Cover A Main: Joyce Chin
Writer: Shannon Eric Denton
Art: Rey Villegas
Genre: Western, Action/Adventure
Publication Date: April 2015
Format: Comic Book
Page Count: 32 pages
UPC: 725130228598 02011
Lady Rawhide and Lady Zorro set out to find the men responsible for the abduction of the village girls but their trail leads them into a remote mining camp! Death is at every turn in a town full of men with nothing to lose but none of it is as dangerous as the women running the brothel! Have Lady Zorro and Lady Rawhide finally met their match?
Cover A Main: Sergio Fernandez Davila
Writer: Marc Andreyko
Art: Aneke
Genre: Steampunk, Action/Adventure
Publication Date: April 2015
Format: Comic Book
Page Count: 32 pages
UPC: 725130225054 0301
Sonja always fancied herself a pirate extraordinaire... until now! As she and her newest ally sail the high seas in pursuit of a madman bent on defying death, Red comes face to face with one of the most, ahem, legendary pirates of all time! The question is: whose side is he on? The adventure exploring the outer reaches of the LEGENDERRY world continues!
Arrowstorm Entertainment, the creative team behind the Mythica series of independent fantasy movies, has published an interesting article about why they use Kickstarter to fund their movies:
1. Plummeting Worldwide Sales Revenue - this is a problem for the entire film industry, but Hollywood alleviates this problem via massive box office... Hence, they only produce gigantic franchise films that have a chance of generating $1 billion in the theaters. They routinely spend $200 million on production, and another $100 million in marketing... For indie filmmakers, who don't have the theatrical marketing dollars, theaters are still mostly a dead-end. DVD revenues are also dead in most places - piracy and changing viewing habits have killed that industry. TV channels don't play very many movies anymore, preferring series (and who can blame them with the current boom in great TV). Which leaves streaming...
2. Streaming Video Doesn't Make Much Money - while streaming video is awesome for the consumer, it's not great for indie filmmakers. Yes, more people get to see our films, but we don't see very much money from that model. Netflix generally pays $10,000 to $20,000 for the right to stream an indie film. When you consider that most indie films cost hundreds of thousands - or even millions - to produce, you see how that doesn't add up to much... Ad-supported services like Hulu and CONtv actually end up making a little more money, but still, we're talking about ten cents per view!... And Youtube... forget about it. Here's a screenshot of what Youtube ads make us:
Mythica 1 Trailer Revenue on Youtube
3. iTunes is Over-Crowded - iTunes is a great place to make money, but it is very hard for the consumer to find your products there because there is just so much content. Studio films with tons of marketing dollars dominate the easily visible areas. So, like theaters, without big marketing, iTunes and other digital sales venues become very difficult marketplaces for small independents.
Which leaves: YOU, the fantasy fan... without your direct support, we cannot make these films. Yes, we still make a majority of our money selling to distributors all around the world, but every year that number shrinks as their marketplaces shrink... but thankfully, the number of Kickstarter backers willing to support our projects has grown. And this is not unique to us... this is a trend across the independent film (and music, art, comics, etc) industry. Without direct fan-support, independent artists cannot survive. We know you could be like the millions of other people around the world, who just download our films for free from Bittorrent... But sleep easy tonight knowing that your support negates their actions.
Human history has been (and continues to be) filled with and endless series of wars and human conflict. According to many sources, these conflicts have been observed very closely by UFOs and whomever or whatever control them. Apparently we, as a warlike society, put on the 'greatest show in the galaxy.'
From the Huffington Post
The public rarely hears about interactions between military personnel and unexplained aircraft -- especially during wartime.
As time goes on, however, UFO stories stuck behind red tape begin to see the light of day. The Vietnam War saw its share of UFO activity in the 1960s.
One close encounter, in 1968, involved the crew of an American patrol boat that reported two glowing circular craft following them in the demilitarized zone that separated North and South Vietnam.
The crew aboard a second patrol boat later reported seeing the UFOs over the first boat and a flash of light, followed by an explosion that completely destroyed the boat. These Vietnam reports included close observation of the unknown aerial craft which appeared to house pilots (see recreation image at the top of this story).
