Universal Monsters The Wolf Man Larry Talbots Cane Prop Replica
Universal Monsters The Wolf Man Larry Talbots Cane Prop Replica
Price: $398.99 - Order Here
Larry Talbot's cane from the set of The Wolf Man.
Authentic prop replica based on the original sculpt by Ellis Burman.
Solid wood. 38-inches long, Chrome-plated wolf-head handle.
Limited edition of just 400 pieces!
Don't visit the moor without it! Based on the original sculpt by Ellis Burman from the set of The Wolf Man, the Universal Monsters The Wolf Man Larry Talbot's Cane Prop Replica measures 38-inches long, with a solid wood shaft, metal tip, and durable chrome-plated wolf-head handle that measures 7-inches long x 4-inches wide. Underneath the chrome is a copper/zinc alloy. Purchased as a harmless gift in the film, Larry Talbot's cane ultimately becomes the instrument of his destruction. For you, it just might be the centerpiece of your collection! Limited edition of just 400 pieces.
Fashioned from the original sculpt of the cane prop from the classic Universal Pictures horror film The Wolf Man, the Universal Monsters The Wolf Man Larry Talbot's Cane Prop Replica was made with the careful guidance of prop collector and historian Bob Burns, owner of the original Ellis Burman sculpt!
"Even a man who is pure in heart
And says his prayers by night
May become a wolf when the wolf bane blooms
And the autumn moon is bright." Ages 18 and up.
Age: 18+
Size: 38-inches long
Edition Size: 400
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The Mystery of Harry Houdini’s Death
Written By: Terri Pressley
In an age where forensic medicine appears capable of solving nearly any crime, it seems that they are now prepared to take on one of the greatest mysteries of all time: The death of Harry Houdini. Although reports at the time of his death indicate that Houdini died from complications of a ruptured appendix, but it has long been speculated that he was actually murdered.
Born Erich Weisz on March 24, 1874, in Budapest, Hungary. One of seven children born to a Jewish rabbi and his wife, Erich moved with his family as a child to Appleton, Wisconsin, where he later claimed he was born. When he was 13, Erich moved with his father to New York City, taking on odd jobs and living in a boarding house before the rest of the family joined them.
It was there that he became interested in trapeze arts. Houdini held several jobs as a young boy one of which was as a locksmith's apprentice, which might account for his unusual ability to pick just about any lock known to man. In 1894, Erich launched his career as a professional magician renaming himself Harry Houdini, the first name being a derivative of his childhood nickname, "Ehrie," and the last an homage to the great French magician Jean Eugène Robert-Houdin. Though his magic met with little success, he soon drew attention for his feats of escape using handcuffs.
In 1893, he married Bess, who would serve as Houdini's lifelong stage assistant. At first, Houdini's magic career was not very successful. His biggest claim to fame in the early years was his wife, fellow performer Wihelmina Beatrice (Bess) Rahner who performed in ‘The Floral Sisters’ at Coney Island. The couple married three weeks after falling in love at first sight.
Houdini's big break came in 1899 when he met Martin Beck, a legendary showman. Beck intrigued by Houdini's handcuff trick suggested that the magician focus his act on escaping from various traps. This hook worked moving Houdini from near obscurity to performing at the top vaudeville houses in the U.S. However, it was his trip to Europe in 1900 that would finally land the magician front and center.
Houdini was the toast of Europe. He traveled through England, Scotland, Germany, France, and even Russia. In each place he stopped, he would challenge the local police to restrain him. Time after time, authorities would handcuff, shackle, and jail the magician only to watch him escape with what appeared to be little effort.
Upon his return to the states, Houdini continued his escapist tricks, freeing himself even from ropes, chains, and straightjackets, oftentimes while hanging from a rope in plain sight of his audience. However, by 1908 his audiences began to dwindle primarily due to the large number of imitators who had emerged. This is when he developed his famous escape from a water filled milk can. With the possibility of death now a part of the act, audiences flocked back to see if Houdini could avoid the grim reaper.
It was in 1913 that he introduced his most famous act, the Chinese water torture cell. Here he was suspended upside-down in a locked glass and steel cabinet full of water. To perform this trick, he had to hold his breath for more than three minutes.
After the death of his beloved mother, Houdini became obsessed with debunking self-proclaimed psychics and mediums. His training in magic was the key to exposing frauds who previously had successfully fooled scientists and academics. It is here where the mystery surrounding Houdini's death seems to begin.
Sir Arthur Conan Doyle, former friend of Houdini, apparently believed that the magician was able to perform death-defying stunts because he was, himself, a powerful medium and that the reason he went around debunking others was in order to hide this fact. Doyle supposedly held information that indicated that his former friend would be killed "for hiding the truth."
As far as unlikely friendships go, it hardly gets more unlikely than that between Sherlock Holmes creator Sir Arthur Conan Doyle and legendary illusionist Harry Houdini. Born fifteen years apart into dramatically different families, one the educated product of a proper Scottish upbringing and the other the self-made son of a Hungarian immigrant. When they met in 1920, something extraordinary began.
The pair’s unique friendship, sometimes macabre, sometimes comic, and fundamentally human, underpinned by their shared longing for lost loved ones and their adventures in the world of Spiritualism — at the time, a world with unmatched popular allure.
The notion of illusion as a central part of Spiritualism turned out to be a central binding element for Houdini and Conan Doyle — one bringing to it the skepticism of a man making a living out of illusions and the other finding in it a saving grace of sorts.
A famous quote by Houdini: “Spiritualism is nothing more or less than mental intoxication; Intoxication of any sort when it becomes a habit is injurious to the body, but intoxication of the mind is always fatal to the mind.” Houdini even called for a law that would “prevent these human leeches from sucking every bit of reason and common sense from their victims.” Still, when his father died, the 18-year-old Houdini sold his own watch to pay for a “professional psychic reunion” with the departed.
Conan Doyle, at first, seemed only interested in Spiritualism for its narrative potential, rather than “to change people’s hearts and minds,” as Sandford puts it. But after his father died when the author was 34 and, mere months later, his wife was diagnosed with tuberculosis and given only a few months to live, Conan Doyle fell into a deep depression. Shortly thereafter, in 1893, he applied to join the Society for Psychical Research, a committee of academics aiming to study Spiritualism “without prejudice or prepossession.” Eventually, he gave up his lucrative literary career, killed off Sherlock Holmes, and dedicated himself wholly to his obsession with Spiritualism.
Yet, despite their passionate and diametrically opposed views on Spiritualism, the Conan Doyle and Houdini had something intangible but powerful in common. Walter Prince, an ordained minister and a member of the SPR in the 1920s, put it this way:
“The more I reflect on Houdini [and] Doyle, the more it seems that the two men resembled each other. Each was a fascinating companion, each big-hearted and generous, yet each was capable of bitter and emotional denunciation, each was devoted to his home and family, each felt himself an apostle of good to men, the one to rid them of certain beliefs, the other to inculcate in them those beliefs.”
According to the traditional account of his death, Houdini died from complications from a ruptured appendix on Halloween, 1926. The cause however, is the subject of much speculation. Some believe that the organ actually burst due to a blow to his stomach by a university student who wanted to see if Houdini's muscles were as strong as he claimed.
Despite this, Houdini hobbled onstage and performed his water torture escape attempt. Houdini died several days later on Halloween after performing in several more shows while in pain and with a high fever.
Most medical experts agree that it is highly unlikely that a blow to the stomach would have caused the appendix to rupture spontaneously. However, some do believe that it is possible that the appendix was already inflamed at the time of the incident and that Houdini assumed the subsequent pain to be from the blow, never realizing he had a medical problem therefore he never sought medical assistance before the appendix ruptured.
Other accounts, however, suggest that Houdini was poisoned. His relentless debunking a powerful group of psychics known as the "Spiritualists," of which Sir Arthur Conan Doyle was a member had enraged many members. There is evidence that suggests that the group could have poisoned the magician's food with arsenic or some other deadly substance.
In an odd twist, Houdini’s wife was a patient in the same hospital. She was treated for food poisoning.
A new biography of the legendary performer suggests that Houdini worked as a spy for Scotland Yard, monitored Russian anarchists and chased counterfeiters for the U.S. Secret Service.
“The Secret Life of Houdini: The Making of America’s First Superhero” will be released on Halloween — the anniversary of Houdini’s death. Researching new information on the elusive superstar eventually led authors William Kalush and Larry Sloman to create a database of more than 700,000 pages.
The biography lays out a scenario where Houdini, using his career as cover, managed to travel the United States as well as the world while collecting information for law enforcement. The authors made the link after reviewing a journal belonging to William Melville, a British spymaster who mentioned Houdini several times.
