Showing posts with label 1950s. Show all posts
Showing posts with label 1950s. Show all posts

Saturday, October 11, 2025

How Them! Changed Sci-Fi Horror Forever | Retro Cinema Classics


 Written By Ken Hulsey

Back in 1954, monster movies were experiencing an exciting revival. At Universal Pictures, the team was gearing up to release "Creature From The Black Lagoon," the last of their classic monster lineup. Meanwhile, over in Japan, Toho was wrapping up their own monster epic, "Gojira" (or Godzilla), which would kick off a legendary film series lasting five decades. At Warner Bros, director Gordon Douglas and producer David Weisbart were busy working on their own creature feature, "Them!" This film introduced audiences to colossal ants that emerged as a result of atomic testing in the New Mexico desert. Little did Douglas and Weisbart know, "Them!" would significantly alter the direction of American monster movies for the next twenty years.

Monday, October 6, 2025

How House of Wax Changed Horror Movies Forever | Retro Cinema Classics


"House of Wax," released in 1953, is a classic American horror film that showcases the incredible talent of Vincent Price. Directed by André De Toth, this film is noteworthy not only for its chilling storyline but also for being part of the early 1950s 3-D film craze. It serves as a remake of the earlier 1933 film, "Mystery of the Wax Museum," and has earned its place as a true gem in the horror genre.

Saturday, September 20, 2025

Jack Arnold's Tarantula: A Look Back at a 1950s Sci-Fi Staple | Retro Cinema Classics


 "Tarantula" is a gripping science fiction classic from 1955, directed by the talented Jack Arnold and featuring performances from Leo G. Carroll, John Agar, and Mara Corday. One of the film's intriguing highlights is the appearance of a young Clint Eastwood, who, at just 25 years old, plays an uncredited jet pilot in a nail-biting concluding scene.

Thursday, August 21, 2025

Rodan! A Supersonic Monster Movie For The Jet Age! | Retro Cinema Classics


 Written By: Ken Hulsey

After the tremendous success of the first two Godzilla films, visionary director Ishiro Honda and producer Tomoyuki Tanaka embarked on an ambitious project that would elevate the giant monster genre to new heights. This bold cinematic venture eventually became known as "Sora no daikaiju Radon." The initial idea for the film sprang from the creative mind of writer Ken Kuronuma, who was inspired by a unique tale he had translated for the Japanese edition of *Amazing Stories*. It centered around a Kentucky Air National Guard pilot who crashed his plane while pursuing a UFO, a narrative ripe with suspense and intrigue. 

Tuesday, June 24, 2025

Why "The Day The Earth Stood Still" Still Captures Our Imagination


 Written By: Ken Hulsey

A fantastic illustration of the potential of serious and thoughtful Science Fiction cinema can be found in the 1951 classic, "The Day The Earth Stood Still." Released during the early 50s, a time before the genre became dominated by giant creatures and exaggerated alien invasion stories, "TDTESS" is often hailed as one of the finest Science Fiction films ever made.

Wednesday, May 28, 2025

UFO Squadron Terrorizes Washington | The Night the White House Witnessed Unexplained Aerial Phenomena


 Shortly before midnight on Saturday, July 19, 1952, air-traffic controller Edward Nugent at Washington National Airport spotted seven slow-moving objects on his radar screen, far from any known civilian or military flight paths. Perplexed, he called over his supervisor, half-jokingly remarking about a "fleet of flying saucers" appearing on his screen. At that very same moment, two other air-traffic controllers at National were startled to see a strange, bright light hovering in the distance. As they watched in amazement, the mysterious glowing orb suddenly zipped away at an incredible, otherworldly speed. Meanwhile, over at nearby Andrews Air Force Base, military radar operators were also tracking the same cluster of unidentified blips. The strange objects appeared slow-moving at first, clustered together, but then unexpectedly accelerated to mind-boggling speeds exceeding 7,000 mph, far beyond the capabilities of any known aircraft. Peering out from his tower window, one astonished Andrews controller spotted what he could only describe as an "orange ball of fire trailing a tail" streaking across the night sky. Even a commercial pilot flying over the Virginia and Washington, D.C. area at the time reported seeing six bright lights racing by "like falling stars without tails." The situation turned from curious to alarming when radar operators at National Airport watched in disbelief as the unidentified objects buzzed past two of the most secure and protected buildings in the country: the White House and the Capitol. Shaken, they scrambled two F-94 interceptor jets to investigate - but strangely, each time the jets approached the mysterious radar blips, the objects would simply vanish into the darkness. This cat-and-mouse game continued throughout the night until finally, by dawn of July 20, the strange lights in the sky were gone, leaving a sense of unease and countless unanswered questions in their wake.

