Showing posts with label Godzilla Final Wars. Show all posts
Showing posts with label Godzilla Final Wars. Show all posts

Shogakukan's Godzilla Final Wars Book 2


The second part of Shogakukan's two series set on Godzilla: Final Wars (2004). This book, like its predecessor, is devoted almost entirely to production shots from the 50th anniversary Godzilla film. The little text that is found in the book is often in relation to the images being shown. Like other Shogakukan releases in their "Movie" line, it's fairly short at only 16 pages, cited as 17 inside as they count the cover. The book was also made to be fairly durable, with each of the pages being around as thick as a sheet of cardboard.

Gojira: Fainaru uôzu Book 2 Japanese Godzilla Movie Monsters! Grade NM

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In regards to the contents of the second book, it covers mostly what the first skipped over, showing pictures for: Godzilla, Minilla, Gigan, Mothra, Monster X, and Keizer Ghidorah. The Xilien are also present here, although only in two small production shots. The book is set up with about 8 two page layouts, each with numerous images spread across the two. The nice thing about the Shogakukan line, in regards to the two page layouts, is that the pages can be folded open all the way without causing any real damage to the book, making it perfect for scanning.

Plot:

In the 21st century, extensive warfare, nuclear testing and careless science had mutated or awakened great beasts of all shapes and sizes. During that period, the frequent occurrence of enormous monsters had become commonplace, and thus, the Earth Defense Force (known in short as the EDF) was established by the Japanese government. The sole purpose of the force was to combat the monsters and hopefully restore peace to the world by eliminating the kaiju. During the worldwide wave of monsters, mutant humans with superhuman strength and extraordinary physical capabilities were discovered whose origins or mutations were not yet understood. The EDF realized the potential and effectiveness of the mutants as super soldiers, and established a subdivision known as the M-Organization. Utilizing the mutants' handy physical feats and superior piloting skills, along with the military's best war machines, the threat was slowly subdued and the monsters were slowly, but surely, defeated.

Many years earlier in the mid-20th century, the greatest enemy that the EDF faced, Godzilla, first appeared and frequently attacked Japan in the 1960s during the great monster wars. While they succeeded in defeating all of the other monsters, Godzilla was the only one remaining and continually threatened mankind. One year, the EDF's best battleship—the Gotengo—was battling Godzilla deep in Antarctica. It was only with the help of a large earthquake that the crew of the Gotengo was able to finally triumph against Godzilla. The earthquake had caused the ground to split and cave-in beneath Godzilla, causing him to fall into a seemingly bottomless pit. This was followed immediately by an avalanche of ice and rock caused by missiles fired from the Gotengo that buried Godzilla and imprisoned him in an icy tomb, restoring peace to the world.

Decades later, in the near future of the 21st century, peace had been recognized worldwide with the exception of very rare monster attacks. The EDF had easily defeated such threats, and the monster-scare had become a thing of the past. During this time a mysterious mummified monster was found off the coast of Hokkaido and was being suspended by large support cables in the EDF warehouse/hangar and being researched. It was calculated at being 12,000 years old and composed of organic and machine tissue, making it a cyborg. It was also discovered that the monster's D.N.A. contains M Base, which was also found in Earth's mutant soldiers, suggesting a relationship. The two Shobijin fairies reveal the creature's name to be Gigan, an evil monster from space that was sent to wipe out life on Earth, but was subdued by Mothra. They give the mutant, Shinichi Ozaki, a small sword, saying he has an important destiny and that he must choose his fate.

Suddenly a large group of monsters appear simultaneously and attack major cities all over the world. The EDF is dispatched and valiantly attempts to defeat the monsters. Rodan attacks New York City, Zilla attacks Sydney, Anguirus attacks Shanghai, King Caesar attacks Okinawa, Kamacuras attacks Paris, Kumonga attacks Phoenix, Arizona, and Ebirah attacks Tokai.

During the international devastation, an alien race known as the Xiliens appears and captures the monsters. After which they proposed a peaceful union with mankind. They revealed that an asteroid called Gorath was going to collide with Earth unless all weapons were aimed at it. The Secretary, who was considered dead when Rodan attacked his plane, began to pursue a new future with the Xiliens, claiming that the United Nations would become the Space Nations. However, distrust of the Xiliens began to arise. When the Secretary was attacked during an attempted assassination, his blood was analyzed and soon found to not be human. Worse, the image of Gorath displayed by the Xiliens turned out to be nothing more than a hologram. Shinichi feared that the Xiliens were plotting a takeover of Earth, and that many of their leaders could have been compromised. He could only trust one man, Captain Gordon, the one who originally fired the missiles that contained Godzilla.