Wartime UFO stories are recreated in the premiere episode of the second season of History's "Hangar 1: The UFO Files." The accounts are drawn from tens of thousands of UFO cases in the archives of the Mutual UFO Network, the world's largest UFO investigation group.
"The military was interested in [UFOs] because they had capabilities far above anything that we had, and they wanted to find out what the technology was and, frankly, who they belonged to," according to former Air Force intelligence officer, Capt. George Filer.
While in Vietnam, Filer -- who had a top secret clearance -- gave daily briefings to Gen. George S. Brown, deputy commander for air operations in Vietnam.
"Frequently, the Vietcong or North Vietnamese would be attacking an outpost and I would explain that, and we would have ground-air support, particularly at night where we'd go in there with these gun ships, and I would give briefings on all of that," Filer told The Huffington Post. "Some of the time, there would be unidentified craft over the DMZ."
Filer described a typical report that he'd receive and which he included in his briefings to Brown:
"You'd have an aircraft flying along, doing around 500 knots and a UFO comes alongside and does some barrel rolls around the aircraft and then flies off at three times the speed of one of the fastest jets we have in the Air Force. So, obviously, it has a technology far in advance of anything we have.
"I would be told this unofficially. People tell you a lot of things that they don't put in writing or sign their name to. There was always this part of UFOs that, if you got too interested, it could mess up your career. And this is true today even with commercial pilots. I've also heard from people serving in Afghanistan saying they've seen UFOs, and the Iranian news carries UFO reports pretty regularly."
During a 1973 press conference, five years after the patrol boat UFO encounters, Brown -- as USAF chief of staff -- was asked about the Air Force's position on UFOs:
I don't know whether this story has ever been told or not. They weren't called UFOs. The were called enemy helicopters. And they were only seen at night and they were only seen in certain places. They were seen up around the DMZ in the early summer of '68. And this resulted in quite a little battle.
And in the course of this, an Australian destroyer took a hit and we never found any enemy, we only found ourselves when this had all been sorted out. And this caused some shooting there, and there was no enemy at all involved, but we always reacted.
Always after dark, the same thing happened up at Pleiku at the Highlands in '69.
On the final day of the Star Wars Celebration Anaheim, one of the newest members of the Lucasfilm family —spin-off director Gareth Edwards — took the stage to talk about joining a galaxy far, far away.
Josh Trank, who was also slated to appear at the panel, was not able to attend. Moderator Pablo Hidalgo said he has been “under the weather.”
Edwards is set to direct stand-alone film Star Wars: Rogue One, starring Felicity Jones, which is slated for release in December 2016. He was able to share more details about the film, including a logline, concept art and a bit of a sizzle reel at Sunday’s event.
The helmer was joined by Lucasfilm president Kathleen Kennedy and head of development Kiri Hart for the event, held at the Anaheim Convention Center.
Hidalgo revealed that the Star Wars: The Force Awakens trailer, which debuted on Thursday, was viewed 88 million times worldwide in the first 24 hours.
But the focus of the panel was the stand-alone films. “We really wanted freedom to do some films that could stand on their own, and tell new stories,” said Hart, who revealed that they’re calling them “anthology films.”
Would it surprise you to learn the the most talented rock musicians out there right now are three preteen girls? ... from Mexico?
Prepare to have your minds blown by "The Warning" (comprised of sisters Alejandra, Paulina and Dany) three hard-rocking young ladies from Monterrey, Mexico who have the stones to cover the likes of "Metallica", "AC/DC" and "Twisted Sister". I think it's safe to say that these are not just covers, but from a technical standpoint, near mirror image reproductions of their original counterparts. This may be the most significant trio of rock musicians to come together since Geddy Lee, Alex Lifeson and Neil Pert. (That's RUSH, you dolt)
Throughout most of our lives, we’ve had the blessing and opportunity to learn from very talented musicians whom not only shared with us their knowledge in music, but also had the patience and dedication to guide us through our journey into this fantastic world of music.
Because we know that every path we’ve crossed have had an imprint in becoming who we are now and whatever chance we have to make our dreams come true in the future, we’d like to thank each and every one of those who helped us forge, in one way or another, what we are now most proud of: The Warning.
