GODZILLA vs HEDORAH 40th Anniversary Poster, Lobby Card And Photo Bonanza!

Written By: Ken Hulsey

This past weekend I posted an article that was very well received about classic monster movie posters so I have decided to turn the subject into a series of features here at Monster Island News. The only problem is .... where do I start? There are so many awesome sci fi, horror and monster movie posters out there it is hard to pinpoint just where to begin.

That's when it hit me.

As our very own Armand Vaquer noted in a couple of great pieces a few of weeks back this month marks the 40th anniversary of the release of "Godzilla vs Hedorah" in Japan so I figured this was as good a place to start as any.

To the left is one of the original Japanese adds for the film. As you probably have noticed the poster is rather tall and narrow. These "skinny" posters were displayed in Japanese theaters alongside standard sized ones to promote the film. As is typical of these posters this one contains giant sized lettering and a small graphic of the monsters at the bottom.

Here is a collection of "Godzilla vs Hedorah" posters, lobby cards, and promotional photos from around the globe:


Where better to start off this gallery than in the film's country of origin. Here is the original artwork for "Godzilla vs Hedorah" circa 1971.

Above are four Japanese promotional photos that would have been released to magazines and newspapers.

United States

Here in America the film was released under the title "Godzilla vs The Smog Monster". This is the poster that was featured in theaters during that release.

A promotional photo for American magazines and newspapers.

An "add slick" for "Godzilla vs The Smog Monster" for newspapers.


You really have to love this Italian poster. Strangely Godzilla has been replaced by a T-Rex.

Likewise in this companion poster Godzilla has been replaced by not just one dinosaur but two.

This lobby card features not only Godzilla and Hedorah but the Korean movie monster Yongary as well. Many foreign movie posters and lobby cards for Godzilla films often times feature monsters not in the movies themselves. Most often times it's Gamera who appears in these adds.


Most Polish Godzilla posters look like they are adds for The Beatles "Yellow Submarine". This one features Hedorah inside Godzilla's silhouette.


A German variation on the original Japanese poster art. The most obvious thing that stands out about this poster is the name "Frankenstein". Oddly all such German promotional materials for the films in the Godzilla movie series feature the names "Frankenstein" and "King Kong".

FUTURAMA Wants You To Put Your Head In A Jar

Source: Comedy Central

Matt Groening, creator of the Emmy®-Award-winning series “Futurama,” today announced the launch of the “Futurama Head-In-A-Jar Creator” App during the show’s panel at Comic-Con. The free App – developed in a collaboration between COMEDY CENTRAL, the producers of “Futurama” and Rough Draft Studios – allows fans to design their own Head-In-A-Jar, a popular recurring feature of the show. The “Futurama” App was released simultaneously with Groening’s announcement and is now available for download on iPhone and iPod Touch.

“The ‘Head-In-A-Jar’ App is an interactive playground for fans,” said Michele Ganeless, president, COMEDY CENTRAL. “The new App truly celebrates the show and gives fans a great place to enter and experience the world of ‘Futurama.’”

"In the future, we'll all be heads in jars," said Groening. "But right now we can live this utopian fantasy in cartoon form."

The new App is loaded with a wealth of features. The “Head-In-A-Jar Creator” feature allows users to jump into the animated world of “Futurama” and create their own customized character. Users can choose from a male or female human, robot or alien, and customize many traits including the eyes, nose, hair, blemishes and background. Original artwork and sound design were created by the Futurama team specifically for the App. Additional features include “Futurama”-themed accessories, such as a foil hat, Flexo’s beard, Nibbler’s antenna and a customized name plate for each head designed. Once a Head is created, users can upload it to Facebook and Twitter and share with friends. Users can also save them to their photo gallery, set as their wallpaper or as an icon for one of their friends’ contacts.

“The Head Museum” is an innovative feature that allows fans to create customized exhibits of all their Head creations. Users can then curate various groups (e.g. family, friends, co-workers, favorite sports team) to display the Heads. Users can also share these Exhibits on Facebook and Twitter.

Additional App features include streaming clips from the current season of “Futurama” airing on COMEDY CENTRAL.

"Futurama," returned with 13 all-new half-hour episodes beginning Thursday, June 23 at 10:00 p.m. on COMEDY CENTRAL.

"Futurama," created by Matt Groening and developed by Groening and David X. Cohen, is a Curiosity Company production in association with Twentieth Century Fox Television. Rough Draft Studios, Inc. is the animation studio.

20th Century Fox Television, a division of News Corp., is a leading supplier of entertainment.

Comic Con 2011 Torchwood Panel Clips

Source:3HeadedMonkey / Youtube

Am I pissed that I missed this? ...... Oh f$%# yeh! But I'm glad someone recorded it.

Star Wars Blu-ray Deleted Scenes Trailer

Written By: Ken Hulsey
Source: Lisa Dullard / Youtube

Many years ago I wrote an article for the original Monster Island News about the infamous deleted scenes from "Star Wars: Episode IV A New Hope". At that time the footage that was allocated to the cutting room floor had been seen very rarely and was mysteriously absent from both DVD and VHS releases of the original Star Wars trilogy. Likewise similar content from "The Empire Strikes Back" and "Return of the Jedi" had also been left out. These scenes included, but were not limited to, Biggs talking with Luke in Anchorhead, Wampas running amok in the Rebel Base on Hoth, and a Tatooine sandstorm in Jedi.

Now, after so many years, Lucasfilm has changed their mind about keeping these lost treasures ... well, "lost" .... and will include them in the upcoming Blu-ray release of the trilogy.

As a precursor to that Lucasfilm has put together a sweet little teaser with some of the scenes I mentioned to get all of us Star Wars nerds jazzed up and ready to empty our wallets at the local video store.

Here is an excerpt from my original article:

(Luke and Biggs from A New Hope)

The scene starts with a close up of Luke as he jumps from his landspeeder and climbs the stairs to the power station. Once inside we get our first look at Luke's friends. Fixer is seated behind a table with Camie on his lap. They are both asleep. Luke tosses something at them upon entering to wake them. Camie sits up with a attitude at being awoke. Lukes walks past them upon seeing his old friend Biggs has returned . Deek and Windy, two fellow farm boys are playing a type of mechanically-assisted pool with Biggs. Luke then remembers the battle he had just seen and urges them all outside. Deek and Windy don't want to leave their game.

Deek: Not again, forget it!
Windy: (angry at Biggs) Will you come back here and play the game?
Fixer: (Still waking up) What's all the noise about?
Camie: Looks like Wormie's caught too much sun.

They all exit the station and climb to the platform that surrounds the generator room. They all begin to survey the sky. Biggs soon decides that there is nothing really to see. Camie grabs the binoculars from Luke to see for herself. Luke protests and Fixer attempts to start to protect her. While Camie scans the sky Biggs gives Luke some advice.

Biggs: I tell you Luke, the Rebellion's a long way away from here. This planet? A big hunk of nothing.
Fixer: (not really caring about the space battle and not being able to take his eyes off Camie) I doubt the Empire would Evan fight to save the system.
They all head back into the station and Camie carelessly tosses Luke back his binoculars causing him to almost drop them.
Luke: Hey! Will you watch it?"
The scene ends with Luke alone outside looking at the sky as if he really saw anything.

The final sequence of the lost footage is a conversation between Biggs and Luke as they exit the power station. The two are holding cups of what is refereed to as "Malt Brew." It is at this point Biggs tells Luke of his secret plan to leave the Academy and join the Rebellion. Luke is over-whelmed by the news and left almost speechless. Luke admits that he has canceled his application to the Academy to help Uncle Owen with his farm. It is easy to see why Luke looks up to Biggs because he is living the life that he can only dream of. The two part with a handshake and Biggs leaves to find his destiny while Luke can only watch and yearn for a life of adventure.

Okay All You Trekkies At Comic Con! It's Time To Rage Against The Federation!

Written By: Ken Hulsey
Music and Lyrics By: Warp 11

Hey all my Trek loving brothers and sisters at Comic Con! This one goes out to you! Have fun, geek it up and have some blood wine on me!

Oh .... and may the Force be with all the Star Wars fans as well!