Melville, while at Scotland Yard in the early 20th century, helped launch Houdini’s European career by allowing the performer to demonstrate his escape skills. Houdini, at a demonstration arranged by Melville, slipped free from a pair of Scotland Yard handcuffs as an audition for a London theater owner.
The book suggests that Melville’s compliance was a quid pro quo arrangement in which Houdini worked as a spy. A similar situation occurred in Chicago, where Houdini’s career took off after a publicity stunt aided by a local police lieutenant, the book said.
Some 81 years after his death, Houdini's great-nephew is seeking to exhume the magician's body to determine if he was indeed poisoned. With no autopsy performed at the time of death, there appears to be room for skepticism regarding the actual cause. New York lawyer Joseph Tacopina is assisting in the clearing any legal hurdles to the exhumation of the body on behalf of Houdini's family.
A team of top-level forensic investigators is prepared to conduct tests to solve this mystery. The team includes internationally known forensic pathologist Dr. Michael Baden as well as Professor James Starrs. Starrs is the forensic pathologist who studied the disinterred remains of gunslinger Jesse James and "Boston Strangler" Albert DeSalvo. Baden chaired panels that reinvestigated the deaths of President John F. Kennedy and civil rights leader Martin Luther King Jr. This noted investigative team has already noted one oddity in Houdini's death certificate; a notation that Houdini's appendix was on the left side, rather than the right of his body.
Oddly enough, the exhumation plan is receiving support from a rather unlikely source, that of Anna Thurlow. Ms. Thurlow is the great-granddaughter of the medium Margery who supposedly conjured up a spirit named Walter who put a curse on Houdini. Medium Mina Crandon — stage name "Margery" — was famous at the time. She exhibited amazing talents in some of her séances and was on the brink of winning a prize in a contest sponsored by Scientific American magazine when Houdini began a campaign to discredit her. He duplicated some of her tricks on stage and published a pamphlet describing how some she performed many of her acts. Conan Doyle was a supporter of Crandon and clashed with Houdini about this.
"With people that delusional, you have to question what they're capable of,"' Thurlow is quoted as saying. "If there's any circumstantial evidence that Houdini was poisoned, we have to explore that."
Whether or not the exhumation finally takes place, one thing is certain. The speculation may never be put to rest regarding the life of a man who was himself, mystery personified.
In an age where forensic medicine appears capable of solving nearly any crime, it seems that they are now prepared to take on one of the greatest mysteries of all time: The death of Harry Houdini. Although reports at the time of his death indicate that Houdini died from complications of a ruptured appendix, but it has long been speculated that he was actually murdered.
Born Erich Weisz on March 24, 1874, in Budapest, Hungary. One of seven children born to a Jewish rabbi and his wife, Erich moved with his family as a child to Appleton, Wisconsin, where he later claimed he was born. When he was 13, Erich moved with his father to New York City, taking on odd jobs and living in a boarding house before the rest of the family joined them.
It was there that he became interested in trapeze arts. Houdini held several jobs as a young boy one of which was as a locksmith's apprentice, which might account for his unusual ability to pick just about any lock known to man. In 1894, Erich launched his career as a professional magician renaming himself Harry Houdini, the first name being a derivative of his childhood nickname, "Ehrie," and the last an homage to the great French magician Jean Eugène Robert-Houdin. Though his magic met with little success, he soon drew attention for his feats of escape using handcuffs.
In 1893, he married Bess, who would serve as Houdini's lifelong stage assistant. At first, Houdini's magic career was not very successful. His biggest claim to fame in the early years was his wife, fellow performer Wihelmina Beatrice (Bess) Rahner who performed in ‘The Floral Sisters’ at Coney Island. The couple married three weeks after falling in love at first sight.
Houdini's big break came in 1899 when he met Martin Beck, a legendary showman. Beck intrigued by Houdini's handcuff trick suggested that the magician focus his act on escaping from various traps. This hook worked moving Houdini from near obscurity to performing at the top vaudeville houses in the U.S. However, it was his trip to Europe in 1900 that would finally land the magician front and center.
Houdini was the toast of Europe. He traveled through England, Scotland, Germany, France, and even Russia. In each place he stopped, he would challenge the local police to restrain him. Time after time, authorities would handcuff, shackle, and jail the magician only to watch him escape with what appeared to be little effort.
Upon his return to the states, Houdini continued his escapist tricks, freeing himself even from ropes, chains, and straightjackets, oftentimes while hanging from a rope in plain sight of his audience. However, by 1908 his audiences began to dwindle primarily due to the large number of imitators who had emerged. This is when he developed his famous escape from a water filled milk can. With the possibility of death now a part of the act, audiences flocked back to see if Houdini could avoid the grim reaper.
It was in 1913 that he introduced his most famous act, the Chinese water torture cell. Here he was suspended upside-down in a locked glass and steel cabinet full of water. To perform this trick, he had to hold his breath for more than three minutes.
After the death of his beloved mother, Houdini became obsessed with debunking self-proclaimed psychics and mediums. His training in magic was the key to exposing frauds who previously had successfully fooled scientists and academics. It is here where the mystery surrounding Houdini's death seems to begin.
Sir Arthur Conan Doyle, former friend of Houdini, apparently believed that the magician was able to perform death-defying stunts because he was, himself, a powerful medium and that the reason he went around debunking others was in order to hide this fact. Doyle supposedly held information that indicated that his former friend would be killed "for hiding the truth."
As far as unlikely friendships go, it hardly gets more unlikely than that between Sherlock Holmes creator Sir Arthur Conan Doyle and legendary illusionist Harry Houdini. Born fifteen years apart into dramatically different families, one the educated product of a proper Scottish upbringing and the other the self-made son of a Hungarian immigrant. When they met in 1920, something extraordinary began.
The pair’s unique friendship, sometimes macabre, sometimes comic, and fundamentally human, underpinned by their shared longing for lost loved ones and their adventures in the world of Spiritualism — at the time, a world with unmatched popular allure.
The notion of illusion as a central part of Spiritualism turned out to be a central binding element for Houdini and Conan Doyle — one bringing to it the skepticism of a man making a living out of illusions and the other finding in it a saving grace of sorts.
A famous quote by Houdini: “Spiritualism is nothing more or less than mental intoxication; Intoxication of any sort when it becomes a habit is injurious to the body, but intoxication of the mind is always fatal to the mind.” Houdini even called for a law that would “prevent these human leeches from sucking every bit of reason and common sense from their victims.” Still, when his father died, the 18-year-old Houdini sold his own watch to pay for a “professional psychic reunion” with the departed.
Conan Doyle, at first, seemed only interested in Spiritualism for its narrative potential, rather than “to change people’s hearts and minds,” as Sandford puts it. But after his father died when the author was 34 and, mere months later, his wife was diagnosed with tuberculosis and given only a few months to live, Conan Doyle fell into a deep depression. Shortly thereafter, in 1893, he applied to join the Society for Psychical Research, a committee of academics aiming to study Spiritualism “without prejudice or prepossession.” Eventually, he gave up his lucrative literary career, killed off Sherlock Holmes, and dedicated himself wholly to his obsession with Spiritualism.
Yet, despite their passionate and diametrically opposed views on Spiritualism, the Conan Doyle and Houdini had something intangible but powerful in common. Walter Prince, an ordained minister and a member of the SPR in the 1920s, put it this way:
“The more I reflect on Houdini [and] Doyle, the more it seems that the two men resembled each other. Each was a fascinating companion, each big-hearted and generous, yet each was capable of bitter and emotional denunciation, each was devoted to his home and family, each felt himself an apostle of good to men, the one to rid them of certain beliefs, the other to inculcate in them those beliefs.”
According to the traditional account of his death, Houdini died from complications from a ruptured appendix on Halloween, 1926. The cause however, is the subject of much speculation. Some believe that the organ actually burst due to a blow to his stomach by a university student who wanted to see if Houdini's muscles were as strong as he claimed.
Despite this, Houdini hobbled onstage and performed his water torture escape attempt. Houdini died several days later on Halloween after performing in several more shows while in pain and with a high fever.
Most medical experts agree that it is highly unlikely that a blow to the stomach would have caused the appendix to rupture spontaneously. However, some do believe that it is possible that the appendix was already inflamed at the time of the incident and that Houdini assumed the subsequent pain to be from the blow, never realizing he had a medical problem therefore he never sought medical assistance before the appendix ruptured.
Other accounts, however, suggest that Houdini was poisoned. His relentless debunking a powerful group of psychics known as the "Spiritualists," of which Sir Arthur Conan Doyle was a member had enraged many members. There is evidence that suggests that the group could have poisoned the magician's food with arsenic or some other deadly substance.