Doctor Miyuki Otanashi went looking through the files of the Secretary, but was caught by the EDF leader. However, Gordon came in at the last moment and shot the EDF leader, revealing the leader to be an impostor. They brought the corpse of the imposter to the broadcast studio, where the Xiliens were being interviewed on live television. The Secretary was shot, revealing him to also be an imposter. The second-in-command of the Xiliens, known as the Controller, shot his commander, tired of the slow plans of a peaceful takeover. Using his species' control over M-base, he takes control of the mutants, excluding Shinichi, and releases the monsters to resume their attacks on the cities. He also sent out an army of small fighter ships to assist in leveling and decimating human civilization. M-Unit commander Muasaka held off his former command while the others escaped. However, their escape is hindered by Kazama, a fellow mutant, who Shinichi is able to subdue.

In a secret hanger, the Gotengo crew set out on a risky, last resort plan to defeat the Xiliens by releasing Godzilla from Area G. The Controller unleashes Gigan to follow them. They succeed in releasing Godzilla, who battles with Gigan and defeats him by decapitation. Godzilla, thinking he was still battling with the Gotengo, chases after the ship. Godzilla is first led to Sydney, where he defeats Zilla. He then proceeds to defeat Kumonga, in New Guinea, Kamacuras in Manazuru, Anguirus, King Caesar and Rodan next to Mount Fuji, and finally Ebirah and Hedorah in Tokyo Bay. He is finally brought to the Xilien mother-ship. The Gotengo attempts to destroy the mother-ship, but its shields are too strong and the Gotengo is soon kept busy with fighter ships. Kazama takes a fighter and manages to enter the mother-ship, destroying the generator, which allows the Gotengo to drill through to the core of the ship and attempt to fire the Maser. However, the Xiliens teleport on board and kill all of the non-essential crew-members, bringing Shinchi, Miyuki, Gordon and pilot Akiko Namikawa to the Controller. The Controller reveals that the Xilians want the mitochondria in human cells to survive and were simply demolishing civilization to show humanity its place as "cattle." He also reveals that he and Shinichi are Kaiser, a fusion of mutant and human DNA, which is what allowed Shinichi to avoid his control. However, the Controller manages to control Shinichi until he is stopped by Miyuki, who uses the Shobijin's sword to free him. The Secretary of Defense and the EDF leader are revealed to be alive, having somehow escaped imprisonment. As the humans make their escape, Shinichi battles the Controller, ultimately winning. Going insane, the Controller self-destructs the mother-ship, intent on taking everyone down with him. Shinichi is able to board the Gotengo just as the mother-ship is destroyed.

Godzilla battles a new, final foe known as Monster X, while Mothra battles a rebuilt Gigan. Gigan perishes as Mothra turns the cyborg's own power against him, just as the remaining crew are victorious. Godzilla is still fighting Monster X, who soon transforms into his true form, Keizer Ghidorah, who defeats Godzilla and starts to drain his life force. Shinichi transfers his "Kaiser energy" to Godzilla and restores his strength and empowers him. Godzilla destroys two of Keizer Ghidorah's heads and throws him around the ruins of Tokyo. Finally, Godzilla hurls Keizer Ghidorah into the air and fires his red spiral atomic breath, which pushes Keizer Ghidorah into outer space, where he explodes. Godzilla then continues his battle against the Gotengo, using his atomic breath against the ship, forcing it to crash. Godzilla is about to attack the survivors of the Gotengo, but his son, Minilla, manages to calm Godzilla down and convinces him to leave and forgive mankind for their sins. Together, Godzilla and Minilla leave a ruined Tokyo and Godzilla lets out one final roar to commemorate 50 years of destruction.

From Godzilla Wiki

Ryuhei Kitamura - The Godzilla Final Wars Interview


Written By: Ken Hulsey

A lot of fans over at the "Godzilla 2012 - Legendary Pictures/Warner Bros (Fan Group)" on Facebook were commenting on how much they enjoyed "Godzilla: Final Wars", so I thought it may be fun to dust off my exclusive interview with that film's director, Ryuhei Kitamura, from 2004.



At that time, my website, www.kensforce.com (gone now...sadly) was the only English language website to be granted an interview with the Japanese director.

Actually there is an interesting story that goes along with this interview that I never shared on any of my sites. You see, when I found out that the world premiere of "Final Wars" was slated to take place in Hollywood, I contacted Grauman's Chinese Theatre to find out about getting tickets for the event.

They, in turn, put me in contact with a publicist from Toho here in Los Angeles. When she learned that I published a website that featured "Godzilla" related articles, she became very excited, and told me that she may have something interesting for me.

My curiosity was raised.....

A day or so later, the publicist contacted me and said that Toho knew of my site, and liked it. I was, to put it mildly, surprised by this. She continued to inform me that they wanted me to interview Kitamura for the site.

I was thrilled!

So, I sat down and hammered out a dozen questions or so for the director, and passed them on to the publicist.

This is where it gets interesting.

The publicist then translated my questions into Japanese and sent them on to Toho, were Kitamura then took time to answer them. They were then sent back to the publicist, again, here in LA, where she translated them back into English, and then sent them to me.