Now ... let's rock. This is for every die-hard nerd-bot in San Diego:


To boldly go - don’t you see?
Is just a ploy - it’s a f****** conspiracy
The final frontier
Is just a lie that kills thousands every year
‘Cause you and me - don’t you see
Brainwashed at the f****** academy
This red shirt - I’ll say it loud
It ain’t nothing but a f****** death shroud

The Red Shirts are dying
The Red Shirts are dying
The Red Shirts are dying
The Red Shirts are dying

We beam down, but not back
Before the break we were under attack
“Forward!” Captain cried from the rear and the front rank died
We get the orders - we make it so
We live fast but we don’t die slow
Our bones are crushed - our blood is spilled
The prime directive is to f****** get us…

The Red Shirts are dying
I ain’t lying
What they sellin’ you buying
While the Captain’s satisfying
His itch in a ditch with some green skinned b****
And the federation grows increasingly rich

I woke up
I went up
To where the captain’s gettin’ intimate
I showed up
I strolled up
I looked at him like I don’t give a s***
He looked up
His d*** up
But it fell before my scrutiny
He stood up
He f***** up
He didn’t know it was a mutiny


So we breathe our last breath
Beamed into space or choked to death
A phaser blast, a Klingon assault
Drained of blood and drained of salt
Bat’leth, poison spores
While the captain gets laid by alien whores
Our essence, understand
Distilled in a shape and crushed in a hand

Revealed! Guillermo Del Toro's PACIFIC RIM Uniform Logo

Written By: Ken Hulsey
Source: Legendary Pictures

Something from Comic Con for us giant monster fans .... finally. The first teaser image from Guillermo Del Toro's "Pacific Rim".


Acclaimed writer, producer and director Guillermo del Toro's new film PACIFIC RIM features cast members including Charlie Hunnam, Idris Elba, and Rinko Kikuchi. Now the logo featured on uniforms from the film is revealed here.


Written By: Ken Hulsey
Source: Warner Bros

Comic Con time is upon us again and all the studios out there are going ape-shit crazy releasing new images and trailers for their upcoming projects. The latest entity to send some thing our way, Warner Bros who supplied these great promotional images for "The Hobbit: an Unexpected Journey"

Above - RICHARD ARMITAGE as Thorin Oakenshield in New Line Cinema's and MGM's fantasy adventure "THE HOBBIT: AN UNEXPECTED JOURNEY," a Warner Bros. Pictures release.

Photo by James Fisher

KEN STOTT as Balin and GRAHAM McTAVISH as Dwalin in New Line Cinema's and MGM's fantasy adventure "THE HOBBIT: AN UNEXPECTED JOURNEY," a Warner Bros. Pictures release.

Photo by James Fisher

STEPHEN HUNTER as Bombur, JAMES NESBITT as Bofur and WILLIAM KIRCHER as Bifur in New Line Cinema's and MGM's fantasy adventure "THE HOBBIT: AN UNEXPECTED JOURNEY," a Warner Bros. Pictures release.

Photo by James Fisher

DEAN O'GORMAN as Fili and AIDAN TURNER as Kili in New Line Cinema's and MGM's fantasy adventure "THE HOBBIT: AN UNEXPECTED JOURNEY," a Warner Bros. Pictures release.

Photo by James Fisher

JOHN CALLEN as Oin and PETER HAMBLETON as Gloin in New Line Cinema's and MGM's fantasy adventure "THE HOBBIT: AN UNEXPECTED JOURNEY," a Warner Bros. Pictures release.

Photo by James Fisher

JED BROPHY as Nori, ADAM BROWN as Ori and MARK HADLOW as Dori in New Line Cinema's and MGM's fantasy adventure "THE HOBBIT: AN UNEXPECTED JOURNEY," a Warner Bros. Pictures release.

Photo by James Fisher

Godzilla 6 1/2-Inch Bandai Action Figure Assortment Case

Source: Entertainment Earth

Godzilla 6 1/2-Inch Action Figure Assortment Case:

Collectible Godzilla!
Godzilla with articulation!
Godzilla invades your collection!

This Godzilla 6 1/2-inch tall action figure case contains 12 individually packaged figures (subject to change):

4x Godzilla 2001
5x Space Godzilla
3x Gigan Final Wars

This Item Is For Sale At Entertainment Earth For $129.99 (Click Here)

Analeigh Tipton - Hot Actress Profile!

Source: Warner Bros

ANALEIGH TIPTON stars in the highly anticipated, soon-to-be-released Whit Stillman-directed feature film "Violet Wister's Damsels in Distress." She most recently co-starred with Seth Rogen in Michael Gondry's action/adventure "The Green Hornet," playing the title character's girlfriend. She will soon be seen in a multi-episode arc on "Hung" for HBO, to air in Fall 2011, and just wrapped filming yet another lead role, in "Samaritan," executive produced by Daniel Dubiecki.

Tipton, originally from Minnesota, was raised in Central California. She grew up as a competitive ice skater, competing twice in the U.S. Junior Figure Skating Championships. After moving to Hollywood, Tipton was a runner-up on cycle 11 of America's Next Top Model.

Also an accomplished artist and writer, she is currently in the process of writing her own screenplay.

Frank Miller's HOLY TERROR Teaser Video

Source: Legendary Comics

Here is your sneak peek at the trailer for Frank Miller's Holy Terror in advance of the official unveiling at the beginning of the Legendary Comics Panel at San Diego Comic-Con.

Frank Miller - the iconic writer/artist of Sin City and 300 brings you a no-holds-barred action thriller for the modern era. Join The Fixer, a brand new, hard-edged hero as he battles terror in the inaugural release from Legendary Comics:
Frank Miller’s Holy Terror – coming September.

Sigourney Weaver Believes Ripley Has Unfinished Business With ALIENS

Written By: Ken Hulsey
Source: WENN

Unless you have been living under a rock for the last year or so you undoubtedly know that there is a new "Alien" prequel in the works and that Sigourney Weaver will not be reprising her role as Ripley in it.

That being said the 61-year-old actress still feels that her infamous character still has a place in at least one future film in the long-running sci fi/horror series. She believes that the only hurdle that could stand in the way of that happening is her age, "I could definitely kick that alien's ass again. While I can't speak for them, I think for Fox, once you're 60, you're not going to be starring in an action movie.

"I think it's too bad that that's the case. I would have liked to do one last story where we go back to the planet, where Ripley's history is resolved. But I do feel like her story is unfinished."

This is without a doubt one of the coolest quotes I have ever heard!

The only thing I have to say is that if an aging Harrison Ford can still play Indiana Jones and fight Ruskies then Sigourney Weaver can still kick the shit out of Aliens .... nuff said!

DARK SHADOWS To Return To Comics Just In Time For Halloween

Source: Dynamite Entertainment

Television's original reluctant vampire is back! Barnabas Collins is re-adjusting to life under his vampiric curse. Haunted by terrifying dreams of his age-old lover and nemesis, Angelique, and fighting his bloodlust, Barnabas fears that danger lies ahead for all who live at Collinwood. Meanwhile, Barnabas's ally and trusted friend Dr. Julia Hoffman is harboring secrets of her own. Written by Stuart Manning and drawn by Aaron Campbell, with covers by Campbell and superstar artist Francesco (Black: Panther: Man Without Fear, Swamp Thing) make sure to get the horrifying Dark Shadows #1!

Collinwood, an ancestral mansion on the remote Maine coastline, is home to the Collins family, a dynasty haunted by secrets and a supernatural curse spanning two centuries. Barnabas Collins is facing an uncertain future and new threats. Cursed in 1795 by the witch Angelique, Barnabas has lived as a vampire for almost two centuries. Out of his own time and now a self-appointed protector for the Collins family, accompanied by his loyal confidante Dr. Julia Hoffman, Barnabas lives in fear that Angelique might return as he seeks a cure from his vampiric affliction. Picking up directly where the original daytime episodes of Dark Shadows left off, the new comic book will bring the familiar residents of Collinwood further into the 1970s, facing threats both old and new.

Jim Pierson of Dan Curtis Productions, the show's creator, declares "Dark Shadows still casts its imaginative spell on so many devoted fans who have discovered the series over the past four decades, captivated by its unique blend of Gothic romance, mystery, horror and a touch of science fiction."

Says writer Stuart Manning, "With stunning artwork capturing the likenesses of the classic actors and exciting new serialized stories, the Dark Shadows comic will appeal to both the original generation of fans who ran home from school and new audience of fans ushered in by Tim Burton's forthcoming big screen remake, starring Johnny Depp."

"I am so happy to work with someone of Stuart's expertise and caliber," states Dynamite Entertainment President and Publisher Nick Barrucci. "Aaron's fantastic work on Sherlock Holmes and Green Hornet: Year One and Francesco Francavilla's covers are truly a sight to behold!"

"We've really put together a great team," adds Editor Joe Rybandt. "Stuart is crafting a tale for fans old and new, and Aaron's incredible detail will find a perfect home with this title, capturing the mood and atmosphere of Dark Shadows perfectly. It's gonna be a truly Gothic affair."