In an odd twist, Houdini’s wife was a patient in the same hospital. She was treated for food poisoning.
A new biography of the legendary performer suggests that Houdini worked as a spy for Scotland Yard, monitored Russian anarchists and chased counterfeiters for the U.S. Secret Service.
“The Secret Life of Houdini: The Making of America’s First Superhero” will be released on Halloween — the anniversary of Houdini’s death. Researching new information on the elusive superstar eventually led authors William Kalush and Larry Sloman to create a database of more than 700,000 pages.
The biography lays out a scenario where Houdini, using his career as cover, managed to travel the United States as well as the world while collecting information for law enforcement. The authors made the link after reviewing a journal belonging to William Melville, a British spymaster who mentioned Houdini several times.
Melville, while at Scotland Yard in the early 20th century, helped launch Houdini’s European career by allowing the performer to demonstrate his escape skills. Houdini, at a demonstration arranged by Melville, slipped free from a pair of Scotland Yard handcuffs as an audition for a London theater owner.
The book suggests that Melville’s compliance was a quid pro quo arrangement in which Houdini worked as a spy. A similar situation occurred in Chicago, where Houdini’s career took off after a publicity stunt aided by a local police lieutenant, the book said.
Some 81 years after his death, Houdini's great-nephew is seeking to exhume the magician's body to determine if he was indeed poisoned. With no autopsy performed at the time of death, there appears to be room for skepticism regarding the actual cause. New York lawyer Joseph Tacopina is assisting in the clearing any legal hurdles to the exhumation of the body on behalf of Houdini's family.
A team of top-level forensic investigators is prepared to conduct tests to solve this mystery. The team includes internationally known forensic pathologist Dr. Michael Baden as well as Professor James Starrs. Starrs is the forensic pathologist who studied the disinterred remains of gunslinger Jesse James and "Boston Strangler" Albert DeSalvo. Baden chaired panels that reinvestigated the deaths of President John F. Kennedy and civil rights leader Martin Luther King Jr. This noted investigative team has already noted one oddity in Houdini's death certificate; a notation that Houdini's appendix was on the left side, rather than the right of his body.
Oddly enough, the exhumation plan is receiving support from a rather unlikely source, that of Anna Thurlow. Ms. Thurlow is the great-granddaughter of the medium Margery who supposedly conjured up a spirit named Walter who put a curse on Houdini. Medium Mina Crandon — stage name "Margery" — was famous at the time. She exhibited amazing talents in some of her séances and was on the brink of winning a prize in a contest sponsored by Scientific American magazine when Houdini began a campaign to discredit her. He duplicated some of her tricks on stage and published a pamphlet describing how some she performed many of her acts. Conan Doyle was a supporter of Crandon and clashed with Houdini about this.
"With people that delusional, you have to question what they're capable of,"' Thurlow is quoted as saying. "If there's any circumstantial evidence that Houdini was poisoned, we have to explore that."
Whether or not the exhumation finally takes place, one thing is certain. The speculation may never be put to rest regarding the life of a man who was himself, mystery personified.
Dynamite Baby, Grindhouse Dynamite!
Written By: Terri Pressley
Grindhouse is an American term for a theater that mainly shows exploitation films. Named after the defunct burlesque theaters located on 42nd Street in New York City where 'bump n' grind' or striptease was featured.
Grindhouse films characteristically contain large amounts of sex, violence or bizarre subject matter. One genre of film featured were "roughies" or sexploitation, a mix of sex, violence and sadism. Quality varied, but low budget production values and poor print quality were common. Critical opinions varied regarding typical grindhouse fare, but many films acquired cult following and critical praise. Double, triple, and "all night" bills on a single admission charge often encouraged patrons to spend a long time in the theater. The environment was faithfully captured at the time by the magazine ‘Sleazoid Express’.
By the 1980s, home video and cable threatened to make grindhouse obsolete. By the end of the decade, these theaters had vanished from Los Angeles's Broadway and Hollywood Boulevard, New York City's Times Square and San Francisco's Market Street. By the mid-1990s, these particular theaters had all but disappeared from the United States and very few are in existence today.
The Robert Rodriguez film, ‘Planet Terror’ and the Quentin Tarantino film ‘Death Proof’, which were released together as Grindhouse, were created as homage to the genre. Similar films such as ‘Machete’ (also by Rodriguez) and ‘Drive Angry’ have appeared since. The video games ‘House of the Dead: Overkill’, ‘Wet and Shadows of the Damned’ serve as homages to grindhouse horror movies. The author Jacques Boyreau released the book ‘Portable Grindhouse: The Lost Art of the VHS Box’ in 2009 about the history of the genre. The genre is also the focus of the 2010 documentary ‘American Grindhouse’ directed and produced by Elijah Drenner. The film made its world premiere at the South by Southwest film festival in Austin, Texas on March 13, 2010.
Elijah Drenner’s smart, affectionate but clear-eyed history of American exploitation films combines commentary and well-chosen clips from movies that range from 1913s white-slavery “exposé” Traffic in Souls’ to the Nazi sexploitation classic ‘Ilsa: She Wolf of the SS.’
Drenner’s ambitious mandate for American Grindhouse is to simultaneously chart the development of exploitation pictures, which staked out a lucrative niche by gleefully tackling topics deemed too vulgar, shocking or disreputable for the tender sensibilities of middle-class moviegoers, and to situate them within the context of broader social and cultural developments.
Drenner covers the waterfront, from road-show birth-of-a-baby pictures, which staked their claim to educational value on live, post-screening lectures about sexual hygiene, to drug-scare movies like Reefer Madness (1936), to burlesque movies and wholesome nudist-camp “documentaries” which paved the way for ever-more-explicit depictions of onscreen sex. Blaxploitation, juvenile-delinquent dramas, naughty Nazi sexploitation, gross-out gore pictures, biker flicks and mondo movies are also represented. He taps a small but well-chosen cadre of film historians to handle the hard history, from the way Hollywood’s 1930 Production Code—which limited filmmakers by disallowing bad language, interracial relationships, violence and vice (including but not limited to drug abuse and “sex perversion”) to the game changing influence of Steven Spielberg’s Jaws, whose success erased the line between high and low culture moviemaking.
Both informative and well made, ‘American Grindhouse’ is an enjoyable stroll down memory lane.
The Wolf Man (1941)(Universal)
Written By: Ken Hulsey
In 1941 Curt Siodmak sat down at his desk with the intention of writing a horror story that would draw on Greek Mythology and the belief that somehow a man could transform into an animal, a common legend that ran through the folklore of just about every culture on Earth. Little could he have realized that the script he was about to write, The Wolf Man, would not only have an effect of the future of horror films, but the future of the occult as well. It has always been a common belief that many of the concepts of lycanthropy that were portrayed in the film came from a collection of popular folklore and witchcraft. In fact nothing is further from the truth. Siodmak was responsible for coming up with the design of the pentagram, the werewolf’s vulnerability to silver, and the full moon being the catalyst for the transformation from man to beast all on his own. In fact the legendary poem “Even a man who is pure of heart, and says his prayers by night, may become a wolf when the wolf bane blooms, and the autumn moon is bright.” is a Siodmak original.
The Wolf Man was not the first werewolf film to be produced by Universal, that distinction belongs to “Werewolf of London” which flopped at the box office in 1935. The film starred popular character actor Henry Hull in a far more subtle makeup job by Jack Pierce, the same man who transformed Lon Chaney Jr. Into the Wolf Man six years later. Many fans that have seen this earlier effort have commented that the werewolf looked far more menacing than the version that came after.
Universal convinced the reluctant Lon Chaney Jr. to follow in his father’s footsteps and endure the six-hour makeup sessions to portray Larry Talbot and his harry alter ego the Wolf Man. The character transformed Cheney into a superstar. The Wolf Man would prove to be so popular that it would appear in a total of five films (Frankenstein Meets the Wolf Man, House of Frankenstein, House of Dracula and Abbott and Costello Meet Frankenstein) all of which were played by Cheney. It has often been noted that all the popularity and fame that Cheney achieved never brought him true happiness. In real life the actor had his own internal demons to deal with. Alcoholism would be a life long fight that would eventually take a toll on him. When Cheney passed away he was so riddled with disease that he donated his body to the USC Medical Center for study, leading to the urban legend that somewhere in the bowls of the hospital the actors head is preserved in a jar.
