Showing posts with label 20 Million Miles To Earth. Show all posts
Showing posts with label 20 Million Miles To Earth. Show all posts

"Fascinating. Horrible, but fascinating." - 20 Million Miles to Earth Trivia

From IMDB

One of the reasons the film takes place in Italy is that Ray Harryhausen always wanted to vacation there but could never afford to go on his own.

Ray Harryhausen's original design for the monster was a giant cyclops, similar to the one he later used in The 7th Voyage of Sinbad. He discarded the idea after making a clay model of it, and eventually settled on the reptilian Ymir.

Since he planned to use a real elephant for some of the footage in the zoo, Ray Harryhausen asked for one that was 15 feet tall, but the film was only able to procure an eight-foot-tall one for him. In order to make the elephant look much bigger, a 4'6" actor was cast to play the zookeeper.

Though the creature is referred to as the Ymir in reviews and websites, the name is never mentioned in the movie. Ray Harryhausen was concerned that audiences would mistake it for the Arabic title "Emir".

The Ymir roars in the film are variations of elephant roars sped up and modulated in pitches at different rates.


The Ymir is a vegetarian, eating grain when first attacked by the farmer with a pitchfork.

Distance from Earth to Venus- The closest approach of about 39.5 million kilometers (23.6 million miles)

Ray Harryhausen: a man feeding peanuts to the elephant that later battles the Ymir. He did so because the actor scheduled to play the part didn't show up. He later appears in a crowd fleeing the zoo.

(More After The Break)




The General, fearing that the space ship has sunk, points to a body of water on the map and says that the lost astronauts are now "20,000 leagues under the sea." Of course, it's a coy reference to the recent sci-fi flick 20000 Leagues Under the Sea (and Jules Verne's novel). However, a league is about 3 miles; no ship could sink 60,000 miles under the sea since the earth isn't that large. The Verne title refers to the amount of miles traveled under the sea, not how deep the craft was operating. So the General has made a geographical error while trying to make a hip quip.

The general and scientist consult a wall map of the world to locate the small village in Sicily where the rocket has crashed. At the end of the scene the camera pulls in for a close-up of Sicily, and we see that there are no city names printed on the map - not even major Sicilian cities like Syracuse or Palermo, let alone a tiny fishing village.

After testing the release of the wire net from the helicopter, an enlisted man with one stripe on his uniform says to Col. Calder, "The hook's working fine, sir!", to which Calder replies, "That's good, sergeant!" One stripe is the insignia of a private, not a sergeant.

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More Ultra-Rare Items From Classic Horror, Sci Fi And Monster Films Go On The Auction Block

Written By: Ken Hulsey
Source: Profiles In History

The folks over at Profiles In History are about to hold another of their infamous auctions of Hollywood movie memorabilia. As usual there are a ton of rare items from some of the greatest horror and sci fi films from the golden age of cinema.

Here is the info:

Hollywood Memorabilia Auction 37
Thursday & Friday, October 8 & 9, 2009 at 12:00 pm PDT
Day 1 : Lots 1 - 566
Day 2 : Lots 567 - 1200

Registration
Register to participate online or by fill in this form to bid via telephone.
If you're in the LA Area, come to the auction floor at :
26901 Agoura Road, Suite 150, Calabasas, CA. 91301

And here are some items that may be of interest to Monster Island News readers:

Rare bronze casting of Ray Harryhausen’s stop-motion animation Ymir from 20 Million Miles to Earth (Columbia, 1957)

This fascinating display piece is the rare artist proof casting of the Ymir space creature from the classic science fiction film 20 Million Miles to Earth. Designed and sculpted by the dean of stop-motion animation and visual effects, Ray Harryhausen, the original Ymir stop-motion figure was stripped of its latex skin and re-used by Harryhausen during the filming of the acclaimed 7th Voyage of Sinbad (rumored to have become the armature of the infamous Cyclops puppet). Prior to being stripped, the puppet was molded and a plaster master-sculpture of the Ymir was created as a keepsake by Harryhausen. This figure is cast in hollow bronze and is identical to the orginal animation model in size and every detail. Though a limited edition run of 100 bronzes was anticipated, only twelve plus this proof were ever produced. This unique artist proof features reddish bronze patina, unlike the others. It measures 12 inches tall and 19 in. long.

$3000 - $5000

Go Here For More Info Or To Bid

Prod. stills from Creature from the Black Lagoon, Revenge of the Creature & Creature Walks Among Us (Universal, 1954-56)

Collection of gelatin silver glossy 4 x 5 in. master production set stills from Creature from the Black Lagoon (15+), featuring Richard Carlson and Julie Adams, Revenge of the Creature (25+), featuring John Agar and Lori Nelson, and The Creature Walks Among Us (80+), featuring Jeff Morrow and Leigh Snowden

.$400 - $600

Go Here For More Info Or To Bid

20 T-Rex puppets from The Beast of Hollow Mountain

(Nassour Brothers, 1956) This incredible collection comprises 20 T-Rex puppets which were used in the famous “dinosaur attack” scene from The Beast of Hollow Mountain. A mixture of Western and dinosaur movie shot in color and widescreen, the movie was the first feature to use miniature rear projection in color to combine the replacement animation with live action and was praised for the realistic quality of the animation. In the closing minutes of the film, this ferocious beast appears attacking a woman and child. The animation sequence lasts nearly 20 minutes, with the creature rampaging and ripping the roof off of a building in its desire to eat them, only to be foiled by the hero who appears on horseback and saves them from certain doom. Legendary stop-motion animator Willis O’Brien wrote the story, but most of the animation work was apparently the work of California-born fine arts sculptor, Henry Lion (1900-1966). The puppets are constructed from fired clay/plaster and feature meticulously hand painted red mouths, white teeth and claws. Each puppet is individually sculpted in a variety of poses for use in the intricate replacement animation sequences with detailed musculature and reptilian skin. Some of the puppets have numbers handwritten on the bottom of the feet; others have number sequences engraved on the tails as reference for the animators. An incredible opportunity to own these artifacts from the golden years of replacement animation.