Problems Plague DRACULA'S ORGY OF THE DAMNED But James Baack Pushes On

Written By: Ken Hulsey
Source: James Baack

Have you ever had dreams of being an independent film maker? Is there a movie idea inside of you just screaming to to be made? Do you think you have what it takes to make it happen?

Think again.

Working on a movie isn't as easy as you may think. The questions I should have asked were:"Do you like ulcers?" "Do you like pulling out your own hair?" "Do you believe that the entire universe is conspiring against you?"

A great example of just how many problems a film maker can encounter can be found in the words of indie film maker James Baack in regards to his latest project "Dracula's Orgy of the Damned". Here is how Baack explains it:

"This movie has had more problems taking off than the production of Alien 3.

I have more angry actors, schedule conflicts, script rewrites, and MIA's than you can shake a garlic necklace at. First off, we WERE able to get footage of the Carpathian Mountains in Romania but unfortunately, due to severe rainfall and heavy flooding we failed to get footage of Dracula's Castle.

Our beloved actor from England, Tim Pollard's motorcycle just can't seem to get the gremlins out of it so we can capture a merry little ride across the English countryside for the opening credits.

And finally schedule conflicts seem to be this summers theme. I just cannot seem to get everyone together for a shoot. We do have a few dates locked down for August so we hope to take full advantage of this. Plus I have about half the cast ready to walk due to all this.

So I guess I have to either get the Billy Goat out to remove the curse or take a trip down to the Crossroads so we have finish this up successfully."

Trust me .... ask any film maker out there and they will tell you that this sort of stuff is pretty typical.

Baack did not however that he has added two more names to the cast of DOOTD, namely Dr. Erik Gregersen (a real doctor ... and scientist) to play Dr. Frankenstein and Rick Mohr who's credits include "The Gladiator" and "The Color of Money".

So is Dracula's Orgy really Damned? Baack doesn't think so. He still plans to have the whole production wrapped up in October for a 2012 release.

"Island of Lost Souls" To Be Released In October!

by Armand Vaquer

Island of Lost Souls is coming to DVD and Blu-ray from Criterion!

The release date is October 25 (just in time for Halloween).

Finally, after years of fan clamoring over a DVD release, the 1932 classic Paramount picture is getting released. Island of Lost Souls was directed by Erle C. Kenton and starred Charles Laughton and featured Bela Lugosi as the "Sayer of the Law" (left).

According to the Criterion website:

SYNOPSIS: A twisted treasure from Hollywood’s pre-Code horror heyday, Island of Lost Souls is a cautionary tale of science run amok adapted from H. G. Wells’s novel The Island of Dr. Moreau. In one of his first major movie roles, Charles Laughton is a mad doctor conducting ghastly genetic experiments on a remote island in the South Seas, much to the fear and disgust of the shipwrecked sailor (Richard Arlen) who finds himself trapped there. Erle C. Kenton’s touchstone of movie terror is elegantly shot by Karl Struss, features groundbreaking makeup effects that inspired generations of monster-movie artists, and costars Bela Lugosi in one his most gruesome roles

The disc features include:

•New high-definition digital restoration of the uncut theatrical version (with uncompressed monaural soundtrack on the Blu-ray edition)

•Audio commentary by film historian Gregory Mank, author of Bela Lugosi and Boris
Karloff and Hollywood’s Maddest Doctors

•New video conversation among filmmaker John Landis (An American Werewolf in London), Oscar-winning makeup artist Rick Baker (An American Werewolf in London, Videodrome), and genre expert Bob Burns

•New interviews with horror film historian David J. Skal (The Monster Show: A Cultural History of Horror); filmmaker Richard Stanley (Hardware, original director of the ill-fated 1996 remake of The Island of Dr. Moreau)

•New interviews with Devo founding members Gerald Casale and Mark Mothersbaugh,
whose manifesto is rooted in themes from Island of Lost Souls

•Theatrical trailer

•PLUS: A booklet featuring a new essay by critic Christine Smallwood

Above, "Island of Lost Souls" was featured in a recent issue of "Famous Monsters of Filmland."

This is one movie horror fans shouldn't miss!

Simon Pegg Says No To Sequels ..... Except For PAUL .... Possibly

Written By: Ken Hulsey
Source: Simon Pegg via Twitter

It would be fair to say that Simon Pegg believes that Hollywood has gone a little sequel crazy over the past decade or so, and who could argue with that honestly? In regards to his own films he feels that they speak for themselves and really don't need a follow-up story .... with the exception of possibly one.

Here is what Pegg posted on Twitter about a sequel to "Hot Fuzz":

"Does this mean Sgt. Nicholas Angel can come back to London? Because he doesn't want to. He's happy with Danny in Sandford

Didn't mean to fuel rumours of a Hot Fuzz sequel. A high ranking MET police officer resigned, thus the comment about Angel returning to LDN."

Then he posted about sequels in general:

"Where does this sequel obsession come from? Has our lust for the new been blunted by repeated pandering to childish desires for familiarity?"

Then to set the record straight:

"Didn't say sequels were a bad idea, far from it. Simply meant they're not always necessary. Certainly not with SotD & HF." (Shaun of the Dead & Hot Fuzz FYI)

Then he left the door open to the possibility that he could do a sequel to "Paul" but it would have to wait for other projects:

"I'd love to make a sequel to Paul. Nick & I had a funny idea but even if we started writing it 2day. With shoot and post it'd be 3 yrs min.

What I meant earlier is that it would take 3 years to get Pauls out from 2day, if we didn't have World's End to write and make, which we do"

Note - Nick Frost added:

"does that mean there will be a fourth season of spaced?"

Does any of this mean that a "Paul" sequel is one the way? No ... it doesn't but it also doesn't rule it out either. As we know if there is an idea brewing in someones head there is always a possibility that it may one day come to pass.

Despite Some King-Sized Confusion KONG: KING OF SKULL ISLAND Still Moving Forward

Written By: Ken Hulsey
Sources: Avery Guerra / Robert Hood

Some of you may recall way back in 2009 when I first reported that Spirit Pictures was working on a "King Kong" prequel/sequel called "Kong: King of Skull Island" based on the graphic novel by the same name created by Joe DeVito and Brad Strickland. Prior to that story hitting the web the film had been suffering in development hell at another studio Fantastic Films. Shortly after the news broke that Spirit had taken over the project all related info and images pertaining to it were pulled from Fantastic's web site only to replaced sometime later by a listing for something called “King Kong: The Beginning". It was naturally assumed that the DeVito/Strickland project had been replaced by yet another similar film. Eventually the second project was also removed from the website.

Recently it was announced the Fox Animation was going to tackle a "King Kong" project of their own aimed at a younger audience. Some speculated that somehow "Skull Island" figured into this somehow, possibly that the two were the same film or that they were connected.

Our dear friend Avery Guerra got right on the horn and contacted Devito directly to get some answers.

Here is what he asked Devito:

"I was told a short while back, by someone who had worked on the DeVito project, that they were no longer involved and that they had heard that Ted Fields was now attached to it. In conjunction with this new report that Fields’ team was working on the Fox animation, it all seemed very confusing. Were these the same project? So I enquired of Joe DeVito if this new animated film was related to his project in any way."

Devito's answer:

“I can tell you that the project you refer to is not connected to mine. The two are on completely different tracks. Mine is still moving ahead very well and I can say this: the project has never been more alive, and has never been on a faster track or in better hands than it is right now.”

So there you have it. "Kong: King of Skull Island" is still moving forward through Spirit Pictures.

Here is a synopsis of the plot:

The story begins in 1957, twenty five years after King Kong’s fall from atop New York City’s Empire State Building. Following Kong's death, both Carl Denham and the body of Kong quickly vanished before any investigation could be launched, leaving rumor and speculation in their wake. Carl's son, Vincent, was left behind. He is now a paleontologist facing a spiritual dilemma, which has its seeds in the disappearance of his father. Upon a chance finding of the hidden Skull Island map, Vincent contacts Jack Driscoll, one of Kong's original captors. They piece together a plan and go to Skull Island in search of Carl Denham, King Kong, and an answer to questions spanning a quarter century.

