Tuesday, March 30, 2010

What The Fans Want To See In An American Godzilla



What The Fans Want To See In An American Godzilla

Opinion by Armand Vaquer

The late George Putnam used to have his "one reporter's opinion" pieces on current events and politics. Well, here's mine on Legendary Pictures' Godzilla.

After settling down from taking care of some banking and buying a new microwave oven, I sat down and perused the news reports on Legendary Pictures' announcement of their planned Godzilla co-production (with Warner Bros.) that is slated for a 2012 release.

The wire service Reuters carried the story and this quote was included:

"Godzilla is one of the world's most powerful pop culture icons, and we at Legendary are thrilled to be able to create a modern epic based on this long-loved Toho franchise," said Thomas Tull, chairman and CEO of Legendary. "Our plans are to produce the Godzilla that we, as fans, would want to see. We intend to do justice to those essential elements that have allowed this character to remain as pop-culturally relevant for as long as it has."


This gives me hope that the new American version of Godzilla will stay true to the character. Obviously, the Sony/TriStar Godzilla from 1998 was not what the fans hoped to see. Fans are still smarting over that one.

If you were to ask fans on what they'd like to see, they'd say that, 1.) Godzilla has to be recognizable as Godzilla. They wouldn't quibble over some tweaking of the design here and there (as long as it looks "cool"), but the design has to look like a credible Godzilla to make it work for them. 2.) Godzilla has to be the nuclear terror that serves as a metaphor for The Bomb or war itself. 3.) No campiness! Camp humor and nuclear terror are not a good mix. Keep it serious. No Siskel and Ebert lookalikes or actresses who can't convincingly cry, thank-you! 4.) A good storyline. If Godzilla is to appear in America, there has to be a good reason (plot-wise) for him to do so. Make a scary giant monster movie. It can be done, Cloverfield proved that! 5.) The special effects have to be top-notch. TriStar's special effects in their 1998 film were good, but some were not so hot (like the CGI baby Godzillas in Madison Square Garden). The effects have to be realistic and dazzling to the eyes. 4.) More screen time for Godzilla. The TriStar misfire had Godzilla disappear for a long stretch. If a company is willing to pay for the rights to use the character, then USE the character! 5.) If Godzilla is to be killed off at the end, don't make it happen so easily as TriStar did (a few missiles from fighter jets, c'mon!). His demise has to be extraordinary. Better yet, don't kill him (think sequel). 5.) As a fan, I want to see an American Godzilla movie that I can point to with pride and be able to tell people, "Hollywood finally got Godzilla right this time!"

Some fans would like to see Godzilla fight another monster. I am against this for one reason: they need to concentrate on getting the Godzilla character right. If they succeed, then they can do a monster vs. monster story in a sequel.

To see the full Reuters story, go here.

Godzilla 2012 - Legendary Pictures/Warner Bros (Fan Group)

Written By: Ken Hulsey

With all the buzz generated yesterday, when it was announced that Legendary Pictures, in conjunction with Warner Bros studios, were going to make a new "Godzilla" movie for release in 2012, I thought that it was the right time to start an online fan page for it.

So, I logged on to Facebook this morning and created "Godzilla 2012 - Legendary Pictures/Warner Bros (Fan Group)" for fans of the "Godzilla" movie series to be able to post their thoughts about the project and also post rumors about the films plot and potential monster(s) designs.

Just about every media outlet ran a story about the film, which has created a great deal of interest in this new American made "Godzilla" movie.

I think that it is important that we, the fans, show our support for the film, and let our voices be heard, when it comes to what we would like to see (expect) from such a film.

With any luck, the folks of at Legendary/Warner Bros, will check in on the group to see what is going on, and possibly, take some of the opinions voiced there to heart.

I don't think that either the fans, or the studios involved, want a repeat of what happened with "Godzilla 98".

From the studios statements, it is apparent that they want "Godzilla 2012" to be something more along the lines of the classic films produced by Toho between 1954-2004.

I think that is what we all want.

I encourage all of you to join the group, and become very active in it. Of course, just joining will make a statement on it's own, and participation is not mandatory, but the more people we get to post messages the better.

I think that by doing this, all of us, that is to say the mass of Godzilla fans worldwide can play some part, however possibly small, in ensuring that "Godzilla 2012" will be both successful, and a movie we can treasure for generations to come.

