Showing posts with label Martial Arts. Show all posts
Showing posts with label Martial Arts. Show all posts

Will The Pillars Of Heaven Shake Again?


From Comet TV

Big Trouble in Little China remains one of my favorite movies to come out of the ’80s, which is why I’m happy to report that a sequel is in the works from original writer/director John Carpenter… though it’s probably not what you had in mind.

A new limited comic book series, Big Trouble in Little China: Old Man Jack, is on the way from BOOM! Studios. Carpenter is penning the four issues alongside Borderlands 2 writer Anthony Burch, with art by Jorge Corona. The new series is set to take place in the year 2020 at a time when Ching Dai — the unseen God of the East from the original film — has unleashed the forces of Hell on Earth. 60-year-old Jack Burton is the only one who can save the world, and he sets out from Florida for his final ride aboard the Pork-Chop Express in order to do so. The first issue premieres this September, and you can check out the awesome cover below.

With talk of the Dwayne Johnson-led reboot going cold as of late, here’s hoping that 20th Century Fox decides to adapt this sequel for the big screen instead. I’d love to see Kurt Russell and John Carpenter revisit the crazy world of Big Trouble in Little China, and the idea of Old Man Jack sounds like an absolute blast. Hollywood decision makers, you are officially on notice!

- Source



The Monstrous Movie Quote Of The Day: Jack Burton (Big Trouble In Little China 1986)









"Well, ya see, I'm not saying that I've been everywhere and I've done everything, but I do know it's a pretty amazing planet we live on here, and a man would have to be some kind of FOOL to think we're alone in THIS universe. "

- Jack Burton (Kurt Russell) (Big Trouble In Little China)(1986)











See Also: Celluloid Philosophers - Jack Burton / Big Trouble In Little China (1986)(20th Century Fox)

Scarlet Salem Goes Gun Crazy On The Set Of OPPOSITE BLOOD

Written By: Ken Hulsey
Source: Scarlet Salem

Popular 'scream queen' Scarlet Salem has stepped outside her usual roles in low-budget horror and exploitation films to star in Billy Xiong's upcoming martial arts heavy action film, "Opposite Blood."

Though Scarlet may be within her comfort zone when she is being chased around by maniacs bent on chopping her to bits, when it came to handling a gun, however, that was a different story.

Just about everyone thinks that shooting off a Glock is pretty damn cool, and Scarlet is no exception, but the young actress found the experience a little bit intimidating, at least at first.

Scarlet explains, "This weekend I filmed more scenes with my character, Lin Chow, at an actual gun range! Not only did I get to shoot some awesome scenes, when we were done, I got to shoot an actual Glock for the very first time in my life! Let me tell you, it was insane! I wasn't nervous at all when we filmed, but when I shot that gun, it was a whole other story. Although I missed the target horribly, It was a great experience to say the least, haha."

"Opposite Blood" is presently filming under the direction of Billy Xiong for 5 Brothers Productions.

Here is the plot:

The Opposite Blood is about two brothers with two different blood streams. They One is a cold blood killer and the other is a young innocent individual. The innocent brother is caught between his cold blood brother and a multi million-airs mafia boss. The mafia boss is the one who made their lives miserable. As soon as the two brothers found out what happened in the past, the mafia is only allow them to stay alive 24 hours. Thus, a deadly female assassin is already only the way to get rid of the two brothers and the missing puzzle carrier. The missing puzzle carrier is the nightmare of the mafia boss. Beside the mission of the deadly female assassin, the mafia boss utilized his power and money to exchange for his life.

Website - http://www.oppositeblood.com/

Here are some set photos from "Opposite Blood" featuring a gun toting Scarlet Salem from her blog:




See Also: A Special Sneak Peek - Queen Rapunzel From "Goldilocks In Zombie Land" / Goldilocks Is Through With Bears....Now She's Hunting Zombies / The Women Who Spend Their Lives Behind The Mask / Scarlet Bloody Scarlet / New Poster Art And Website Info For 'Strip Club Slasher' / Scarlet Salem Is Your Campfire Girl! / Bad Girls Burn In Hell - The Perils Of Filming A Horror Film In Rural America / Tales From Scarlet's Sanctuary - THE HALF-LIFE HORROR FROM HELL / Scarlet Salem Is A Graveyard Cowgirl / Scarlet Salem & H Morgen Go Psycho / Scarlet Salem In A Haunting Tribute To Vampira / Scarlet Salem Heats Up The Autumn Air With New Photos And A New Website! / Sexy Scarlet Salem Poses In A Cemetary For 'Women In Horror' / Hot & Sexy Photos From Jason Stephenson's 'Strip Club Slasher' / New Behind The Scenes Photos Of Scarlet Salem From The Movie 'Strip Club Slasher' / "Stripper Wanted!" For Strip Club Slasher Movie / A Crazed Scarlet Salem - Lizzy Borden Has Nothing On You / Horrifying New Photos Of Scarlet Salem By H Morgan / Scarlet Salem - Gothic Never Looked So Sexy / More Hot and Sexy Photos Of Scarlet Salem / David Byron Takes A Look At Modern Femme Fatales In Queens Of Scream: The New Blood / Strip Club Slasher Poster, Casting and Photos Of Scarlet Salem / A Different Kind Of 4th Of July Fireworks - Killer Biker Chicks / The Many Looks Of Scarlet Salem - Blond Or Redhead? / Heat Up Your Memorial Day Weekend With A Little Scarlet Salem / Terror Overload - Tales From Satan's Truck Stop Premiere Info And Pics / There Is Some True Grind House Being Made In Minnesota

A Brand New Poster For Seiji Chiba's 'Alien vs Ninja'

Written By: Ken Hulsey
Sources: JoBlo / Twitch / Avery Guerra

There is a natural evolution in sci fi, first there was cowboys vs dinosaurs, then came Bigfoot vs The Six-Million-Dollar Man, naturally after that Vikings vs Aliens, and now, logically, we have Alien vs Ninja.

It all ties together very nicely.

Honestly, I wonder why no one has come with the idea before? It seems like such a slam-dunk, like when Charles H. Schneer and Ray Harryhausen put cowboys and dinosaurs together for the 1969 film, "Valley of Gwangi", two box-office faves in one movie. Kinda like chocolate and peanut butter in a REESE'S Peanut Butter Cup.

"Your peanut butter is in my chocolate!" "Your cowboys are in my hidden dinosaur valley!"

"Your Alien monster is in the land of my forefathers, which dishonors them!"

Aliens and Ninjas.....an idea that is long overdo for sure.

Well, leave it to the Japanese to beat us to the punch on this one. Director Seiji Chiba is promising more over-the-top action, much like "Tokyo Gore Police" or "Robo-Geisha", this time though, possibly aimed at an American audience.

Indeed, the new Japanese production company, Sushi Typhoon, has gone out of their way to market 'AvN' towards the English speaking fans on this side of the Pacific, including creating an account on Twitter.

Here is the synopsis:

Once upon a time in Japan, there was a band of great Ninja warriors led by Yamata called Iga Ninja. One day they witness a flash in the sky and a roaring giant ball of fire crashes into the distant forest. The warriors rush into the deep woods in an attempt to identify the mysterious fireball. There, instead of finding predictable enemies, they are stunned to face never-seen-before creatures with claws and fangs, the aliens!

The hungry brutal aliens start to savage and feast on the Ninja warriors, leaving only a few to survive. Yamata and his warriors swear to avenge their comrades' deaths and risk their lives to challenge the aliens. However, none of the Ninja weapons, neither their swords nor their throwing stars, has any affect on the alien warriors. Now the Japanese greatest Iga Ninja face the biggest challenge ever!