During a disastrous landing attempt, Vincent is almost killed and Driscoll sets out to find his stricken friend. Upon waking in a dark cavern, Vincent finds himself being cared for by an enigmatic island elder and her young, exotically beautiful but ominous assistant, Kara. The ancient woman, who asks to be called "Storyteller," seems to possess extraordinary knowledge about Vincent and his father. She relates a story from a century earlier that Vincent half-hears and half-dreams through the haze of narcotic herbs kept burning to aid his recovery. Her tale hints at the true origin of the island’s culture and the mystery behind questions such as: Who built the Wall and how? If the Wall was built to keep Kong out, why are its doors big enough to let him in? How could such an island and its monstrous creatures still exist? The answers to those questions and more are all revealed.

Or are they?

While the Storyteller’s tale is sometimes confirmed, it is often refuted by the sights and experiences of Jack Driscoll. He stumbles upon pieces to Skull Island’s primordial history as he struggles to survive the various threats of the island and find his friend. When Driscoll and Vincent reunite, their experiences combine to determine just who the Storyteller and Kara are, what became of Carl Denham, the story behind King Kong and clues to the origins of Skull Island itself. As a result, their lives are all changed forever.

As the story unfolds against a fantastic prehistoric backdrop, woven throughout are themes of personal redemption and reconciliation. All the protagonists have a particular cross to bear: Vincent is on the brink, both emotionally and spiritually; Driscoll comes face to face with past fears and prejudices; in the wake of Kong's death, the lives and culture of the islanders themselves hang in the balance; and we find that Carl Denham's desperate attempt to assuage his conscience decades earlier had very unexpected consequences…

Mysteriously, everyone is inextricably bound to the Storyteller’s ancient tale. It tells of Islanders Ishara and Kublai, and their quest to escape a terrible fate which threatens both themselves and their people. That struggle has the power to reach across time and change the destiny of all - if they survive. For at the nexus of every event is the beast-god of Skull Island: KING KONG.

SyFy To Go Behind The Scenes Of B Movie Effects In MONSTER MAN

Source: NBC / Universal

Syfy is expanding its slate of original reality programming by greenlighting Monster Man, a docuseries about a quirky Hollywood creature-making family, it was announced today by Mark Stern, President of Original Content, Syfy and Co-Head of Content for Universal Cable Productions.

Six one-hour episodes have been ordered from Gurney Productions, the team behind Syfy’s exciting new series Haunted Collector.

Monster Man goes behind the scenes of one of Hollywood’s most respected monster prop building workshops. For more than thirty years, when studios want a bizarre creature or out-of-this world alien, they’ve turned to Cleve Hall and his very unique family business. Only the horrifying monsters they build match the craziness of this highly dysfunctional, extremely talented family.

“We are entering the creative world of a very eccentric, artistic family,” said Mark Stern. “Cleve and his team will give our viewers a rare behind-the-scenes look at what it takes to bring monster props, puppets and costume pieces to life. But they’re also a family business, so the unusual dynamic between them is half the fun.”

Cleve Hall has been in the prop design game since he was a teenager. Monsters are his specialty, which fits the personality of a man who dresses in all black and drives a hearse. Hall has created masterpieces for countless B-movies and big budget flicks for Paramount Pictures, DreamWorks, Warner Bros and Disney, including favorites Ed Wood and Pee Wee’s Big Adventure. Hall has also lent his talent to numerous television programs including Yo Gabba Gabba, for which he received an Emmy nomination. Additionally, he has worked with rock bands including KISS, creating Gene Simmons’ Demon Armor, as well as Insane Clown Posse, Alice Cooper, Tenacious D and DEVO.

Monster Man follows Cleve Hall, his daughters Constance and Elora Hall, his ex-wife Sonja Maddox-Hall, best friends Roy Knyrim and Johnny Saiko, as well as office manager Cindy Miller. Executive Producers are Scott Gurney and Deirdre Gurney for Gurney Productions.

Production on Monster Man is slated to begin shooting in Los Angeles in July 2011 with an anticipated January 2012 debut.

Bigfoot Returns To Comics In Dynamite's CURSE OF THE WENDIGO

Source: Dynamite Entertainment

The Walking Dead's acclaimed artist, Charlie Adlard is teaming up with Dynamite Entertainment on a new horrific tale that will be adored by his fans! Teaming up with French TV and comic book writer Mathieu Missoffe comes Curse of the Wendigo! Curse of the Wendigo mixes true historical facts with fiction to create an unexpected story and distinctive atmosphere, beautifully rendered by Charlie Adlard's immense talent and enhanced by his innovative use of old war pictures within his artwork.

Set in France during WWI, Curse of the Wendigo follows a desperate alliance between isolated French and German soldiers, who must temporarily stop slaughtering each other to fight a new terrifying threat : the Wendigo, a creature preying on soldiers from both sides. Joining the search and destroy party is one of the very few Native Americans enrolled in the US Army at the time, who followed the evil trail of the once human Wendigo from his tribe's land up to the French trenches…

"There was a lot of research with Wendigo," says acclaimed The Walking Dead and Curse of the Wendigo artist Charlie Adlard. "I wanted an authenticity to the book - there had to be. So I spent a long time working on the real settings. Matt helped a great deal - he found me all these old postcards of the village where the climax is set, something I could not find on any search engine on the net. I firmly believe anyway, that if you draw any book set in the "real" world, it should have "real" things in them - not some fabrication in the artists mind. Which is another reason why I'm attracted to French comics - they seem to put a much greater emphasis on a sense of place as much as the people in their stories, unlike the US/UK, who emphasize the people over place. Just look at Asterix and Tintin books to see what I mean - fantastically drawn and rendered characters BUT set within a world that's totally real."

"Beyond the action and the supernatural," Curse of the Wendigo is also a drama, says writer Mathieu Missoffe. "It's a story about the madness of war, and about what defines basic humanity within one of the most inhumane conflict of modern history.

"Fans of the graphic arts live in a glorious age," adds Dynamite Editor Joe Rybandt. "An age where material that years ago would have never found a publishing home in the States, can now find such a home and we can all enjoy incredible graphic novels such as Curse of the Wendigo."

Charlie Adlard is best known for drawing the hit series, The Walking Dead with superstar artist Robert Kirkman! With The Walking Dead more popular than ever with a hit TV show on AMC, Charle Adlard's popularity has never been higher!

Adlard began his work in the UK on White Death with Robbie Morrison and 2000 AD series including Judge Dredd, Savage, and Armitage. Other work includes: The X-Files (for Topps); Mars Attacks! (also for Topps); Astronauts in Trouble (for AiT/Planet Lar); The Hellfire Club and Warlock for Marvel Comics; Batman: Gotham Knights and Green Lantern / Green Arrow for DC Comics; White Death for Les Cartoonistes Dangereux; Blair Witch: Dark Testaments and Codeflesh for Image; Shadowman for Acclaim Comics; and The Establishment for Wildstorm, amongst many others.

Adlard's style has evolved from what was originally fully painted artwork on Armitage, through increasing confidence as a monochrome artist, to his recent work, which uses large blocks of black ink on the page to create shadow effects much bolder than are commonly seen in comics art.

Mathieu Missoffe decided to take a shot at writing some of those twisted stories himself, after years of working in television production in France. Now a television writer and comic book creator, he devotes most of his TV work to French police procedurals, while exploring other genres such as Fantasy or Horror in graphic novels. Curse of the Wendigo is his second book, a blend of historical and supernatural elements brought to life by Charlie Adlard's first class artwork and Mambba's intense colouring. Needless to say, new television and comic book projects are in the pipe, including an upcoming TV thriller described as Jack The Ripper at the Moulin Rouge, co-written with Elsa Marpeau.

The Time Is Now To Save SPACE WARRIORS 2000 And Bring It To DVD!

Written By: Ken Hulsey
Source: Richard Gladman

Do you love Ultraman? Do you love giant Japanese monster movies? Do you love really weird obscure movies?

Well odds are if you are reading Monster Island News the answer is pretty obvious isn't it!

Let me tell you about a a very cool little film that you probably have never heard of called "Space Warriors 2000" which is a mish-mash of clips from old "Ultraman" episodes, and from the looks of it other Japanese monster movies, combined with new footage to create a stand alone movie.

Think of it like "Power Rangers", "Gamera Super Monster" or how Turkish sci fi films are made.

Anyway the film was produced in the mid 1980s and released to TV here in the United States. After the movie aired it disappeared into obscurity never to be seen again.

That is, until now. It seems that a distributor called Spectrum Ventures has gotten a hold of a print of "Space Warriors 2000" and has plans to possibly release it to DVD. Only one problem, the print has deteriorated to a point where it is no longer of any quality for such a release. Being that there would be both time and money issues in restoring SW2000 Spectrum is wavering on their plans.

This is where you come in.