Please Join - Godzilla 2012 - Legendary Pictures/Warner Bros (Fan Group)

Update: Godzilla 2012 - Legendary/Warner Bros (Fan Page) - Blog!

I occurred to me that many Godzilla fans may not be members of Facebook, so I created an independent blog so that you could join that and post comments in regards to the subjects, rumors, news and etc. that will be posted there.

Go to: Godzilla 2012 - Legendary/Warner Bros (Fan Page)(Blog)

Thank You! - Ken

See Also: It's Official! A New Godzilla Movie Is Coming In 2012! / Get Ready With Your Finger Missiles And Robot Punch! The Shogun Warriors Are Coming To The Big Screen! / Japanese Uber Geekdome - Godzilla Related Cosplay & The Return Of The Life-Sized Gundam / "Godzilla 1985": 25th Anniversary / All Monsters Attack (aka Godzilla's Revenge)(1969)(Toho) / A Godzilla Plush Doll For All You Little Monsters / Run For Your Life! It's Godzilla!!...No...Wait It's A Crustacean / Putting Legendary Pictures Godzilla Into Perspective / Legendary Pictures Announces New Godzilla Movie! / Roland Emmerich Proud Of Godzilla, Not Making Sequel / Toho Tells Comcast, "Didn't You Learn From Subway? You Can't Use Godzilla To Sell Cable TV!" / Peter H. Brothers' Ishiro Honda Bio To Be Published / G-FAN No. 88 Summary / Schedule Conflict Knocks Out Godzilla Film Fest / G-FEST XVI News / Preserving Godzilla And The Blu-Ray Announcement / Godzilla 3D - Opinions Swirling Swirling Swirling / Godzilla 3D Begins Pre-Production For 2011 Release / A Pin-up Girl Riding Godzilla - Now This Is Art! / Godzilla & The Monsters Of Mass Destruction Trailer / Steve Bissette Creates Special Artwork For New Hampshire Screening Of King Kong vs Godzilla / G-FAN #87 Summary / Ishiro Honda Bio Being Negotiated / Robert Scott Field Is Joining Kenji Sahara At G-FEST XVI / King Kong And Godzilla Invade The London Subway / King Kong vs Godzilla (1962)(Toho) / G-FEST XVI To Host Kenji Sahara / Photo Of The Week - Godzilla Goes On A Date / New Wooden Godzilla Figures Cost More Than Most Cars / Rare Video - Haruo Nakajima Puts On The Godzilla Suite One Last Time For Magazine Shoot / Toho Is Renting Out Godzilla And MechaGodzilla Movie Costumes

Chihuanhas - They're Not Just Ankle Biters Anymore

Written By: Ken Hulsey
Sources: Jim Clark / Avery Guerra

What do you get, when you breed a Chihuahua with a man-eating Piranha?

Anyone? Anyone?

Answer: A school of ultra pissed-off man-eating little mutts....who can swim.......who want more meat than Taco Bell can supply them.

In other words, Chihuahuas, the mutated creation of Oregon based film maker Jim Clark and his HIVE-FX production company.

Through word-of-mouth, and Internet postings, Clark has been able to generate a great deal of interest in his horror/comedy, which you would figure, would enable him to get a studio to back the film. Alas, no, that is not the case. For the past month, the film maker has been pounding the Hollywood pavement armed with production sketches and a slew of fan support. Unfortunately, everyone has shallow pockets these days, and lets face it, Clark's film isn't based on a comic book or toy line, so he was shown the door.

Not wanting to abandon the project, Clark has now decided to make "Chinuahuas" himself, but he is going to need your help.

Clark as started a fund-raising campaign at KickStarter to help make "Chinuahuas" a reality.

Any amount that people can donate will help, and is appreciated.

Let me show you what you will be putting your money towards:

Synopsis:

When a curio-collecting Professor returns from South America with a mysterious Piranha idol, it casts an ominous curse on his innocent Chihuahua “Lulu Bell”, and impregnates her with a litter of amphibious, mutant Chihuahua-Piranhas. Horrified, the Professor disposes of the idol and pups in a nearby mountain lake, but Lulu’s monstrous spawn soon return to repay the gesture...

