Written By: Ken HulseyA fantastic illustration of the potential of serious and thoughtful Science Fiction cinema can be found in the 1951 classic, "The Day The Earth Stood Still." Released during the early 50s, a time before the genre became dominated by giant creatures and exaggerated alien invasion stories, "TDTESS" is often hailed as one of the finest Science Fiction films ever made.
Showing posts with label The Day The Earth Stood Still. Show all posts
Showing posts with label The Day The Earth Stood Still. Show all posts
Why "The Day The Earth Stood Still" Still Captures Our Imagination
Written By: Ken HulseyA fantastic illustration of the potential of serious and thoughtful Science Fiction cinema can be found in the 1951 classic, "The Day The Earth Stood Still." Released during the early 50s, a time before the genre became dominated by giant creatures and exaggerated alien invasion stories, "TDTESS" is often hailed as one of the finest Science Fiction films ever made.
A True Sci Fi Classic - The Day The Earth Stood Still
Written By: Ken Hulsey
A perfect example of what can be achieved when Science Fiction cinema is approached in a serious and mature manor is the 1951 classic "The Day The Earth Stood Still". Made in the early 50s, before the atomic monster boom and sensationalised alien invasion films became the staples of the genre, "TDTESS" is arguably the best Science Fiction movie ever produced.
The films producer, Julian Blaustein, milled over some 200 short stories and novels before he discovered Harry Bates', "Farewell to the Master." He felt the story would make a perfect platform for a film that could address "Cold War" fears and provide a strong social commentary. Edmund H. North was hired one to adapt the story into a screenplay.
When director Robert Wise was brought on board, he the producer Blaustein, became wrapped up in a struggle with the executives at 20th Century Fox, who felt the film would be a perfect vehicle for actor Spencer Tracy. The production team was aiming for realism and they believed that the films title character, Klaatu, had to be someone "foreign" to American film goers. Wise went as far as to say that, "if the spaceship opens up and out walks Spencer Tracy, the film will be ruined." Eventually the studio caved, and established British actor Michael Rennie was cast as the alien visitor, Klaatu. Rennie, though a major actor in the UK, was virtually unknown in the US, thus the production was blessed with both a talented actor and someone who could be "alien" enough to give the character the sense of mystery that it required.
Rennie was not the only casting problem that Wise and Blaustein would have to go to bat over. Sam Jaffe was cast as Professor Jacob Barnhardt, even though he was blacklisted by the movie industry for being a suspected communist.
The part of the giant robot, Gort, was played by 7'-7" actor Lock Martin, who had an absolutely miserable time during filming. Despite Martin's enormous size, he, like most people of extreme height, was not very strong. One scene required the alien robot to lift and carry Helen Benson (Patricia Neal). Martin simply couldn't lift the actress and carry her, so Neal was placed on a rolling table that was off screen. In another scene late in the film, Gort walks out of the spaceship and stands behind Klaatu for several minutes. The weight of the costume was too much for Martin to stand for any long period of time, and if you look closely, it is very evident that the actor is fighting to stay erect for the entire take. To get around this, the production team used a statue for any scene that required the robot to remain stationary for any length of time.
Now, even more than fifty years after it's release, "The Day The Earth Stood Still" delivers a powerful message of peace and tolerance. The "cold war" may be over, but we still live in a very violent and narrow-minded world. It is no surprise that Fox would choose the film for a modern makeover. Many of the same issues that were prevalent in 1951 still exist, and yet there are totally new ones that plague mankind. Will the new "The Day The Earth Stood Still" have the same social impact as the original? Possibly, if the film is taken seriously. Sci Fi cinema has been a mixed bag of high-end effects and sub-standard plots over the decades. "The Day The Earth Stood Still" stands as one of the exceptions to the rule. It is a very well thought out film with exceptional acting. To say that the modern version will have huge shoes to fill is an understatement.
Plot:
A flying saucer lands on the Ellipse in President's Park, Washington, D.C. Klaatu (Michael Rennie) emerges and declares he has come on a mission of goodwill. However, when he opens a small, menacing-looking device, he is shot and wounded by a nervous soldier who mistakes it for a weapon. In response, a large robot called Gort steps out of the ship and disintegrates all weapons present without harming the soldiers. Klaatu orders him to stop and explains the "weapon" was a gift to the President that could have been used to study life on other planets. Klaatu is taken to Walter Reed Hospital, where he recovers. The doctors analyze Klaatu, learning he is 78 years old and that his people's average lifespan is 130. The military attempt to enter Klaatu's ship, but find it impregnable, while Gort remains motionless.
Klaatu meets the President's secretary, Mr. Harley (Frank Conroy), and reveals he has a message he wants the whole world to hear. Unfortunately, Harley notes the divided world leaders cannot even agree on a meeting place for such a momentous occasion. When Klaatu suggests he live among ordinary people to get to know them better, Harley rebuffs him and has him locked inside his room. Klaatu escapes to a boarding house, assuming the alias "Mr. Carpenter", the name on the laundry label of a suit he has taken. Among the boarding house residents are Helen Benson (Patricia Neal), a secretary at the Department of Commerce, and her son Bobby (Billy Gray). Helen is a widow; her husband was killed in World War II. The next morning, Klaatu listens to a paranoid radio commentator as well as the boarders' speculation over the breakfast table; one (Frances Bavier) suggests that it might be the work of the Soviets.
When Helen's boyfriend, Tom Stephens (Hugh Marlowe), plans a day-trip getaway for the two of them, Klaatu offers to take care of Bobby. Bobby takes Klaatu on a tour of the city, including a visit to his father's grave in Arlington National Cemetery, where Klaatu learns with dismay that most of those buried there were killed in wars. The two next visit the Lincoln Memorial and the heavily-guarded spaceship, where Gort stands motionlessly on guard. Klaatu, impressed by the inscription of Abraham Lincoln's Gettysburg Address, is hopeful that Earth may harbor people wise enough to understand his message. When he asks Bobby to name the greatest person in the world today, Bobby mentions a leading American scientist, Professor Barnhardt (Sam Jaffe), who lives nearby. Bobby takes Klaatu to Barnhardt's home. The professor is absent; Klaatu goes into his study and helps solve an advanced mathematical n-body problem written on a blackboard, before leaving his address with the housekeeper.
Later, government agents escort Klaatu to see Barnhardt, who has seen the correction to his work as a calling card which could not have been faked. Klaatu warns the professor that the people of the other planets are concerned for their safety because human beings have developed atomic power. Barnhardt offers Klaatu the opportunity to speak at an upcoming meeting of scientists he is organizing at the spaceship; Klaatu accepts. Barnhardt is stunned when Klaatu declares that, if his message is rejected by Earth's leaders, "Planet Earth will be eliminated". The professor pleads for Klaatu to first provide a minor demonstration of his power as a warning. Klaatu returns to his spaceship the next evening to implement the professor's suggestion, unaware Bobby watched him enter the ship. He tells Helen and Tom what he has seen when they return from an evening out – Helen notices her son's shoes are soaking wet, while Tom finds a diamond – the currency of Klaatu's people – in Carpenter's room. Tom takes the diamond to three separate jewelers the following day, who all note they have never seen anything like it. When Bobby tells him what he saw, Klaatu meets Helen at work to clarify his intent. While riding in an elevator, it stops. A montage sequence shows that Klaatu has suppressed electric power all over the world – with the exception of critical systems such as hospitals and planes in flight. After the blackout, the authorities step up their manhunt for Klaatu, quarantining the city so no one can enter or leave.