Richard Gladman of the Cyberschizoid blog has engineered a campaign via email and Facebook to let Spectrum see just how much fan support there is for a "Space Warriors 2000" DVD release.

Here are the links:

Space Warriors 2000 on Facebook
Spectrum Ventures
Spectrum Ventures Email

Plot summary/info:

Apparently cobbled together in the mid-eighties from footage taken from two Ultraman movies (one in fact a TV special called Ultraman Zoffy:The Ultra Warriors vs The Great Monster Army!!!) and released to American television, this is an immensely entertaining giant monster fest which is perfect for lovers of bad movies and trash cinema!

Here is a clip:

As Ultraman fans we all have a duty to persuade Spectrum Ventures to release "Space Warriors 2000" on DVD! Remember .... you have the power!

Harry Potter and the Deathly Hallows - Part 2 (Warner Bros)(2011)

Source: Warner Bros

Ten years ago, those four words signified the beginning of the extraordinary cinematic journey of a boy whose name became synonymous with magic: Harry Potter. Over the next decade, the film franchise that bears his name changed movie history while also changing the lives of its multi-generational ensemble cast and the filmmakers who devoted themselves to bringing J.K. Rowling's seven-volume literary masterpiece to the screen.

Commencing with 2001's "Harry Potter and the Sorcerer's Stone" and culminating with the two-part adaptation of the final title, "Harry Potter and the Deathly Hallows," the films have become the top-grossing franchise of all time, capturing the imagination of audiences around the world. Additionally, both the books and the movies have been woven into our culture, adding words like Muggle, Quidditch, Hogwarts and even Expelliarmus! to the global lexicon.

David Heyman, who, in 1997, discovered the as-yet-unpublished Harry Potter manuscript and has produced all of the movies, acknowledges, "I could never have imagined when we embarked on the first film the level of response from audiences through the years. It's been beyond my wildest dreams, so I look back on it with great pride and with gratitude, for the fans and especially for Jo Rowling."

Collectively, the Harry Potter movies were an unprecedented undertaking for all involved—no other motion picture series had ever followed a linear story surrounding the same characters over the course of eight full-length features.

Producer David Barron notes, "It really has been unique, but it was entirely dependent on having rich enough source material, and that, of course, began with the books."

Creatively, states author and producer J.K Rowling, the single thread of the story was very much by design. "I had a very, very clear idea of where Harry was going to go. This was just one story that I wanted to tell. For me, that was key if the books were ever going to be made into films; it had to be done that way. When I met David Heyman, he completely understood."

Rowling found another invaluable collaborator in screenwriter Steve Kloves, who has adapted six of the seven books. "Steve really got the books," she says, adding, "I was always accepting of the fact that changes must occur in the process of moving from the page to the screen. But even the scenes that were different were always very true to the spirit of the books."

Kloves remarks, "We had one cohesive, bracing tale that literally had no end when we began, since only the first three books had been published. Although that sometimes made for challenging circumstances, my instincts were pretty true. But in those instances when I was in need of assistance, I had an ally whose counsel I felt was reasonably sound: Jo," he deadpans. "While she was never explicit, she was always available and highly adept at gently nudging me in the right direction. In the end, one principle proved pretty reliable: follow the characters."

Director David Yates says, "In following the characters, many of the values that Jo celebrates in the books come to the fore in the films—the value of loyalty and love and friendship and understanding versus intolerance and evil."

"The power of love is a huge theme throughout the books and the films, as well," Rowling adds. "There are lots of different kinds of love expressed over the course of the story, but friendship is probably the strongest form of love that you see in the movies."

The love between friends is embodied most in the characters of Harry Potter, Ron Weasley and Hermione Granger. They were portrayed by three young actors who literally grew up on the screen: Daniel Radcliffe, Rupert Grint and Emma Watson.

Radcliffe relates, "I couldn't even attempt to sum up what the role of Harry Potter has meant to me, but I can say that I never took the opportunity to play him lightly. It may have been the same character, but like anyone else, Harry changed a lot over the years so, as an actor, I looked at each film as an opportunity to do something fresh and to develop another set of skills."

"I feel very privileged to have played Hermione," says Watson. "I think she's someone young girls can look up to because she's always true to herself. She's very smart and an incredibly courageous and loyal friend who keeps a cool head in extremely difficult situations. It was wonderful to be able to bring across those elements of her personality throughout the films."

"I know I'll miss playing Ron because there was a time when I was him more than I wasn't him," Grint laughs. "And I really liked the development of his character. He started out as a kid who was quite easily scared and it was nice to see him grow up to be brave and resourceful, particularly in this last movie where they are in such an unpredictable and dangerous place."

Heyman notes, "Over the course of these films, we've truly had the who's who of British acting royalty on our stages, which was tremendous. But watching our young cast grow into fine actors and fine people has been one of the great joys of working on the Harry Potter films. We're incredibly proud of them."

Audiences have also watched all of the young characters in Harry Potter go from childhood to adulthood and, as they have matured, so have the stories. "It's about engaging the imagination because those are 'muscles' that also need to be developed as a child grows up," says Alan Rickman, who has played the enigmatic Professor Severus Snape in all of the movies. "In order for that to happen properly, there have to be some big themes to think about. What's right and what's wrong? Who do I trust and who don't I? What does it mean to be brave...and what does loyalty mean? It's all in there."

With each successive title, the stakes were raised and the dangers amplified as Lord Voldemort returned and now reigns.

In "Harry Potter and the Deathly Hallows - Part 2," the young wizards are now on the front lines of a world at war. Heyman declares, "This is the final battle for Hogwarts, the final battle for the wizarding world and—something we've been building towards throughout this series—the final conflict between Harry and Voldemort."

Yates says, "It was important to end the series with an epic finale, so we have battles and dragons, spiders and giants...but at heart, this is a story about the characters. Spectacle is important, but caring about the people in the middle of it is what pulls the audience into the journey with them."

"There's a lot more action, but the emotional core of the story has always been what these movies are about, and we would never want to overshadow that," Barron says.

Heyman agrees. "The all-out war between good and evil is thrilling, but there is still an emotional underpinning. And because we've been invested in these characters for so long, it feels there is much more at stake."

The climactic conclusion of the story reveals some surprising new facets of several beloved characters. Yates affirms, "One of the most interesting things about the way this story unfolds is that the line separating the forces of darkness and light is blurred and we see that certain people are more complex than they first appeared."

"All of the characters—Harry included—are flawed," Rowling adds. "We don't have one wholly good or wholly bad person...with the exception of Voldemort. He is wholly evil. There are no redeeming qualities there," she smiles.

The final film brings the characters back to some familiar places, including the now-iconic Hogwarts School of Witchcraft and Wizardry, which was not seen at all in "Part 1," marking a first for the series. Conceived by Rowling and realized by production designer Stuart Craig, Hogwarts has been a home, a headquarters and a haven to its students and faculty.

But it is about to become a battlefield.

"Harry Potter and the Deathly Hallows - Part 2" begins where "Part 1" ended: with a theft that will have lasting repercussions. The stone crypt of Albus Dumbledore is desecrated and a distinctively shaped wand is taken from the late headmaster's hands. With triumphant malice, the thief—Lord Voldemort himself—raises the Elder Wand high into the air, sending lightning bolts into the swirling dark clouds above.

As legend has it, the Elder Wand is one of the titular Deathly Hallows—along with the Resurrection Stone and the Invisibility Cloak—which together provide one with mastery over Death. Each has valuable properties of its own, with the Elder Wand said to be the most powerful wand in existence.

Ralph Fiennes, who once again portrays the Dark Lord, offers, "Voldemort is under the belief that whoever possesses the Elder Wand would have supremacy, but it's more complicated than that, much to his frustration."

Voldemort had learned of the Elder Wand from Mr. Ollivander, whom he tortured into revealing its location. The expert wand maker warns Harry that if Voldemort does have the Elder Wand, Harry has no chance against him. But the added threat won't deter Harry Potter from his mission—to find and destroy the remaining Horcruxes, items in which the Dark Lord has embedded pieces of his soul in his quest for immortality. Three have been destroyed, four remain, but as long as even one survives, the Dark Lord cannot be defeated.

Yates comments, "At the beginning of 'Part 2,' Harry is a man rather than a boy and is ruthlessly sure of his task. He needs to kill Voldemort. He knows he must be the one to finish it and he is determined to see it through."

A clue as to the whereabouts of another Horcrux comes from someone else Harry first met on Diagon Alley all those years ago: a goblin named Griphook, who works at Gringotts Bank.