Following the Professor’s demise, the ravenous critters seek out a pair of fatty-campers, their obsessive guide, a reclusive WWII veteran and a trio of vacationing porn stars. Led by the lake's ranger and her inept assistant, the eccentric team unites to survive and destroy the vicious rat-pack with available fire power, their bare hands and the most lethal of all processed cheese products!

Killer pooches....porn stars....huh...huh? Okay, maybe you need a little more to go on? Check out these production sketches:




The Bloody Rage Of Bigfoot - Behind The Scenes Shots

Written By: Ken Hulsey
Sources: James Baack / Avery Guerra

James Baack has finally sent us some good shots of the Bigfoot from his movie, "The Bloody Rage of Bigfoot". Although, from these photos, it looks like he may be a bit of a wussy.

Let's see in one shot Bigfoot is running from a witch in a pig mask. In another he seems to be in a fight to the death with said piggy and in yet another he seems to be being robbed in his own kitchen by a girl with a gun.

It looks like good old Sasquatch isn't having a good week.

Oh, and nice lightning effects in that battle pic!

Where is Steve Austin when you need him?

Another highlight is a witch beating the crap out of some guy with a stick.

Is it my imagination, or does "The Bloody Rage of Bigfoot" kinda look like a female domination flick? Hey, the photo evidence doesn't lie, and from what we see here, the guys are getting dealt all the pain.

God knows what happened to that pour guy laying on the floor, but I'm sure that his girlfriend beat him up.

What about us guys James? How long will we have to suffer at the hands of these abusive femmes?

My Lord! Even Bigfoot is on the run from these she-demons!

Note: I know that James has experienced a very personal loss lately, and everyone here at MIN has kept him in our prayers.






See Also: And Yet....More Photos From 'The Bloody Rage Of Bigfoot' / New Evidence Of The Bloody Rage Of Bigfoot / James Baack Overcomes All Hurdles To Complete 'The Bloody Rage Of Bigfoot' / The Bloody Rage Of Bigfoot - Two Hot Girls On A Motorcycle / Baack's Hardcore Bigfoot Babes....With Guns! / The Bloody Rage Of Bigfoot - Censored For Your Protection / Satantha And Loosey-Fur The Two Wicked Witches From The Bloody Rage Of Bigfoot / Satantha Cuts Through The News - The Bloody Rage Of Bigfoot / The Bloody Rage Of Bigfoot (3D) - Beauty And The Beast....Well, More Like Beauty Is The Beast.. / The First Look At Demonfoot From The Bloody Rage Of Pigfoot...I Mean Bigfoot / The Bloody Rage Of Bigfoot - New Trailer And Filming News / The Bloody Rage Of Bigfoot - Bigfoot Revealed! / The First Image Of The Monster From The Bloody Rage Of Bigfoot / The First Publicity Stills From The Bloody Rage Of Bigfoot / The Bloody Rage Of Bigfoot Trailer And Teaser Poster / James Baack Is Conjuring Up A Bloody Bigfoot Movie In 3D

New Toy Tuesday! Gremlins, Marvel Meets Anime, Death Never Looked So Good! & More

Source: Entertainment Earth

Gremlins Stripe Craft Label Statue

Somebody's a little gluttonous!
Must-have Stripe Statue for any Gremlins fan.
Don't feed him after midnight!

This Stripe Craft Label Statue portrays him wreaking havoc at the candy store. The mischievous one stands approximatly 11 3/4-inches tall, is constructed of polyresin and imitation fur, and comes on a themed display base. Bring him home, but don't feed him after midnight!

In Stock Now! Price: $87.99

X-Men Phoenix Bishoujo Statue

If you like Marvel superheroes and anime, the X-Men Phoenix Bishoujo Statue is a top-notch interpretation of Jean Grey's intergalactic alter ego, complete with gravity-defying hair and a swell display base. Clad in her trademark green almost-a-costume, this sexy space girl is sure to light up your desk.

If you'd rather she darken your desk, we suggest the X-Men Dark Phoenix Bishoujo Statue. Based on the same great sculpt, this figure features her alternate costume!

East meets West!
Translucent parts!
Based on illustrations of Shunya Yamashita!

In collaboration with Marvel comics the popular character has been redesigned or shall we say, "re-mixed" with Japanese Bishoujo taste! Based on an illustration created by Shunya Yamashita, know for his unique & beautiful pin up style women designs. The exceptional situation base uses the motif of flame in connection with her imagery! The sexy Marvel Girl comes pre-painted standing over 9-inches tall and in 1:8 scale, which is the golden scale for many bishoujo figures and packaged in an attractive window box.