When Larry Talbert returns to Llanwelly, Wales to rekindle a relationship with his estranged father, Sir John Talbert (Claude Rains) he gets far more than he bargained for. While examining his fathers telescope he accidentally focuses in on the bedroom of the fetching Gwen Conliffe (Evelyn Ankers). The young Talbert is so impressed with the young woman that he shows up at the family store the next morning to meet her. While there he stumbles upon an interesting walking stick that bears the silver head of a wolf marked with a mystic pentagram. Talbert feels inclined to purchase the item to convince Conliffe that his intentions are admirable and that he would be trustworthy enough to go out with. Not completely trusting him she agrees to the date, but only if she can bring one her friends along.
While the trio is out at a local carnival Gwen’s friend Jenny is attacked by what appears to be a wild animal. Talbot uses his new cane to fend of the creature, but gets bitten in the process. When the police arrive to investigate the attack they discover the dead body of a traveling gypsy. Talbot is questioned but cannot explain how he could have mistaken the young man for a wolf.
Strange things begin to happen to Talbot. He starts experiencing missing time and begins to feel as if he is loosing control of his sanity. To make things worse there are more murders and the local authorities begin to doubt his stories and his innocence.
The gypsy woman, Maleva, soon reveals to Talbot that the animal he killed was not a wolf at all but a werewolf. Her son Bela (Bela Lugosi) had lived with the curse for years and now the lycanthropy had been passed to him.
Uncontrollably the stricken Talbot begins running wild at night and the local populous begins to organize hunting parties to capture or kill him. One night Gwen comes looking for him and he attacks her. John Talbert arrives just in time to stop the attack and unknowingly kills his own son with the silver handled walking stick. Moments after his death he reverts back to his human form revealing that the monster had indeed been Larry Talbot the entire time.
The Wolf Man not only was inspired by already existing mythos, it successfully changed it forever. Every werewolf picture that was produced after it followed the new folklore that was created for the film. It was almost like all prior legends of the creature had been erased from public knowledge. One can only give credit to a well conceived screenplay and a well executed film that made a strong enough impression on audiences that it actually rewrote history….in a sense.
The Wolf Man (1941)
Aka: Destiny (1941)
Universal Studios
Directed By: George Waggner
Written By: Curt Siodmak
Cast:
Claude Rains as Sir John Talbot
Warren William as Dr. Lloyd
Ralph Bellamy as Col. Paul Montford
Patric Knowles as Frank Andrews
Bela Lugosi as Bela
Maria Ouspenskaya as Maleva
Evelyn Ankers as Gwen Conliffe
J.M. Kerrigan as Charles Conliffe
Fay Helm as Jenny Williams
Lon Chaney Jr. as Larry Talbot / The Wolf Man
Forrester Harvey as Victor Twiddle
Runtime: 70 Minutes
Country: USA
Language: English
Color: Black and White
Sound Mix: Mono
Released: December 12, 1941
Godzilla 2 Monsters: 'Skull Island' Writer Penning Script For Sequel, A Possible King Kong Vs Godzilla Crossover?
From Franchise Herald
Max Borenstein is returning to writing duties for "Gozdilla 2". He'll also be writing the script for the forthcoming King Kong movie "Skull Island", leaving fans to speculate if the King Kong versus King Kaiju movie is a possibilty.
Previously reported..
Godzilla 2 might well be on its way in production following Godzilla's success, who has passed $500 million at the worldwide box office.
But fans of the King Daikaiju are worried that the sequel may be delayed from its original plan after director Gareth Edwards announced his new spin off Star Wars that is due out in December 16, 2016.
"Ever since I saw Star Wars I knew exactly what I wanted to do for the rest of my life - join the Rebel Alliance! I could not be more excited and honored to go on this mission with Lucasfilm," Edwards said in a statement.
A legendary picture CEO Thomas Tull is however confident that Edwards' new film will not interfere with Godzilla 2.
"Gareth's filmmaking talent makes him one of his generation's most creative and visionary directors. The plan has always been for Gareth to direct a different film before we started on another Godzilla, but who knew it would be a Star Wars installment? We have a great plan in store for Godzilla fans and I am looking forward to seeing Gareth's imprint on the Star Wars universe."
Warner Bros. at San Diego's Comic Con announced that Gozdilla 2 was absolutely happening and will get on the sequel as soon as he finishes his Star Wars spin off.
Legendary Pictures and Universal also confirmed a King Kong prequel called Skull Island for November 4, 2016. Skull Island is rumored to feature a showdown between King Kong and Godzilla.
Additionally, the second installment has been confirmed recently at Comic Con where a short clip was presented showing three additional monsters to join the sequel. All three have appeared in previous Toho Co., Ltd. Films, largely responsible for Godzilla released in Japan.
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See How Much Different Star Wars 7's Stormtroopers Will Look Here
From Cinema Blend
The design of the Stormtrooper has enjoyed several tweaks through the first six Star Wars movies, from the clean-cut white-and-black appearance in A New Hope to the color enhancements brought in for the digital prequels and the new Clone Wars TV shows. And if the following images are accurate, the Stormtroopers will look quite different for J.J. Abrams’ Star Wars: Episode VII, as well.
Maybe we’ll have to start calling them "Chrome Troopers," based on the images shared on Indie Revolver, a site that has brought interesting visual scoops over the course of Episode VII’s production schedule. These reportedly are concept images of the design of the new Stormtroopers. They look metallic, with a reflective surface that could look amazing if, say, a lightsaber glow is reflected back in the Trooper’s face. The hood is a new addition for any sort of Stormtrooper that we have seen to date, though the site claims, "The chrome troopers do not actually wear a hood or covering in the film. The metal collar stands up from the torso armor and curves up on the sides before dipping down again at the back."
Truthfully, this looks more like Doctor Doom than a character in a Star Wars movie!
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Ridley Scott Says Blade Runner 2 Script is Ready to Go; No Xenomorphs in Prometheus 2?
From Collider
Ridley Scott’s got a lot going on right now, and perhaps too much for those eager to see Blade Runner and Prometheus sequels. Scott is still gunning to make both, but right now he’s got Exodus: Gods and Kings making its way towards a December 12th debut and he’s busy casting up for his next film, The Martian, too.
Scott recently revealed hopes to shoot Blade Runner 2 right after The Martian and it seems as though he could pull it off because apparently the script for that one is written and ready to go. Prometheus 2, however, is a different story. That one’s still in the works and there’s a chance that it won’t include any Xenomorphs. Hit the jump for more on both projects.
While talking to Yahoo about Exodus: Gods and Kings, Scott noted that he met with Harrison Ford to discuss Blade Runner 2 just before he hurt his leg on the set of Star Wars: Episode VII:
“We met the night before he had the accident, so I hope I had nothing to do with it.”
Scott also insisted that the Blade Runner 2 script is written and ready to go:
“It’s on the charts. I can’t say when that would be yet, because of [Ford’s] thing with ‘Star Wars’. It’s a sequel – it’s what happens next. It’s quite surprisingly clever.”
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Marvel Team-Up (1972 1st Series) #20, April 1974 Issue - Marvel Comics
Marvel Team-Up (1972 1st Series) #20, April 1974 Issue - Marvel Comics
Price $10 - Order Here
1st printing.
This comic book is in used condition. Comic is complete with cover and all pages attached. This comic has flaws that warrant a F/VF grade.
Note: Rounded Corners
Comic Book will be shipped bagged and boarded!
Script by Len Wein. Pencils by Sal Buscema. Inks by Mike Esposito and Frank Giacoia. Cover by Gil Kane and John Romita.
Hitching a ride aboard Stegron's airship full of Dinosaurs, Spider-Man is shocked to learn the destination is New York City. He tries to stop Stegron but is batted off his ship, but rescued by the arriving Black Panther, who was alerted of the coming ship by Jarvis at Avengers Mansion.
While Spider-Man, Black Panther, and Curt Connors work together to find a way to reverse Stegron's mutation, Stegron and his army of Dinosaurs attack the city. And as Mary Jane searches for Peter Parker, Spider-Man and the Black Panther fight off the Dinosaur hordes. Spider-Man manages to save Mary Jane from sudden death.
Fighting off the Dinosaurs, the heroes force Stegron to retreat on a Pterodactyl, however Spider-Man tags along. However, during the fight, Stegron is knocked off the Dinosaur and seemingly drowns in Jamaica Bay. - Marvel Comics
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Captain Marvel Highlights With Kelly Sue DeConnick
From Marvel Comics
The past month has been pretty great for Captain Marvel.
First, Marvel announced the release of CAPTAIN MARVEL #10, an over-sized issue celebrating Carol Danvers' 100th issue as a headlining solo hero. The issue, brought to life by writer Kelly Sue DeConnick and artists David Lopez and Marcio Takara, lands in stores this December.
