from an early draft of the script:

Megan Fox dressed as a nun walking through the streets of New York, set to the song Sadness by Enigma.

In a slow motion shot, Fox recreates her famous scene from Jennifer’s Body by climbing naked on to a dock out of the East River. Disavowing the power of her sexiness, she puts on a nun’s habit as the music swells. Fox begins blessing the unfortunate while walking through the streets of New York City. She takes pity on homeless men, poor women and socially awkward teens, her blessings magically transforming them into religious backup dancers. They have a dance number in Times Square, but it is cut short when Godzilla comes out of the Hudson.

Realizing she is the city’s only hope, Megan Fox the Nun throws off her habit and reaches out to her holy backup dancers, and together they form Fox-atron. Fox-atron is a Metropolis-inspired giant Megan robot. In this costume Fox does battle with Godzilla on a miniature set of New York City. After defeating the monster and pinning him to the ground, Fox-atron makes out with Godzilla, while Sadness cues back up and they fade to black.


Too weird to be true? Well, not really I suppose, this is a comedy show after all.

If this thing airs on "Saturday Night Live", you can thank me for the heads up, if it is total crap, you can thank me for the laughs.

See Also: Jennifer's Body (2009)(20th Century Fox) / Can Amanda Seyfried Handle Megan Fox In Jennifer's Body? / Jennifer's Body - Making A Movie And A Monster / 'Holy BS Batman! Casting Rumors Are Nothing More Than The Riddler's Tricks!' / Megan Fox Cast As Catwoman In "Gotham"? / Two New Photos Of Megan Fox In Jennifer's Body / Is Megan Fox The Sexiest Sci fi Babe Of All Time? / Top Ten Hottest Women Of 2008 / Megan Fox Turns Down Tomb Raider Role

A Godzilla Plush Doll For All You Little Monsters / Run For Your Life! It's Godzilla!!...No...Wait It's A Crustacean / Putting Legendary Pictures Godzilla Into Perspective / Legendary Pictures Announces New Godzilla Movie! / Roland Emmerich Proud Of Godzilla, Not Making Sequel / Toho Tells Comcast, "Didn't You Learn From Subway? You Can't Use Godzilla To Sell Cable TV!" / Peter H. Brothers' Ishiro Honda Bio To Be Published / G-FAN No. 88 Summary / Schedule Conflict Knocks Out Godzilla Film Fest / G-FEST XVI News / Preserving Godzilla And The Blu-Ray Announcement / Godzilla 3D - Opinions Swirling Swirling Swirling / Godzilla 3D Begins Pre-Production For 2011 Release

Thursday, September 24, 2009

The Doll Squad Moves In To Protect Florida From An Astro Zombie Attack


Written By: Ken Hulsey
Sources: Gary Lester / Melanie Robel

Way back in July I first reported that veteran cult movie directer, Ted V. Mikels, was in the process of making a third "Astro Zombies" movie. What was not known at the time, was that the film was also going to be a sequel to his 1973 movie, "Doll Squad" as well.

This past weekend, second unit director Gary Lester and his team began filming the first scenes for, "Astro-Zombies M3: Cloned", all around Volusia County, Florida. The production, almost quite literally, ran amok throughout the region, filming at the Athens Theatre in DeLand, the Bookstore Cafe in Ormond Beach, and the Carlson Movie Ranch in rural New Smyrna Beach.

Lester, who was hand-picked by Mikels to direct the Florida filming, explains, "We had a crew of five, a cast of 35, and shot for a total of 18 hours this past weekend in three different locations. Our footage includes some exciting martial arts footage, especially by kick-boxer and Doll Squad member Melanie Robel."

If you are not familiar with Melanie Robel, well you should be, she is also a cast member on another indie horror film that was shot in Florida recently called, "Bikini Monsters."

Melanie was excited to work with Lester, and to be a part of Mikels famed "Astro Zombies" film series, "I was one of the members of the Doll Squad, Florida unit. My job was to kick Zombie butts and with my training in boxing and kick-boxing, I got to do a lot of it. Working on this project was amazing, everyone was great to work with and we got to shoot in the Athens Theater. A historic building where Gypsy Rose Lee preformed. I can't wait to see this film finished and I bet this goes international. Meeting and working with Richard and Gary was a great learning experience."

Lester believes that cult movie fans will be more than pleased with his teams work, "Those fans who love the Ted Mikels films will be delighted to know that AZM3: Cloned will have its share of campy moments. One of our assignments in Florida was to make sure Ted's iconic Doll Squad caught up with a few demented mutants and ruined their day."

"I think I used up a gallon of fake blood."

Rounding out the cast as members of the "Doll Squad" alongside Melanie Robel, were fellow martial arts expert Stephanie Mason-Teague, newcomers Lacey Lites and Quetara Johnson, the object of all their high-kicks, stuntman Garry Riemersma, actual Athens Theatre manager Ed Kirkland and veteran character actor Frosty Respess.

Oh, and let me not forget the professional canine performer, named Miss Scarlet, who also took part in the weekend filming.

Mikels is presently getting ready to begin filming more scenes for "M3: Cloned" in Las Vegas, while another second unit is set to begin filming in California later next month.

Look for "Astro-Zombies M3: Cloned" to be released in 2010.