From the brand-new poster, below, we can see that the Aliens in question more resemble Godzilla than the little grey dudes that kidnap people at night.

Which certainly will make for a better movie. The little grey guys wouldn't last long versus ninjas.

Masanori Mimoto, Shuji Kashiwabara, Donpei Tsuchihira, Mika Hiji, Yuki Ogoe and Ben Hiura all star in film, which is scheduled to be released later this year in Japan.

Look for an American studio to swoop up the rights for "AvN", so that they can make an "Alien vs Predator vs Ninjas" movie or something.

Asian Cinema - 'Assault Girls' - New Poster And Synopsis - 'The Cup Of Tears' - Trailer

Written By: Ken Hulsey
Sources: Twitch / Tv Kon / Avery Guerra

For quite some time now you have read on and on about how geeked up I am about Mamoru Oshii's upcoming sci fi action film "Assault Girls".

With the release date quickly approaching, December 19th in Japan, information about the film is now starting to be more forthcoming. Today we have the first look at the films poster and a more detailed synopsis:

The story takes place in an in-game virtual space called "Avalon (f)", a barren desert-like battlefield, resembling a devastated world after a nuclear war. "Avalon (f)" is a world full of gigantic monsters. It is a fictional world where an endless "hunt", known as "play", repeatedly takes place. The drama centers around a sniper who pilots a camouflage fighter plane; a sorcerer who can freely transform herself; a woman fighter equipped with an assault rifle on a horseback; and a large-framed man equipped with an anti-tank rifle. There is also the "Game Master" who watches the players from the air.

In a world where giant Sunakujira (Sand Whales) monsters crawl the earth, storming battleships fly high up in the sky, and assault rifle muzzle flashes go off everywhere, can anyone shoot down the mutant monster, Madara Sunakujira (Spotted Sand Whale)? If so, who?!

That puts a better perspective on things.

And lets not forget that "Assualt Girls" stars the three lovely actresses, Meisa Kuroki, Rinko Kikuchi and Hinako Saeki.

The film just looks awesome!

Speaking of awesome looking films, I stumbled upon the trailer for this upcoming film yesterday. The film is called "The Cup of Tears", and believe it or not, it is actually a sci fi/martial arts film produced by the Irish film company One Punch Films under the direction of Gary Shore.

Give this a look:



Here is the synopsis from "The Cup of Tears":

The narrative follows a scorned geisha who creates a magical cup made of tears that causes any man who drinks from it to fall under a stasis of permanent sleep. One night the cup is stolen, setting off a chain of events that threatens civil war amongst the clans. Taro, a once gifted samurai, and his companion Jin set out to find the cup and the one who can break the spell before inner turmoil.

Again, this one looks awesome as well. Look for "The Cup of Tears" in 2010.

See Also: New Publicity Stills From Mamoru Oshii's 'Assault Girls' / Hollywood Was After Oshii's 'Assualt Girls' Before It Was Even Finished / A New Kick Ass Trailer For Mamoru Oshii's 'Assault Girls' / Meisa Kuroki Struggles With English During Assault Girls Voice Recording / Meisa Kuroki, Rinko Kikuchi And Hinako Saeki Go Sand Worm Hunting In Assault Girls

Uma Thurman Ready For When Quentin Tarantino Calls For 'Kill Bill 3'

Written By: Ken Hulsey
Source: WENN

Director Quentin Tarantino hinted way back in 2004 that he may someday make a third film in his "Kill Bill" series, and according to actress Uma Thurman, who played the films lead character, The Bride, that day is coming very quickly.

Tarantino's first two "Bill" movies, the directors homage to both classic westerns and obscure Japanese martial arts films, were big hits worldwide.

Now, the outspoken movie maker is sitting down and hammering out a screenplay, and has consulted with Thurman about what he plans to do story wise.

Thurman remarks, "We did chat. He has not yet finished the script. I don't even really know if he's really started it, although I got a taste of some of his ideas and they are really good. He has started to share with me what he was thinking, and it's awesome."

What can we expect to see in "Kill Bill 3"?

Well, during interviews for "Kill Bill 2", Tarantino speculated that it would be cool if the roles were reversed and that The Bride would become the one being hunted, possibly by the daughter of Deadly Viper Assassination Squad member Vernita Green, who saw her mother killed by Thurman's character.

That would jive with Thurman's remarks about the new film taking place ten years after the events of the prior two films. In that case, Green's daughter would be a teenager.

Reportedly Tarentino is looking for a 2014 release for "Kill Bill 3".

See Also: Tarantino Wants Patrick To Go From Porn To Pussycat

Dragonball: Evolution (2009)(20th Century Fox)

Source: 20th Century Fox

"DRAGONBALL: EVOLUTION" is the long-awaited, live-action motion picture based on the popular Japanese manga created by Akira Toriyama. Toriyama's work spawned best selling graphic novels, videogames and a phenomenally successful television series.

The manga, series and games bring to the new film a rich mythology and exciting, complex characters - all of which have captivated millions of fans, of all ages, around the globe. One of the greatest manga franchises ever created, Dragonball has an enormous online fan base and is consistently one of the most frequently searched-for terms on Google and Yahoo!

Dragonball has exploded into a global phenomenon that has generated more than four billion dollars in merchandising sales. It is considered the gold standard of anime-based video games, with more than 25 different games and over ten million units sold since May 2002. The series - 500 episodes strong - posted top ratings in Europe, Asia and the U.S.

The motion picture "DRAGONBALL: EVOLUTION" features a cast of rising young stars and veteran acclaimed actors. Justin Chatwin, who portrayed Tom Cruise's son in Steven Spielberg's "War of the Worlds," takes on the role of the heroic Goku, a powerful warrior who protects the Earth from an endless stream of rogues bent on dominating the Universe and controlling the mystical objects from which the film takes its name. Emmy Rossum ("The Day After Tomorrow") is Bulma, a beautiful woman intent on retrieving the mystical Dragonballs for her own reasons; Jamie Chung ("Samurai Girl") is Chi Chi, a young martial artist who captures Goku's eye; and screen legend Chow Yun-Fat ("Crouching Tiger, Hidden Dragon") is Roshi, the Master who guides Goku on the young man's epic quest to save the Earth from the forces of darkness.

James Marsters ("Buffy the Vampire Slayer") is Lord Piccolo, whose return could signal the Earth's destruction; international performing sensation Joon Park is Yamcha, a charismatic "bad boy" whose schemes could thwart the heroes' journey; popular Japanese actress Eriko ("Heroes") is Mai, an assassin who works with Piccolo; Ernie Hudson ("Ghostbusters") is Sifu Norris, a Master and contemporary of Roshi's; and Randall Duk Kim ("The Matrix Revolutions") is Goku's grandfather Gohan, whose lessons for Goku begins to prepare the young man for the monumental tasks that lie ahead.

Many of these actors underwent a rigorous training regimen under the auspices of the premier stunt performance company, 87Eleven, which has executed or designed some of the biggest action pieces ever seen on film, in pictures such as "The Matrix," "The Bourne Supremacy," "Mr. & Mrs. Smith" and "300."


Goku's quest - with nothing less than the fate of our world at stake - begins innocently enough in the backyard of his grandfather's home, where Gohan is training the young man in some exotic martial arts moves. It is Goku's 18th birthday, and Gohan's gift to his grandson is a Dragonball, a small, round ball whose surface is smooth and pearl-like, but with a milky translucence that gives it depth. Four stars float inside the ball. There are only six others like it in the world, and it is said the seven Dragonballs together will grant the holder one perfect wish.