Coming in September 2010! Preorder Yours Today! - Price: $59.99


DC Chronicles The Sandman Death Statue

Death has had many faces. The skeletal grin of the Grim Reaper is one of the most famous. The pasty white mug of William Sadler in Bill & Ted's Bogus Journey is another favorite. One of the most unusual, though, was that of Death as portrayed in the Sandman comics-- an affable, chipper young lady. The DC Chronicles The Sandman Death Statue brings her to life-- so to speak-- as a nifty resin statue. If you've read the Death and Sandman comics, be sure to get the statue. And if you haven't read them, run (don't walk) to your local library. (And then come back to order the statue.)

Based on Neil Gaiman's acclaimed graphic novel!
Sculpted by Michael Locascio!
Limited edition!

As one of the seven siblings from The Endless, The Sandman has epitomized the very essence of the Vertigo line: smart, serious and edgy. Written by New York Times best-selling author Neil Gaiman, The Sandman saga opened new horizons for comics and graphic novels. This DC Chronicles statue has a retro-style logo on the base that further gives the piece a sense of the period from which it originated. This limited edition, hand-painted, cold-cast porcelain statues measures approximately 7 3/4-inches tall x 5-inches wide x 3 1/2-inches long. Packaged in a 4-color box with certificate of authenticity. Order yours today!

Coming in November 2010! Preorder Yours Today! - Price: $89.99

Vampirella Grave Beauty T-Shirt

Vampirella Grave Beauty T-Shirt. You'll definitely want to watch your neck around Vampirella…she's got quite the appetite! The sultry comic vixen is featured on this 100% cotton, high-quality, pre-shrunk black t-shirt. Machine washable. Order yours today!







Coming In April 2010! Preorder Yours Today! Price: $18.99


See Also: New Toy Tuesday! - The Creature, The Wolfman, Lovecraft Dragons And More!

Monday, March 29, 2010

It's Official! A New Godzilla Movie Is Coming In 2012!

Written By: Ken Hulsey
Sources: Variety / Avery Guerra

Rumors that Legendary Pictures were in the process of making a new, American, "Godzilla" film first surfaced last August, and now they have been officially confirmed.

Yes, my friends, the studio has just announced that they have struck a deal with the famed Toho studios in Japan to produce a brand-new "Godzilla" movie, which will be released through Warner Bros in 2012.

According to the deal, Warner Bros will co-produce the film, and pony up some of the cash for it, while Toho will release the film in Japan.

There isn't a director yet, but the studio has announced that Dan Lin, Roy Lee Brian Rogers, Yoshimitsu Banno, Kenji Okuhira and Doug Davison will all serve as producers.

Thomas Tull, Chairman and CEO of Legendary Pictures, commented, "Godzilla is one of the world's most powerful pop culture icons, and we at Legendary are thrilled to be able to create a modern epic based on this long-loved Toho franchise. Our plans are to produce the Godzilla that we, as fans, would want to see. We intend to do justice to those essential elements that have allowed this character to remain as pop-culturally relevant for as long as it has."

Sources close to the deal note that it will be similar in scope to other Warner/Legendary films, co-productions, such as "The Dark Knight" and "300".

So, that is it. A new American "Godzilla" movie, with "Godzilla" in it, not "GINO"!

We can only hope that Tull and his team at Warner/Legendary keep true to their word and produce a "Godzilla" film that hearkens back to the classic films produced by Toho that we all grew up with.

I think that they know, that if they don't, we will burn the studio down.........just kidding......okay, no we will.

Update: Legendary's Godzilla: See? I Told You So! by Armand Vaquer

See? I told you so! (Thanks to Rush Limbaugh for that!) I knew that something was up when I spoke to Toho-L.A. General Manager Yukio Kotaki! You may recall that when I questioned Mr. Kotaki about the rumor of the Legendary Pictures project, he couldn't say but gave a noticable giggle. Legendary Pictures announced today that they will be co-producing and co-financing with Warner Brothers a new Godzilla movie that will be re-imagining the Japanese monster. It will not be connected to the Sony/TriStar feature with Matthew Broderick. Thank God!