In addition to his landmark event, "New York" magazine's The Cut recently hailed Captain Marvel's recent promotion and uniform change as one of the most feminist moments in all sci-fi history.
"She wasn't the first female Captain — the Pam Grier–inspired Monica Rambeau takes that title," wrote Devon Maloney. "But this time around, female comics fans didn't just rejoice; they rallied and birthed the Carol Corps, a feminist fandom community that has improved the atmosphere for lady-geeks at conventions, online, and beyond."
To further celebrate Captain Marvel, we asked writer Kelly Sue DeConnick for her favorite moments from her time with the character.
DeConnick's tenure as CAPTAIN MARVEL scribe officially kicked off with this #1 issue. The series starts with Carol already in her new uniform but still struggling with the decision to take on the Captain Marvel name. When asked about her favorite Cap moments, DeConnick cited the letter given to Carol by her mentor Helen Cobb.
"My favorite thing I’ve written for Carol is the letter from Helen in the 2012 issue #1." The letter's closing line — "…and we will be the stars we were always meant to be" – has become an inspiration to a whole new generation of Marvel fans.
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Seductive Lonely Women - Sensation Magazine July 1967 - Pin Up Art - Men's Magazine Limited Edition Signed and Numbered Print
Seductive Lonely Women - Sensation Magazine July 1967 - Pin Up Art - Men's Magazine Limited Edition Signed and Numbered Print
$10.00 USD - Order Here
Sizes: 8 x 10 to 24 x 36
Sensation magazine may have never existed, but after seeing this print you will wish it did. Lonely housewives seduce door-to-door salesmen. I you love busty blond pin ups then this will be right up your alley! The print looks amazing matted and framed and will make a great addition to your home. A must for pin up lovers! (Watermark Does Not Appear On Actual Photograph)
This image was created by renowned California photographer Ken Hulsey.
Each image is a limited edition that is signed by the artist and numbered (1-50).
The image is printed on professional studio grade glossy paper by a professional photography studio not a home printer.
The item will be shipped in an acid free bag with a protective board to prevent folding or creasing.
Larger items will be rolled and shipped in a protective tube.
Limited Edition: 50 numbered pieces
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Marvel 75: The Scope of Secret Wars Pt. 1
From Marvel Comics
30 years later, the influence of SECRET WARS can still be felt across the comic book industry. Not bad for a series created to sell toys!
A celebration of Marvel on its 75th anniversary would not be complete without examining the origins and effects of one of the company’s most important projects of all time: MARVEL SUPER HEROES SECRET WARS. The 12-issue series, which launched in 1984, broke all kinds of new ground.
Written by then-Editor-in-Chief Jim Shooter and drawn by CAPTAIN AMERICA artist Mike Zeck with Bob Layton fill-ins, SECRET WARS pits a group of heroes and villains against each other on a patchwork planet called Battleworld because The Beyonder, a nearly omnipotent extra-dimensional being, wanted to see the fight up close. The cast included Spider-Man, Captain America, Iron Man, Thor, the male members of the Fantastic Four, many of the X-Men, Dr. Doom, Dr. Octopus, Magneto and even Galactus among others.
Stories like this, with huge casts and epic struggles, might be common place today, but not in the mid-80’s.
Sides were taken, strange bedfellows were made, epic moments were conveyed, and plenty of toys were produced. To get the inside story on how SECRET WARS came to be and the lasting effects it had, Marvel.com talked to series artist Mike Zeck, original editor Tom DeFalco, Marvel historian Peter Sanderson, and more.
SECRET ORIGINS
As with all stories, this one should start at the beginning. However, instead of taking root in the realm of comics, the roots SECRET WARS go back to the toy industry.
“Kenner had already licensed the DC super heroes and super-villains in 1984, leading to Kenner’s Super Powers Collection of action figures, which began to be released in that same year,” historian Peter Sanderson recalls. “Also in 1984 DC published the first Super Powers comics miniseries, with covers by Jack Kirby; a second series, this one drawn by Kirby, followed in 1985, and a third series, drawn by Carmine Infantino, in 1986. Presumably Mattel and Marvel were responding to and competing with Kenner and DC's Super Powers.”
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Will She Live To Tell? - Sensation Magazine March 1969 - Erotic Bondage Art - Men's Pulp Magazine Limited Edition Signed and Numbered Print
Will She Live To Tell? - Sensation Magazine March 1969 - Erotic Bondage Art - Men's Pulp Magazine Limited Edition Signed and Numbered Print
$10.00 USD - Order Here
Sizes: 8 x 10 to 24 x 36
Sensation magazine may have never existed, but after seeing this print you will wish it did. Only this sexy, busty blond knows the emperor's secret! Will she live to tell it! The print looks amazing matted and framed and will make a great addition to your home. A must for pin up lovers! (Watermark Does Not Appear On Actual Photograph)
This image was created by renowned California photographer Ken Hulsey.
Each image is a limited edition that is signed by the artist and numbered (1-50).
The image is printed on professional studio grade glossy paper by a professional photography studio not a home printer.
The item will be shipped in an acid free bag with a protective board to prevent folding or creasing.
Larger items will be rolled and shipped in a protective tube.
Limited Edition: 50 numbered pieces
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Introducing a New Sci Fi Spider-Man in Edge of Spider-Verse
From Marvel Comics
Spider-Verse inches ever closer as every Spider-Man from every universe prepares for multiversal war against a common foe.
Marvel is proud to present EDGE OF SPIDER-VERSE #3, the next chapter is the blockbuster five-issue limited series showcasing a new creative team and new spider character each issue! Dustin Weaver pulls triple duty as he writes, draws and colors a brand new creation – Dr. Aaron Aikman: Spider-Man!
“Unlike Peter, he chose to be Spider-Man,” says Weaver of his new creation, in an interview with Marvel.com. “He did it himself, to become a hero for his city. I guess that says a lot about the character of my Spider-Man. He’s got a big ego and being good at being Spider-Man is a point of pride. He doesn’t struggle with responsibility. He enjoys it. Other than his origin being different, he also has a completely different cast of supporting characters and villains.”
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No one liked Marvel's porny Spider-Woman. And the company listened.
From VOX
Last month, Marvel presented the variant cover for Spider-Woman #1 which featured the superhero in an overtly-sexualized, anatomically silly pose that had her presenting her lady bits to the city below. On Tuesday, the company announced that it had canceled two covers that Milo Manara, the artist responsible for the sexualized Spider-Woman, was slated to draw.
Avengers & X-Men: Axis #1 and Thor #2 were both supposed to have Manara variant covers — collector's items that are rarer than standard covers — which will now be created by other artists, Newsrama reported.
Manara is known for his erotic comics. And the argument here isn't whether or not Manara should be allowed to draw his erotic art. The question is why Marvel, a colossal comic company that has started to position itself as a diversity and gender equality leader in the industry, commissioned Manara to create the Spider-Woman cover if what it was touting was gender equality.
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Last month, Marvel presented the variant cover for Spider-Woman #1 which featured the superhero in an overtly-sexualized, anatomically silly pose that had her presenting her lady bits to the city below. On Tuesday, the company announced that it had canceled two covers that Milo Manara, the artist responsible for the sexualized Spider-Woman, was slated to draw.
Avengers & X-Men: Axis #1 and Thor #2 were both supposed to have Manara variant covers — collector's items that are rarer than standard covers — which will now be created by other artists, Newsrama reported.
Manara is known for his erotic comics. And the argument here isn't whether or not Manara should be allowed to draw his erotic art. The question is why Marvel, a colossal comic company that has started to position itself as a diversity and gender equality leader in the industry, commissioned Manara to create the Spider-Woman cover if what it was touting was gender equality.
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Uncanny X-Men (1963) 1st Series #75, April 1972 Issue - Marvel Comics
Uncanny X-Men (1963) 1st Series #75, April 1972 Issue - Marvel Comics
$15.00 USD - Order Here
1st printing.
This comic book is in used condition. Comic is complete with cover and all pages attached. This comic has very few flaws that warrant a VG grade.
Note: Mild water damage. Staple rust. Signs of mold.
Comic Book will be shipped bagged and boarded!
Cover pencils by Gil Kane, inks by John Romita. Script by Roy Thomas, pencils by Werner Roth, inks by Dick Ayers.
This is not the only potential threat to the X-Men, as in his secret lab, the evil Puppet Master is turning his attentions toward the X-Men's leader. Having learned of the Professor's existence from his sometimes ally the Mad Thinker, the Puppet Master begins to craft a special puppet of the X-Men's leader in the hopes of taking control of Xavier. However, when he attempts to use the special radioactive clay puppet he finds that some sort of psychic feedback prevents him from taking control. The Puppet Master then decides to focus his attention on someone else who doesn't have these defenses.