Connected to the legend of the Dragonballs is Goku's own mysterious past - he never knew his parents - as well as the coming solar eclipse, which superstitions mark as a sign of a coming apocalypse. Gohan promises to reveal all to Goku at the special birthday dinner Gohan is preparing for his grandson.

But Goku skips out on Gohan's feast, to attend a party hosted by Chi Chi, a fellow student to whom Goku is drawn. As the two teens get to know one another, a tragedy at home is triggered by the arrival of a dark force - propelling Goku, Roshi, Bulma, Yamcha and Chi Chi into a race to collect all seven Dragonballs. The stakes couldn't be higher. Goku will face the deadliest enemies on Earth, master a powerful force called Ki, which marshals the energy of the universe - and learn the truth of his incredible past...and of a potentially unthinkable future.

Turning a beloved global property into a motion picture event is no easy task, and it took years after Twentieth Century Fox acquired the rights to the graphic novel series Dragonball to make that happen. A big-screen adaptation finally began to come together when filmmaker James Wong, who has worked extensively in the science fiction/fantasy genre, took an interest in the property. Wong recalls: "I read the mangas, which really sparked my interest in the property. The graphic novels take us to a fantastic world with great characters - and they're a lot of fun."

Inspired by the manga, Wong and screenwriter Ben Ramsey worked to achieve a mix of action, humor and character relationships for the new movie. "We strove to hit the right combination of the fantastic and the relatable," says Wong. Huge action set pieces, state of the art visual effects, and elaborate martial arts sequences would be key elements of "DRAGONBALL: EVOLUTION," but there was also much to explore with the characters, their rich histories, and their evolving relationships.

"I believe that the appeal of Dragonball, beyond its super-cool action, is the richly creative world that Akira Toriyama invented," says Ramsey. "There is a complexity and humanity to the superhuman characters who inhabit that world, as well as an overwhelming sense of optimism that its lead character (Goku) embellishes."


The challenges in adapting Dragonball for the big screen were formidable, starting with creating a story that would satisfy the hardcore fans and introduce the world to non-fans. "So the concept was to start off in a world that felt familiar, then gradually introduce the fantastic elements of Dragonball, so by mid-movie we are in full on Dragonball mode," notes Ramsey.

"The biggest challenge in adapting a manga or animated series for a live action movie is the burden of reality," he continues. "Once characters are brought to life by flesh and blood humans, the rules change, if ever so slightly. Animated characters can get away with a lot more than live action characters. Writing for live action characters has to allow for nuance in dialogue, character dynamics and action."

Ramsey and Wong took note of the fact that the manga's characters and environments are central to its universal appeal and relatability. "DRAGONBALL: EVOLUTION" is set in the near future, in a multi-cultural environment. It is a world where "future and past become one," says Wong, and where "race plays no significant role." To that end, the casting process for the film was, as Wong puts it, "color blind." The production set up casting offices in Los Angeles, New York, Vancouver, London, Hong Kong and Japan - "the broadest net we've ever thrown over a casting process," notes the director.

Justin Chatwin landed the role of Goku after an exhaustive worldwide search. Goku is a high school student whose innocence and guilelessness are left behind when he begins his hero's journey. "The character has a great arc - from high school nerd to the planet's savior," says Wong. "One minute, Goku is a high school student who doesn't fit in with his peers; the next, he's on an incredible quest." Chatwin sparked to the idea of the hero's journey, having long been an admirer of the work of mythologists like Joseph Campbell, whose writings often dealt with the role of the hero figure. "Goku begins his journey as an everyday teen who discovers he's meant for something more," says Chatwin. "He becomes a symbol of moral good."

Goku's transformative journey is all well and good, as are his martial arts skills, but a subject of equal scrutiny was the character's....hair. The legions of Dragonball fans identify Goku through his uniquely styled, spiked coif. "That was my first question to Jimmy Wong," says Chatwin with a laugh. "'What are you going to do with the hair?' It's so important, that even the hair has an arc!" (Goku's hairstyle evolves through the film into its signature, spiky "do.")


One of the first steps in Goku's journey is to seek out Roshi, an elderly Master who completes Goku's training, helps him unlock the secret of his past - and joins him in a quest to save the world. Roshi is unlike any Eastern Master you've seen before; he has an eye for the ladies and favors Hawaiian shirts. According to Wong, the role required nothing less than an iconic actor who could convey the character's many dimensions and incredible abilities. "We had to really reach high to find our Roshi," says Wong, "and we decided to just go for it and approach Chow Yun-Fat," the legendary international superstar who has toplined some of the cinema's most acclaimed action films, including the Oscar®-winning "Crouching Tiger, Hidden Dragon."

Chow wasn't an obvious physical match to the Roshi fans know from the manga and anime. Wong explains: "In the manga, Roshi is a quirky, elderly figure, who's unpredictable. He's definitely not your traditional Master who dispenses sage advice." While no amount of makeup and prosthetics could transform the strapping Chow - whom People magazine called one of the 50 most beautiful people in the world, and the Los Angeles Times termed "the coolest actor in the world" - into the diminutive, aged figure of the manga, Chow worked hard to capture the character's spirit. "I've never had the kind of challenge I've had with the role of Roshi," says the actor. "There is so much to him - humor, action, romance, emotion. He has extraordinary powers, but he's still funny, recognizable and human."

One of the many ideas the actor proposed for the character was donning gray-tinted contact lenses, hinting at the onset of cataracts. "I thought the lenses would add to the realism and relatability of Roshi," says Chow, who also regularly practiced Tai Chi and mediation before and during the shoot.

Thrilled to be working with a cinema icon, the cast and crew were equally impressed with Chow's work ethic off camera. He never retreated to his trailer to relax between scenes, and would often help out the camera crew - including moving heavy equipment (becoming the most high-profile grip in the business). "Chow never left the set," marvels director of photography Robert McLachlan, ASC/CSC. "He was like part of the crew." But to Chow, his behind-the-scenes work was not a big deal. "It's how we've been doing things in Hong Kong since the beginning of my career in television," he points out. "The crews were tiny, and we always helped each other out."

Chow was an inspiration to all, especially the younger actors like Justin Chatwin and Jamie Chung. Chung has the lead role in the popular ABC Family series "Samurai Girl," whose title character possesses fighting skills that came in handy for "DRAGONBALL: EVOLUTION".

One of today's brightest and most appealing young stars, Chung brought much more to Chi Chi than martial abilities. She has the sparkling energy necessary to fully capture the two sides of the character. "Chi Chi is the 'It Girl' - the most popular girl in high school," says Chung. "She comes from a wealthy family, and everyone expects certain things from her. But she has a second life - a secret life - marked by her passion to fight. She comes off like the girl next door, but when she turns it on, she kicks butt!"


The burgeoning relationship between Chi Chi and Goku comes from, in part, them being kindred spirits. "Chi Chi is drawn to Goku's secret ability to fight," says Chung. "She feels there's something really special about Goku, and she's able to bring that out in him."

Another beautiful young woman joining Goku in his quest is Bulma, a scientist described in the manga as the "smartest girl in the world." The film retains the manga character's confidence, intensity and intelligence - and the fact that she knows exactly what she wants. And what Bulma wants is the Dragonball stolen from her father's company. Wielding a laser-guided, high-tech magnum pistol and a Dragonball-tracker, Bulma will do anything to retrieve the five-starred Dragonball, which she thinks will supply an unlimited source of energy - and immense financial rewards.

Emmy Rossum appreciated the challenges of playing such a multi-faceted character whose hard-nosed, take-no-prisoners attitude begins to change after she joins Goku and Roshi on their search for the Dragonballs. "Bulma comes to realize that life is about much more than her personal quest," says Rossum. "The character in the manga and now our film is so alive, funny and spunky. She's anything but ordinary." A bonus for the actress was learning to ride Bulma's speedster, which the production created from a Harley motorcycle.