Somewhere along the way, I think that the intent of a few of my questions got misinterpreted, because in one answer, the film maker got a little angry in his reply.

So here we go, this is my interview with "Godzilla: Final Wars" director Ryuhei Kitamura from 2004:

 Ryuhei Kitamura is considered by many to be the Japan's Quentin Tarantino, a young director with a flare for action and fast paced films. His prior films Versus, Azumi and Sky High featured the high speed action and sword play that has now become his signature style. For his latest film, however, the action movie king is taking on something much larger. The King of the Monsters. A challenge Kitamura was honored to take on.

I was honored to have been granted a short online interview with Ryuhei Kitamura in conjunction with the world premiere of Godzilla: Final Wars here in Hollywood. The reader truly gets the feeling of how passionate the young director is about this project. His desire to make this the greatest Godzilla film of all time comes through in his responses. It was an honor for him to be able to make a Godzilla film and he took the project very seriously. His desire was to make the best film possible without exceptions to return Godzilla to the throne not only as Monster King, but the King of Entertainment as well. A very bold idea from a very bold director. From this Godzilla fans world wide can only hold their breath in anticipation of what will surely be a Godzilla film like no other.

KH: You are best known for your action films featuring great sword fighting such as Azumi and Sky High. How hard was it to incorporate your style of film making into a monster (kaiju) film?

RK: It wasn't too difficult to apply my style to this film - I don't consider myself an action director. I felt it was my mission to make this film the coolest and most powerful super-entertainment film more than the past Godzilla films.


KH : Many fans know that you were scheduled to make your American film directing debut this year. What motivated you to make a Godzilla film instead of a Hollywood epic?

RK: No Japanese director would ever dare to say "no" to Godzilla films. I can make any Hollywood-style film but only a few can make Godzilla films, plus this is the 50th anniversary of Godzilla. I think this is the greatest challenge of my life to make this Godzilla film.

KH: What do you feel that you have done in this film that has been missing in the prior Godzilla films?

RK: Power and speed, I guess. In the recent films, Godzilla was too week. I wanted to make this film through action and wanted to convey to the world that this is the return of the monster king, so the screen is dark and hard,and monsters are speedy and powerful.

KH: Are you surprised at the amount of world-wide interest in this film?

RK: No, I wasn't surprised. It's Godzilla and so many fans are out there.

KH : Do you feel that the publicity of this film will help generate more interest in your prior films?

RK: I hope it will help generate more films for me. I'm sure a lot of people will see this film. I want Godzilla and my fans or anyone to watch and have a fun.

KH: Why were the monsters featured in Final Wars chosen over others from the series?

RK: I decided with producer Mr. Tomiyama, special effects director Mr. Asada and writer lined up historical action figures on the table and we decided democratically which ones should be in this film Final Wars. It was difficult because everyone had a different attraction to different monsters, but at the end we were happy with these selections for the film.


KH: A lot of the film's action takes place in Australia a place you used to call home. When you were planning the action did you stop and think, it would be great to destroy that landmark....that place would look great crushed by a monster...etc?

RK: I am furious with people who can't make the separation between reality and fantasy. In the fantasy world of Godzilla it is honorable that the landmarks are destroyed, I guess. For this film the world is a stage, and I chose my second home country -

Australia - and chose to destroy Sydney first, and I enjoyed it very much.

KH: Why choose Hollywood for a premiere over the Tokyo International Film Festival which has been host for the premiere of Godzilla films for over a decade?

RK: 50 years ago, the first Godzilla film inspired the world , and it was the King of entertainment films. But after 50 years Hollywood is the leading place for entertainment films, and Japan follows Hollywood's lead. After 50 years, I believe the greatest Godzilla film is completed, so Godzilla should be King again.

As a Godzilla fan I was truly inspired by Kitamura's passion for making Final Wars a unique film that would stand alone as the greatest Godzilla film of all time. It is rare to find someone who has this sort of pride in their films in the industry today. In picking Kitamura Toho has matched the right director with the right film. If he follows the style seen in the classic Godzilla vs MechaGodzilla (1974) with his own flare for action this film should be a treat for monster movie fans the world over.


The premiere of the latest, and possibly last, Godzilla film "Final Wars" will take place in Hollywood on November 29th at the famed Grauman’s Chinese Theatre. Toho plans to do an event in the style of old-time Hollywood with Godzilla himself walking the red carpet. Of course the director Ryuhei Kitamura and the cast of the film will be on hand as well. In conjunction with the premiere Godzilla will be receiving his own star on the famed Hollywood Walk of Fame and will be riding on a float sponsored by Toho in the Hollywood Christmas Parade.

I should note that this was my very first interview, so the questions were a bit raw, but overall I was pleased....and the folks over at Toho were pleased.

Overall the whole experience was a great thrill! I even walked the red carpet at the premiere of "Final Wars" just ahead of Godzilla himself. I was an once in a lifetime event that I will treasure all my days.