This is great news, provided the movie turns out to be faithful to the spirit of Japan's Godzilla rather than the abomination that TriStar's 1998 Godzilla turned out to be. That movie is commonly known as GINO (Godzilla In Name Only).

Update: Here is a copy of the press release (Heads up from Rob Smith)

"LEGENDARY PICTURES TO DEVELOP AND PRODUCE MAJOR MOTION PICTURE BASED ON TOHO COMPANY’S ICONIC MONSTER, GODZILLA

Burbank, CA – March 29, 2010 – Legendary Pictures announced today that they will develop and produce a new film based on Toho Company’s famed GODZILLA character. Through the terms of the agreement, Legendary Pictures has acquired the rights to produce a movie inspired by Toho’s Godzilla, a franchise the Japanese company created and has nurtured for over fifty years.

Toho’s GODZILLA franchise boasts one of the most widely recognized film creatures worldwide, resulting in a series of books, television programs, video games and more than 25 films worldwide. Legendary intends to approach the film and its characters in the most authentic manner possible. The company will, in the near future, announce a filmmaker to helm the film for an intended 2012 release. The film will fall under the company’s co-production and co-financing deal with Warner Bros. Toho will distribute the film in Japan."

"Godzilla" is coming back -- this time, with Legendary Pictures taking the lead, co-producing and co-financing with Warner Bros. for release in 2012.

Legendary announced Monday it had obtained rights to the iconic monster character from Japan's Toho Co., which has overseen more than 25 "Godzilla" films. Toho will release the pic in Japan.

Legendary said it's planning to announce a director shortly.

In addition to Legendary, producers on the new film will be Dan Lin, Roy Lee and Brian Rogers. Yoshimitsu Banno, Kenji Okuhira and Doug Davison will exec produce.

"Godzilla is one of the world's most powerful pop culture icons, and we at Legendary are thrilled to be able to create a modern epic based on this long-loved Toho franchise," said Thomas Tull, Chairman and CEO of Legendary. "Our plans are to produce the Godzilla that we, as fans, would want to see. We intend to do justice to those essential elements that have allowed this character to remain as pop-culturally relevant for as long as it has."

Legendary noted the film will fall under its co-production and co-financing deal with Warner Bros. Legendary's productions with Warners have included "The Dark Knight," "300" and "The Hangover."

Speculation about a new "Godzilla" has been active since last summer. The Bloody Disgusting web site reported in August that the project was in development.

See Also: Legendary's Godzilla: A New Hint? / Putting Legendary Pictures Godzilla Into Perspective / Legendary Pictures Announces New Godzilla Movie!

Get Ready With Your Finger Missiles And Robot Punch! The Shogun Warriors Are Coming To The Big Screen! / Japanese Uber Geekdome - Godzilla Related Cosplay & The Return Of The Life-Sized Gundam / "Godzilla 1985": 25th Anniversary / All Monsters Attack (aka Godzilla's Revenge)(1969)(Toho) / A Godzilla Plush Doll For All You Little Monsters / Run For Your Life! It's Godzilla!!...No...Wait It's A Crustacean / Putting Legendary Pictures Godzilla Into Perspective / Legendary Pictures Announces New Godzilla Movie! / Roland Emmerich Proud Of Godzilla, Not Making Sequel / Toho Tells Comcast, "Didn't You Learn From Subway? You Can't Use Godzilla To Sell Cable TV!" / Peter H. Brothers' Ishiro Honda Bio To Be Published / G-FAN No. 88 Summary / Schedule Conflict Knocks Out Godzilla Film Fest / G-FEST XVI News / Preserving Godzilla And The Blu-Ray Announcement / Godzilla 3D - Opinions Swirling Swirling Swirling / Godzilla 3D Begins Pre-Production For 2011 Release / A Pin-up Girl Riding Godzilla - Now This Is Art! / Godzilla & The Monsters Of Mass Destruction Trailer / Steve Bissette Creates Special Artwork For New Hampshire Screening Of King Kong vs Godzilla / G-FAN #87 Summary / Ishiro Honda Bio Being Negotiated / Robert Scott Field Is Joining Kenji Sahara At G-FEST XVI / King Kong And Godzilla Invade The London Subway / King Kong vs Godzilla (1962)(Toho) / G-FEST XVI To Host Kenji Sahara / Photo Of The Week - Godzilla Goes On A Date / New Wooden Godzilla Figures Cost More Than Most Cars / Rare Video - Haruo Nakajima Puts On The Godzilla Suite One Last Time For Magazine Shoot / Toho Is Renting Out Godzilla And MechaGodzilla Movie Costumes / Yumiko Shaku Looks For love At The Blood Bank

The Ancient Dogoo Girl (2009)(Mainichi Broadcasting System)

Written By: Ken Hulsey

Every once in a great while, you catch a small break in life. Sometimes the scales tip in your favor, you win a few bucks at a slot machine or the cashier at the super market gives you a dollar extra change. In the case of my wife and I, one time the girl at the Del Taco drive-through window gave us our food without taking any money.