Saturday, May 17, 2025

Rear Window (1954) - Hitchcock's Thriller | Danger Lurks for Those Who See Too Much | Retro Cinema Classics


Rear Window: A Hitchcock Masterpiece

Rear Window stands as one of Alfred Hitchcock's greatest comedies of terror. Set in a Greenwich Village apartment and its adjoining courtyards, this urban variation on the backyard-murder story offers both a light satire of modern life and a thorough exploration of voyeurism's allure. The film was a personal favorite of Hitchcock, who owned it outright along with several other works including Vertigo and Rope. His decision to withhold these films from television syndication to preserve their theatrical value meant Rear Window disappeared from public view for 21 years after his death in 1980, when the Hitchcock estate finally negotiated its re-release.

Monday, May 15, 2023

A True Sci Fi Classic - The Day The Earth Stood Still

Written By: Ken Hulsey

A perfect example of what can be achieved when Science Fiction cinema is approached in a serious and mature manor is the 1951 classic "The Day The Earth Stood Still". Made in the early 50s, before the atomic monster boom and sensationalised alien invasion films became the staples of the genre, "TDTESS" is arguably the best Science Fiction movie ever produced.

The films producer, Julian Blaustein, milled over some 200 short stories and novels before he discovered Harry Bates', "Farewell to the Master." He felt the story would make a perfect platform for a film that could address "Cold War" fears and provide a strong social commentary. Edmund H. North was hired one to adapt the story into a screenplay.

When director Robert Wise was brought on board, he the producer Blaustein, became wrapped up in a struggle with the executives at 20th Century Fox, who felt the film would be a perfect vehicle for actor Spencer Tracy. The production team was aiming for realism and they believed that the films title character, Klaatu, had to be someone "foreign" to American film goers. Wise went as far as to say that, "if the spaceship opens up and out walks Spencer Tracy, the film will be ruined." Eventually the studio caved, and established British actor Michael Rennie was cast as the alien visitor, Klaatu. Rennie, though a major actor in the UK, was virtually unknown in the US, thus the production was blessed with both a talented actor and someone who could be "alien" enough to give the character the sense of mystery that it required.

Rennie was not the only casting problem that Wise and Blaustein would have to go to bat over. Sam Jaffe was cast as Professor Jacob Barnhardt, even though he was blacklisted by the movie industry for being a suspected communist.

The part of the giant robot, Gort, was played by 7'-7" actor Lock Martin, who had an absolutely miserable time during filming. Despite Martin's enormous size, he, like most people of extreme height, was not very strong. One scene required the alien robot to lift and carry Helen Benson (Patricia Neal). Martin simply couldn't lift the actress and carry her, so Neal was placed on a rolling table that was off screen. In another scene late in the film, Gort walks out of the spaceship and stands behind Klaatu for several minutes. The weight of the costume was too much for Martin to stand for any long period of time, and if you look closely, it is very evident that the actor is fighting to stay erect for the entire take. To get around this, the production team used a statue for any scene that required the robot to remain stationary for any length of time.


Now, even more than fifty years after it's release, "The Day The Earth Stood Still" delivers a powerful message of peace and tolerance. The "cold war" may be over, but we still live in a very violent and narrow-minded world. It is no surprise that Fox would choose the film for a modern makeover. Many of the same issues that were prevalent in 1951 still exist, and yet there are totally new ones that plague mankind. Will the new "The Day The Earth Stood Still" have the same social impact as the original? Possibly, if the film is taken seriously. Sci Fi cinema has been a mixed bag of high-end effects and sub-standard plots over the decades. "The Day The Earth Stood Still" stands as one of the exceptions to the rule. It is a very well thought out film with exceptional acting. To say that the modern version will have huge shoes to fill is an understatement.

Plot:

A flying saucer lands on the Ellipse in President's Park, Washington, D.C. Klaatu (Michael Rennie) emerges and declares he has come on a mission of goodwill. However, when he opens a small, menacing-looking device, he is shot and wounded by a nervous soldier who mistakes it for a weapon. In response, a large robot called Gort steps out of the ship and disintegrates all weapons present without harming the soldiers. Klaatu orders him to stop and explains the "weapon" was a gift to the President that could have been used to study life on other planets. Klaatu is taken to Walter Reed Hospital, where he recovers. The doctors analyze Klaatu, learning he is 78 years old and that his people's average lifespan is 130. The military attempt to enter Klaatu's ship, but find it impregnable, while Gort remains motionless.