Klaatu manages to enlists Helen's aid, but Tom tells the authorities of the alien's location. Helen and Klaatu take a taxi to wait at Barnhardt's home until the conference. Klaatu tells Helen that if anything should happen to him, she must go to Gort and say, "Klaatu barada nikto." When they are spotted, Klaatu tries to flee but is shot dead. Gort awakens, killing two guards before Helen gives Klaatu's message to him. Gort gently carries her into the spaceship, retrieves Klaatu's corpse, and temporarily revives him. Klaatu steps out of the spaceship and addresses the assembled scientists, explaining that humanity's penchant for violence and first steps into space have caused concern among the other space faring worlds, who have created a race of robot enforcers like Gort and given them absolute power to deal with any violence. He warns that the people of Earth can either abandon warfare and peacefully join these other nations or be destroyed, adding that "The decision rests with you." He then enters the spaceship and departs.
Reception:
The film was moderately successful when released, grossing $1.85 million. Variety praised the film's documentary style, and the Los Angeles Times praised its seriousness, though it also found "certain subversive elements". The Daily Worker's reviewer was unimpressed and felt it was not inspirational enough. The film earned more plaudits overseas: the Hollywood Foreign Press Association gave the filmmakers a special Golden Globe Award for "promoting international understanding". The French magazine Cahiers du cinéma were also impressed, with Pierre Kast calling it "almost literally stunning" and praising its "moral relativism".
Note: Actress Patricia Neal (Helen Benson) thought the film's most famous phrase, "Klaatu barada nikto", was the silliest thing she had ever heard. It was all that she could do to get the line out. Immediately after "cut" was yelled, she would burst out into laughter.
Check Out:
A perfect example of what can be achieved when Science Fiction cinema is approached in a serious and mature manor is the 1951 classic "The Day The Earth Stood Still". Made in the early 50s, before the atomic monster boom and sensationalised alien invasion films became the staples of the genre, "TDTESS" is arguably the best Science Fiction movie ever produced.
The films producer, Julian Blaustein, milled over some 200 short stories and novels before he discovered Harry Bates', "Farewell to the Master." He felt the story would make a perfect platform for a film that could address "Cold War" fears and provide a strong social commentary. Edmund H. North was hired one to adapt the story into a screenplay.
When director Robert Wise was brought on board, he the producer Blaustein, became wrapped up in a struggle with the executives at 20th Century Fox, who felt the film would be a perfect vehicle for actor Spencer Tracy. The production team was aiming for realism and they believed that the films title character, Klaatu, had to be someone "foreign" to American film goers. Wise went as far as to say that, "if the spaceship opens up and out walks Spencer Tracy, the film will be ruined." Eventually the studio caved, and established British actor Michael Rennie was cast as the alien visitor, Klaatu. Rennie, though a major actor in the UK, was virtually unknown in the US, thus the production was blessed with both a talented actor and someone who could be "alien" enough to give the character the sense of mystery that it required.
Rennie was not the only casting problem that Wise and Blaustein would have to go to bat over. Sam Jaffe was cast as Professor Jacob Barnhardt, even though he was blacklisted by the movie industry for being a suspected communist.
The part of the giant robot, Gort, was played by 7'-7" actor Lock Martin, who had an absolutely miserable time during filming. Despite Martin's enormous size, he, like most people of extreme height, was not very strong. One scene required the alien robot to lift and carry Helen Benson (Patricia Neal). Martin simply couldn't lift the actress and carry her, so Neal was placed on a rolling table that was off screen. In another scene late in the film, Gort walks out of the spaceship and stands behind Klaatu for several minutes. The weight of the costume was too much for Martin to stand for any long period of time, and if you look closely, it is very evident that the actor is fighting to stay erect for the entire take. To get around this, the production team used a statue for any scene that required the robot to remain stationary for any length of time.
Now, even more than fifty years after it's release, "The Day The Earth Stood Still" delivers a powerful message of peace and tolerance. The "cold war" may be over, but we still live in a very violent and narrow-minded world. It is no surprise that Fox would choose the film for a modern makeover. Many of the same issues that were prevalent in 1951 still exist, and yet there are totally new ones that plague mankind. Will the new "The Day The Earth Stood Still" have the same social impact as the original? Possibly, if the film is taken seriously. Sci Fi cinema has been a mixed bag of high-end effects and sub-standard plots over the decades. "The Day The Earth Stood Still" stands as one of the exceptions to the rule. It is a very well thought out film with exceptional acting. To say that the modern version will have huge shoes to fill is an understatement.
Plot:
A flying saucer lands on the Ellipse in President's Park, Washington, D.C. Klaatu (Michael Rennie) emerges and declares he has come on a mission of goodwill. However, when he opens a small, menacing-looking device, he is shot and wounded by a nervous soldier who mistakes it for a weapon. In response, a large robot called Gort steps out of the ship and disintegrates all weapons present without harming the soldiers. Klaatu orders him to stop and explains the "weapon" was a gift to the President that could have been used to study life on other planets. Klaatu is taken to Walter Reed Hospital, where he recovers. The doctors analyze Klaatu, learning he is 78 years old and that his people's average lifespan is 130. The military attempt to enter Klaatu's ship, but find it impregnable, while Gort remains motionless.
Klaatu meets the President's secretary, Mr. Harley (Frank Conroy), and reveals he has a message he wants the whole world to hear. Unfortunately, Harley notes the divided world leaders cannot even agree on a meeting place for such a momentous occasion. When Klaatu suggests he live among ordinary people to get to know them better, Harley rebuffs him and has him locked inside his room. Klaatu escapes to a boarding house, assuming the alias "Mr. Carpenter", the name on the laundry label of a suit he has taken. Among the boarding house residents are Helen Benson (Patricia Neal), a secretary at the Department of Commerce, and her son Bobby (Billy Gray). Helen is a widow; her husband was killed in World War II. The next morning, Klaatu listens to a paranoid radio commentator as well as the boarders' speculation over the breakfast table; one (Frances Bavier) suggests that it might be the work of the Soviets.
When Helen's boyfriend, Tom Stephens (Hugh Marlowe), plans a day-trip getaway for the two of them, Klaatu offers to take care of Bobby. Bobby takes Klaatu on a tour of the city, including a visit to his father's grave in Arlington National Cemetery, where Klaatu learns with dismay that most of those buried there were killed in wars. The two next visit the Lincoln Memorial and the heavily-guarded spaceship, where Gort stands motionlessly on guard. Klaatu, impressed by the inscription of Abraham Lincoln's Gettysburg Address, is hopeful that Earth may harbor people wise enough to understand his message. When he asks Bobby to name the greatest person in the world today, Bobby mentions a leading American scientist, Professor Barnhardt (Sam Jaffe), who lives nearby. Bobby takes Klaatu to Barnhardt's home. The professor is absent; Klaatu goes into his study and helps solve an advanced mathematical n-body problem written on a blackboard, before leaving his address with the housekeeper.