Why am I bringing this up? Well, this past weekend I caught a break at a local Asian video store. I was walking through it with my son, when my eyes fixed upon a DVD copy of the Japanese television series "The Ancient Dogoo Girl". I picked it up an gave it good look over, no price.

The sign above it was written in Japanese, but the part I could understand read "DVD-9 $30". I looked on the back of my DVD. Alas it read "DVD-9". Okay, that's cool, I'll pay 30 bones to get the whole series. No problem.

Not being "100%" sure of the price, I asked the girl behind the register, who was paying more attention to her boyfriend on his laptop than me. She took a quick look at my DVD, and said, "$5".

Who was I to argue. I pulled out a five from my wallet, and went home with my new DVD.

In thinking about how to write this review, I was really torn on how, exactly, to approach it. On the outset, "The Ancient Dogoo Girl" delivers exactly what was advertised in the promo clip I posted to Youtube, that has been viewed 133,000 times, a big breasted Japanese girl, bouncing around fighting monsters.

Granted, that is the draw of the show, but to my delight, I am happy to report that there is more here than just T&A.

Now, that being said, the folks over at the MBS network know exactly what they have, the very busty 20-year-old Erika Yazawa, running around in a clay bikini, making their male viewers loose their mind, and they don't apologize for it.

They know that people are tuning into their series because of breasts and they go for it, all the way, in the second episode, called "Yōkai: Big Breasts". There is no way to dance around it, its an episode about boobs. The episode starts out with a male teen looking at an adult (non-nude) magazine featuring big-breasted women. One of his male teachers catches him with the magazine, takes it away from him, then runs off to look at it himself.

Needless to say, the monster in the episode is disguised as a busty school teacher who isn't shy about flaunting her cleavage. Oh, and she kills her victims with blades that pop out of her chest.

Pretty much what you would have expected, after seeing the trailer.

Though, I have to give the makers of "The Ancient Dogoo Girl" some credit. They went for the 'boob card' early, and moved on. From that point on, the series more resembles old episodes of "Ultraman" or "Kaimen Rider." Each episode featuring a monster of the week for Yazawa's, Dogu-chan, character to fight.

Here is the plot:

By chance, the withdrawn, and socially awkward teenage son of a bumbling archaeologist, named Makoto Sugihara finds a strange breastplate buried in the woods. When he places his palm on the breast plate, its design gets burned into his palm and awakens a girl named Dogu-chan, a hyperactive ykai hunter from the Jomon period. Because he had touched her breastplate, Makoto is now bound to Dogu-chan as she adapts to modern day life, forcing Makoto to go with her as she fights ykai in magic armor along with her animated Dogoo statuette companion Dokigoro while slowly prying Makoto out of his shell, whether he likes it or not.

Here is really where I'm torn. I want to say that "The Ancient Dogoo Girl" is a show aimed at teens, despite all the adult overtones. To be honest, when I was trying to think of a series, outside of Asia, to compare it with, all I could come up with was "The Sarah Jane Adventures" on the BBC.

I know that sounds really weird, but its like you took that show, removed Elizabeth Sladen, and replaced her with a busty woman.

"I know you've got a sonic screwdriver, Doctor, and it really comes in handy with fighting aliens, but I prefer to use these." That's when she opens up her blouse and exposes her cleavage.

A perfect analogy? No, but in my warped mind, that's what I came up with.

The other show that seemed to fit was "Xena Warrior Princess". The show seems to share the same campy flare, and though it features a lot a sexy women in tight leather, there is a very interesting story there.

That really is the point, once you get past the cleavage, you begin to understand that "The Ancient Dogoo Girl", really is a lampoon of Japanese society that even takes time to make fun of itself from time to time.