Back at the X-Mansion, the Puppet Master's attempts to take control of the Professor do not go unnoticed, and he cautions his students about the attempted intrusion as the group is finishing a new component to Cerebro that will allow the Professor to better pinpoint any mutant menaces that might threaten the Earth. Sensing a potential threat from evil mutants, the Professor sends out his astral form to try and locate other mutants to join in their cause. He contacts Quicksilver and the Scarlet Witch who are in Romania, where they have taken a brief sabbatical from their membership in the Avengers believing that returning to their homeland will restore their fading powers. Although this seems to be working, when the Professor contacts them, they decline an offer to join the X-Men, pledging their loyalty toward the Avengers.
Later, while Bobby and Hank are out on a date with Vera and Zelda, the girls become interested in a bank robbery when they hear the alarms going off. Deciding to go into action, the two mutants sneak off and change into the Beast and Iceman to try and catch the crooks. They happen on the crooks a little too late as they have just been rounded up by Spider-Man. Knowing the Professor is looking for new recruits, Beast and Iceman offer Spider-Man membership in the X-Men. Spider-Man, having just failed an initiation with the Avengers wearily declines before speeding off. Hank and Bobby change back to their civilian guises before Vera and Zelda come back from the robbery scene.
The next afternoon the team goes to visit Metro College to pick up Jean when they are confronted by Mimic who reveals to them that his powers and memories have returned. Mimic asks to join the X-Men, and the group -- still seeking new members to face this impending threat agree to take him aboard. As they bring him back to the X-Mansion, Mimic begins duplicating their powers again. The group however is unaware that hey are being monitored by the Puppet Master who sees Mimic's joining with the group the perfect opportunity to strike.
While the other X-Men are presented with new costumes designed by Jean, Mimic is suddenly put under the control of the Puppet Master, leading to the battle between him and the X-Men that began at the start of this issue. The Professor, detecting that the Puppet Master is controlling Mimic tries to get Mimic to resist the Puppet Master's influence. Mimic refuses to believe it, and goes off for fresh air. However he falls under the Puppet Master's sway again.
The Professor sends Cyclops, Beast, Iceman and Marvel Girl off to confront the Puppet Master. Arriving at the villain's hideout, they have to defend themselves from an attack from the Puppet Master's "Defender", a gigantic robot, that can fend off the X-Men's power. Back at the X-Mansion, Angel is well enough to get back on his feet but still cannot fly, and the Professor has no choice but to send him out to help his comrades.
By the time Warren arrives the other X-Men are caught in a stalemate against the Puppet Master because though they have defeated his Defender, the Puppet Master has brought Mimic to his base and is about to force him to destroy the X-Men. Angel however steps in and knocks the puppet out of the Puppet Master's hands, freeing Mimic from their foes control. While the X-Men are checking on Warren, the Puppet Master escapes. The group notices that Mimic looks like a man condemned, their assessment is correct as Mimic has now come to realize that his powers are not really his own, but stolen from others and wonders if perhaps he has a place anywhere on Earth. - Marvel Comics
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Supernatural Thrillers (1972) #3, April 1973 Issue - Marvel Comics
Supernatural Thrillers (1972) #3, April 1973 Issue - Marvel Comics
$3.00 USD - Order Here
1st printing.
This comic book is in used condition. Comic is complete with cover and all pages attached. This comic has very few flaws that warrant a G grade.
Note: Two holes in front cover. Rough spine. Crease on bottom right corner of cover. Stain on back cover.
Comic Book will be shipped bagged and boarded!
Browse more comic at www.monsterislandnews.com
Cover pencils by Gil Kane. Script by Roy Thomas (Adaptation), Gerry Conway (Adaptation), and Robert E. Howard (Original Story), pencils by Gil Kane, inks by Ernie Chan.
Adapted from the story by Robert E. Howard; a swordsman battles a huge creature.
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This Just Happened: Wonder Woman: From God of War to God of Peace!
From DC Comics
SPOILER ALERT: If you have not read SUPERMAN/WONDER WOMAN: FUTURES END #1 yet and do not wish to know what happens, stop reading this post now (major spoilers ahead!).
Five years from now, in WONDER WOMAN: FUTURES END #1, we find the Amazon Princess embracing her “God of War” persona as she is entrenched in an epic battle with the evil Nemesis.
Or so we may think…
Bracing for a deadly blood fest, the opening pages of SUPERMAN/WONDER WOMAN: FUTURES END #1 reveal that Wonder Woman has actually been infected by Nemesis and has been imagining the entire battle in her head!
Coming to terms with reality, Wonder Woman finds one truth in her delusions: Nemesis is still the enemy.
Witnessing the devastation around her, Wonder Woman realizes that there’s only one last hope to stop Nemesis, and it’s not war… it’s peace!
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SPOILER ALERT: If you have not read SUPERMAN/WONDER WOMAN: FUTURES END #1 yet and do not wish to know what happens, stop reading this post now (major spoilers ahead!).
Five years from now, in WONDER WOMAN: FUTURES END #1, we find the Amazon Princess embracing her “God of War” persona as she is entrenched in an epic battle with the evil Nemesis.
Or so we may think…
Bracing for a deadly blood fest, the opening pages of SUPERMAN/WONDER WOMAN: FUTURES END #1 reveal that Wonder Woman has actually been infected by Nemesis and has been imagining the entire battle in her head!
Coming to terms with reality, Wonder Woman finds one truth in her delusions: Nemesis is still the enemy.
Witnessing the devastation around her, Wonder Woman realizes that there’s only one last hope to stop Nemesis, and it’s not war… it’s peace!
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Breaking News: Supergirl's Getting a TV Show
From DC Comics
Looks like the Man of Steel isn’t the only Kryptonian you’ll soon be seeing on screen.
Yes, the news of its development broke a few weeks ago, but today it was made official. As reported this morning, Berlanti Productions, in association with Warner Bros. Television, will be producing a Supergirl television series for CBS, which has given the show a series commitment.
If the Berlanti name sounds familiar to you, it should. It’s the production company of Greg Berlanti, the Executive Producer of both Arrow and the upcoming The Flash. He’ll serve as Executive Producer of Supergirl as well, along with Ali Adler and Sarah Schechter. As for what fans can expect from the show, it sounds like Berlanti and team will be keeping pretty faithful to the comics:
Born on the planet Krypton, Kara Zor-el escaped amid its destruction years ago. Since arriving on Earth, she’s been hiding the powers she shares with her famous cousin. But now at age 24, she decides to embrace her superhuman abilities and be the hero she was always meant to be.
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Peter Parker Meets Kamala Khan this October
From Marvel Comics
Together for the first time! The Amazing Spider-Man meets the Miraculous Ms. Marvel in the super hero team-up you’ve all been waiting for in October’s AMAZING SPIDER-MAN #7!
And if that’s not enough, "New York Times"-bestselling creators Dan Slott, Christos Gage and Giuseppe Camuncoli also bring you to the Edge of Spider-Verse! As Spidey and Ms. Marvel face someone who looks a lot like Captain Marvel, meet the mysterious Spider-UK – but what is his connection to Spider-Verse?
Seeds of the biggest Spider-Man story of all time are sown here, and no fan can afford to miss the epic AMAZING SPIDER-MAN #7, on-sale this October!
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Together for the first time! The Amazing Spider-Man meets the Miraculous Ms. Marvel in the super hero team-up you’ve all been waiting for in October’s AMAZING SPIDER-MAN #7!
And if that’s not enough, "New York Times"-bestselling creators Dan Slott, Christos Gage and Giuseppe Camuncoli also bring you to the Edge of Spider-Verse! As Spidey and Ms. Marvel face someone who looks a lot like Captain Marvel, meet the mysterious Spider-UK – but what is his connection to Spider-Verse?
Seeds of the biggest Spider-Man story of all time are sown here, and no fan can afford to miss the epic AMAZING SPIDER-MAN #7, on-sale this October!
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Captain Marvel's 10 Definitive Issues
From Marvel Comics
Since her debut in 1968, Carol Susan Jane Danvers has experienced her fair share of ups, downs, victories, defeats, setbacks, and triumphs. Carol's grit, swagger, and fighting spirit has remained constant throughout her nearly five decades in the Marvel Universe, even as her name changed from Ms. to Captain Marvel.
The fighter pilot turned Avenger will reach another milestone in her super hero career this December with the release of CAPTAIN MARVEL #10—an over-sized celebration of Carol and her Corps by series writer Kelly Sue DeConnick and artists David Lopez and Marcio Takara. To mark this momentous occasion, we've compiled a list of 10 of Captain Marvel's most definitive issues to date, arranged here in chronological order!