Later, government agents escort Klaatu to see Barnhardt, who has seen the correction to his work as a calling card which could not have been faked. Klaatu warns the professor that the people of the other planets are concerned for their safety because human beings have developed atomic power. Barnhardt offers Klaatu the opportunity to speak at an upcoming meeting of scientists he is organizing at the spaceship; Klaatu accepts. Barnhardt is stunned when Klaatu declares that, if his message is rejected by Earth's leaders, "Planet Earth will be eliminated". The professor pleads for Klaatu to first provide a minor demonstration of his power as a warning. Klaatu returns to his spaceship the next evening to implement the professor's suggestion, unaware Bobby watched him enter the ship. He tells Helen and Tom what he has seen when they return from an evening out – Helen notices her son's shoes are soaking wet, while Tom finds a diamond – the currency of Klaatu's people – in Carpenter's room. Tom takes the diamond to three separate jewelers the following day, who all note they have never seen anything like it. When Bobby tells him what he saw, Klaatu meets Helen at work to clarify his intent. While riding in an elevator, it stops. A montage sequence shows that Klaatu has suppressed electric power all over the world – with the exception of critical systems such as hospitals and planes in flight. After the blackout, the authorities step up their manhunt for Klaatu, quarantining the city so no one can enter or leave.
Klaatu manages to enlists Helen's aid, but Tom tells the authorities of the alien's location. Helen and Klaatu take a taxi to wait at Barnhardt's home until the conference. Klaatu tells Helen that if anything should happen to him, she must go to Gort and say, "Klaatu barada nikto." When they are spotted, Klaatu tries to flee but is shot dead. Gort awakens, killing two guards before Helen gives Klaatu's message to him. Gort gently carries her into the spaceship, retrieves Klaatu's corpse, and temporarily revives him. Klaatu steps out of the spaceship and addresses the assembled scientists, explaining that humanity's penchant for violence and first steps into space have caused concern among the other space faring worlds, who have created a race of robot enforcers like Gort and given them absolute power to deal with any violence. He warns that the people of Earth can either abandon warfare and peacefully join these other nations or be destroyed, adding that "The decision rests with you." He then enters the spaceship and departs.
Reception:
The film was moderately successful when released, grossing $1.85 million. Variety praised the film's documentary style, and the Los Angeles Times praised its seriousness, though it also found "certain subversive elements". The Daily Worker's reviewer was unimpressed and felt it was not inspirational enough. The film earned more plaudits overseas: the Hollywood Foreign Press Association gave the filmmakers a special Golden Globe Award for "promoting international understanding". The French magazine Cahiers du cinéma were also impressed, with Pierre Kast calling it "almost literally stunning" and praising its "moral relativism".
Note: Actress Patricia Neal (Helen Benson) thought the film's most famous phrase, "Klaatu barada nikto", was the silliest thing she had ever heard. It was all that she could do to get the line out. Immediately after "cut" was yelled, she would burst out into laughter.
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Day The Earth Stood Still Gort and Klaatu Action Figure 2-Pack
Day The Earth Stood Still Gort and Klaatu Action Figure 2-Pack
Price: $39.99 - Order Here
This collector's 2-pack based on the classic sci-fi film The Day the Earth Stood Still includes both Gort and Klaatu together in this 1970's-styled action figure 2-pack! Gort features 5 points of articulation and stands 5-inches tall, while Klaatu is 4-inches tall with 7 points of articulation. Comes with extra Klaatu head.
Size: 4 to 5-inches tall
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The Day The Earth Stood Still (1951)(20th Century Fox)
A spaceship from another world has landed on The Mall across from the Capitol Building in Washington DC.
Hundreds of witnesses watched as the strange craft circled the city, then touched down on an open baseball field.
Members of the local National Guard were alerted and arrived within minutes. Their brave job, to secure the area and to protect the populous from any alien invasion. Despite warnings a large crowd gathered behind the perimeter.
The craft remained motionless for some time, until without any warning, a long ramp emerged from the craft and some sort of doorway formed above it. One lone being emerged from inside, wearing some kind of military uniform. Unprovoked the creature then pulled a device, most likely a weapon of unimaginable terror, from his garments. One brave soldier, fearing for the safety of his fellow comrades and the crowd around him, opened fire dropping the creature in his tracks. It was at that moment that the second, much larger, being emerged from the craft. Using what can only be described as a "death ray" the creature destroyed several tanks. Only after commands from the first being did the creature stop it's attack.
More @ The Day The Earth Stood Still (1951)(20th Century Fox)
It isn't faith that makes good science, Mr. Klaatu, it's curiosity.
Whether the makers of 'The Day the Earth Stood Still' intended it or not, there is a striking resemblance between Klaatu (Michael Rennie) and the head of the Manhattan Project, Robert Oppenheimer. Oppenheimer was known to make corrections on the blackboards of theoreticians at the Project, similar to the scene where Klaatu corrects the work of Professor Barnhardt (Sam Jaffe). Oppenheimer's other-worldly brilliance and association with destructive power that could threaten the existence of the world seem like more than a coincidence. Of course it should be noted that Professor Barnhardt's character was inspired by famed physicist Albert Einstein who's world famous equation "e = mc2" unlocked mysteries of the Universe theretofore unknown.
It should also be noted that the first actor to whom the role of Klaatu was actually offered was Claude Rains, who wanted to accept it but had to decline because of a prior commitment on Broadway. 20th Century Fox executives then wanted to cast Spencer Tracy but director Robert Wise protested against it suggesting that if the space ship opens up and the well-known Tracy walks out the film would be ruined. Darryl F. Zanuck was the one who first suggested Michael Rennie for the part of Klaatu, having seen him perform on the London stage. Wise liked the idea because he was generally unknown to American audiences, and would be more readily accepted as an "alien" than a more than either Rains or Tracy.
A Gallery Of Great Monster Movie Posters - Seks Edition
Written By: Ken HulseyMovie Info From Wikipedia
You wouldn't believe the amount of positive feedback I have received since I started this series of features on classic movie posters last summer. Everyone seems to be in love with the articles so I have no intention of stopping them any time in the future.
You seem to love them and I love doing them so there you go.
Today I'm featuring six, because this is the sixth installment, posters from six of my favorite all-time movies. Why am I being so selfish this close to Christmas when everyone should be in a giving mood? Well, Friday is my birthday (thank you) so I'm going to make this one about me. I think I deserve it.
No, I'm not going to tell you how old I am. You don't need to know that. I'm old ... okay ... not prehistoric but not a young man anymore either...and don't say six because that's today's theme number. Granted sometimes my maturity level is that of a six-year-old but I am working on that.
Anyway enough about me, on with the show!
Verigo (Above)
Maybe not a monster or scifi movie but one of my favorites, if not my favorite, movies of all-time. Hitchcock was in love with San Francisco and quite honestly so am I. Jimmy Stewart is one of my favorite actors and Kim Novak is as an amazing an actress as she is stunning to look at.
To be very honest I'm not a big fan of the movie posters produced for this movie but this Japanese one is very cool and probably the best ever produced for this film!
Vertigo is a 1958 psychological thriller film directed by Alfred Hitchcock and starring James Stewart, Kim Novak, and Barbara Bel Geddes. The screenplay was written by Alec Coppel and Samuel A. Taylor, based on the 1954 novel D'entre les morts by Boileau-Narcejac.
It is the story of a retired police detective suffering from acrophobia who is hired as a private investigator to follow the wife of an acquaintance to uncover the mystery of her peculiar behavior.
The Land That Time ForgotI am a child of the seventies and dinosaurs were huge during that decade. The Land That Time Forgot was easily the best of the dinosaur related movies produced during that time period. I can watch this one over and over.
The poster is just amazing, dinosaurs, a German U-boat, a volcano, great stuff!
I have always wondered why they put a T-Rex underwater for this add? Didn't we learn from "Land of the Lost" that they hated water? Grumpy never swam!