In the manga, Bulma sports a blue bob, which became her signature look. Rossum recalls that the filmmakers tried different ways to capture that coloring and style, including dyes, hair extensions and wigs, but ultimately went in a more realistic direction. Nevertheless, there are traces of blue and purple laced throughout the character's wardrobe.

In their search for the Dragonballs, Goku, Roshi and Bulma face their adversary, Lord Piccolo. As depicted in the manga, Piccolo is a complex and intriguing figure whose journey sees him embodying both good and evil. For in the Dragonball mythos, any character can turn from good to evil, and vice versa. James Marsters, beloved to millions of fans around the world for his lengthy stint as the vampire Spike in the hit television series "Buffy the Vampire Slayer" and "Angel," portrays Piccolo in the film. His Piccolo is the story's antagonist - "In the film, Piccolo is a figure of decrepitude, and his goals are centered on revenge," says Marsters - but there are hints that his journey is very much an evolving process.

Working with Piccolo is Mai, an exotic beauty tainted by malevolence. Her weapons of choice are throwing knives known as shiruken. Japanese-born actress Eriko, who came to "DRAGONBALL: EVOLUTION" after wrapping a recurring role on "Heroes," says she enjoyed playing a "strong, tough woman on a mission." James Wong adds that Eriko gives the role a "special quality and toughness."

Rounding out the starring cast is Joon Park as Yamcha. Looking to get rich, quickly, Yamcha traps Goku, Roshi and Bulma in the desert. But eventually, he joins them in their journey. Park, a rock star in his native Korea, has performed in front of 100,000 screaming fans - an experience that helped him capture the essence of the character. "Joon has all the qualities necessary for Yamcha, including charisma and a sense of mischief," says Wong. "Yamcha is tough on the outside, but inside there's a soft heart," adds Park. "Something in his past has scarred him, and he likes to skim across the details of life, looking for money."

See Also: Dragonball Evolution - Action And Design / Viz To Release New Titles Based On The Dragonball Movie / Viz Makes Blue Dragon Available On iTunes / Ayumi Hamasaki Scores Dragonball Movie Theme Song / Viz Media Scares Up Some Spooky Manga For Halloween / Viz To Release Special Collectors Issues Of Shonen Jump For 40th Anniversary / Viz Showcases New Anime At The Licensing International Expo / New Manga Titles Showcased At BookExpo America / Blue Dragon Finds A Home On Cartoon Network / Dragon Ball Z: Budokai Tenkaichi 3 For PlayStation Ships To Retailers

Dragonball Evolution - Action And Design

Source: 20th Century Fox

"How do we make action sequences look and feel different from what audiences have experienced before?" That was the first question Wong posed to his team when he began thinking about the action fans would expect from a film based on Dragonball. The answers coming from the acclaimed stunt team, 87Eleven, as well as from director of photography Robert McLachlan and visual effects supervisor Ariel Velasco Shaw, certainly pleased Wong - and promise to delight not only fans of the property, but action movie enthusiasts as well.

VFX supervisor Velasco Shaw employed what Wong calls "fist-cams" - from the noted company Iconix - that are so small they could be attached to an actor's fist, allowing a character's punch to come right into the audience. "It's a kind of 'fist POV'," Wong elaborates. McLachlan contributed the suggestion of using new high-speed digital Phantom cameras to create super-slow motion for key action sequences. "We did a lot of research and development with the Phantom cameras," says McLachlan, who had discovered the-then experimental photography on YouTube. In the YouTube video, a balloon filled with water was popped, with the "action" caught at 1000 frames per second. McLachlan and Wong were impressed with the results. "The most spectacular thing about it was that the water retained the shape of the balloon before it fell," Wong remembers.

More "low-tech," but equally important to amping-up the action, were the training and stunts overseen by 87Eleven, and stunt coordinators Jonathan Eusebio, Julian Bucio Montemayor, and Jared Eddo. Their first order of business was to get the cast in shape, followed by having them undergo an intensive program of action choreography, and finally, making the actors comfortable with the considerable wire work and acrobatics they'd be required to perform. It was an incredibly rigorous program - "When [the actors] weren't working, they were training," says Eusebio.

The young cast members underwent individually-designed training regimens - no two characters have identical fighting styles - as well as special diets to maintain their strength and stamina during production. In Dragonball lore, Goku is the greatest warrior on the planet. And Justin Chatwin took the responsibility of capturing the character's skills, very seriously. Before the start of principal photography, he underwent six weeks of nutritional guidance and stunt and martial arts training with 87Eleven, continuing the demanding regimen during the shoot. "It all got my adrenalin going," says the actor, who also notes he gave up sugar, wheat and pasta during his stint on the film. Chatwin spent a minimum of five hours training each day, studying karate, kung fu and a Brazilian form known as capoeira, which ritualizes movement from martial arts, games and dance. For the more extreme acrobatic maneuvers, Jackson Spidell stood in for the actor. Spidell's signature move: flipping up in the air, then spinning halfway, and, on his way down, striking an opponent.

Chow Yun-Fat, as Roshi, was given "softer" martial styles, like Tai Chi, befitting the character's age and experience. Jamie Chung, as young and ever-enthusiastic martial artist Chi Chi, was given "hard" fighting styles, including kickboxing, karate, and Thai boxing. Chung especially delighted in a pivotal fight scene that has Chi Chi fighting...Chi Chi. (Mai, a shape shifter, morphs into Chi Chi to steal a Dragonball.) "I had to play both sides of the fight and learn choreography for both Chi Chi and Mai," the latter a kung fu practitioner, Chung recalls. Visual effects, including motion control and split composites, enhanced the complex battle.


And what kind of training is required for the actor playing one of the most powerful figures in the universe - Lord Piccolo? According to James Marsters, it was drills involving punching/kicking/blocking combinations. "I thought my body would break," says the actor with a laugh. "But [the stunt team and trainers] knew exactly what my body could take."

An early scene that sees Goku and his grandfather Gohan training on a laundry line, several feet above ground, was one of the stunt team's favorites. "Gohan and Goku are fighting, but in a playful way," explains stunt coordinator Jared Eddo. "Five riggers and a stunt crew of eleven, including doubles and safety experts, were involved in the scene. Pulleys and machines - along with old-fashioned manpower - allowed us to create the illusion that the characters were standing on the laundry line, and a [special rig] allowed us to maneuver the stunt people and actors."

A climactic clash between Goku and Piccolo, set at the elaborate "Dragon Temple," was executed and photographed as an all-out brawl, taking no less than ten day days to complete. Here, Goku executes his signature martial arts movie, "Kame-Hame-Ha," in which he summons energies, both alien and earthly to launch a blindingly intense bolt towards his adversary. For the scene, Justin Chatwin and James Marsters were required to leap from twenty-feet above the Temple's floor, and appear to "fly" up to some rocky ledges - all with the help of wires and cables, of course. Later, they battled in "mid-air," suspended in front of a green screen.

The unique look of the film's action scenes complements its art direction and cinematography. Production designer Bruton Jones, along with visual consultants Richard Holland and Bruce Crone, referenced the Dragonball manga and anime, as well as a melting pot of styles reflecting the film's multicultural, past/future reference points. The Dragon Temple, for example has Russian, Japanese and Chinese architectural influences.

Before production started, director of photography Robert McLachlan tested various film stocks before going with Fuji, which helped provide the heavily color-saturated look he was after. The color saturation adds to the intensity of the film's solar eclipse, which in the story signals a potentially cataclysmic event. "We wanted our eclipse to be much more surreal [than a typical solar eclipse], with weird, intense, reddish colors," says McLachlan.