Warwick Davis, who had actually provided the voice of Griphook in "Harry Potter and the Sorcerer's Stone," returns to portray the character in the final film. Davis is also known to audiences as Hogwarts' Professor Filius Flitwick and says that playing both roles "really allowed me to stretch my acting muscles because the two characters are poles apart. Flitwick is a wizard and quite a warm character, whereas Griphook is a goblin who thinks wizards are untrustworthy. Then again, it's Griphook who tries to manipulate the situation to his own advantage. If you encounter a goblin, beware," he grins. "They're very selfish and will do anything to get their way."

Griphook tells Harry that there is a duplicate of the sword of Gryffindor in Bellatrix Lestrange's vault at Gringotts Bank, although, unbeknownst to her it is a counterfeit and Harry is in possession of the real one. The goblin divulges that it is only one of many objects in Madam Lestrange's vault and Harry suspects that the vault of a trusted Death Eater might be the perfect place to hide a Horcrux.

"Basically, they have to pull off a bank heist," Yates says. "They need to break in to see if there's a Horcrux in Bellatrix's vault. If they find it and destroy it, they are one step closer to killing Voldemort. But robbing Gringotts is not going to be easy, to say the least. There are a number of obstacles in their way."

Griphook agrees to help them get into Gringotts for a steep price: the sword of Gryffindor. Gaining entry to Bellatrix's vault is another matter. With the aid of some Polyjuice Potion, they will be accompanied by Madam Lestrange herself—or rather Hermione Granger in the guise of Bellatrix.

Since her introduction in "Harry Potter and the Order of the Phoenix," one of the hallmarks of Bellatrix Lestrange has been how utterly mad she is, and Helena Bonham Carter had always reveled in the boundless nature of her character. Portraying Hermione pretending to be Bellatrix, however, required a few definite boundaries. Bonham Carter attests, "It's not actually Bellatrix; it's Hermione's version of Bellatrix. They are total opposites so it was good fun because it gave me another texture to play."

Capturing the dichotomy involved the collaboration of Bonham Carter, Yates and the person who knows Hermione better than anyone: Emma Watson.

Yates recalls, "We had a big rehearsal session where Emma basically did the scene, demonstrating how she would walk and how she would say her lines and we videotaped it so Helena could incorporate that into her performance."

Bonham Carter adds, "Emma and I discussed the scene at length and she gave me terrific bullet points, which became my Hermione guidebook."

"One of the things I really wanted Helena to get across is how awkward the whole experience is for Hermione," Watson observes. "She is very uncomfortable because, for one thing, Hermione is somewhat prudish and Bellatrix is wild and goes around in a leather corset. And Bellatrix is evil and arrogant while Hermione is a good person, so being mean and demanding to everyone doesn't come naturally to her at all."

With Ron disguised as a Death Eater, and Harry and Griphook hidden beneath the Invisibility Cloak, the group makes their way into Gringotts, where rows of goblin bank tellers barely look up from their ledgers.

For the Gringotts sequence, Davis did double duty, not only acting but casting. He explains, "I represent actors under five feet tall, so the filmmakers came to me and asked me to help them find more than 60 people to play goblins, who could also handle the extensive prosthetics. We had actors come in from all over Europe, so it was like the United Nations of goblins."

Turning dozens of actors into goblins also entailed a multilateral effort from special make-up effects designer Nick Dudman and his team. They began by sculpting the goblin faces, with the caveat that no two could be identical. Dudman confirms, "We had to carefully monitor the designs so they wouldn't look alike because we wanted to make them each individual. We then mass produced all the prosthetic pieces, but every one had to be hand-painted and the hairs of the eyebrows had to be placed one-by-one into the silicone. It's incredibly labor intensive."

An assembly line of approximately 170 make-up artists was recruited to apply the goblins' make-up, which took as long as four hours per goblin. In order to ensure that each one was done according to Dudman's specifications, he ran a three-day workshop, training a multi-national team to apply the make-up over and over again until he felt they were accurate. Nevertheless, Dudman emphasizes, "Nobody left that room without me checking them."

Since the goblins were bankers, costume designer Jany Temime and her department dressed them all very conservatively in three-piece pinstripe suits, each of which was specially made.

The Gringotts scene in "Sorcerer's Stone" was actually shot on location, with the Australian Embassy doubling for the wizard bank. That location was not an option for "Deathly Hallows - Part 2," as the action would result in a considerable amount of destruction. The Gringotts Bank set was instead constructed in the flight shed at Leavesden Studios.

Stuart Craig, who has served as the production designer on all of the Harry Potter films, saw it as an opportunity to improve on the bank design, making it bolder while staying true to the spirit of the original. "This is a magical bank, so we wanted it to look very traditional but to exaggerate it. There is more polished marble than you could ever imagine—marble floors, marble walls, marble columns, marble counters. It's all faux, but it looks amazing. And we had fun with the goblins being imperiously perched on their very high stools at their very high desks looking down on their customers. We also made three enormous chandeliers because it was impossible to find any that were big enough for our needs."

Through an amalgam of subterfuge and magic, Harry, Hermione and Ron trick their way down to the Gringotts vaults, which are located in a vast cavern beneath the building. It can only be accessed via a cart that careens along a spiraling track akin to that of a roller coaster...and at similar speeds, albeit without the safety restraints. Special effects supervisor John Richardson recounts, "We built the cart from the ground up based on Stuart Craig's designs. Unlike most vehicles, where we had multiple versions, there was only one cart, so it had to be able to be attached to different rigs as well as be mounted on the track, enabling it to move up and down and tilt side to side."

At the cavern's deepest level, Harry, Ron and Hermione are faced with the bank's maximum security system—a giant, fire-breathing dragon that is as much a prisoner as it is a guard. The fearsome winged dragon was the latest creature rendered through CGI by the visual effects team, headed by Tim Burke.

With Griphook disclosing the dragon's vulnerability, the group manages to evade it and get to Bellatrix's vault. The door opens to reveal an inestimable fortune in gold coins and various artifacts. But Bellatrix has instituted one final security measure: a Gemino curse, which causes every object they touch to sprout unlimited multiples of itself. Sensing the presence of a Horcrux—Helga Hufflepuff's cup—Harry has seconds to get it and get out before they are all crushed under the mounting treasure trove.

Working within the limited space constraints, Richardson's team crafted a series of scissor lifts that rose up to give the illusion of the treasure mounting. The props department, led by property master Barry Wilkinson and supervising modeler Pierre Bohanna, molded more than 200,000 golden coins and thousands of other items to fill the vault. Visual effects were then utilized to reproduce each item, exactly and exponentially.

Once Harry, Ron and Hermione have the Horcrux in hand, it will take a combination of ingenuity and compassion to escape Gringotts. But greater perils await the trio, who find themselves alone again with no turning back.

"Ultimately," states Radcliffe, "they all know the reason they are on this journey, and it's bigger than any one of them, or all three of them, or even their friends and families. For these 17 year olds to have the maturity and courage to recognize that what's at stake is more important than any of their individual lives is quite impressive, and I also think it's what makes it a very moving story."

Harry Potter's singular connection with Lord Voldemort has caused the young wizard fear and pain, but it has also provided him with a unique insight into the mind of the Dark Lord. Now it is showing him that Voldemort knows what they have been up to. Worse, instead of weakening him, the destruction of each Horcrux has made him like a wounded animal...desperate and even more dangerous.

Yates offers, "When Voldemort discovers that Harry has been hunting Horcruxes, he realizes for the first time that he might be vulnerable and we see him start to fragment, not physically as much as internally."

"Something essential is ripped out of Voldemort every time a Horcrux is destroyed and David encouraged me to play those scenes as if he's imploding," Fiennes recalls. "David was fantastic; there wasn't one shot—even those that would only be seen for a fraction of a second—where he didn't try to mine every aspect of what's going on within Voldemort, and I really valued that."

The director says, "Ralph and I both wanted to explore Voldemort's fear, his anger—all the things that make him the monster he is."

Speaking from an effects standpoint, Tim Burke shares that they wanted the eradication of each Horcrux to have a physical manifestation. "We needed to represent the evil of Voldemort with dark and disturbing images that really tap into people's subconscious fears."

From the time Voldemort was resurrected onscreen in "Harry Potter and the Goblet of Fire," visual effects were employed to complete his serpentine visage. Burke details, "We used a process called digital prosthetics, where we took away a few of Ralph's features and added the snakelike qualities like the slits for his nostrils. All of the nuances of his expressions had to be tracked in every single frame where Voldemort appears, and that's no small feat."