FIRST APPEARANCE
Carol first appeared as the security chief of a military base in this late 60's anthology series. Her quick introduction helped fill out the newly introduced original Captain Marvel's supporting cast, and established Danvers as the hero's leading lady—a role she would play for the next few years.
RETROACTIVE ORIGIN
When Kree madman Yon-Rogg attempted to lure Mar-Vell into a trap by kidnapping Carol, the villain inadvertently set the stage for Ms. Marvel's genesis. The good Captain arrived just in time and saved Danvers, shielding her from a blast from Yon-Rogg's Psyche-Magnetron. The energy released by the blast transferred a portion of Mar-Vell's power to Carol—thus paving the way for her heroic future.
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Since her debut in 1968, Carol Susan Jane Danvers has experienced her fair share of ups, downs, victories, defeats, setbacks, and triumphs. Carol's grit, swagger, and fighting spirit has remained constant throughout her nearly five decades in the Marvel Universe, even as her name changed from Ms. to Captain Marvel.
The fighter pilot turned Avenger will reach another milestone in her super hero career this December with the release of CAPTAIN MARVEL #10—an over-sized celebration of Carol and her Corps by series writer Kelly Sue DeConnick and artists David Lopez and Marcio Takara. To mark this momentous occasion, we've compiled a list of 10 of Captain Marvel's most definitive issues to date, arranged here in chronological order!
FIRST APPEARANCE
Carol first appeared as the security chief of a military base in this late 60's anthology series. Her quick introduction helped fill out the newly introduced original Captain Marvel's supporting cast, and established Danvers as the hero's leading lady—a role she would play for the next few years.
RETROACTIVE ORIGIN
When Kree madman Yon-Rogg attempted to lure Mar-Vell into a trap by kidnapping Carol, the villain inadvertently set the stage for Ms. Marvel's genesis. The good Captain arrived just in time and saved Danvers, shielding her from a blast from Yon-Rogg's Psyche-Magnetron. The energy released by the blast transferred a portion of Mar-Vell's power to Carol—thus paving the way for her heroic future.
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Giant Size Fantastic Four (1974) #6 - October 1975 Issue - Marvel Comics
Giant Size Fantastic Four (1974) #6 - October 1975 Issue - Marvel Comics
$7.00 USD - Order Here
1st printing.
This comic book is in used condition. Comic is complete with cover and all pages attached. This comic has some flaws that warrant a VG/F grade.
Note: Damage to top of front cover. Bent staple poking through front cover.
Comic Book will be shipped bagged and boarded!
Story by Stan Lee. Art by Jack Kirby and Joe Sinnott.
With Sue about to give birth at any moment, her life is at risk unless Reed can secure Element X, an element only found from a single source in the Negative Zone, that will save her and the baby's life from the risk posed by the very cosmic rays in Sue's body.
Travelling into the Negative Zone, Reed, Ben and Johnny are captured by Annihilus, whose Cosmic Control Rod has the element that Reed needs; however Annihilus, obsessed with the immortality the rod provides refuses to part with it. Stealing the rod, Reed, Johnny and Ben are chased all over the Negative Zone dodging the various threats and opponents set against them by Annihilus.
Trapped on a floating rock drifting towards the barrier between positive and negative matter (and a very explosive death) Reed is forced to give up the Rod to Annihilus, but not without siphoning out some of the Element X needed to save Sue and the baby's life. Escaping Annihilus and returning to the positive matter universe, Reed and the others rush to the hospital with the element. Sometime later, Sue gives birth to a health baby boy with no further complications. - Marvel Comics
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X-Men Wolverine Brown Costume Danger Room Sessions Fine Art Statue
X-Men Wolverine Brown Costume Danger Room Sessions Fine Art Statue
Price: $219.99 - Order Here
Barely focusing his mindless berserker rage, Wolverine crouches in a combat pose with his claws popped and ready for action. Swapping out his usual blue and yellow, Logan wears his classic brown and yellow costume with flared boots, red X-Men logo belt, and of course the iconic pointed cowl. Balancing on the balls of his feet as he prepares to leap at the next simulated enemy in the Danger Room, Wolverine's entire body is tensed with its rippling physique sculpted in high detail. Logan fans will really appreciate the display options with this version that include two portraits: the masked head is close-mouthed and focused while the bare head unleashes the ferocity with flowing hair and a wild scream! Sculpted by Danger Room veteran Erick Sosa, Wolverine Brown Costume stands nearly 8-inches tall (1:6 scale) as he crouches, and like the other members in the series he stands on a unique Danger Room holographic environment. Wolverine stands atop the smashed head of a defeated Sentinel, even more proof of his fighting prowess. Whether you're collecting the Danger Room Sessions statues or are a fan of Wolverine (especially in his brown costume), this Fine Art Statue is the definitive representation of the character!
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Ghost Stories (1962) #32, April 1972 Issue - Dell Comics
Ghost Stories (1962) #32, April 1972 Issue - Dell Comics
$10.00 USD - Order Here
1st printing.
This comic book is in used condition. Comic is complete with cover and all pages attached. This comic has flaws that warrant a F/VF grade.
Comic Book will be shipped bagged and boarded!
Story and art credits: Unknown.
Explorers are terrorized by a giant scorpion.
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The Flash DC Comics 4-Inch Mini-Statue
The Flash DC Comics 4-Inch Mini-Statue
Price: $5.99 - Order Here
The superheroes and villains of the DC Universe get the 4-inch figure treatment! The Flash DC Comics 4-Inch Mini-Statue is great. It features the Scarlet Speedster rushing as fast as he can go atop a circular base. Ages 4 and up.
Age: 4+
Size: 4-inches tall
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Bad Robot gives the finger to aerial "leaks" with "Episode VII" Millennium Falcon video
From Yahoo!
If you were online last week, you probably saw photos of the Millennium Falcon floating around. Taken "accidentally" during a fly-over — and then later less "accidentally" with a drone — blurry shots of the iconic ship spread faster through the galaxy than a Killik hive.
JJ Abrams wasn't about to stand for that. If anyone was going to leak footage of the Millennium Falcon, it was going to be him, dammit! So that's what he did. He even upped the ante with an impressive Easter egg clinging to the underside of the hull. That's no moon…
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Ghost Stories (1962) #24, May 1970 Issue - Dell Comics
Ghost Stories (1962) #24, May 1970 Issue - Dell Comics
$6.00 USD - Order Here
1st printing.
This comic book is in used condition. Comic is complete with cover and all pages attached. This comic has flaws that warrant a Fine grade.
Note: damage to top left hand corner. Writing in pencil on back cover.
Comic Book will be shipped bagged and boarded!
Story and art credits: Unknown.
"To My Killer with Affection," "Have I Been Here Before?" "The Face in the Picture," and "Appointment with Sam Mara." Issue also has "The Watchful Eye" one-page text feature.
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Day The Earth Stood Still Gort and Klaatu Action Figure 2-Pack
Day The Earth Stood Still Gort and Klaatu Action Figure 2-Pack
Price: $39.99 - Order Here
This collector's 2-pack based on the classic sci-fi film The Day the Earth Stood Still includes both Gort and Klaatu together in this 1970's-styled action figure 2-pack! Gort features 5 points of articulation and stands 5-inches tall, while Klaatu is 4-inches tall with 7 points of articulation. Comes with extra Klaatu head.
Size: 4 to 5-inches tall
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Vanguard Illustrated (1983) #2, January 1984 Issue - Pacific Comics
Vanguard Illustrated (1983) #2, January 1984 Issue - Pacific Comics - Grade F/VF
$8.00 USD - Order Here
1st printing.
This comic book is in used condition. Comic is complete with cover and all pages attached. This comic has very few flaws that warrant a F/VF grade.
Note: Dust shadow on back cover.
Comic Book will be shipped bagged and boarded!
Browse more comic at www.monsterislandnews.com
Edited by David Scroggy. Cover by Dave Stevens. Stories by David Campiti, Cynthy J. Wood, Bob McLeod, Mike Baron, Steve Rude, Darren Auck, Peter Milligan, and Brendan McCarthy.
1st appearance of the Stargrazers
The second issue of Vanguard Illustrated sports an amazing cover by industry legend Dave Stevens, and continues its tradition of pairing established professionals with new writers and artists.
Famous T & A Cover featured in the Overstreet Comic Book Price Guide!
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Batman 1966 TV Series Batman Maquette Statue
Batman 1966 TV Series Batman Maquette Statue
Price: $259.99 - Order Here
To the Batmobile! This Batman Maquette Diorama is based on the classic 1966 television show. Adam West's classic costume was painstakingly researched to ensure this maquette is 100% accurate to the original suit. Batman comes on a display base that includes half of the Batcomputer. The 1:6 scale statue measures 12-inches tall. This limited edition piece will make a Bat-tastic addition to any Bat-collector's Bat-collection!