Right now the girls have a 'Go Fund Me' page where they have raised over $30k to fund studies here in The States and also to obtain premium visas. I urge you to donate to that at http://www.gofundme.com/fjjyhs?utm_medium=wdgt
Above, Godzilla approaches the Kachidoki Bridge on the Sumida River in 1954. Photo: Toho Co., Ltd.
Ten more days from today is the Japan Society of Northern California's "In The Footsteps of Godzilla" event in San Francisco.
The April 26 event begins with a screening of the original Godzilla (1954). It is in Japanese with English subtitles. Following the movie screening, I will be talking about Godzilla movies with a focus on the locations and landmarks used. After this, we will be migrating to the Izakaya Roku Japanese restaurant for a V.I.P. dinner.
I will have copies of The Monster Movie Fan's Guide To Japan available for purchase.
Here's the schedule:
This event benefits the Japan Society of Northern California as it will help to fund future programs.
As we are nearing the date of the event, now is the time to purchase your tickets while you still can.
For further information, including tickets, go here.
Batman had Robin, The Green Hornet had Kato, and if Michelle MacLaren had her way Wonder Woman would have had a talking tiger sidekick.
From Comics Beat:
The official reason for her leaving is ‘creative differences,’ and that seems legit according to the scuttlebutt that has reached me. MacLaren and Warner Bros couldn’t agree on anything – including what time period to set the movie. More than that, MacLaren had some very particular visions for the film, visions that maybe would have alienated fandom. Although perhaps Diana having a tiger sidekick/pet she could talk with would have appealed to people more than I expect.
As of now it seems like Wonder Woman is still on for a 2017 release – which means they need to get a director in there soon. I don’t even know if any of the stuff they developed with MacLaren, storywise, will last. It’s quite possible that whoever comes on next will start from scratch – or will basically take orders from Zack Snyder, who could be shaping up to be the driving creative force behind the DC Movieverse.
So basically with a tight-for-a-blockbuster two years out schedule, they STILL HAVE NO IDEA WHAT TO DO WITH WONDER WOMAN. Talking raccoons—no problem. A test pilot who gets a glowing green mask—think of the possibilities. A guy who shrinks down to the size of an ant—the kids will love it. A guy who got frightened by a bat in a cave—worldwide box office records. Woman who fights evil….hm…boy…jeez, that’s a tough one.
Now, I seem to recall that Golden Age Wonder Woman had a lot of female sidekicks, but I don’t know if she had a tiger pal. I know she FOUGHT a tiger.
What happens when Xena meets Wonder Woman? Dreams come true, that is what happens. Seriously, dreams. Lucy Lawless and Lynda Carter together to make geeks everywhere (including me!) lose their minds.
Lawless, who is in New York City promoting WGN America's Salem, posed with Carter, TV's Wonder Woman who is in New York promoting her concert at Jazz at Lincoln Center, and let's just come out and say it: This photo is everything. Everythinggggg. Just like all the world has been waiting for Wonder Woman (according to her theme song), the world has been waiting for this photo.
Lawless played the title role in Xena: Warrior Princess for six seasons from 1995-2001. Carter was the Amazon princess in Wonder Woman from 1975-1979. The TV heroes had—and still have legions of fans and of course received quite a few comparisons.
Mark Bagley homages Ultimate Spider-Man #1 for a stunning variant cover!
From Marvel Comics
He was the artist that started it all – and now he’s going to finish it!
Marvel is pleased to unveil Mark Bagley’s exciting variant cover to ULTIMATE END #1! In a stunning homage to the very first ULTIMATE SPIDER-MAN cover, Bagley brings his inimitable style to a now classic image! The wheels are in motion, and the Ultimate Universe is set to crash headlong into the monumental Secret Wars. The end is nigh…but is there any hope for the Ultimate Universe or its most beloved hero? No fan should miss out on this iconic, can’t-miss variant cover – only in comic shops this May!
First look at covers to The Empire Strikes Back and Return of the Jedi!