The Land That Time Forgot is a 1975 fantasy/adventure film based upon the 1924 novel The Land That Time Forgot by Edgar Rice Burroughs. The screenplay was written by Michael Moorcock. The film was produced by Britain's Amicus Productions and directed by Kevin Connor. The cast included Doug McClure, John McEnery, Keith Barron, Susan Penhaligon, Anthony Ainley and character actor Declan Mulholland.
The Day The Earth Stood StillGod, I could really ramble on and on about this movie. Is it the greatest scifi movie of all-time? I really feel that it is because of it's simple and mature approach to the genre.
I know you could throw "Forbidden Planet" or "Star Wars" out there and you would have a valid argument. For me though it's all about "The Day The Earth Stood Still"!
This poster is rather unique looking, it's a French release and the vivid colors and composition really speak to me.
The Day the Earth Stood Still is a 1951 American science fiction film directed by Robert Wise and written by Edmund H. North based on the short story "Farewell to the Master" (1940) by Harry Bates. The film stars Michael Rennie, Patricia Neal, Sam Jaffe, and Hugh Marlowe. In the film, a humanoid alien visitor comes to Earth with a warning, accompanied by the powerful robot, "Gort".
Creature From The Black LagoonMy affinity for the Creature (or Gill-Man) has been been documented at length here on this site so I really don't think that I need to go into it very much.
The Creature and Godzilla are the two monsters that I feel in love with way back in my youth.
I have been very blessed as an adult to have known the late Ben Chapman (The Creature on land), talked at some length with Julie Adams and recently met Ricou Browning (The Creature under water). All wonderful people!
This poster is rather unique as in the fact that it is rendered in black and white. Thank God they didn't add those horrible red lips to this image like all the rest!
Creature from the Black Lagoon is a 1954 monster horror film directed by Jack Arnold, and starring Richard Carlson, Julia Adams, Richard Denning, Antonio Moreno, and Whit Bissell. The eponymous creature was played by Ben Chapman on land and Ricou Browning in underwater scenes. The film was released in the United States on March 5, 1954.
Creature from the Black Lagoon was filmed and originally released in 3-D requiring polarized 3-D glasses, and subsequently reissued in the 1970s in the inferior anaglyph format (this version was released on home video by MCA Videocassette, Inc. in 1980). It was one of the first Universal films filmed in 3-D (the first was It Came from Outer Space, which was released a year before). It is considered a classic of the 1950s, and generated two sequels, Revenge of the Creature and The Creature Walks Among Us. Revenge of the Creature was also filmed and released in 3-D, in hopes of reviving the format.
Big Trouble From Little ChinaIf you haven't done so already you should base your life on the teachings of Jack Burton:
"When some wild-eyed, eight-foot-tall maniac grabs your neck, taps the back of your favorite head up against the barroom wall, and he looks you crooked in the eye and he asks you if ya paid your dues, you just stare that big sucker right back in the eye, and you remember what ol' Jack Burton always says at a time like that: "Have ya paid your dues, Jack?" "Yessir, the check is in the mail."
Words to live by!
A fun poster for a fun film!
Big Trouble in Little China (also known as John Carpenter's Big Trouble in Little China) is a 1986 American martial arts comedy film directed by John Carpenter. It stars Kurt Russell as truck driver Jack Burton, who helps his friend Wang Chi (Dennis Dun) rescue Wang's green-eyed fiancee (Suzee Pai) from bandits in San Francisco's Chinatown. They go into the mysterious underworld beneath Chinatown, where they face an ancient sorcerer named Lo Pan (James Hong).
Although the film was originally envisioned as a Western set in the 1880s, screenwriter W. D. Richter was hired to rewrite the script extensively and modernize everything. The studio hired Carpenter to direct the film and rushed Big Trouble in Little China into production so that it would be released before a similarly themed Eddie Murphy film, The Golden Child, which was slated to come out around the same time. The project fulfilled Carpenter's long-standing desire to make a martial arts film.
Planet Of The ApesBefore there was "Star Wars" there was "Planet of the Apes" and this young lad had the tree house playset with all the action figures Mego.
Many fans don't remember just how big "Apes" was just before George Lucas' pop-culture Juggernaut took over everything entertainment related.
This baby is Italian a combines almost all of the key elements from many of the other "Apes" posters created around the globe.
Planet of the Apes is a 1968 American science fiction film directed by Franklin J. Schaffner, based on the 1963 French novel La Planète des singes by Pierre Boulle. The film stars Charlton Heston, Roddy McDowall, Kim Hunter, Maurice Evans, James Whitmore, James Daly and Linda Harrison. It was the first in a series of five films made between 1968 and 1973, all produced by Arthur P. Jacobs and released by 20th Century Fox. The series was followed by a remake in 2001 and a reboot in 2011.
The film tells the story of an astronaut crew who crash-land on a strange planet in the distant future. Although the planet appears desolate at first, the surviving crew members stumble upon a society in which apes have evolved into creatures with human-like intelligence and speech. The apes have assumed the role of the dominant species and humans are mute creatures wearing animal skins.
The script was originally written by Rod Serling but had many rewrites before eventually being made. Directors J. Lee Thompson and Blake Edwards were approached, but the film's producer Arthur P. Jacobs, upon the advice of Charlton Heston, chose Franklin J. Schaffner to direct the film. Schaffner's changes included creating a more primitive ape society, instead of the more expensive idea of having futuristic buildings and advanced technology. Filming took place between May–August 1967, mostly in California and Arizona, with the opening scene shot at Lake Powell, Utah. The film's budget was approximately $5,800,000.
The Day the Earth Stood Still Classic Gort Bobble Head

Source: Entertainment Earth
The Day the Earth Stood Still Classic Gort Bobble Head:
Sci-fi classics come to head-bobbling life!
Klaatu barada nikto!
Makes a great gift!
This The Day the Earth Stood Still Classic Gort Bobble Head stands approximately 6-inches tall, not including base, shiny arms outstretched and green eye glowing when his head bobbles! Order yours today!
Age: 5+
Size: 6-inches tall
Order Yours From Entertainment Earth For Only $8.00 - HERE
Celluloid Philosophers - Klaatu
"I am leaving soon, and you will forgive me if I speak bluntly. The universe grows smaller every day, and the threat of aggression by any group, anywhere, can no longer be tolerated. There must be security for all, or no one is secure. Now, this does not mean giving up any freedom, except the freedom to act irresponsibly. Your ancestors knew this when they made laws to govern themselves and hired policemen to enforce them. We, of the other planets, have long accepted this principle. We have an organization for the mutual protection of all planets and for the complete elimination of aggression. The test of any such higher authority is, of course, the police force that supports it. For our policemen, we created a race of robots. Their function is to patrol the planets in spaceships like this one and preserve the peace. In matters of aggression, we have given them absolute power over us. This power cannot be revoked. At the first sign of violence, they act automatically against the aggressor. The penalty for provoking their action is too terrible to risk. The result is, we live in peace, without arms or armies, secure in the knowledge that we are free from aggression and war. Free to pursue more... profitable enterprises. Now, we do not pretend to have achieved perfection, but we do have a system, and it works. I came here to give you these facts. It is no concern of ours how you run your own planet, but if you threaten to extend your violence, this Earth of yours will be reduced to a burned-out cinder. Your choice is simple: join us and live in peace, or pursue your present course and face obliteration. We shall be waiting for your answer. The decision rests with you."- Klaatu (Michael Rennie) - The Day the Earth Stood Still (1951)
See Also: Celluloid Philosophers - Robert And William Shatner (Imaginary) / Celluloid Philosophers - Hexina / Celluloid Philosophers - Kirk, Spock And McCoy / Celluloid Philosophers - Major T. J. "King" Kong / Celluloid Philosophers - Elvira / Celluloid Philosophers - Varla / Celluloid Philosophers - The Hitchhikers Guide To The Galaxy / Celluloid Philosophers - Ash / Celluloid Philosophers - Shaun / Celluloid Philosophers - Spock / Celluloid Philosophers - Jack Burton
Gort And The Creature From The Black Lagoon Go To High School in "Go Mutants!" / The Day The Earth Stood Still (2008)(20th Century Fox) / Keanu Reeves - Taking On The Iconic Role Of Klaatu / The Day The Earth Stood Still (1951)(20th Century Fox) / Klaatu Escapes!! / UFO Lands On Earth!! / Jennifer Connelly - An Abundance Of Talent Can Make The Earth Stand Still / The Day The Earth Stood Still - About The Production / The First Photos From The Day The Earth Stood Still / A New Promotional Banner For The Day The Earth Stood Still
Gort And The Creature From The Black Lagoon Go To High School in "Go Mutants!"