Ariel Velasco Shaw oversaw the film's many and varied visual effects, including the energy force known as Ki. Harnessing the power of Ki is one of the central tenants of Eastern philosophy - and connects the incredible goings-on of Dragonball to our real world. In the "air bending" technique of Ki, the practitioner pushes out from his or her chest, causing the air around them to ripple with distortion - and the ensuing energy force to impact their opponent. Ki is so strong that it draws the power of the universe as it is channeled through the practitioner skilled in its technique. Its ultimate manifestation is Goku's "Kame-Hame-Ha" move.

Velasco Shaw and his team created various, character-appropriate forms of Ki. For example, a human character would possess a different Ki than an alien or a human-alien hybrid. Moreover, there's a "younger" Ki for the more youthful characters, and an "older," more developed Ki for Roshi.

The iconic and mystical Dragonballs were largely the creation of the visual effects team. "Everybody had an idea about what they should look like and what they needed to do," Velasco Shaw says. The Dragonballs, courtesy of some intensive CG magic, have an otherworldly luminescence befitting their numinous properties.

Velaco Shaw also oversaw the two fully-realized CG creations: the monstrous creature Oozaru, as well as the Fu Lum, demon assassins, who regenerate when dismembered.

Alec Gillis and Tom Woodruff, Jr., principals of one of the industry's top special makeup and prosthetics houses, Amalgamated Dynamics Inc. (ADI), designed and created the prosthetic makeup for Lord Piccolo. The sophisticated prosthetics for Lord Piccolo, designed by Gillis and Woodruff, were applied by prosthetic makeup artist Edward French.


"DRAGONBALL: EVOLUTION" began production in Mexico City, where a private, ultra-modern school stood in for Goku's high school. More than one hundred students were used as extras filling in the classrooms, parking lots and hallways. A sprawling private mansion in an exclusive residential area with English Tudor and Asian architectural elements was utilized for a high school party scene. An area within the city limits became Paozu City, where Roshi lives in a shack situated amidst towering skyscrapers.

After six days of filming in Mexico City, the production moved to Durango, Mexico, where the rest of the filming took place. "Durango has the spectacular outdoor locations including the high mountains, rock formations and deserts we required," says executive producer Tim Van Rellim, who had worked on a film production in Durango a decade earlier. The production transformed an abandoned jeans factory with a million square feet into a working studio production facility with office, storage and mill spaces, along with a wardrobe warehouse, practical soundstages, and a ten-acre outdoor area that was turned into a backlot for outdoor sets.

High mountain desolate rock formations at Mexiquillo became the secret Toi San training facility. Over 200 local Durango martial artists and their instructors were recruited and transported to the remote location for a big martial arts training scene. The cast and crew faced daily extremes in temperatures from chilly early morning lows of 30 degrees (Fahrenheit) to hot afternoon highs of 80 degrees (F.), as well as occasional dust storms fanned by windy conditions. Later in the shoot, the filmmakers utilized a major recreation facility in Durango as the location for the Toi San Tournament competition arena. One thousand extras filled the structure, cheering the action.

Los Organos State Park, with its spectacular rock formations that resemble church organ pipes, became the setting and inspiration for the story's Dragon Temple, where pivotal action set pieces where captured. Towering desert sand dunes, called "Las Dunas De Bilbao," north of Durango, were used for traveling scenes and as the exterior of a desert cavern in Yamcha's habitat.

The Toi San marketplace was realized out of a grain storage facility from the 1800s that was found just outside of Durango. New architectural elements were added and then enhanced by set decorations mixing Middle Eastern elements with a flea market atmosphere.

Interior sets constructed and housed at the Jeans factory production facility, included the two-story interior of Roshi's shack, a 20 foot high cavern interior, the Toi San Temple courtyard and corresponding interiors, Lord Piccolo's Genesis Chamber and dirigible, as well as the green screen sets.

See Also: Viz To Release New Titles Based On The Dragonball Movie / Viz Makes Blue Dragon Available On iTunes / Ayumi Hamasaki Scores Dragonball Movie Theme Song / Viz Media Scares Up Some Spooky Manga For Halloween / Viz To Release Special Collectors Issues Of Shonen Jump For 40th Anniversary / Viz Showcases New Anime At The Licensing International Expo / New Manga Titles Showcased At BookExpo America / Blue Dragon Finds A Home On Cartoon Network / Dragon Ball Z: Budokai Tenkaichi 3 For PlayStation Ships To Retailers

Viz To Release New Titles Based On The Dragonball Movie

Source: MediaLab

VIZ Media has announced a fun array of DRAGONBALL: EVOLUTION books, including a Junior Novel, a Sticker Book and a trio of Chapter Books in support of the debut of the action-packed 20th Century Fox film, opening nationwide on April 8th.

The new DRAGONBALL: EVOLUTION books are based on the upcoming live action adventure film. Directed by James Wong, the movie and the books center on a team of warriors, each of whom possess special abilities. Together, they protect Earth from a force bent on dominating the universe by controlling the mystical objects from which the film takes its name. DRAGONBALL: EVOLUTION features Justin Chatwin as Goku, Emmy Rossum as Bulma, and Chow Yun-Fat as Master Roshi. Each of the books include glossy color pages with photos from the movie. DRAGONBALL: EVOLUTION the movie is based on the popular Japanese manga series created by Akira Toriyama (also published in North America by VIZ Media).

”VIZ Media is very excited to celebrate the upcoming release of the live-action feature film DRAGONBALL: EVOLUTION with a variety of fun, kid-friendly books,” says Gonzalo Ferreyra, Vice President, Sales & Product Marketing, VIZ Media. “The DRAGONBALL: EVOLUTION Junior Novel and Chapter Books are published under our popular VIZKIDS imprint, and are an ideal way to introduce the mystical world of DRAGON BALL to younger fans and help them develop a lifelong love of reading.”

DRAGONBALL: EVOLUTION JUNIOR NOVEL · Recommended for Ages 9-12

MSRP: $5.99 US / $6.99 CAN · Available Now!

Goku thought he was just a normal high school kid until his whole world turned upside down and he found out he's actually a martial-arts whiz with all kinds of special powers. It was bad enough that his grandpa just died. But now he must save the whole world from a madman named Piccolo who is looking for the seven fabled Dragon Balls. Whoever finds them all will have any wish come true instantly! Can a regular guy like Goku become the strongest fighter in time to stop the end of the world? The Junior Novel is aimed at readers ages 9 through 12 and also features 8-pages of full-color glossy photos from the live-action film.

DRAGONBALL: EVOLUTION CHAPTER BOOKS · Recommended for Ages 7-10 ·
MSRP: $4.99 US / $5.99 CAN · Available Now!

The DRAGONBALL: EVOLUTION Chapter Books is a series composed of 3 volumes designed for younger readers, ages 7 through 10. Based on the upcoming feature film, the Chapter Books depict the adventures of Goku as he tries to save the world from a madman that is looking for the seven Dragon Balls. Whoever finds them all can have any wish come true! Can a regular guy like Goku become the strongest fighter of all in time to stop the end of the world? Find out in these fun new Chapter Books from VIZ Media.


DRAGONBALL: EVOLUTION STICKER BOOK · Rated “A” for All Ages ·

MSRP: $6.99 US / $7.99 CAN · March 24, 2009

All the excitement of the DRAGONBALL: EVOLUTION movie is featured in over 100 stickers. The book collects 8 pages of stickers and 8 pages of full-color backgrounds to bring the fun of DRAGONBALL: EVOLUTION to fans of all ages. The stickers are reusable and adhere to just about anything to give a fun DRAGON BALL flair to any item.

