Showing posts with label Space 1999. Show all posts
Showing posts with label Space 1999. Show all posts

An Adventure As Big As The Universe!


 Space 1999 #1 (Magazine) November 1975 Charlton Comics

Gray Morrow painted cover and interior art, written by Joe Gill and Nicola Cuti

Includes the following articles and illustrated stories: "How Space: 1999 Was Born"; "The Last Moonrise" (a retread of "Breakaway," the first Space: 1999 TV episode); "Seeds of Doubt"; "Finding a Home"; "Cornucopia"; Visiting the Stars"; and "Endgame." Originally printed November 1975, three months after the first Space: 1999 TV airings. Cover art was printed in color; interior art was black & white.

Atomic Robot has this issue for $18.89 - that is 30% off the listing price of $26.99. - You can purchase that HERE

Amazon has these Space 1999 items for sale:



Space 1999 Eagle 1 Transporter Deluxe Edition 1:72 Scale Model Kit


Space 1999 Eagle 1 Transporter Deluxe Edition 1:72 Scale Model Kit

Price: $49.99 - Order Here

Eagle 1 transporter with the lab pod from Space: 1999!
As seen in the episode "The Metamorph."
Measures 12-inches long when assembled.
Limited edition mixed media model kit requires glue and paint.

This exciting Space 1999 Eagle 1 Transporter Deluxe Edition 1:72 Scale Model Kit appeals to the large fan base of Gerry Anderson's Space: 1999 sci-fi TV series. It features MPC's popular 1:72 scale Eagle Transporter Model Kit, but it includes additional resin parts to create the version of Eagle 1 that featured a lab pod (in lieu of the personnel pod included in previous releases) as well as the booster pack. This configuration was featured prominently in the popular episode "The Metamorph." When assembled, the transporter measures 12-inches long in "laboratory" configuration. The Space 1999 Eagle 1 Transporter Deluxe Edition 1:72 Scale Model Kit is a mixed media kit with plastic ship parts and detailed resin parts. Glue and paint required.

Size: 12-inches long

Space 1999 The Alien Moon Buggy 1:25 Scale Model Kit


Space 1999 The Alien Moon Buggy 1:25 Scale Model Kit

$23.99 - Entertainment Earth

The Alien Moon Buggy from the TV show Space: 1999!
Paint and glue required, not included.
Includes in-scale figure and updated decals!

In 1:25 scale, it's The Alien Moon Buggy from the TV series Space: 1999! The TV show, which originally aired in 1975, featured the crew of Moon Base Alpha as they found themselves stranded on our moon as a nuclear disaster knocked it from Earth's atmosphere. This fun moon buggy, known as The Alien features tons of detailed parts such as weapons, antennae, and suspension. It features the retro future styling of the 1970s including bucket seats. The car includes an in-scale figure in an accurate Space: 1999 space suit. The Space 1999 The Alien Moon Buggy 1:25 Scale Model Kit also includes a vacuform base featuring moon surface detail. Updated decals are included. Paint and glue are required for assembly, not included. Recommended for ages 10 and up with a skill level of 2.

Age: 10+
Size: 1:25 scale

White Jumpsuits, Catsuited Babes, Pornstaches and Other Joys of ‘70s Sci-Fi Television


From PopMatters

As the idealism of the ‘60s congealed into the malaise of the ‘70s, TV offered us small bands of forlorn humans in tight suits, roaming the stars. These are the “the starlost shows”.

The ‘70s were no golden-age-of-television, and that includes sci-fi: from the cancellation of Star Trek (1969) to the debut of Quantum Leap and Alien Nation (both 1989), US TV was a sci-fi graveyard. The only hits starred crime-fighting superheroes: The Six Million Dollar Man, The Bionic Woman, Wonder Woman, and The Incredible Hulk. (Note that these high-concept shows have defied revival: 2007’s short-lived Bionic Woman draws as much from Joss Whedon and Alias as from the original ABC series, while the Hulk movies are based on the comic books, not the 1978-1982 CBS series.)

By the ‘70s, most Americans owned TV sets and began to anticipate their nightly fix. Since few people owned VCRs or (home) video games, regular TV watchers were a captive audience. In turn, the industry took a shotgun approach: big and broad. If you’re unfamiliar, you can get a feel for ‘70s-‘80s TV via such spoofs as The Naked Gun films, Anchorman, and Starsky and Hutch (also the web-only Heat Vision and Jack).

In this environment, sci-fi programming posed particular problems. TV executives of the time didn’t know about or respect the genre, and instead of appealing to readers of the self-touted “literature of ideas”, they assumed futuristic series had to appeal to families, including young children. Also, TV dramas avoided serialized stories, but if sci-fi isn’t about change, what’s the point? (Star Trek dodged this problem by visiting a different planet every week.)

As the idealism of the ‘60s congealed into the malaise of the ‘70s, TV offered us small bands of forlorn humans roaming the stars. We’ll call these “the starlost shows”. Battlestar Galactica (1978-1980) retains the best profile, for various reasons; most importantly, it led to the redemption of the starlost subgenre in the form of the cable re-visioning of 2004-2009.

The Battlestar Galactica remake is to the original series as Shakespeare’s history plays are to his source material, Holinshed’s Chronicles: it capitalizes on the many implied themes and plot threads of the original. The cable Galactica also completes the long-interrupted quest for the lost, 13th tribe of mankind and “a shining planet known as Earth.”