For anyone who has spent a lot of time watching Japanese cinema, and television, this becomes very evident from the start. For anyone who hasn't, the series would undoubtedly come off as a silly nonsensical affair.

Japanese pop-culture has been full of big-breasted heroines for decades. Just look at "Cutie Honey" for example. Manga, Anime, movies and TV shows, have been a haven for such 'boob worship', especially of late. "Dogoo Girl", in many ways, parodies many of these past icons.

In fact, Dogu-chan, is in many ways a direct spoof of "Cutie Honey."

She is vey sexy, but she is completely oblivious to it, like Honey. Though unlike her, Dogu-chan does notice the guys gawking at her. Her reply, "What?.....these?......they are for feeding young children.....what is the big deal?"

I honestly believe that while watching this series, I began to actually over-think things. I was left with thoughts of just to whom the show was marketed. It is so obviously a show for young adults, most of the main characters are in High School. A lot of the action revolves around the school, and many of the themes relate to teenage life and feelings.

But, the show centers around a 10,000 year old girl who uses her breasts to fight monsters?

Is this sort of thing okay in Japan? I certainly wouldn't let my fifteen year old watch it. Would a parent in Japan let theirs?

So many questions, I guess that I'm really trying to over-think this way too much.

As is the case in many Japanese movies, or series, the shows male lead, the shy Makoto Sugihara, played by Masataka Kubota, is ultimately terrified by Dogu-chan's sexuality. Ultimately preferring the company of fellow school-mate Kimika Shishido (Rina Kirishima), who is the exact opposite of the busty hero. Preferring brains to boobs, if you will.

This, of course, leads to a love triangle as the series goes forward. Dogu-chan, initially views Makoto as a servant, but discovers that she has feelings for him as he focuses his attention towards Kimika.

Nothing like a jealous super-hero, though the two young ladies butt heads, they ultimately come together to save Makoto from a pair of gothic cannibal girls.

As a hero, Dogu-chan, is a very interesting mix of almost cliche Anime and manga characters, who gets her power from her ever present companion, Dokigoro, who is an ancient Japanese clay idol who has an internal computer that can identify enemy yōkai (ogre or ghost) monsters.

In times of trouble, Dokigoro breaks apart to form Dogu-Chan's combat armour, consisting of a breast-plate that fires energy weapons and a wrist mounted device that she can insert any object into to modify. Example, if Dogo-Chan were to insert of photo of an arrow into it, it would shoot arrows, if she put a picture of a tomato into it, it would shoot tomatoes. You get the idea.

Oh, and check this out. The reason for Dogu-Chan's ample breasts, every time a yōkai is defeated it's energy is broken down and stored there.

The more monsters she kills, the bigger her chest gets.

Oh, and lets not forget the monsters. As is the case with most tokusatsu series, there are plenty of interesting bad guys for Dogu-Chan to go up a cup size fighting. Ranging from human-fish hybrids who feed on human emotions, a man possessed by a bicycle, ghosts, school girls who transform into animals plus a a pair of demons who are mother and daughter.

Dogu-Chan actually sparred the mother and daughter so that they could work out their relationship.

So, is "The Ancient Dogoo Girl" a teen show? An adult show? Both?

I still don't know, but I can say this, it's a a fun show, that certainly would appeal to fans of anime and shows like "Ultraman".

It also certainly will appeal to horny guys who like cute Japanese girls with big boobs.

Is it for everyone? No, like I mentioned before, a newbie to this genre, or Japanese forms of entertainment would certainly be lost and confused with what they are watching.

Ultimately, "The Ancient Dogoo Girl" is a lot of fun. It's camp, its parody and it's in your face, boobs, boobs, boobs. Which, I don't think any of the guys out there will complain about.


See Also: The Ancient Dogoo Girl - The Sexy Series Is Being Remixed Into A Movie / "The Ancient Dogoo Girl" - An Instant Internet Sensation / The Ancient Dogoo Girl - Can A Hot Girl With Big Boobs Replace Ultraman?

Get Ready With Your Finger Missiles And Robot Punch! The Shogun Warriors Are Coming To The Big Screen!

Written By: Ken Hulsey
Sources: Ain't It Cool News / Avery Guerra

If you were a pre-teen in the late 1970s, and you didn't at least have one "Shogun Warrior" toy, you were a social outcast.........at least in the circles I ran in.....way back then.