From Marvel Comics
This May, Marvel and Lucasfilm Ltd. are set to return you to the story that started it all with the STAR WARS™: EPISODE IV - A NEW HOPE OGN. Completely remastered for the modern age, this iconic story now comes to an entire new generation of fans. But before that can’t miss graphic novel hits shelves this May – Marvel is pleased to present your first look at the covers to STAR WARS™: EPISODE V - THE EMPIRE STRIKES BACK OGN and STAR WARS™: EPISODE VI - RETURN OF THE JEDI OGN!
Brought to life by famed artist Adi Granov, these stunning images will grace the covers of the original Marvel adaptations of these iconic films. Also remastered and recolored, don’t miss your chance to relive these iconic stories when the oversized STAR WARS™: EPISODE V - THE EMPIRE STRIKES BACK OGN and STAR WARS™: EPISODE VI - RETURN OF THE JEDI OGN come to comic shops and book stores in 2015!
Cover A Main: Sergio Fernandez Davila
Writer: David Avallone
Art: David Cabrera
Genre: Steampunk, Action/Adventure
Publication Date: April 2015
Format: Comic Book
Page Count: 32 pages
UPC: 725130226945 03011
Alliterative action, as Vampirella faces and fights corruption with Kurtz, romance with Rassendyll and violence with Van Helsing. Hentzau's plot is in motion, Vampirella's secrets are revealed and the moral of the story is never let Dr. Moreau give you a haircut.
This comic book is in new condition. Comic is complete with cover and all pages attached. This comic has some flaws that warrant a NM grade.
Comic Book will be shipped bagged and boarded!
Script by Max Allan Collins, pencils by Dave Cockrum, inks by Mike DeCarlo.
After six months of intense training, Batman presents Jason Todd with a Robin costume, anointing the teen Batman’s new partner, much to the chagrin of Alfred. When the new dynamic duo answer the Batsignal, Commissioner Gordon meets the new Robin then shows the heroes an envelope that was delivered earlier that day. Inside is a poker hand consisting of two pair and a deuce and four photographs of two pair of petty criminal twins. Noticing it as the M.O. of the villain Two-Face, Batman and Robin travel across the “Bi-State” Bridge to the Lucky Dollar Casino in Casino City. Encountering the former district attorney, the heroes disable Two-Face’s henchmen, but the duo is unable to prevent the villain from taking a hostage. Playing on his penchant for “twos”, Robin offers himself up in place of the hostage, stating that it is fitting seeing as how he is the second Robin. Two-Face agrees and speeds off with his new hostage, but the new Teen Wonder frees himself from the villain’s grasp. Back at the Batcave, Jason discovers that Two-Face is presumably responsible for the death of Willis Todd, Jason’s father.
Above, Christine Nguyen. Photo
courtesy of Christine Nguyen.
Avery Guerra sent me a message on a movie that he's serving as publicist for: Sharkansas Women's Prison Massacre.
It reads:
Hey Armand! Check out Christine Nguyen's latest film, directed by Jim Wynorski, that I'm publicist for! She co-stars alongside Traci Lords, Dominque Swain, Cindy Lucas,and others! A women's prison flick crossed with a mutant shark movie!
Here's a link to Dread Central's write-up on the movie which includes a synopsis and trailer video.
Above, DC Comics will be located near Warner Bros. Studios in Burbank. Photo by Armand Vaquer.
DC Comics is closing their New York offices today and moving to Burbank, California.
Former DC president Paul Levitz posted the following at Facebook reflecting on the move:
DC is officially closing it's New York offices today, climaxing the progressive move to Burbank over the last few years. They've been kind enough to invite me to a final lunch at the office with so many old friends to commemorate the occasion.
Rather than write about what the DC office in NY has meant to me personally, let me take today to write about what it's meant to NY, and vice versa.
The various DC offices over the past 80 years have been a gateway for New York's young people, originally mostly from immigrant or disadvantaged backgrounds, to bring their gifts to entertain the world. Kids like Shelly Mayer, Joe Kubert, Carmine Infantino, Alex Toth, Bob Kane, Bill Finger, Jerry Robinson, Irwin Hasen--and in a later generation, Neal Adams, Len Wein, Marv Wolfman, Howard Chaykin, George Perez, Denys Cowan--and so many, many more, came knocking on the doors and found an outlet for their talents. Based in a city that long opened its doors to the world, DC opened up to people with passion for creating stories and artwork, and to a generation or two of people who came to New York "to get into comics." It wasn't the only comics company that did this, but it was the most consistent presence--the only leader in the field to have stayed in the front of the pack for over 75 years, creating opportunities in the greatest city on our continent.