DRAGON BALL has become a global pop culture and entertainment phenomenon that has generated more than $3 billion in worldwide sales of a vast array of manga, DVDs, video games, toys, apparel and other collectibles. Over 1.6 million copies of the manga series have been sold in North America while the animated counterpart remains the most successful domestic anime series ever with over 500 episodes and 17 animated movies broadcast or released on DVD to date. Over 30 DRAGON BALL video game titles are also available for the PS2, PS3, Wii and Xbox 360 platforms, and have sold a total of more than 11 million units worldwide.

See Also: Viz Makes Blue Dragon Available On iTunes / Ayumi Hamasaki Scores Dragonball Movie Theme Song / Viz Media Scares Up Some Spooky Manga For Halloween / Viz To Release Special Collectors Issues Of Shonen Jump For 40th Anniversary / Viz Showcases New Anime At The Licensing International Expo / New Manga Titles Showcased At BookExpo America / Blue Dragon Finds A Home On Cartoon Network / Dragon Ball Z: Budokai Tenkaichi 3 For PlayStation Ships To Retailers

Street Fighter: The Legend of Chun-Li (2009)(20th Century Fox)


Source: 20th Century Fox

Powerful forces are converging on the streets of Bangkok. They are warriors, some of whom possess extraordinary abilities, all of whom are determined to see their side prevail. Some fight for us; the others for unlimited power. Now, they are preparing for the ultimate battle - of terror versus beauty, light versus darkness, and good versus evil.

The forces of darkness are led by Bison (Neal McDonough), a crime boss of seemingly limitless power, and whose past holds a shocking secret. Bison's syndicate, Shadaloo, is taking over the slums of the Thai capital, a task overseen by Balrog (Michael Clarke Duncan), a massively built enforcer and killer. Also in Bison's employ is the assassin Vega (Taboo, of the group The Black Eyed Peas), a masked talon-wielding warrior, whose weapon is tailor-made for slashing and stabbing attacks. Bison's attache is the beautiful but deadly Cantana (Josie Ho).

As Bison instigates a wave of violence in the slum districts, grabbing power and land no matter what the costs to its residents, a team of heroes emerges. Chun-Li (Kristin Kreuk) is a half-Caucasian/half-Asian beauty who gave up a life of privilege to become a street fighter, battling for those who cannot fight for themselves. Her kung fu master, Gen (Robin Shou), once a feared criminal, now fights for the forces of good. Equally determined to stop Bison is Interpol cop Charlie Nash (Chris Klein), who has tracked the crime boss all over the world, and Nash's partner, gangland homicide detective Maya Sunee (Moon Bloodgood).

These vivid characters and their world are long known to fans of the iconic videogame "Street Fighter," which Capcom released in 1987. At the time, the 1-2 player game set a new precedent in two-dimensional interactive entertainment. In 1991, Capcom released to arcades, "Street Fighter II," featuring new characters and fighting styles.

The games' action and imaginatively staged fight scenes are a natural fit for a big screen translation, a fact embraced by noted producer and Hyde Park Entertainment chairman Ashok Amritraj - but only after his children, then aged 13 and 10, brought "Street Fighter" to his attention. "They really loved the game and told me I should make a movie based on it," says Amritraj. "I have them to thank for STREET FIGHTER: THE LEGEND OF CHUN-LI."


Retaining the property's action and adventure elements, producers Amritraj and Patrick Aiello wanted to add emotional depth and characterizations to the games' rich world, colorful characters, and web of loyalties and betrayals. To that end, they hired then-newcomer Justin Marks to pen the screenplay, and noted filmmaker Andrzej Bartkowiak to direct.

Now one of the industry's hottest screenwriters, Marks is a longtime videogame enthusiast and a self-described member of the "Street Fighter" generation. He makes special note of the franchise's storied history: "I think the game will always be popular because it is the first 'social' videogame, bringing people into the arcades," Marks explains. "Up until the release of 'Street Fighter,' people played games in their homes, on personal computers, or via text-based games like Atari."

Bartkowiak, formerly an acclaimed cinematographer ("The Verdict," "Terms of Endearment"), is a specialist in helming action films and high-octane thrillers, like "Romeo Must Die" and "Cradle 2 the Grave." Working in a big-action-film template, Bartkowiak infuses STREET FIGHTER: THE LEGEND OF CHUN-LI with a gritty realism, albeit with a twist. "I wanted the movie to look anything but plain," he elaborates. "I was looking for a look that was a little exaggerated at times - a kind of heightened reality with saturated colors. Edgy and a little extended."

The look necessitated that the film's explosive martial arts battles be mostly practical, with CG used in a few instances to enhance the fights, and for environmental extensions. Renowned action choreographer Dion Lam ("The Matrix" trilogy, "Spider-Man 2") worked closely with Bartkowiak to create signature set pieces designed to please "Street Fighter" fans, as well as action-movie audiences new to the franchise.

While Bartkowiak oversaw the main unit that shot the film's dramatic sequences, Lam presided over a team of martial arts and stunt experts that put the cast through their fighting paces. The two units, while producing very different kinds of scenes, worked together seamlessly. "It was important that the characters be consistent from the dramatic scenes to the action scenes," says Bartkowiak. "So, Dion and I developed an individual fighting style for each character. We worked out the fights very carefully before the action unit began work." Producer Ashok Amritraj likens the two units in action to a "choreographed dance," adding that "Andrzej was the 'yin' to Dion's 'yang.'"


One of Lam's star pupils was Kristin Kreuk, who portrays Chun-Li. Kreuk, best known for her role as Lana Lang on the hit television series "Smallville," reported to the set weeks before the start of principal photography, to embark upon a rigorous regimen of martial arts training. Lam devised impressive moves and fights that challenged her each day. "It was a lot of wire work, dives, front kicks, side kicks and fan kicks outward and inward," says Kreuk. "Because it was impossible for me to look like the videogame incarnation of Chun-Li, I wanted to build Chun-Li's strength from the inside. I mean, if she's going up against the likes of Bison and Balrog, she's not going to out-muscle them. She has to have internal strength and fortitude."

While Kreuk was a relative newcomer to the world of "street fighting," her on-screen "master," Robin Shou, as Gen, is an action film veteran and longtime martial arts practitioner. STREET FIGHTER: THE LEGEND OF CHUN-LI is not Shou's first go-around with a videogame adaptation; he brought to life "Mortal Kombat's" Liu Kang in the 1995 box-office hit.

Michael Clarke Duncan was another apt pupil of Lam's. For a fight scene between Duncan's Balrog and famed Singapore-based actor Edmund Chen, as Chun-Li's father, Xiang, Duncan eschewed the use of a stuntman. Duncan was perhaps uniquely qualified to embody Balrog's size, physical prowess, voice and attitude. It might even seem like Duncan was destined to take on the role, having frequently played and enjoyed the "Street Fighter" game. "But the only character I used [in the game] was Balrog," says the actor. "He was always my favorite - and he looked a little like me!"

Neal McDonough enjoyed the physical preparation for his role as Bison - "Dion choreographed some fantastic moves for me," he says - as part of his process in making the character come alive. McDonough strove to make Bison realistic and powerful, but always fun to watch. "Bison is an entertaining villain who enjoys what he is, and what he has. And that is very entertaining to play as an actor."

"But what really makes Bison a great villain is the way he unravels," adds McDonough, providing a clue to the character's arc.