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Space: 1999 (1975-1977)(Gerry Anderson)(ITV)

Episode One: "Breakaway"

(From the original ITC Press Release.)

Suspected radiation from nuclear waste containers provides (sic) a deep space probe from Earth's space research centre on the Moon. It is a prologue to disaster and mankind's most fantastic adventure.

Preparations are well advanced for the most important space journey in the history of man: a probe into deep space to explore the rogue planet Meta which has broken away from a distant galaxy and is now closer to Earth's solar system. Already, identifiable signals have come from the planet, indicating a high form of life.

John Koenig (MARTIN LANDAU) is commander of the mission to be launched from Earth's Space Research Centre at Moonbase Alpha. He has just returned to the Moon to oversee the momentous adventure, but the probe is already in jeopardy. Two of the deep space astronauts have been stricken with a mystery illness which has already claimed nine lives. All, but the astronauts, have been working at the Nuclear Disposal Area Two on the dark side of the Moon to which nuclear waste from Earth has been consigned.

Dr. Helena Russell (BARBARA BAIN) is convinced that radiation has caused the terrible brain damage to the victims. But evidence discounts her theories. There is no trace of a leakage either from the deeply buried old containers at Disposal Area One or at the new area. Koenig is sure Helena is misdiagnosing. So are others. And scientist, Professor Bergman (BARRY MORSE) confirms that there is no radiation. Koenig checks for himself. Everything is normal - except for intense heat in Koenig's inspection craft.

The two astronauts die. But of what? New facts emerge when their flight recorder tapes are examined and show that everything went black for two minutes while flying over the Disposal Areas, which leads to the discovery that the disused Disposal Area waste had been subject to a magnetic subsurface firestorm. It seems that the same thing may be happening to Disposal Area Two. It is the increased magnetic output that has caused the deaths, and there is immediate disaster when efforts are made to check on Area Two. A blinding nuclear explosion rocks the moon. Gravity control is affected. The Moon -- with Moonbase Alpha -- is pulled out of orbit, moving inexorably away from Earth.

Koenig has to decide whether or not to abandon and makes his grim decision. Their only hope is to remain where they are. To abort would be certain suicide. By now, the Moon is speeding even more rapidly away from Earth. And on Earth, the gravity disruption is causing devastation.

At Moonbase Alpha, the unmistakable sound of Meta signals comes in, now quite loud and clear...

SCREENPLAY BY GEORGE BELLAK

DIRECTED BY LEE KATZIN

Guest Artist
ROY DOTRICE

with
PRENTIS HANCOCK as PAUL MORROW
ZIENIA MERTON as SANDRA BENES
ANTON PHILLIPS as DR. MATHIAS
NICK TATE as ALAN CARTER
PHILIP MADOC as COMMANDER GORSKI
LON SATTON as OUMA
ERIC CARTE as COLLINS

Trivia:

Originally conceived as a new season of UFO (1969). The plot would have had the aliens from that series trying to destroy SHADO's moonbase by knocking the moon out of orbit.

Moonbase Alpha's final fate was revealed in a short fan-made film shown at the 1999 convention, where original cast member Zienia Merton reprised her role as Sandra Benes and described the final abandonment of Moonbase Alpha for their new home on an unnamed planet.

According to the documentary "Kubrick's Boxes", Stanley Kubrick threatened legal action against the producers saying Space: 1999 borrowed the look of "2001: A Space Odyssey".

The Moon is blasted from Earth's orbit on Monday September 13 1999.

Teresa Graves was Fred Freiberger's first choice for the role of Maya. Gerry Anderson said his first choice was Catherine Schell who had already made a guest appearance in the first season episode "Guardian of Piri" as an alien android.

Season 2 of the series differs noticeably from the first, due to a large number of cast changes as well as set redecoration, redesigned uniforms, and a move towards more action-oriented stories.

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Quotes

John Koenig: It's better to live as your own man than as a fool in someone else's dream.

John Koenig: We're all aliens, until we get to know one another.

Balor: How can you value life if you do not fear death?

John Koenig: We've had a lot of success so far. We know what dangers to expect out there from black suns, neutron storms, radiation and the like, but if we think we know everything that goes on out there, we're making a terrible mistake!

Helena Russell: With a history like that, who wants to go back to Earth anyway?

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Bloopers:

Eagle numbers on doors in cockpits not always what the pilots call in and the numbers don't always match with each other.

Early in the series, commlocks are required both to open and to close doors. However, by the middle of the first season, the doors close behind the Alphans
automatically.

The lack of resources is frequently referred to throughout the series. This is contradicted by the fact that throughout dozens of Eagles are destroyed. As they never run out they must be replacing them, the alternative is they have dozens of spare craft on a moon-base.





"Freethinking, sexy broad with a dirty mouth, who pretty much does what she wants."

Golden Globe winner and Emmy-nominee, Joan Collins, possesses a star quality that circles the globe. In five decades, she has come to define what it means to be a living legend. As an accomplished actor, author, producer, humanitarian and entrepreneur, Joan Collins has built a career that places her in the unrivaled ranks of international superstar and icon. In recognition of a lifetime of contributions to the arts, culture and charitable causes, Her Majesty Queen Elizabeth II honored Joan Collins with an O.B.E. title in 1997, making her an Officer of the British Empire.

This Article Has Moved To - "Freethinking, sexy broad with a dirty mouth, who pretty much does what she wants." at Monster Island News

Now With More Sexy Photos Of Joan  Collins!