It's not only writers and artists who came through the DC offices and prospered. A tally of the young New Yorkers who spent an early part of their careers at DC and went on to interesting lives would include publishing pioneer Byron Priess, a host of editors, leading licensing executives, and graphic desgners.
The offices have also been a magnet for business change in the comics field. The idea that comics could be original periodicals was first made real and practical in a DC office, as was the first truly successful graphic novel publishing program in America. And would comics have been that same if NY English teacher Phil Seuling hadn't had easy access to offices to pitch his direct sales idea? The comic shop may have been born in California, but the systems that fed it started here.
Has all this connecting been made obsolete in the era of the Internet and global interdependency? Maybe. There's certainly an argument that today you can run anything, anywhere.
But New York won't be quite the same without a DC Comics, and as a New Yorker whose life was shaped by his city and by the DC offices, I can be sad about that.
During my days as a regular reader of DC's line-up of comics back in the 1960s, the address their editorial offices were located was 575 Lexington Ave., New York, New York. For some reason, that address always stayed with me.
The Japan Society of Northern California jumped on the news about Godzilla's "appointment" as tourism ambassador for Shinjuku, Tokyo over at Twitter. Their Tweet is shown above.
In only 16 more days, their "In The Footsteps of Godzilla" event will be held in San Francisco that includes a theatrical screening of the original 1954 movie that started it all, a discussion of Godzilla movies (with an emphasis on their real-life locations and landmarks) and a V.I.P. dinner.
Above, Yuu Asakura with The Monster Movie Fan's Guide To Japan. Photo by Armand Vaquer.
Speaking of movie locations, I will have copies of The Monster Movie Fan's Guide To Japan available. If you want to get a copy, this would be a good time to do so!
Lucasfilm Ltd. and Marvel Entertainment have already taken the industry by storm with blockbuster new stories set in the Star Wars universe. This May, we’re proud to return you to the story that started it all as the first original comic adaptation of the greatest space-fantasy film of all time is reborn as the STAR WARS™: EPISODE IV A NEW HOPE OGN!
Weeks before George Lucas’ first Star Wars film hit theaters – Marvel gave eager fans their very first look at Luke Skywalker, boldly asking “Will he save the galaxy, or destroy it?” Now, 30 years later, you may know the answer, but that doesn’t spoil the excitement of reliving this now classic adaptation like you’ve never seen before – including scenes that never made it to the silver screen!
Completely remastered for the modern age with new coloring by Chris Sotomayor, Roy Thomas and Howard Chaykin’s iconic story debuts this May in an oversized hardcover format with a new cover by famed artist Adi Granov! Now is your chance to relive the original Marvel Comics adaptation that started it all when STAR WARS™: EPISODE IV A NEW HOPE OGN comes to comic shops and book stores this May!
Plus, don’t miss exciting remastered adaptations of The Empire Strikes Back and Return of the Jedi coming later this year!
Top Japanese filmmakers Hideaki Anno and Shinji Higuchi will team up to co-direct “Godzilla 2016”, the new Japanese version of the iconic Godzilla monster movie franchise.
The Toho studio, which licensed remake rights to Warner Bros. for the hit 2014 revival by director Gareth Edwards, produced the seemingly terminal “Godzilla: Final Wars” back in 2004.
But interest was revived by Edward’s 2014 “Godzilla,” which earned $525 million worldwide and JPY3.2 billion ($26 million) in Japan, with Toho and Warner Bros. Japan co-distributing.
“Ever since Hollywood announced that ‘Godzilla’ was to be resurrected, the expectation for another Japanese Godzilla grew. And if we were to newly produce, we looked into Japanese creators who were the most knowledgeable and who had the most passion for Godzilla” said Toho in a statement.
Anno will also be responsible for the screenplay while Higuchi will oversee the picture’s VFX.