Written By: Ken HulseySource: Variety
Universal Pictures has just bought the movie rights to Larry Doyle's, yet unfinished, novel "Go Mutants!" Doyle will reportedly be writing the script to the film and finishing the book simultaneously. Something that, as far as I know, has never happened before.
Reportedly the studio executives at Universal merely saw an outline of the books storyline and decided to snatch it up on the spot.
"Go Mutants!" according to Doyle is a teen comedy based in an alternate universe where many of the events from classic 50s sci fi films actually happened. The story itself takes place in a high school were the children of mutant monsters and space aliens interact with normal human teens.
Doyle also hinted that the story would include cameos from such classic 50s sci fi movie icons as Gort, from "The Day The Earth Stood Still", and the "Creature From The Black Lagoon."
The book will be published by Harper Collins next summer, but there isa no word yet on when the movie will begin filming, though Brian Grazer has already been named as producer.
See Also: The Creature From The Black Lagoon Musical / King Kong, Godzilla And The Creature From The Black Lagoon At The Rose Parade / The Most Talked About Stories Of 2008 / The Top Ten Hottest Monsters Of 2008 / Life Magazine Discovers Rare Publicity Photos From Creature From The Black Lagoon - Update! / Life Magazine Discovers Rare Publicity Photos From Creature From The Black Lagoon / The Witch's Dungeon 40 Years Of Chills An Amazing Tribute To The Golden Age Of Horror / Creature From The Black Lagoon / The Creature No Longer Walks Among Us - Ben Chapman (1928 - 2008) / The Creature From The Black Lagoon Polystone Diorama / Universal Monsters Creature From The Black Lagoon Head Knocker / The Creature From The Black Lagoon Film Cell / 1:4 Scale Creature From The Black Lagoon Statue
Why Doesn't Hollywood Get It? Land Of The Lost, Godzilla 98 And So On
Written By: Ken HulseyI woke up this morning thinking about today's release of the Will Ferrell comedy movie based on the popular "Land of the Lost" television series. I really had to ask myself, "Is there any way that this movie is going to be any good?" Sadly, my conclusion was, "No, no way in the world."
Over the past two decades Hollywood has taken it upon itself to try and reinvent many of the classic television series and movies from past decades. This is nothing new, of course, movies have been getting remade almost from when the medium first appeared. some of these remakes have turned out to be either as good, or better than their predecessors. So why is it that most of these modern redoes turn out to be so horrible?
I think that somehow Hollywood has lost sight of what people want to see when they go to the movies. Over the past couple of decades the movie industry has been loosing ground to the video game market. Why? Well I think that the simple answer is creativity and originality. Video game designers have the freedom to create their own original themes, stories and characters, something that seems to be stifled when it comes to fantasy movies. Is Hollywood scared to try and market a movie that isn't based on either a TV show, toy line or video game? Do they really think that if it doesn't have a name that people already recognize it won't be a hit? Well, I have talked to several directors about this subject and they say that there is some truth to it. Many film makers have had to go outside of the big studios to get their films made for just that reason.
Now, let me get back to why I think "Land of the Lost" is going to disappoint. The film, like so many others, lacks the core elements that made the original television show popular in the first place. The original series was a family oriented, intelligent, sci fi, action show. The new film is a comedy without the family element....and from what I have seen in the trailers...intelligence. Instead of taking, what I believe could be the elements for an excellent, serious, sci fi film, Universal opted to go for something campy that takes just a few elements from the series and basically makes fun of them.
What do the fans think of this reworking of a show that they grew up on? Well, just troll the message boards. The core fans, which I really believe movies like this should cater to, are pretty much up in arms.
Here is an example of some posts on the GS North America board. Who better to critique a dinosaur movie than a bunch of Godzilla movie fans?:
"Will Ferrell movies are just 2 hours of him running around screaming and carrying on like some sort of idiot man-child. This movie looks like it was built entirely around that sort of thing. PASS."
and....
"On the new NBC Tonight Show with Conan O'Brien, guest Will Ferrel was on,and they showed a clip from the upcoming Land Of The Lost movie. All I can say kids. If I had problems with a Tyrannosaurus Rex hellbent on eating me,I'm NOT pouring piss/urine on myself! This is going to be a stupid movie kids. Go Grumpy! Go Grumpy! Go Grumpy Go! Will Ferrel must die!"
Seems as the fans have really turned on Will Ferrell.
Here are a couple that were posted here at MIN:
"I absolutely loved this show and am not impressed by the looks of the new film (sorry)...it looks like they are making a mockery of something we hold very dear. I was 8 years old when the show was cancelled. Like others I ran to the TV set when LOTL came on if there was a show with Dinosaurs in it I was there!"
"Land of the Lost was the best Saturday morning show ever. I just the new movie was going to be in a more serious vein instead of "adventure-comedy".
"I too have some very fond memories of this fine show and want to thank the Sci-Fi channel for showing every episode. I was looking forward to seeing the movie until I found out that some no-talent hack named will (i have no talent) Ferrel was going to be in it. Personally i refuse to watch anything with him in it because he is just NOT funny and not even a good actor."
Again, more Will Ferrell bashing there, but it solidifies the point that most LOTL fans are not on the same page as Hollywood's new version of "Land of the Lost."
And besides, aren't these the very people that Universal would want to see their movie?

Here are a couple of examples of where Hollywood took an established movie icon....and um.....blew it....big time.
1. Godzilla (1998)(USA)
After seeing this one, you really have to wonder if Roland Emmerich, Devlin and Co. ever actually saw any of the Japanese "Godzilla" movies? First off the changed the look of every one's favorite movie monster trying to make him more 'realistic' looking. That's like making a Mickey Mouse film with a real mouse or remaking "King Kong" with a giant bear. Then they violated rule one of any giant monster movie "The Monster Is Supposed To Do All The Destruction." On one hand you were supposed to fear the monster, then feel sorry for it, then fear it again then at the end feel sorry for it again. It didn't work, and the film bombed.
2. The Day The Earth Stood Still (2008)
Here is prime example of a big studio ignoring what made a film a classic. Gone in the remake were all the honest charms from the original. They threw out the whole plot where Klaatu learns about humanity through his interaction with young Bobby Benson. They also ignored the whole message of hope that if mankind were to clean up it's act, then it could co-exist with the rest of the galaxy.
Why have a giant robot, if your not going to do anything with it? Gort looked cool in the film, but when it came to to start destroying things, he turned into a cloud of parasites......who thought that would be a good idea?