In a more literal sense, the visual effects team also brought to life the actual snake, Nagini, who is never far from Voldemort's side. Fiennes says, "He is very tender with her. It is quite possibly the most intimate relationship he's ever had, like a fellow spirit."

Through Voldemort's eyes, Harry also gleans that another Horcrux lies within Hogwarts School of Witchcraft and Wizardry. Rowling says, "It makes complete sense that Voldemort would have hidden a Horcrux at Hogwarts since he mostly hid them in locations that were significant to him, and Hogwarts was once his home. That's a major thing he and Harry have in common—for both of them, Hogwarts had been a place of refuge."

However, the place that had once been a safe haven for Harry is now enemy territory, with Death Eaters in control of the school and Dementors patrolling the perimeter. Returning to Hogwarts will put him and everyone there at tremendous risk, but it is a risk he must take.

Harry, Ron and Hermione will have to sneak in through a secret passage in Hogsmeade. But the instant they apparate into view, alarms start to blare. The trio are about to be cornered when a door opens and a seemingly familiar figure ushers them inside. For an instant, they almost believe it is the late Professor Albus Dumbledore, but their rescuer is soon revealed to be his estranged brother, Aberforth.

Joining the Harry Potter ensemble, Ciarán Hinds was cast as Aberforth Dumbledore, whose lingering resentment towards his brother stems back to events in their youth. Hinds elaborates, "There was a friction between them because of choices Albus made to the detriment of their little sister, Ariana. And it would appear from the way Aberforth speaks of him that he just wasn't ever able to move on from that."

Although the filmmakers did not want Hinds' Aberforth to look identical to Michael Gambon's Albus, Dudman and make-up designer Amanda Knight collaborated to give the brothers a strong family resemblance.

However, as Jany Temime points out, "He dresses completely different from Albus because Aberforth owns a pub and Albus was a professor. The Dumbledores are Scottish, so the kilt was essential."

Despite having helped Harry, Aberforth's bitterness spills over as he tries to dissuade him from jeopardizing his life to accomplish a mission given to him by Albus. But regardless of all the negative allegations that have come to light about Professor Dumbledore, Harry has made his choice. "One of the big themes in these last films is faith," Radcliffe asserts. "How long can Harry keep faith in this man whose character has been increasingly questioned?"

Barron answers, "Harry decides to trust the Dumbledore he knew, the man he believed in and who never let him down. Dumbledore gave him a crucial task to complete, no matter what it takes, and now he just needs to get on with it."

Harry's steadfastness proves more potent than Aberforth's rancor. He relents and sends for help, which comes in the form of an old friend: Neville Longbottom, played again by Matthew Lewis. Though they are thrilled to be reunited with their Gryffindor housemate, Harry, Ron and Hermione are stunned by the obvious abuse to which Neville has been subjected. It is their first indication of just how much things have changed at their school, which also has a new headmaster, Severus Snape.

"Hogwarts is a shadow of its former self," Heyman relates. "The Death Eaters have taken charge and any infraction of their rules is met with considerable brutality."

"It's become a pretty grim place, more like a prison than a school of magic," says Yates, who adds that he and cinematographer Eduardo Serra applied a distinct shooting style in order to set the tone. "We incorporated a specific palette of colors: blues and cooler tones that were muted. These developed into warmer and more operatic yellows and reds—the color of fire, the color of blood... There are sections of Part 2 that I wanted to feel like a war movie on an epic scale."

Guided by Neville through a hidden tunnel, Harry, Hermione and Ron arrive at Hogwarts, where they are met with an eruption of joy and relief by many of their old friends, including Luna Lovegood (Evanna Lynch), Cho Chang (Katie Leung), Seamus Finnigan (Devon Murray) and Dean Thomas (Alfie Enoch). There is also a sense of hope that Harry's homecoming signals the start of a new rebellion for Dumbledore's Army. "His very presence inspires them," Barron states. "It gives them confidence that they are not alone."

For the time being, Harry needs their help to piece together the clues to the whereabouts of a Horcrux, which he knows has something to do with Rowena Ravenclaw. Luna and Cho, both Ravenclaws, surmise that it could be Rowena's lost diadem, which they define as a kind of tiara...and which no one alive has ever seen. Before Harry can act on the information, Ginny Weasley rushes in and, checking her own elation at seeing Harry, tells them that Harry has been spotted...and Snape knows.

Bonnie Wright reprises the role of Ginny, whose relationship with Harry Potter has grown from a schoolgirl crush to a full-fledged romance. "In that instant they are reunited and the bond between them is obvious, but there is no time for them to connect because everything is moving so fast," she notes. "And Ginny understands he has greater responsibilities, which is part of what drew Harry to her. She doesn't see him as 'the Chosen One'; she sees him as Harry. I loved taking Ginny from a very shy little girl to this confident young woman."

Snape has summoned everyone to the Great Hall, which is now cold and gray, in stark contrast to the welcoming warmth of years past. Gone are the long tables filled with sumptuous foods, and the glowing light from suspended candles. Instead of the boisterous gathering of classmates, the students march silently in tight rows, grouped according to their houses. In this instance, however, the close formation provides the perfect camouflage for a bespectacled young man with a telltale scar.

As the inscrutable Professor Snape, Alan Rickman, with his trademark deliberate delivery, warns the assembled students that anyone caught helping Harry Potter would be dealt with...severely. Yates remarks, "The way Alan not only uses words but the space between words is completely delicious. I've never worked with an actor who's delivered lines as slowly as Alan," the director quips, "but he makes you hang on every word, every pause, every breath because you can't wait to hear what's coming next."

"Some of it is just handing yourself over to the material," says Rickman. "Jo laid out such a sure road map. We see what Snape's hair is like and what he wears: he's got only one set of clothes, clearly," he laughs. "We know he lives a solitary existence. We're told he never really raises his voice. It's about an explosive energy...but a contained one."

Snape's words have barely left his mouth when Harry steps out to confront the man he saw kill Professor Dumbledore and then had the audacity to take his place. Harry's daring mobilizes both his friends and his teachers, including Professors McGonagall and Flitwick. And in the doorway stands Remus Lupin (David Thewlis) and Kingsley Shacklebolt (George Harris), as well as members of the Weasley clan: parents Molly (Julie Walters) and Arthur (Mark Williams), twins Fred and George (James and Oliver Phelps), and newlyweds Bill and Fleur (Domhnall Gleeson and Cleménce Poésy). On the heels of the Chosen One's return, the surviving members of the Order of the Phoenix have risen to make their stand against the forces of the Dark Lord.

Maggie Smith reprises the part of Minerva McGonagall, who steps between Snape and Harry and engages in a fiery wand duel with her former colleague. "Maggie is a world-class actress, who makes the most of every line and every scene she's in. I loved getting to work with her again," says Yates.

Snape retreats in dramatic fashion, but the celebration is short-lived as Lord Voldemort makes his omnipresence known. With war looming on the horizon, McGonagall casts a spell that summons all of Hogwarts' forces to defend the castle, magically bringing to life the stone sentries that have stood silent watch for years. The once-inanimate soldiers were designed and sculpted by Stuart Craig's art department, and then animated via visual effects.

Tim Burke's VFX team was also responsible for creating the wand-generated force field, which he says was inspired by jellyfish. "Jellyfish have amazing structures, yet appear translucent and often emit phosphorescent light. We used this inspiration for our wand effect, which helped give it an organic feel."

The wizards know the force field won't hold off the combined onslaught of the Death Eaters for long, but it will buy them enough time for Neville, Seamus and Ginny to rig a booming reception for the invaders. And it will give Harry time to continue his mission. "Because," as Heyman asserts, "if he doesn't find the remaining Horcruxes, there is no hope of victory."

As the battle escalates, Harry, Hermione and Ron split up—with Harry searching for the Horcrux, and Hermione and Ron going after the means to annihilate it. The sword of Gryffindor, which they used to destroy Salazar Slytherin's locket in "Part 1," was lost to them at Gringotts, but Ron has a revelation. Rupert Grint clarifies, "He has the idea to use a Basilisk fang to destroy the Horcruxes, they way Harry did with Tom Riddle's diary in the Chamber of Secrets."

The Basilisk was killed, but his skeleton—with fangs intact—remains. Ron and Hermione make their way down to the Chamber, the design of which was unchanged from the series' second film, with one addition: the skeleton of the long-dead Basilisk, which was specially sculpted by Nick Dudman's department.

Pulling out one of the fangs, Ron hands it to Hermione, who, with a bit of bolstering, stabs it into the cup, which spews a torrent of anger and terror that leaves them drenched and breathless. Without a word, they fall into each other's arms for the kiss that fans have been awaiting.