Chris Klein, as Interpol agent Charlie Nash, wasn't required to learn high-flying martial arts moves, but he did undergo training with guns, which became an integral part of his rehearsal period. "Charlie is known [from the game] for shooting it up when the going gets tough, with his Walther P99," explains Klein. "You're never sure what he's going to do next, and that was a lot of fun to play." Many fans of the franchise see Nash as its unsung hero, one who is inextricably tied to its mythology. "Charlie is out there, on the razor's edge, far from where he came," says Justin Marks.

To bring down Bison and his vast syndicate, Nash joins forces with Bangkok homicide detective Maya Sunee. Maya is an American - a foreigner working with the Thai, for reasons that remain mysterious. What isn't a mystery is the strong chemistry that marks her partnership with Nash - and Moon Bloodgood's delight in taking on the role. She particularly enjoyed her special weapons training with an M-16 automatic and a Beretta. "I was actually getting paid to go to Thailand and practice with police officers," she marvels. "I was in heaven." Bloodgood also visited Bangkok prisons and spent time with an undercover detective.

The filmmakers' decision to shoot STREET FIGHTER: THE LEGEND OF CHUN-LI in Bangkok was, among other things, a nod to the videogames, which were also set in the Thai capital. More importantly, Bangkok was a perfect fit for the film's story, characters and action. "Bangkok is unlike any other city in the world," notes Marks. "In some ways, it's a modern-day version of the Wild West, so it's a great place for Bison to set up shop. And it's where his story lives - it's a homecoming for him, and very personal."

As director Bartkowiak wrapped post-production on STREET FIGHTER: THE LEGEND OF CHUN-LI, he took time to reflect on his hopes for the film. "I want audiences to enjoy the film as a ride, because it's designed to be that kind of movie. It's definitely for fans of the franchise, but I also wanted it be more than a typical videogame-to-film adaptation. The characters and emotions will bring in new fans who don't know the game."

For one filmmaker/gamer- screenwriter Marks - the film is nothing less than "a dream come true." He adds: "As someone who grew up on the franchise, I am proud of it not just as a writer, but as a fan."

>

The Sexy Women Of Street Fighter: The Legend Of Chun-Li

Source: 20th Century Fox

KRISTIN KREUK (Chun-Li), born and raised in Vancouver, British Columbia, Canada. She acted in plays in high school, but her focus was on her schoolwork, not the stage. Fate came calling at the beginning of her senior year when a casting director looking for new talent for the Canadian series “Edgemont” tapped Kreuk for a starring role. It was her first professional audition.

The next year, she landed the title role in the television movie “Snow White” for ABC opposite Miranda Richardson, and the lead role of Lana Lang on the WB series “Smallville” – all the while continuing on “Edgemont.”

In addition to being a face of Neutrogena for six years, Kreuk performed a cameo in the film “Eurotrip” opposite Matt Damon, starred in the SciFi Channel miniseries “Earthsea” opposite Isabella Rossellini, and starred in the Canadian feature “Partition” opposite Jimi Mistry.

With her time on “Smallville” coming to a close in its eighth season and STREET FIGHTER: THE LEGEND OF CHUN-LI being released in the U.S. and Canada by Twentieth Century Fox in February 2009, Kreuk has been focused on her own passion project “Girls By Design” – a web portal devoted to uplifting and empowering young women.

Kreuk currently resides in Vancouver, and when she’s not working enjoys reading, traveling and spending time with friends and her new puppy Dublin.

MOON BLOODGOOD (Maya) has a leading role opposite Christian Bale in “Terminator: Salvation,” due for release this spring. Bloodgood had a starring role in the NBC series “Journeyman” opposite Kevin McKidd. In 2008, she played an ambitious development executive in Barry Levinson’s feature film “What Just Happened?” starring Robert De Niro, and in 2007, she played a Native American warrior princess in the fantasy-adventure “Pathfinder” for director Marcus Nispel. Bloodgood was featured in the independent film “Moonlight Serenade” opposite Amy Adams, and starred in the Disney feature “Eight Below” opposite Paul Walker and Jason Biggs for director Frank Marshall. She also starred in the ABC series “Daybreak” opposite Taye Diggs. Bloodgood’s debut film was “Win a Date With Ted Hamilton,” and she then starred with Ashton Kutcher in Disney’s “A Lot Like Love.”

Bloodgood was featured in People magazine’s “World’s Most Beautiful” issue in 2006. She has also been featured in In Style, Complex, Self, Glamour and Flaunt. She began her career as a professional dancer. Later, she landed a spot as one of The Los Angeles Laker Girls. Her love for hip-hop led to touring gigs with the Prince, Brandy and the rock band Offspring.

Bloodgood’s striking Korean/Dutch/Irish beauty bedazzled many photographers who encouraged her to pursue modeling. In New York, she was a model for cosmetic giants Revlon, L’Oreal and Avon. David LaChapelle photographed Bloodgood for a Diesel campaign and a fashion spread in Face magazine. She then graced the cover of Town and Country and appeared in campaigns for Adidas and Nike Woman.

Bloodgood’s television credits include “Just Shoot Me,” “CSI” and “Monk,” and pilots directed by James Foley and John Stockwell.

JOSIE HO (Cantana) is an actress, model, rock star and producer. As a model she appeared on the covers of numerous fashion and music magazines, including Harpers Bazaar (Hong Kong), Marie Claire (Hong Kong) and Esquire (Hong Kong). Ho has appeared in four plays and over thirty films. In 2004, she was honored with a Hong Kong Film Award for her role in “Naked Ambition,” and in 2002 she received the Hong Kong Film Critics Golden Bauhinia Award for her role in “Forever and Ever.” Film projects in the works include a yet to be titled feature film opposite Chinese heartthrob Aaron Kwok, and a starring role as Keiko in Sony Animax’s animated feature, “LaMB.” Ho has teamed with acclaimed director Pang Ho Cheung (“Isabella,” “Men Suddenly in Black”), to star in and produce a feature film.

Known as the Indie Queen of Hong Kong, Ho’s films have been recognized by several prominent film festivals. “Tai Tai,” in which Ho played the lead, is the first Hong Kong-produced short film to be nominated at the Cannes Film Festival. “The Drummer,” in which Ho starred alongside Tony Leung Ka-fai, was the first Hong Kong feature to compete at Sundance. “Butterfly,” in which Ho played a lesbian teacher, was nominated at the Venice Film Festival and an official selection at 75 other film festivals. “Butterfly” also earned Ho two Best Actress nominations at the HK Bauhinia Film Award and Asia Pacific Film Award. Her film credits also include “Exiled,” which was selected for competition at the 2006 Venice Film Festival, and “Isabella” (Berlin Film Festival).

Ho has released six albums with a unique blend of breakbeat, nu-metal and pop-rock. Her latest album, the award-winning "Elastic Rock," was released in April 2008.

Ho has modeled in campaigns for some of the most successful brands in the world, including Motorola, Diesel, Cartier and Estée Lauder.

Ayumi Hamasaki Scores Dragonball Movie Theme Song

Source: Japan Today

Ayumi Hamasaki has landed a major muscal achievement. The J-pop star was named as the artist who will record the theme song for the upcoming live-action movie adaptation of Dragonball. The film entitled "Dragonball Evolution" is scheduled for release on April 8th, 2009.

The cast includes Justin Chatwin in the lead role of Goku, James Marsters as his nemesis Lord Piccolo, and Chow Yun-Fat as Master Roshi.

It will feature Hamasaki's original Japanese language song "Rule" as its main theme for all distribution worldwide.

Though the Japanese release of major Hollywood productions often uses a theme by a Japanese artist, it's very rare for a J-pop star to get this level of global exposure. And when it's in tandem with the kind of blockbuster marketing support that only Hollywood studios can provide, this has to be a major step up in Hamasaki's already stellar career.