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Living the Logan Legacy: Tim Seeley & X-23
From Marvel Comics
A world without Wolverine leaves everyone in the Marvel Universe reeling.
Of all those impacted, however, X-23 wonders if his death defines her fate as well, something writer Tim Seeley explores in October’s DEATH OF WOLVERINE: THE LOGAN LEGACY #2. Seeley tells Marvel.com where he and artist Ariela Kristantina plan to take the former assassin berserker as she copes with the loss of her genetic kin.
Marvel.com: What interested you most about getting to write an installment in this critical post-Death of Wolverine limited series, THE LOGAN LEGACY?
Tim Seeley: Mostly it was the chance to work with [editors] Mike [Marts] and Katie [Kubert] again, as well as the crew I work with on Batman Eternal, James [Tynion IV], Ray [Fawkes], Kyle [Higgins], and the bonus Marguerite [Bennett]! Plus, I thought it’d be interesting to deal with a Marvel U without Wolverine, since he’s been so prominently in the forefront of comics since I started reading them.
Marvel.com: From your perspective, what makes X-23 such an engaging character to write and also so critical to the legacy concept?
Tim Seeley: Well, she’s actually part Wolverine, in that she shares a lot of his DNA, but she’s never been his daughter. So that makes for some interesting conflicts for her to deal with. Honestly I was never really very into X-23, I think the clone thing turned me off, but [I’m interested in] having her have to deal with the death of a guy whose life could determine her future appealed to me; the idea of nature vs. nurture, and if she’s predestined to live Logan's life.
Marvel.com: Without giving too much away, how does she react to Logan’s death?
Tim Seeley: At first, I think she sees it as very fatalistic. She sees her end in the way he died. She thinks her future is written.
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Stephanie Brown Returns as the Spoiler!
From DC Comics
It isn’t exactly a news flash around here to say that we love Barbara Gordon. But that doesn’t mean we haven’t missed Stephanie Brown. If you’re like us—and we know that there are many, many of you out there who are—you’re not going to want to miss Batman Eternal this week. In fact, if you’ve fallen behind in our weekly Bat-series, you may want to spend this afternoon getting caught up. Why? Well, let’s just say when it comes to this week’s BATMAN ETERNAL #24, you CAN judge this book by its cover.
Yes, this week’s action packed new issue marks the full-on return of the Spoiler. Okay to clarify, we met Stephanie quite a few issues ago, and have already seen her adopt the Spoiler moniker. But we haven’t seen her in action until this week. This is the issue that will remind everyone how much they loved her and show newer fans why Stephanie Brown remains such a popular character. It features a confrontation with her father, the Cluemaster, and a ton of don’t-try-this-at-home moments including a thrilling—Well, that would be telling. Just believe us when we say that if you miss Stephanie Brown, this is the issue for you!
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It isn’t exactly a news flash around here to say that we love Barbara Gordon. But that doesn’t mean we haven’t missed Stephanie Brown. If you’re like us—and we know that there are many, many of you out there who are—you’re not going to want to miss Batman Eternal this week. In fact, if you’ve fallen behind in our weekly Bat-series, you may want to spend this afternoon getting caught up. Why? Well, let’s just say when it comes to this week’s BATMAN ETERNAL #24, you CAN judge this book by its cover.
Yes, this week’s action packed new issue marks the full-on return of the Spoiler. Okay to clarify, we met Stephanie quite a few issues ago, and have already seen her adopt the Spoiler moniker. But we haven’t seen her in action until this week. This is the issue that will remind everyone how much they loved her and show newer fans why Stephanie Brown remains such a popular character. It features a confrontation with her father, the Cluemaster, and a ton of don’t-try-this-at-home moments including a thrilling—Well, that would be telling. Just believe us when we say that if you miss Stephanie Brown, this is the issue for you!
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DYNAMITE ANNOUNCES THE DEATH OF APOLLO, A SHOCKING BATTLESTAR GALACTICA EVENT
From Dynamite Entertainment
Dynamite Entertainment is proud to reveal one of the biggest secrets of the Battlestar Galactica mythos in the upcoming miniseries event, Battlestar Galactica: The Death of Apollo. Scheduled for release this December, The Death of Apollo reunites the creative team of fan-favorite comic book writer Dan Abnett (one of the architects of the Guardians of the Galaxy phenomenon) and talented artist Dietrich Smith in a heartwrenching chronicle of the iconic Viper pilot's last days -- an event hinted at during official TV series continuity but never before revealed.
When Battlestar Galactica first captured the hearts of sci-fi fans in 1978, the bold starfighter pilot Captain Apollo stood out as the central character of the series, defending the fleet from the Cylon menace as deftly portrayed by actor Richard Hatch. After the original series came to an end in 1979, the sequel series Galactica 1980 continued the tale of the nomadic fleet, but set years after the events of the previous run. Captain Apollo was no longer a member of the cast, and in-story dialogue strongly implied that the implacable hero had met his demise in the intervening years. Dynamite Entertainment, for the first time ever, fills in the gap between Battlestar Galactica and Galactica 1980 which officially reveals the fate of the beloved character.
The solicitation for Battlestar Galactica: The Death of Apollo #1 sets the stage for the action of this milestone event: "The fleet has been travelling for years, and at last the human survivors seem to be leaving the war and the Cylons behind them. But the threats never go away. A voice from the past and a bizarre twist of fate leads Galactica into danger once again, and events will take place that will change everything forever."
"During one of our editorial meetings, it came to light that Apollo -- whom many would consider to be the very soul of the original BSG series -- had died tragically off-screen in-between the 1978 and 1980 Galactica shows," says Nick Barrucci, Dynamite Publisher and CEO. "We realized that we had not just an opportunity, but a responsibility to the fans, to shed light on the character's noble sacrifice. The first person who came to mind to write such an important story was Dan Abnett. Thankfully, he agreed and turned in an amazing pitch. The term 'blaze of glory' cannot even begin to describe what Dan Abnett and Dietrich Smith have planned for the Galactica's favorite son."
Dynamite Entertainment has been publishing Battlestar Galactica comic books since 2006, focusing on each incarnation of the franchise from the classic continuity of the 1978 television series, to the Galactica 1980 follow-up, and finally to the reimagined series aired on Syfy from 2003 through 2009. Recently, Dynamite has published a bestselling Battlestar Galactica series by Dan Abnett and Andy Lanning set in the classic continuity, as well as a miniseries focusing on Galactica's scoundrel with a heart of gold, Starbuck.
Battlestar Galactica: The Death of Apollo #1 will be solicited in Diamond Comic Distributors' October Previews catalog, the premiere source of merchandise for the comic book specialty market, and slated for release in December. Comic book fans are encouraged to reserve copies of Battlestar Galactica: The Death of Apollo #1 with their local comic book retailers. Battlestar Galactica: The Death of Apollo will also be available for individual customer purchase through digital platforms courtesy of Comixology, iVerse, and Dark Horse Digital.
‘Star Wars’ Provides Disney with a ‘Huge Opportunity’
From Variety
Walt Disney Studios is quick to admit it doesn’t have an awareness problem with “Star Wars” when it starts releasing new movies, beginning with next year’s “Episode VII.” But it also knows the future of the franchise at the Mouse House, however, relies on getting the film right for fans and newcomers.
“This title is very well known out there,” and “the single most important thing is to make sure that this movie is great,” said Walt Disney Studios president Alan Bergman, on Wednesday, at the Bank of America Merrill Lynch 2014 Media, Communications &; Entertainment conference.
Disney hasn’t been shy in discussing the impact “Star Wars” will have on the company’s bottom line since buying George Lucas’ Lucasfilm for $4 billion in 2012.
But with a new animated series, “Star Wars Rebels” debuting on Disney XD, an expanded merchandise program, and the first live action film to debut in theaters in 10 years next year, the franchise’s presence at Disney is starting to be felt.
Yet a lot is riding on the success of “Episode VII,” out in theaters Dec. 18, 2015, since the J.J. Abrams-directed film will drive much of the interest in “Star Wars” across the rest of Disney’s divisions. In addition for new films, there are plans for more TV shows, licensing deals and theme park attractions.
“If we can get this right, it’s a huge opportunity for the entire company,” said Bergman, who wore Stormtrooper tennis shoes while discussing the studio’s upcoming film slate — a standalone film, to be directed by “Godzilla’s” Gareth Edwards, is already scheduled for Dec. 16, 2016.
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