Klaatu meets the President's secretary, Mr. Harley (Frank Conroy), and reveals he has a message he wants the whole world to hear. Unfortunately, Harley notes the divided world leaders cannot even agree on a meeting place for such a momentous occasion. When Klaatu suggests he live among ordinary people to get to know them better, Harley rebuffs him and has him locked inside his room. Klaatu escapes to a boarding house, assuming the alias "Mr. Carpenter", the name on the laundry label of a suit he has taken. Among the boarding house residents are Helen Benson (Patricia Neal), a secretary at the Department of Commerce, and her son Bobby (Billy Gray). Helen is a widow; her husband was killed in World War II. The next morning, Klaatu listens to a paranoid radio commentator as well as the boarders' speculation over the breakfast table; one (Frances Bavier) suggests that it might be the work of the Soviets.


When Helen's boyfriend, Tom Stephens (Hugh Marlowe), plans a day-trip getaway for the two of them, Klaatu offers to take care of Bobby. Bobby takes Klaatu on a tour of the city, including a visit to his father's grave in Arlington National Cemetery, where Klaatu learns with dismay that most of those buried there were killed in wars. The two next visit the Lincoln Memorial and the heavily-guarded spaceship, where Gort stands motionlessly on guard. Klaatu, impressed by the inscription of Abraham Lincoln's Gettysburg Address, is hopeful that Earth may harbor people wise enough to understand his message. When he asks Bobby to name the greatest person in the world today, Bobby mentions a leading American scientist, Professor Barnhardt (Sam Jaffe), who lives nearby. Bobby takes Klaatu to Barnhardt's home. The professor is absent; Klaatu goes into his study and helps solve an advanced mathematical n-body problem written on a blackboard, before leaving his address with the housekeeper.

Later, government agents escort Klaatu to see Barnhardt, who has seen the correction to his work as a calling card which could not have been faked. Klaatu warns the professor that the people of the other planets are concerned for their safety because human beings have developed atomic power. Barnhardt offers Klaatu the opportunity to speak at an upcoming meeting of scientists he is organizing at the spaceship; Klaatu accepts. Barnhardt is stunned when Klaatu declares that, if his message is rejected by Earth's leaders, "Planet Earth will be eliminated". The professor pleads for Klaatu to first provide a minor demonstration of his power as a warning. Klaatu returns to his spaceship the next evening to implement the professor's suggestion, unaware Bobby watched him enter the ship. He tells Helen and Tom what he has seen when they return from an evening out – Helen notices her son's shoes are soaking wet, while Tom finds a diamond – the currency of Klaatu's people – in Carpenter's room. Tom takes the diamond to three separate jewelers the following day, who all note they have never seen anything like it. When Bobby tells him what he saw, Klaatu meets Helen at work to clarify his intent. While riding in an elevator, it stops. A montage sequence shows that Klaatu has suppressed electric power all over the world – with the exception of critical systems such as hospitals and planes in flight. After the blackout, the authorities step up their manhunt for Klaatu, quarantining the city so no one can enter or leave.

Klaatu manages to enlists Helen's aid, but Tom tells the authorities of the alien's location. Helen and Klaatu take a taxi to wait at Barnhardt's home until the conference. Klaatu tells Helen that if anything should happen to him, she must go to Gort and say, "Klaatu barada nikto." When they are spotted, Klaatu tries to flee but is shot dead. Gort awakens, killing two guards before Helen gives Klaatu's message to him. Gort gently carries her into the spaceship, retrieves Klaatu's corpse, and temporarily revives him. Klaatu steps out of the spaceship and addresses the assembled scientists, explaining that humanity's penchant for violence and first steps into space have caused concern among the other space faring worlds, who have created a race of robot enforcers like Gort and given them absolute power to deal with any violence. He warns that the people of Earth can either abandon warfare and peacefully join these other nations or be destroyed, adding that "The decision rests with you." He then enters the spaceship and departs.


Reception:

The film was moderately successful when released, grossing $1.85 million. Variety praised the film's documentary style, and the Los Angeles Times praised its seriousness, though it also found "certain subversive elements". The Daily Worker's reviewer was unimpressed and felt it was not inspirational enough. The film earned more plaudits overseas: the Hollywood Foreign Press Association gave the filmmakers a special Golden Globe Award for "promoting international understanding". The French magazine Cahiers du cinéma were also impressed, with Pierre Kast calling it "almost literally stunning" and praising its "moral relativism".

Note: Actress Patricia Neal (Helen Benson) thought the film's most famous phrase, "Klaatu barada nikto", was the silliest thing she had ever heard. It was all that she could do to get the line out. Immediately after "cut" was yelled, she would burst out into laughter.



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