Director James Wong is said to be a big fan of Ayu and personally requested that she be involved.

Hamasaki has provided four theme songs for Japanese movies, including "Kizudarake no Otokotachi" (Secret) and "Kaidan" (Fated) in 2007. For her first overseas collaboration, she's written what's described as an uptempo rock number.

The Dragonball manga series has sold an estimated 350 million copies worldwide.

Hamasaki has been dubbed the "Empress of Pop" due to her popularity and widespread influence in Japan. Born and raised in Fukuoka, she moved to Tokyo at fourteen to pursue a career in entertainment. In 1998, under the tutelage of Avex CEO Max Matsuura, she released a string of modestly selling singles that concluded with her 1999 debut album A Song for XX. The album debuted atop the Oricon charts and stayed there for four weeks, establishing her popularity in Japan.

Because of her constantly changing image and tight control over her artistry, Hamasaki's popularity extends across Asia; music and fashion trends she has started have spread to countries like China, Singapore, and Taiwan. She has appeared in or lent her songs to many advertisements and television commercials. Though she originally supported the exploitation of her popularity for commercial purposes, she later reconsidered and eventually opposed her status as an Avex "product".

Since her 1998 debut with the single "Poker Face", Hamasaki has sold around 50 million records in Japan, ranking her among the best-selling singers in the country. As a female singer, Hamasaki holds several domestic records for her singles, such as the most number-one hits, the highest sales, and the most million-sellers. No year from 1999 to 2008 had passed without one of her singles at the top of the charts. Hamasaki is also the first female singer to have eight studio albums that topped the Oricon.

See Also: Viz Media Scares Up Some Spooky Manga For Halloween / Viz To Release Special Collectors Issues Of Shonen Jump For 40th Anniversary / Viz Showcases New Anime At The Licensing International Expo / New Manga Titles Showcased At BookExpo America / Blue Dragon Finds A Home On Cartoon Network / Dragon Ball Z: Budokai Tenkaichi 3 For PlayStation Ships To Retailers

More Japanese School Girls With Swords - Uniform Sabaigaru

Written By: Ken Hulsey
Source: Quiet Earth / Avery Guerra

Just in case you didn't get your fill of Japanese School Girls running around killing things after watching "Onechanbara" there is another film for you. "Uniform Sabaigaru", which is scheduled to be released in Japanese theaters this month, is the story of seven girls who get trapped in an insane amusement park were they are forced to fight for their lives.

I know that sounds a lot like "Battle Royale" and about a dozen other Asian films, but the Japanese really like this kind of stuff.

Here is the official synopsis:

Seven school friends go for a day out to a theme park ominously titled "Survival Land." There, they get stuck into playing war games, fighting against park (dressed as Samurai and Ninja?) employees for fun. All seems well until they realise the weapons they’ve been given are actually real and the park staff they think are playing dead, are DEAD and soon after they become the undead. Trapped in the park alone, the battle becomes all too real, as they fight to survive against the ever increasing number of Zombies.

See Also: Onechanbara English Subtitled DVD / Onechanbara - A Hot Asian Girl In A Bikini Killing Zombies Kinda Movie

Onechanbara English Subtitled DVD



Okay, I know all you girl crazy Japanese movie fans have been foaming at the mouth waiting for your chance to see Eri Otoguro running around in her little bikini and cowboy hat killing zombies and having sword fight with Chise Nakamura in her little school girl uniform. I'm right there with you.

Yesasia now has the Chinese DVD of the film for sale, and yes it comes with English subtitles. (click the link above)

I know "Onechanbara" isn't on the same plain as "Citizen Kane", but what could be cooler than a hot Asian girl, dressed in a red bikini and wearing a cowboy hat, killing zombies with a katana?

Plot:

Based on the popular PS2 game series, feature film OneChanbara (a.k.a. Chanbara Beauty) brings the adventures of sexy slayer Aya to the big screen in all its katakana-wielding, zombie-slicing glory. Written and directed by Fukada Yohei, OneChanbara stars three pin-up idols in the leading action heroine roles. Up-and-coming siren Otoguro Eri (Shutter, Shaolin Girl) cuts fine form as the feisty heroine Aya, slashing her way through the movie in the character's signature cowgirl attire - cowboy hat, cowboy boots, long scarf, and a bikini. To defend her city, she has to take on a quickly multiplying army of zombies that was raised from the dead by a mysterious scientist. Aya is joined in the fight by biker chick Reiko (Hashimoto Manami) who is out to avenge her father's death and Aya's half-sister Saki (Nakamura Chise, Swing Girls) who suddenly shows up in a schoolgirl uniform with a saber of her own.


Still not sold, check out the trailer below:

See Also: Onechanbara - A Hot Asian Girl In A Bikini Killing Zombies Kinda Movie

Secret Undercover Agent: Wildcats In Strip Royale - Busty Asian Girls Kicking Ass

Written By: Ken Hulsey
Sources: Twitch / Tokyograph / Avery Guerra

First we had a hot Japanese girl in a cowboy hat and bikini killing zombies, now we have two busty Japanese girls in skin tight body suites kicking the crap out of people. Is it safe to say that Japanese cinema is going through a renaissance? It is far more likely that the industry has discovered that the only thing cooler than animated women kicking ass in films, are real women kicking ass in films.

Let me introduce you to Honey and Bunny, an elite crime fighting duo known as "Wildcats" who both made their cinematic debut last year in "Himitsu Sennyuu Sousakan: Honey & Bunny." In the sequel, "Himitsu Sennyuu Sousakan: Wildcats in Strip Royale"(Secret Undercover Agent: Wildcats in Strip Royale), actress Reon Kadena will replace Haruna Yubuki and star alongside Yuri Morishita. in the film directed by Keiichi Kobayashi. This will be the first large scale movie role for Kadena, who began her career as a nude photobook model and until recently only made appearances in lingerie and bikini videos. It sure looks like the curvy miss Kadena is moving up in the world.

"Himitsu Sennyuu Sousakan: Wildcats in Strip Royale" is the handy work of director Keiichi Kobyashi, who according to my research, has made his living working on music videos for such artists as Miho Ozeki and Da Pump. I can only imagine that the combination of a music video director and two pin-up queens will make for a film that will be visually stunning. The acting and plot, however, may be a million miles away from "Masterpiece Theatre." This, of course, is absolutely irrelevant, because all anyone really wants to see is Honey and Bunny kicking ass, and the film promises to deliver plenty of that.

I, like most American fans, was first exposed to this kind of Japanese female super hero cinema when I picked up a copy of Hideaki Anno's adaptation of the popular anime, "Cutie Honey" starring Eriko Sato. Fixed in my mind is the scene of the big breasted Sato running through the streets in search of food (for fuel, she is a cyborg) in her underwear. Something like that isn't easily forgotten. Of course, I am a man, and yes I am a pig. More importantly, however, than the sight of Eriko Sato bouncing around, is the fact that the film was a true live-action adaptation of anime in its purest form. Amazingly enough, the film really worked. Many a director, on both sides of the Pacific, has tried to capture the true feel of animation in a live-action film, and many have failed. Anno managed to pull it off. The point that I am trying to get to in all this is that the international success of "Cutie Honey" has no doubt opened the door for more sexy female action stars in Japanese cinema. Anime is full of these kind of characters, and now it seems it is time flesh in blood heroines to step forward, for better or worse.

See Also:Onechanbara - A Hot Asian Girl In A Bikini Killing Zombies Kinda Movie / Kyûteî Hanî / Cutie Honey / Christine Nguyen Is Super Ninja Doll / Future Star Profile: Harumi Nemoto