Anyway, the makers of those films just didn't get it. These films and TV shows have remained popular for years for a reason. Somehow film makers fail to understand those reasons or ignore them on purpose. What fuels this? Well no matter what they throw up on the big screen they stand to make hundreds of millions of dollars, so why should they care?
Maybe someday the video game market will force movie studios to rethink their product, but for now they don't have to.
Pity
See Also: Land Of The Lost - Episode 1 - Cha-ka / Getting Grumpy: VFX In Land Of The Lost / Universal Releases The Complete Land Of The Lost Series In A Collectible Lunch Box / Universal Launches New Land Of The Lost Games / Sci Fi Announces Memorial Day Land Of The Lost Marathon And Other Summer Programing / Land Of The Lost Cha-Ka Funko Force Bobble Head / Land Of The Lost Sleestak Funko Force Bobble Head / A New Promo Image For Land Of The Lost / The Land Of The Lost Movie Poster / Hold Onto Your Tenticles Sigmund And The Sea Monsters Is Coming To The Big Screen / The First Photo Of Enik From The New Land Of The Lost Movie / Surprise! The New Sleestaks Look Like The Old Ones! / Land of the Lost (TV 1974-1977) / The Land That Time Forgot (1975)
The Day The Earth Stood Still (2008)(20th Century Fox)
Source: 20th Century FoxIn THE DAY THE EARTH STOOD STILL, a contemporary reinvention of the 1951 science fiction classic, renowned scientist Dr. Helen Benson (Jennifer Connelly) finds herself face to face with an alien called Klaatu (Keanu Reeves), who travels across the universe to warn of an impending global crisis.
When forces beyond Helen’s control treat the extraterrestrial as a hostile and deny his request to address the world’s leaders, she and her estranged stepson Jacob (Jaden Smith) quickly discover the deadly ramifications of Klaatu’s claim that he is “a friend to the Earth.”
Now Helen must find a way to convince the entity who was sent to destroy us that mankind is worth saving – but it may be too late.
The process has begun.
Mankind has long been fascinated by the possibility of life beyond Earth. Science fiction literature and films have served to not only entertain, but to address our questions, hopes and fears about extraterrestrial life. Such speculation has captivated our collective imagination and inspired the development of new technology to explore the farthest reaches of our universe and the very real possibility that we are not alone.
One of the most original and innovative films of the genre is the 1951 sci-fi classic "The Day The Earth Stood Still," a truly groundbreaking movie that has influenced generations of sci-fi enthusiasts, authors and filmmakers. Directed by legendary filmmaker Robert Wise, the film tells the story of a benevolent, human-looking alien called Klaatu, who lands his spaceship in Washington D.C. with the goal of meeting with the leaders of Earth to warn that the violence that man is committing against man actually threatens the survival of other civilizations in the universe. With the help of Gort, his giant robotic bodyguard, Klaatu eludes the authorities who attempt to capture him and immerses himself in human culture to gain a better understanding of a species that seems committed to conflict and destruction. He befriends a widow and her son, and through the prism of their friendship he learns much about humanity - and ultimately challenges mankind to be its best version of itself.The film was revolutionary, not only in its then-cutting edge conceptualization of aliens, spaceships and robots, but in its audacious variation on a familiar allegory for the escalating tensions of the early Cold War era. "The entire canon of science fiction in America in the Fifties was constructed in such a way as to reinforce Western fears of the Eastern Bloc," notes producer Erwin Stoff. "The 'other' to be feared was always a metaphor for Communism. What was remarkable about 'The Day the Earth Stood Still' was that it placed the onus of responsibility on everyone equally. The 'other' to fear was ourselves - the nature of man and the terrible violence that humanity is capable of."
Another aspect of the film that sets it apart is the perspective from which it unfolds. "One of the really unique things about the story is that it's told from the alien's point of view," Stoff observes. "We've seen a lot of movies about aliens, but rarely do we see ourselves as the aliens."
The idea of remaking "The Day the Earth Stood Still" first struck Stoff, who has managed Reeves for over 20 years, in the wake of their success on the 1994 blockbuster "Speed." During a meeting with at Twentieth Century Fox studios, Stoff noticed a poster for the classic film hanging on the wall. "I said, 'Forget about the project I came here to talk to you about. What we should do is develop 'The Day the Earth Stood Still' with Keanu playing Klaatu,'" he remembers. "It seemed like a great idea, but for one reason or another, it didn't happen. Then, as destiny would have it, a draft showed up on my doorstep twelve years later."As re-conceived by screenwriter David Scarpa and director Scott Derrickson, the premise for the 2008 version of THE DAY THE EARTH STOOD STILL is rooted not in man's violence against man, but in mankind's destruction of the Earth's environment. "I'm a tremendous fan of the original film," Derrickson says. "It was so interesting and original and progressive for its time - in the visual effects, in the way it commented on the Cold War tensions of that era, in the idea of seeing humanity from an outsider's perspective. It's a truly great film, but most modern audiences haven't seen it. I feel like people deserve to know this story, and this was a fantastic opportunity to retell it in a way that addresses the issues and conflicts that are affecting us now."
"There is nothing the original film says about the nature of mankind that isn't every bit as timely and relevant to this generation of movie audiences," Stoff believes. "It's the specifics of the way we now have the capability to destroy ourselves that have changed. The evidence that we are doing potentially irreparable harm to the environment is pretty irrefutable. The challenges that we face today are no less daunting, and if we fail at them, no less lethal, than the ones that we faced before the end of the Cold War."
"In re-imagining this picture, we had an opportunity to capture a real kind of angst that people are living with today, a very present concern that the way we are living may have disastrous consequences for the planet," says Reeves. "I feel like this movie is responding to those anxieties. It's holding a mirror up to our relationship with nature and asking us to look at our impact on the planet, for the survival of our species and others."For Derrickson, the project is the unforeseen culmination of a close encounter he enjoyed with Robert Wise as a film student, when he made a short film that was accepted to a festival in Indiana where the legendary director was being honored. At a private dinner with Wise arranged by the festival's program director, Derrickson asked the two-time Oscar® winner if he had any advice for him as a young filmmaker. "He told me that if I was interested in genre films, then I should make my first film a horror film, because a horror film will really show what you can do as a director," Derrickson says. "I kept that in mind, and it was one of the reasons why I made [the successful horror film] 'The Exorcism of Emily Rose' as my first film. But I had no idea that I would be sitting here one day talking about re-imagining his great film 'The Day the Earth Stood Still.'"
"A lot of my enthusiasm for getting involved with this project and wanting Keanu to be part of it was the fact that I had seen 'The Exorcism of Emily Rose' and was completely knocked out by Scott as a director," Stoff says. "There is a thriller element to this film, a real sense of danger about Klaatu. You're not sure what he's going to do next, or how far he's going to take things. Scott is a masterful storyteller in terms of creating that kind of tension and mystery and danger."
As the representative of a group of alien civilizations that have suffered their own painful evolution in the wake of cataclysmic climate change, Klaatu travels to Earth with the intention of exterminating what he and his peers view as an imminent threat to a planet that is too uniquely abundant to be compromised. "The situation has reached a crisis point where the life of the planet itself is at stake because the humans are killing it," Reeves says. "Klaatu comes to Earth to assess whether or not human beings are capable of changing their behavior, or if 'the problem' needs to be eliminated."It is Klaatu's intention to speak to the world's leaders at the United Nations before taking any drastic action, but when he is denied that opportunity, it simply reinforces his perception of human beings as inherently barbaric and resistant to change. "Klaatu comes to Earth with a pretty negative view of humanity," says Derrickson. "He has certain ideas about our destructiveness and our reluctance to change, and his impressions of us based on his initial experiences here don't do anything to change that opinion."