$20000 - $30000

Click Here For More Info Or To Bid

Screen-used full-size Monster suit from a General Electric television commercial

This Godzilla-esque monster suit was used in the humorous G.E. commercial, played during the 2006 Olympics, advertising their advanced medical imaging technology. The commercial depicts a group of Japanese children playing on the beach building a sandcastle (with obvious out-of-sync, horribly-dubbed voices) when a seemingly gigantic bipedal lizard, a la Godzilla, stomps over the dune toward them and they approach it to find that it is really the size of a tiny gecko lizard. The motto is, “Catching little problems before they get a chance to grow bigger”. This incredibly detailed suit is constructed of hand-painted foam latex, over a neoprene inner lining.

$4000 - $6000

Click Here For More Info Or To Bid

Collection of puppets from Big Trouble in Little China including translucent Lo Pan puppet (TCF, 1986)

A wonderful group of screen-used puppets from signature scenes in Big Trouble in Little China. Included are the translucent Lo Pan puppet torso with silicone head and puppet arm. Each is articulated with cable controls and lit from within in the film to create the ghostly spectre of elderly Lo Pan. Also included is the articulated upper torso puppet, puppet mask and swollen feet of the exploding version of Thunder, who, with the aid of air bladders, inflates the body like a balloon and used steam to shoot out of its ears and nostrils in the memorable demise of the character in the film’s climax. In addition, a rough casting of the flying eyeball monster and a number of Beastman puppet/costume pieces including the articulated Beastman mask with cable controls, stunt foam latex mask, underlying mask buck, forearm extensions with claw gloves, body suit, forearm extensions with articulated hand mechanism and costume feet. Most of the pieces show moderate to heavy latex deterioration.

$1200 - $1500

Click Here For More Info Or To Bid

More to come, as soon as I can get a chance to look through all the listings. Ah, to be rich and impulsive!

20 Million Miles To Earth (1957)

20 Million Miles To Earth (1957)
Aka: Twenty Million Miles To Earth, The Beast From Space, The Giant Ymir
Columbia Pictures

Directed By: Nathan Juran
Written By: Charlotte Knight & Christopher Knopf

Cast:
William Hopper as Col. Robert Calder
Joan Taylor as Marisa Leonardo Frank Puglia as Dr. Leonardo
John Zaremba as Dr. Judson Uhl
Thomas Browne Henry as Maj. Gen. A.D. McIntosh
Tito Vuolo as Police Commissioner Charra
Jan Arvan as Contino
Arthur Space as Dr. Sharman
Bart Braverman as Pepe

Runtime: 82 minutes
Country: USA
Language: English
Color: Black and White
Sound: Mono
Released: June 17, 1957

If “The Day The Earth Stood Still” was intended to showcase mankind’s preconceived idea that all things that are not immediately understood are inherently evil then “Twenty Million Miles to Earth” was destined to drive the point home. Very rarely has there been a more tragic figure portrayed on film as the Ymir. (Named for the first of the giants in Norse mythology) The poor creature is kidnapped from its native planet of Venus, attacked by a dog, attacked by a farmer with a pitchfork, tortured with electricity and finally is sent plummeting to its death by a barrage of bazooka fire. Welcome to Earth.

The film “Twenty Million Miles to Earth” and its misunderstood monster both came from the mind of legendary special effects genius Ray Harryhausen. The films exotic local, Italy, also sprang from Harryhausen’s desire to make a film outside the confines of Hollywood. Once again his outstanding stop motion work would help turn an otherwise average monster film into a classic.

The first manned flight to Venus is struck by a meteor on its return and is forced to crash in the Mediterranean Sea. The crew’s only survivor, Col. Calder, is quickly taken to Sicily while a young boy named Pepe makes an interesting discovery among the crashed ships washed up debris. Little Pepe doesn’t realize that the metal canister he holds in his hands contains an unborn creature from the planet Venus. Dr. Leonardo, a local zoologist, examines the discovery a finds it interesting enough to purchase it from the youngster. As soon as it is returned to the lab the egg hatches and the young Ymir begins growing at an amazing rate. The creature soon outgrows the confines of the lab and escapes into the countryside. Col. Calder and Major General A.D. Macintosh from the Pentagon soon come looking for the canister and its cargo only to learn that they are too late. The young Ymir however leaves a trail of accidental death and destruction for the two to follow and is soon discovered hiding in a nearby cave. The military uses bags of sulfur, the creatures only known source of food, to lure the now giant Ymir out for capture. The monster is flown to Rome where it is kept at bay by large doses of electricity. A malfunction in one of the generators causes the creature to awaken and make another escape into the streets of the Italian capitol. The confused Venusian soon becomes cornered atop the famed Roman Colosseum. A barrage of military firepower brings both the wall of the great landmark and its alien occupant crashing to the ground ending the life of Earth’s first alien visitor.