Here are some photos of the "Doll Squad" vs "Astro Zombie" action from Florida:


Charlize Theron And Ashley Judd Also Want To Be Catwoman

Written By: Ken Hulsey
Source: WENN

I almost made it a entire month without mentioning another actress linked to playing Catwoman. I almost made it.

Isn't it fun sitting back watching actresses clawing each others eyes out for a part, that reportedly doesn't exist, in a movie movie that reportedly doesn't even have a script yet? Such is the case with the role of Catwoman, which, like I just mentioned, hasn't even been confirmed as a villain in Christopher Nolan's upcoming sequel to "The Dark Knight".

Let's do, yet, another role call of feline wannabes: Megan Fox, Cher, Kate Beckinsale, Angelina Jolie, Rachel Weisz and even the actress who played the character in the 1992 film "Batman Returns", Michelle Pfeiffer.

Okay, now let's add two more names to the pile, Charlize Theron and Ashley Judd.

According to sources, Theron is 'desperate' to play the part, quipping, "I think what has happened to that franchise is amazing. (Batman filmmaker) Chris Nolan is a genius. I would be an idiot to not consider that part."

Actually the casting of Theron, would make some sense, considering the fact that she has already played a similar character in the live-action movie based on the animated series, "Aeon Flux".

As far as Ashley Judd is concerned, well I really don't have much on that, it seems her desire to put on the latex and prowl around somehow got under my radar.

Pretty soon it will be easier to list the actresses who 'don't' want to play Catwoman in these articles. I think every female in Hollywood, who has ever spent more than two seconds in front of the camera, will be in line, when, and if, Nolan decides to put the character in his movie, which is supposed to be called "Gotham", but that hasn't been confirmed yet either.

See Also: Aaron Eckhart Wants Nolan To Resurrect Two-Face For Batman Sequel / Television's Batman, Robin & Catwoman To Make A Special Appearance In Anaheim / What I Want From The Next Batman Movie / Meeting The Original Batgirl / 'Holy BS Batman! Casting Rumors Are Nothing More Than The Riddler's Tricks!' / Megan Fox Cast As Catwoman In "Gotham"? / Michelle Pfeiffer Wants Her Cat Suite Back / An Interview With Model And Actress Rachel Grubb - A Gotham Goddess / Eddie Murphy Insists He's Not The Riddler / Will The Riddler Square Off Against Batman In Gotham? / Philip Seymour Hoffman As The Penguin Or Not / Kate Beckinsale Wants The Catwoman Role For Herself / Murphy As The Riddler? Weisz As Catwoman? Labeouf As Robin? Here We Go Again! / The Dark Knight Returns To Theaters January 23rd / Batman To Be Killed By Dad / Is This The End Of Bruce Wayne...Or Is It Another Publicity Stunt? / Christopher Nolan Still Denying That There Will Be Another Batman Sequel / Angelina Jolie Turns To Tera Patrick For Catwoman Advice / Don't Expect To See The Joker In The New Green Arrow Movie / The Dark Knight (2008)(Warner Bros) / The Dark Knight - Ledger Takes The Joker To A Whole New Level / The Dark Knight - Preserving The Iconic Images Of Batman & The Joker

Tuesday, September 22, 2009

"King Crabs Attack!" Being Made Into A Short Feature

Written By: Ken Hulsey
Sources: Undead Backbrain / Avery Guerra

Originally "King Crabs Attack!" started off as a college assignment produced by Grégoire Sivan at La Fémis in Paris. Sivan's little fake movie trailer was so good, that the film maker decided to expand it into a seven minute short film, which is now scheduled to appear at several movie festivals around Europe.

Sivan seems to have drawn inspiration from Roger Corman's 1957 film, "Attack of the Crab Monsters", Nathan Juran's 1957 film, "Attack of the 50 ft Woman", and just about every Godzilla, and Godzilla-like, monster movie ever produced.

Since the movie is in French, and just about everything written about it is in French, Robert Hood from Undead Backbrain was able to come up with a very loose translation of the film's plot:

Trouville-sur-Mer, a Lower Normandy resort, is an uneventful place. However, Basile, of the Coast Guard, has witnessed many strange events. Are they simple coincidence? Not for Basile. King Crab Attack! is the trailer for this disaster movie. Release is as yet undetermined.

From the trailer I was able to put together that the film is about a bunch of giant king crabs that invade a coastal French town and are thwarted by a scientist who grows to giant size to combat them, and impress his blond girl-friend.

Anyway, the trailer is prety impressive so "King Crabs Attack!" could be a lot of fun.

Note: The film goes by several different title variations, "King Crab Attack!", “King Crab Attacks!” and "King Crabs Attack!". What, no "King Crabs Attacks!"?

Undead Backbrain has the trailer - http://roberthood.net/blog/index.php/2009/09/21/king-crab-attacks/

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Just remember Monster Island News was created for fans just like you. The kind of person who would stay up to midnight to watch Godzilla stomp a city flat, the kind of person who cried at the end of Return of the Jedi, the kind of person who wished they could seduce green slave girls like Captain Kirk, The kind of person who dreamed they could travel through time like The Doctor, and the kind of person who will always remain a child at heart. - Ken Hulsey (Founder of Monster Island News)