Despite his preconceived notions about mankind, Klaatu approaches his mission with an eerie detachment. "There was a take that Keanu did one day that really freaked me out," says Oscar-winner Kathy Bates ("Misery"), who portrays the U.S. secretary of defense. "I don't know what happened, but his eyes just went black. It was a magical moment and I saw it up close and personal. For those few moments, he transformed himself into this other creature that wasn't human at all. I'll never forget it."
"I tried to bring objectivity to the character and the way he observes everything around him," Reeves says. "There is a kind of compression to Klaatu. He is an alien entity contained in a human body, and when he is looking out of that body, he is just looking out. But over the course of the film, he is gradually affected by the people around him and, he experiences what it means to be human, and to have hope."
For More Information On "The Day The Earth Stood Still" (2008) Please Read:
Keanu Reeves - Taking On The Iconic Role Of Klaatu
Jennifer Connelly - An Abundance Of Talent Can Make The Earth Stand Still
The Day The Earth Stood Still - About The Production
The First Photos From The Day The Earth Stood Still
A New Promotional Banner For The Day The Earth Stood Still
To Learn About Original "The Day The Earth Stood Still" (1951) Please Read:
The Day The Earth Stood Still (1951)(20th Century Fox)
Klaatu Escapes!!
UFO Lands On Earth!!
Keanu Reeves - Taking On The Iconic Role Of Klaatu
Source: 20th Century Fox"It was a very interesting process for me as a director to watch Keanu portray Klaatu," Scott Derrickson reveals. "We had talked about the physicality of the character, but Keanu worked that out mostly on his own. When we were shooting, I could see some things that he was doing differently in scenes that take place later in the story than the way he behaved earlier in the film. But it really wasn't until I started cutting the movie together that I realized what a thoughtful, seamless transition occurs in his performance. He captured the experience of becoming humanized and recognizing, in all of his alien superiority, what it is about humanity that is remarkable. To do that without being overwrought or overly dramatic is very difficult, and Keanu did it with an amazing amount of nuance."
It was this unparalleled ability to meet the singular challenges involved in playing Klaatu that Stoff recognized in Reeves and sparked his enduring interest in remaking THE DAY THE EARTH STOOD STILL with him. "I know Keanu as an actor so incredibly well, and honestly, I knew there was nobody else who could play Klaatu," Stoff attests. "I knew how right it was for him. It is the perfect union of actor and role. Keanu has a unique ability as an actor to simultaneously evoke a quality of cynicism and optimism. And those are two very important aspects of the character."
Reeves worked closely with Stoff, Derrickson and Scarpa to develop and deepen Klaatu's transformation through the relationships he forges with a mother and son in crisis. "Keanu brought a lot to this film, not only in his performance, but from very early on," Derrickson says. "He spent weeks sitting in a room with David and me, working through every scene of the script, line by line. He was very disciplined, not just about his character, but about the movie as a whole.""I had a great experience working on the script with Scott and David and the producers," Reeves reports. "It was a real collaborative effort and a lot of thinking was put into What are we trying to say? How do we want to say it? I like that within this big action adventure about an alien coming to Earth, we created these intimate relationships that have a real authenticity and impact on the story."
"It's when Klaatu begins to connect more intimately and personally with people that he starts to see the better side of humanity," says Derrickson. "At the same time, because he is contained in a human body, he begins to experience human emotions. So through the course of the story, Klaatu learns more about us than he had initially counted on."

Reeves is one of Hollywood's most sought after leading men. Reeves most recently starred opposite Forest Whitaker in the thriller "Street Kings," released by Fox Searchlight Pictuures. Prior to that, Reeves starred opposite Sandra Bullock in the romantic drama "The Lake House" and in "A Scanner Darkly," a highly stylized blend of live-action and animation. Reeves also starred in the comic book adaptation "Constantine" opposite Rachel Weisz, the independent film "Thumbsucker," "Something's Gotta Give," a romantic comedy in which he starred opposite Jack Nicholson and Diane Keaton, as well as "The Matrix Revolutions," the final chapter in the blockbuster "The Matrix" trilogy and the follow-up to "The Matrix Reloaded."
His long list of film credits include the smash hit "Speed," plus "Hardball," "The Gift" opposite Cate Blanchett for which he received critical acclaim, "Sweet November," "The Replacements," "A Walk in the Clouds," the hit thriller "Devil's Advocate" opposite Al Pacino and Charlize Theron, "Little Buddha," and "Much Ado about Nothing," opposite Denzel Washington, Emma Thompson and Michael Keaton. Reeves was also seen in "Bram Stoker's Dracula," "My Own Private Idaho," "Point Break," the very popular "Bill & Ted's Excellent Adventure" and it's sequel, "Bill & Ted's Bogus Journey."
Raised in Toronto, Reeves performed in various local theater productions and on television before relocating to Los Angeles. His first widely acclaimed role was in Tim Hunter's "River's Edge." He then starred in Marisa Silver's "Permanent Record," and with Amy Madigan and Fred Ward in "The Prince of Pennsylvania." He portrayed the innocent Danceny in Stephen Frears' highly praised "Dangerous Liaisons," alongside Glenn Close, John Malkovich and Michelle Pfeiffer. He joined other outstanding casts that year in Ron Howard's comedy "Parenthood," and Lawrence Kasdan's "I Love You to Death."
Audiences saw Reeves for the first time as the romantic lead opposite Barbara Hershey in Jon Amiel's "Tune in Tomorrow," also starring Peter Falk. His additional credits include Tri-Star's sci-fi thriller "Johnny Mnemonic," Andrew Davis' action film, "Chain Reaction," and the dark comedy "Feeling Minnesota," directed by Steve Baigelman for New Line Cinema.
Comparing The Two Klaatu's - Apples & Orbits
Film critic Staci Layne Wilson posted this comparison on her blog after she saw the new "The Day The Earth Stood Still":
"Comparing Klaatu to Klaatu is like comparing apples and orbits, but having seen both the original (second time) and the remake yesterday of The Day The Earth Stood Still -- I think both actors were good. They each bring a completely different interpretation. And while there are kernels of the Robert Wise version, the new one is pretty far afield from that... it's comparable to the Speilberg War of the Worlds, but I liked TDtESS better (which isn't a ringing endorsement, either)." - READ MORE
See Also: The Day The Earth Stood Still (1951)(20th Century Fox) / Klaatu Escapes!! / UFO Lands On Earth!! / Jennifer Connelly - An Abundance Of Talent Can Make The Earth Stand Still / The Day The Earth Stood Still - About The Production / The First Photos From The Day The Earth Stood Still / A New Promotional Banner For The Day The Earth Stood Still
The Day The Earth Stood Still (1951)(20th Century Fox)
Written By: Ken HulseyA perfect example of what can be achieved when Science Fiction cinema is approached in a serious and mature manor is the 1951 classic "The Day The Earth Stood Still". Made in the early 50s, before the atomic monster boom and sensationalised alien invasion films became the staples of the genre, "TDTESS" is arguably the best Science Fiction movie ever produced.
The films producer, Julian Blaustein, milled over some 200 short stories and novels before he discovered Harry Bates', "Farewell to the Master." He felt the story would make a perfect platform for a film that could address "Cold War" fears and provide a strong social commentary. Edmund H. North was hired one to adapt the story into a screenplay.
