Showing posts with label Flash Gordon. Show all posts
Showing posts with label Flash Gordon. Show all posts

Sci Fi Saturday Morning: The New Adventures of Flash Gordon (1979 - 1982 NBC)

 

The animated series 'Flash Gordon' (1979 - 1982 NBC) was originally conceived as a live action film for television, but it soon became clear that live-action would be cost prohibitive, so an animated film was instead commissioned. The results were so well received that it was decided not to air it as a film, but instead as a series. The film was heavily re-edited to play as a weekly serial and many additional episodes were ordered. After the series was canceled, the original version of the film (which included a lengthy prologue and other scenes that were never seen in the series) aired under the title 'Flash Gordon: The Greatest Adventure of All.'


As the show was originally conceived for prime time rather than Saturday mornings, the first season was more violent and featured 'sexier' women than other Saturday-morning shows of the period. It also ran as an updated version of an old-style chapter play, with one overarching serialized story rather than separate, self-contained episodes. The second season was made more kid-friendly and abandoned the serialized format for two 11-minute mini-episodes, a miscalculation as the show's ratings then plummeted severely, leading to cancellation.

Dino De Laurentiis became a "ghost" producer on the series when Filmation developed monetary problems completing the animation involving the use of computers to create the spaceship animation, one of the first uses of computers in traditional animation. Since DeLaurentis was seeking the rights for the use of the Flash Gordon property for a live action film, and Filmation held the rights for all filmed media for the Flash Gordon characters, Filmation and DeLaurentis came to a deal. In exchange for the funding to complete the animation on the series, DeLaurentis would get the live action film rights to Flash Gordon while Filmation would retain the rights to animated projects featuring Flash Gordon.


The animated series first season follows, more or less, the traditional Flash Gordon mythos, opening with the launch of the rocket ship carrying Flash, Dale Arden, and Dr. Zarkov from somewhere in the Eastern Hemisphere (or at least the opening scene shows the ship clearing Earth's atmosphere above Europe and the Middle East). The series actually opens with the crash of the Terran ship into an ocean on Mongo after being attacked during the final approach to the planet.

In the opening scenes, after being captured by Ming's Gill Men, Gordon, Arden, and Zarkov meet King Thun the Lion-man and Prince Barin of the forest-kingdom of Arboria. This coincidence (meeting reigning royalty of two different realms by apparent chance) sets much of the tone of the series, in which it must be concluded either that logic is irrelevant, or that Destiny is at work in the arrival of Flash Gordon on Mongo. It is later revealed that an earlier king of all Mongo, more powerful than Ming, was named Gor-dan, and that he strongly resembled Flash. When he asks Zarkov why this is, Zarkov simply replies that there are some things even science can't explain.


The remainder of the first season consists of the adventures of Gordon and company across the face of Mongo, in traditional pulp style passing from one near-death situation to another with a cheery disregard for probability or logic, and a definite sense of fun. The protagonists meet Emperor Ming almost immediately, and Ming is revealed as being the classic archetype of the Evil Overlord. Flash later gains the aid of King Vultan, ruler of the Hawkmen and the bandit chieftain Gundar, the Desert Hawk as friends and allies, and also gains the attention of many of Mongo's female monarchs, such as the adventurous Queen Undina of Coralia, the kindly, smoky-voiced Queen Fria of Frigia, Azura, the powerful but delusional Witch-Queen of Syk, former lover of King Gor-dan who believes Flash is his reincarnation, and the strong-willed Queen Desira of Tropica. But the most notable of these admirers was, of course, Princess Aura. Violence is somewhat limited but not completely absent. Flash carries a ray pistol after the fifth episode, but uses it only occasionally, to set a stump aflame and attract attention, to bring down an avalanche on an attacking monster, to blast through a wall, and occasionally to stun but not kill adversaries. Prince Barin and his men are armed with "ice arrows" that freeze whatever they hit. Most other forces, including King Vultan's Hawk Men, the Frigian "snow troopers," and the royal guard and desert tribesmen of Tropica are armed with conventional ray weapons that disintegrate whatever they hit, as are Ming's forces, mainly composed of robots, although led by human officers. Ship to ship combat does result in the shooting down of several fighters on both sides, and there is a limited amount of hand-to-hand fighting in certain scenes.


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Sam Jones Says New Flash Gordon Is A Sequel


From Empire Online

It's almost exactly a year since we last heard anything about the new Flash Gordon currently developing at Fox. Speaking to 1980's Flash and recent Ted star Sam Jones, however, Den Of Geek have quietly picked up a possible scoop. They've chosen not to trumpet it, probably because it sounds, if not ridiculous, then hugely unlikely. But according to Jones himself, the Fox Flash Gordon is not a reboot or a remake, but a possible sequel.

"Matthew Reilly [VP of production at Fox Studios] acquired the screenplay rights to Flash Gordon last year," says Jones, "and he hired [producer] John Davis and his staff to write the script. They’re looking to bring out a sequel actually. I met with Matt, we’re in talks about that. A lot of people over the years, including Stephen Sommers and Neil H. Moritz, have acquired the screenplay rights, but for whatever reason they did not do a follow up on the option. So I’m very excited about it."

We're in talks? Jones declines to say exactly what that means, so it's unclear if he genuinely thinks he's in contention for another shot at the title or just up for a cameo. But, he says, "I told Matt, however he wants to use me, keep one thing in mind: whatever a younger, leading man can do, I cannot only match him, I can do more! If he does 20 pull-ups, I can do 30 pull-ups. If he can do 100 push-ups, I can do 150 push-ups. Just keep that in mind!"

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See Also: Fox Bringing 'Flash Gordon' Back To The Big Screen, 'Flash Gordon' Saturday Morning Animation Ahead Of It's Time,

Fox Bringing 'Flash Gordon' Back To The Big Screen


From The Playlist

It should come as no surprise in this current age of tentpole filmmaking, where studios are hoarding every pre-existing property they can get their hands on, that we’d eventually get to a point past diminished returns, where it makes no sense to repackage a film/TV show/what have you for modern audiences since the property is so obscure or dated that most audiences won’t care or even fail to recognize it. Yet here we are, at a point were there are serious plans to bring back “Flash Gordon” to the big screen.

THR reports 20th Century Fox has nabbed the rights to the original Alex Raymond-created pulpy science-fiction comic-strip series with “Star Trek 3” co-writers J.D. Payne and Patrick McKay set to write the hero’s newest silver-screen adventure based off a treatment from “The Adjustment Bureau” filmmaker George Nolfi. If you’re familiar with the hero’s name, chances are you’re more familiar with the campy 1980 Dino De Laurentiis-produced and Queen-scored film that boasted a cast that included Timothy Dalton and Max von Sydow, than from ever actually reading a single frame of the strip.

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