It was a moment Grint and Watson had also been anticipating, albeit for different reasons. "Because I've known Emma since we were little kids, I thought it would feel weird," Grint admits. "No disrespect to Emma, who is obviously lovely, but I just couldn't imagine it. I got quite nervous about it the more I built it up in my head."

As it turns out, Watson shared his anxiety. "The fact that Rupert and I have such a strong friendship is actually what made it a bit uncomfortable," she confides. "If you've grown up with someone who is literally like a sibling to you and are then put in a situation where you have to kiss them, in a romantic sense, it's really awkward."

Understanding their concerns, David Yates did not tell them when they would be filming the kiss until the evening before and then gave each a bit of directorly advice. "I told them just to forget Rupert and Emma and let Ron and Hermione take over. They totally committed to it, and it was charming...absolutely smashing."

Meanwhile, Harry is rushing to the Ravenclaw Common Room when he is stopped in his tracks by Luna Lovegood, who shows a rare forceful side of her personality. Evanna Lynch says, "Harry is thinking he doesn't have time for any of Luna's crazy theories, but she has something imperative to tell him. When he won't listen, she gets frustrated and yells at him, which he doesn't expect from Luna."

Reminding him that no one alive has seen Rowena Ravenclaw's diadem, Luna sends Harry to see the one person, or rather ghost, who might be able to help him. Kelly Macdonald appears as Ravenclaw Tower's legendary Gray Lady, who is actually the ghost of Rowena's daughter, Helena. Unwilling to tell Harry outright where the diadem is, she presents him with a riddle, the answer to which sends him running to the Room of Requirement, where the Horcrux is hidden amongst what looks like centuries' worth of discarded furniture, books, and myriad other random artifacts.

Craig describes, "The Room of Requirement occupied one of our biggest spaces—some 200 feet by 300 feet—and was filled from floor to ceiling with furniture and all sorts of objects of every shape and size. Set dresser Stephenie McMillan and her people were buying used furniture for months and months prior to filming—just an amazing amount of things."

Green screens bordered the set, which would allow the visual effects team to expand the space and add to the sheer volume of items, in keeping with David Yates' edict to make the room feel "like a mountain range of stuff." The director affirms, "It needed to feel like it stretched on forever, beyond the horizon."

Mixed in amongst the piles are specific articles that eagle-eyed Harry Potter film fans might recognize. McMillan says, "We recycled many props from the previous films: old desks, all the tables and benches from the Great Hall, brooms, the professors' stools, chess pieces, the set dressing from Professor Slughorn's party..."

"There were pieces from all the films...a lot of history," Heyman says. "That's what made it one of my favorite sets."

One stack of furniture had to be rigged to permit the actors to climb it safely—first when Harry goes after the Horcrux and then when Draco Malfoy goes after Harry. Draco tracked Harry down to demand back his wand, which Harry took from him at Malfoy Manor in "Part 1." It was there that Draco had curiously saved Harry's life by not revealing Harry's identity to his Aunt Bellatrix.

Returning in the role of Draco, Tom Felton observes, "It's never really explained why Draco chose to do that; it's nice that Jo left it to our interpretation. As for me, I believe he reached a point where he wants to be good, but evil is in his DNA. It's a difficult struggle for Draco but a lot of fun for me to play it."

"Draco evolved from a fairly two-dimensional bully to a very complex character," Rowling attests. "Tom blew us away with what he did with the role as Draco began to crack and show a range of emotion you would never have expected from the early films."

Accompanied by Blaise and Goyle, two of his Slytherin lackeys, Draco corners Harry in the Room of Requirement. But the confrontation turns deadly when Goyle's wand literally backfires, engulfing the entire room in a living Fiendfyre. Although most of the flames would be added in post-production, Richardson's special effects team strategically placed flambeaus around the room. "We certainly felt the heat," Felton says, "so it's a mixture of visualizing what's going to be there and seeing what's right in front of you."

With the fire cutting off every avenue of escape, Harry—along with Hermione and Ron, who returned just in time—grab brooms and fly. Now they must choose whether to leave Draco behind or risk their own lives saving their longtime nemesis. Ron makes his opinion on the rescue clear, but for Harry, there is no choice. Grint declares, "That was a cool scene. It was great to be back on the brooms, especially since we knew it would be for the last time."

Over the course of the films, the broom rigs have constantly evolved, enabling the filmmakers to achieve more intricate flying sequences and to accommodate the young cast as they grew up. Richardson says, "We ended up with a gimbal-mounted broom with a seat that was molded to the rider who was securely strapped on, so even if the broomstick turned upside down, they'd stay with it. Then the gimbal sat on a six-axis motion base. Between the two, we could get a completely fluid flying movement that could be as erratic or as sweeping as we wanted."

Nevertheless, the final film required another upgrade, as the rescue sequence involved tandem flying. "For that," Richardson adds, "we had to build a different type of broomstick rig, which was mounted on a track so we could fly it at high speeds past a table on a hydraulic ramp that tilted and collapsed at the precise right time. The flier on the broom had to link arms with the guy on the table and swing him onto the back of the broom, cowboy style. That was tricky to work out, but I think it came out great."

Executing the challenging rescue was a group effort by members of the cast as well as the stunt team, led by stunt coordinator Greg Powell. Powell also collaborated closely with Richardson and second unit director Stephen Woolfenden on the explosion of the footbridge, which is one of Hogwarts' last lines of defense.

Woolfenden's unit captured aerials of the bridge high above Fort William in Scotland. "It looks down onto the beautiful loch, and the backdrop is stunning," he says.

The actual demolition was accomplished using a hydraulic bridge located at Pinewood Studios. Powell says, "It's all on hydraulics, but when it goes, it freefalls down, so it left the stuntmen in midair for that one beat, which looked really good."

At the bridge, Neville squares off with legions of Death Eaters, which proves, says Matthew Lewis, "There's a bit more to Neville than meets the eye." Having played the role throughout the franchise, the actor was happy to see his character realize the heroic potential he always knew was there. "Neville never seemed to be a lionhearted person, not someone who deserved to be in the proud house of Gryffindor. But Harry always believed in him and that made Neville start to believe in himself, and all the strength and valor that was bubbling just beneath the surface finally comes out. Now he's become this brave freedom fighter, which is really cool and very rewarding."

Yates says, "By the end of the battle, Neville has been battered and bloodied, but he refuses to give up the fight, which is wonderfully moving."

The battle for Hogwarts is raging around them, but Harry, Hermione and Ron are still waging another war...for the entire wizarding world. The trail of the next, and possibly most dangerous, Horcrux leads them to the school's Boathouse, where the trio witnesses a pivotal encounter between Snape and Voldemort.

Heyman says, "One of the most intriguing things about Jo's books is that the characters inhabit a gray area between light and darkness, good and evil, as we all do. Snape's history, for one, is much more complicated than we ever imagined, and I think audiences will really enjoy seeing his full story revealed."

"You always knew he had an agenda," notes Rickman. "It was a question of what that agenda would turn out to be... The risks grew as he stepped into muddier and muddier waters. Eventually, it became about redemption and loyalty and, in Snape's case—without giving anything away—a certain kind of courage of conviction."

In the book, the critical exchange between the Dark Lord and Severus Snape was set in the Shrieking Shack, but David Yates got permission from Rowling herself to reset the scene for "Harry Potter and the Deathly Hallows - Part 2."

Constructed in the Flight Shed at Leavesden, the Boathouse sits on the edge of the water below the Hogwarts castle. Craig designed the building with Tudor-style glass walls, so, he says, "You're always aware of the fighting in the background, because the fires are reflected in the glass and in the water."

Water also reflects memories in the Pensieve in Dumbledore's office, where Harry realizes what he must do. Daniel Radcliffe recounts, "In 'Order of the Phoenix,' Harry learned of the prophecy that said 'Neither can live while the other survives.' Since then, at every step of his journey, he's known it would come to a head at some point, and he's absolutely aware that this is it."

"Harry knows that his and Voldemort's destinies are intertwined," Heyman says. "Confronted with the choice to go out and face the Dark Lord or allow everyone else to die, Harry is prepared to meet his fate. And Dan was amazing. He conveyed a wisdom and a maturity in those scenes that was way beyond his years. He really considered the emotions and the reasons behind each of Harry's actions and brought a real truth to his performance."

Yates adds, "One of my favorite scenes is when Harry takes that long walk alone to save everybody else. There's something really beautiful and haunting in his resolve."


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