When director Robert Wise was brought on board, he the producer Blaustein, became wrapped up in a struggle with the executives at 20th Century Fox, who felt the film would be a perfect vehicle for actor Spencer Tracy. The production team was aiming for realism and they believed that the films title character, Klaatu, had to be someone "foreign" to American film goers. Wise went as far as to say that, "if the spaceship opens up and out walks Spencer Tracy, the film will be ruined." Eventually the studio caved, and established British actor Michael Rennie was cast as the alien visitor, Klaatu. Rennie, though a major actor in the UK, was virtually unknown in the US, thus the production was blessed with both a talented actor and someone who could be "alien" enough to give the character the sense of mystery that it required.
Rennie was not the only casting problem that Wise and Blaustein would have to go to bat over. Sam Jaffe was cast as Professor Jacob Barnhardt, even though he was blacklisted by the movie industry for being a suspected communist.
The part of the giant robot, Gort, was played by 7'-7" actor Lock Martin, who had an absolutely miserable time during filming. Despite Martin's enormous size, he, like most people of extreme height, was not very strong. One scene required the alien robot to lift and carry Helen Benson (Patricia Neal). Martin simply couldn't lift the actress and carry her, so Neal was placed on a rolling table that was off screen. In another scene late in the film, Gort walks out of the spaceship and stands behind Klaatu for several minutes. The weight of the costume was too much for Martin to stand for any long period of time, and if you look closely, it is very evident that the actor is fighting to stay erect for the entire take. To get around this, the production team used a statue for any scene that required the robot to remain stationary for any length of time.
Now, even more than fifty years after it's release, "The Day The Earth Stood Still" delivers a powerful message of peace and tolerance. The "cold war" may be over, but we still live in a very violent and narrow-minded world. It is no surprise that Fox would choose the film for a modern makeover. Many of the same issues that were prevalent in 1951 still exist, and yet there are totally new ones that plague mankind. Will the new "The Day The Earth Stood Still" have the same social impact as the original? Possibly, if the film is taken seriously. Sci Fi cinema has been a mixed bag of high-end effects and sub-standard plots over the decades. "The Day The Earth Stood Still" stands as one of the exceptions to the rule. It is a very well thought out film with exceptional acting. To say that the modern version will have huge shoes to fill is an understatement.
Plot:A flying saucer lands on the Ellipse in President's Park, Washington, D.C. Klaatu (Michael Rennie) emerges and declares he has come on a mission of goodwill. However, when he opens a small, menacing-looking device, he is shot and wounded by a nervous soldier who mistakes it for a weapon. In response, a large robot called Gort steps out of the ship and disintegrates all weapons present without harming the soldiers. Klaatu orders him to stop and explains the "weapon" was a gift to the President that could have been used to study life on other planets. Klaatu is taken to Walter Reed Hospital, where he recovers. The doctors analyze Klaatu, learning he is 78 years old and that his people's average lifespan is 130. The military attempt to enter Klaatu's ship, but find it impregnable, while Gort remains motionless.
Klaatu meets the President's secretary, Mr. Harley (Frank Conroy), and reveals he has a message he wants the whole world to hear. Unfortunately, Harley notes the divided world leaders cannot even agree on a meeting place for such a momentous occasion. When Klaatu suggests he live among ordinary people to get to know them better, Harley rebuffs him and has him locked inside his room. Klaatu escapes to a boarding house, assuming the alias "Mr. Carpenter", the name on the laundry label of a suit he has taken. Among the boarding house residents are Helen Benson (Patricia Neal), a secretary at the Department of Commerce, and her son Bobby (Billy Gray). Helen is a widow; her husband was killed in World War II. The next morning, Klaatu listens to a paranoid radio commentator as well as the boarders' speculation over the breakfast table; one (Frances Bavier) suggests that it might be the work of the Soviets.When Helen's boyfriend, Tom Stephens (Hugh Marlowe), plans a day-trip getaway for the two of them, Klaatu offers to take care of Bobby. Bobby takes Klaatu on a tour of the city, including a visit to his father's grave in Arlington National Cemetery, where Klaatu learns with dismay that most of those buried there were killed in wars. The two next visit the Lincoln Memorial and the heavily-guarded spaceship, where Gort stands motionlessly on guard. Klaatu, impressed by the inscription of Abraham Lincoln's Gettysburg Address, is hopeful that Earth may harbor people wise enough to understand his message. When he asks Bobby to name the greatest person in the world today, Bobby mentions a leading American scientist, Professor Barnhardt (Sam Jaffe), who lives nearby. Bobby takes Klaatu to Barnhardt's home. The professor is absent; Klaatu goes into his study and helps solve an advanced mathematical n-body problem written on a blackboard, before leaving his address with the housekeeper.
Later, government agents escort Klaatu to see Barnhardt, who has seen the correction to his work as a calling card which could not have been faked. Klaatu warns the professor that the people of the other planets are concerned for their safety because human beings have developed atomic power. Barnhardt offers Klaatu the opportunity to speak at an upcoming meeting of scientists he is organizing at the spaceship; Klaatu accepts. Barnhardt is stunned when Klaatu declares that, if his message is rejected by Earth's leaders, "Planet Earth will be eliminated". The professor pleads for Klaatu to first provide a minor demonstration of his power as a warning. Klaatu returns to his spaceship the next evening to implement the professor's suggestion, unaware Bobby watched him enter the ship. He tells Helen and Tom what he has seen when they return from an evening out – Helen notices her son's shoes are soaking wet, while Tom finds a diamond – the currency of Klaatu's people – in Carpenter's room. Tom takes the diamond to three separate jewelers the following day, who all note they have never seen anything like it. When Bobby tells him what he saw, Klaatu meets Helen at work to clarify his intent. While riding in an elevator, it stops. A montage sequence shows that Klaatu has suppressed electric power all over the world – with the exception of critical systems such as hospitals and planes in flight. After the blackout, the authorities step up their manhunt for Klaatu, quarantining the city so no one can enter or leave.Klaatu manages to enlists Helen's aid, but Tom tells the authorities of the alien's location. Helen and Klaatu take a taxi to wait at Barnhardt's home until the conference. Klaatu tells Helen that if anything should happen to him, she must go to Gort and say, "Klaatu barada nikto." When they are spotted, Klaatu tries to flee but is shot dead. Gort awakens, killing two guards before Helen gives Klaatu's message to him. Gort gently carries her into the spaceship, retrieves Klaatu's corpse, and temporarily revives him. Klaatu steps out of the spaceship and addresses the assembled scientists, explaining that humanity's penchant for violence and first steps into space have caused concern among the other space faring worlds, who have created a race of robot enforcers like Gort and given them absolute power to deal with any violence. He warns that the people of Earth can either abandon warfare and peacefully join these other nations or be destroyed, adding that "The decision rests with you." He then enters the spaceship and departs.
The film was moderately successful when released, grossing $1.85 million. Variety praised the film's documentary style, and the Los Angeles Times praised its seriousness, though it also found "certain subversive elements". The Daily Worker's reviewer was unimpressed and felt it was not inspirational enough. The film earned more plaudits overseas: the Hollywood Foreign Press Association gave the filmmakers a special Golden Globe Award for "promoting international understanding". The French magazine Cahiers du cinéma were also impressed, with Pierre Kast calling it "almost literally stunning" and praising its "moral relativism".
Note: Actress Patricia Neal (Helen Benson) thought the film's most famous phrase, "Klaatu barada nikto", was the silliest thing she had ever heard. It was all that she could do to get the line out. Immediately after "cut" was yelled, she would burst out into laughter.
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