The two directors previously collaborated on “God Warrior Appears in Tokyo.” “Their drive to take on such new challenges was exactly what we all had been inspired by,” said Toho.
Anno worked on the animation of Hayao Miyazaki’s Studio Ghibli-produced “Nausicaa in the Valley of Wind.” He later directed anime series including “Gunbuster,” “Nadia: The Secret of Blue Water” and the “Neon Genesis Evangelion” series for which he is best most known. He also curated a touring exhibition Tokusatsu — Special Effects Museum.
Higuchi also worked on the “Evangelion” series, before debuting as a feature director with “Lorelei: The Witch of the Pacific Ocean” in 2005 and scoring a major hit with “The Sinking of Japan.”
Meanwhile, Edwards has been signed to make “Godzilla 2,” which is set for a June 8, 2018, bow, with Legendary and Warner Bros. again co-producing.
In total Toho has produced 28 Godzilla movies since 1954 when Ishiro Honda directed the first. Ryuhei Kitamura’s “Godzilla: Final Wars” earned a disappointing $12 million.
Rating: Teen+
Cover: Penalva
Writer: Bruce Jones, Len Wein, Steve Englehart, Bill DuBay, Gerry Boudreau, Nicola Cuti, Cary Bates
Art: Jose Gonzalez, Esteban Maroto, Leo Duranona, Russ Heath, Enrich, Bob Larkin
Publication Date: Mar 2015 (Advanced solicited for February release)
Format: Hardcover
Page Count: 400 pages
More exciting horror and science fiction tales are collected in this eleventh volume of Vampirella Archives. These classic Warren-era storylines showcase Vampirella's acting career as she meets supernatural menaces both on-screen and off, plus tales of ghosts, dragons, zombies, yetis, and all matter of unearthly danger. Collecting Vampirella Magazine #72-79, featuring the work of Jose Gonzalez, Esteban Maroto, Bruce Jones, Len Wein, and many more. Includes a wealth of bonus materials from a bygone era, including the "Feary Tales" feature on urban legends, the monthly "Scarlet Letters" column, "Vampi's Vault" of creator biographies and literary reviews, and intact vintage advertisements.
In over six decades of battles and triumphs, Godzilla has never faced a challenge as great as what’s coming his way this July, when Godzilla goes to hell! In Godzilla in Hell, a five-issue miniseries launching in July, Godzilla will storm through the gates of hell itself, proving that the towering behemoth is King Of The Monsters both above and below!
With no warning and no sign of salvation, Godzilla is plummeted to the deepest, darkest bowels of the infernal kingdom. The mystery of what led to Godzilla’s damnation, and what it will face, will take readers on a dark and twisted journey unlike any Godzilla story before!
A rotating creative team will each take Godzilla through a new and more dangerous layer of Hell, beginning with none other than writer and artist James Stokoe, who is returning to the character for the first time since his haunting stunner of a miniseries, Godzilla: The Half Century War.
“Drawing Godzilla must be my comfort food, because it feels really great to come back and work on pages with IDW again,” said Stokoe, writer and artist on issue 1. “Also, the list of amazing creators they’ve tapped for this series beyond my issue feels equally great as a fan, especially with the theme everyone gets to play with. You can’t get much bigger than Godzilla versus Hell!“
Successive issues in this five-part series will feature talents familiar to the Godzilla franchise, including the multi-talented writer/artists Bob Eggleton; and Dave Wachter; Wachter most recently wrapped up the apocalyptic take on Godzilla in Godzilla: Cataclysm.
New to the world of Godzilla will be writers Ulises Farinas, and Erick Freitas, together on issue #3 and Brandon Seifert, tackling issue #4; artists will be announced on these issues at a later time.
“I’m very proud with the level of quality we’ve brought to all of our Godzilla mini-series,” said editor Bobby Curnow. “Godzilla in Hell will prove no exception. It’s been incredibly fun seeing the creator’s imagination stretch to fully utilize this otherworldly premise.”
This explosive new series will join a number of other major debuts in July as part of the Five Featured Firsts program, which launches a brand new title each and every week in July. Additionally, the debut issue will feature an EC Comics homage variant cover by Godzilla: Rulers of Earth artist Jeff Zornow as part of EC Cover Month!