With the success of the "Transformers" movies, and the pending "Robotech", "Voltron" and "Battletech" films, I was honestly counting the days until this giant robot franchise was going to be snatched up by some Hollywood studio.

Indeed, Mattel's classic line of giant robot toys, called "Shogun Warriors" is going to be developed into a live-action film by Jules Urbach, and as you may have guessed, is going to be in 3D.

Tentatively entitled "Gaiking", the film is being slated for a 2012 release. If it ends up being a hit, then Urbach already has ideas for a sequel, titled "Shogun Warriors".

According to Urbach, the film will not take place on Earth, but on several alien worlds, and unlike "Transformers", will not be a GCI cluster-f**k. Instead the film maker and his staff intend on using life-sized robots.

Yes, you read that right, life-sized "Shogun Warrior" robots. I don't know quite how they intend to pull that off, but Urbach insists that the only way to get the 'true feel' of these titanic machines is to use life-sized props.

I can't say that I disagree with that idea, if they have the skill, and funding, to make it work properly, without it looking ultra-cheesy.

The project originated as a 7-minute short called "Gaiking / Shogun Warriors" which was produced for Cameron and David Fincher's "Heavy Metal" project. After the completion of that film, Urbach began securing the rights to the other robots from the toy-line (the Shogun Warriors were a collection of giant robots from various Japanese animated series), and now, according to the film maker, his film will feature more of the robots, than the Marvel Comics series did.

Now, I know exactly what you are thinking. The "Shogun Warriors" line of toys featured a few very prominent names from Japanese pop-culture, including, The Great Mazinger, Godzilla, and, unofficially, Rodan.

Was Urbach able to secure the rights to use any of these characters in his film? Will we see Mazinger (called Mazinga in the toy line) in the movie? Could the film maker have been able to cough up enough dough to get Toho to let him use two of their prize properties, namely Godzilla and Rodan?

Urbach isn't saying, yet, which robots are going to be in his movie, except Gaiking....and that's kinda a given. Though, he does plan to reveal all at this years Comic Con, which I will be attending.

Don't think for a second that I won't be pushing people aside and stepping on children to get into that panel.

Could Godzilla and Rodan be making cameos in "Gaiking" or the sequel "Shogun Warriors"? My money says no, but wouldn't that be freaking awesome if the were!

Here is some history, for those of you young people who weren't lucky enough to have been around in the late 70s:

(From Wikipeadia)

Shogun Warriors were a line of toys, licensed by Mattel during the late 1970s that consisted of a series of imported Japanese robots all based on then-popular giant robot anime shows. They were originally manufactured in three sizes, the 24-inch (610 mm) plastic versions, the 3.5-inch (89 mm) diecast metal versions and the slightly taller but much more detailed and articulated 5" diecast versions. There were also several vehicles offered and a set that could be put together to form Combattra (Combattler V).

The most attractive features on these toys were the spring loaded launcher weapons such as missiles, star shuriken, and battleaxes. Some robots were able to launch their fists. The later diecast versions of these toys were also attractive for the ability to transform into different shapes. Raydeen, for instance, was changeable into a birdlike spaceship. These "convertible" editions were the precursors to the "Transformers" line of toy robots but unlike the later toyline it was not unusual for minor dissasembly to be required to achieve the secondary form. There was even a robot named Megatron in issue #18 of the comic, then the name was used multipe times for the leader of the evil Decepticons from Transformers. Also, the second form was not always an apparently useful one, a "giant skull" for instance.

Like certain other toylines of the 70s, the Shogun Warriors came under pressure due to safety concerns regarding their spring loaded weapons features. Children would launch the weapons and hit other children or pets in the eye, or else they would swallow the plastic missiles. Toy manufacturers were facing new regulations due to reported child injuries as a result of playing with these toys. Consequently, many toy companies were forced to remodel existing toylines with child safe variations (such as spring loaded "action" missiles that would remain attached to the toy). For this reason, as well as decreasing sales, the Shogun Warriors toyline disappeared by 1980.

Several of the anime from this toyline were seen in the 80s as part of Jim Terry's Force Five series.

Shogun Warriors was licensed in 1979–1980 for a 20-issue series by Marvel Comics, which was written by Doug Moench and featured art by Herb Trimpe. In the comic, the Shogun Warriors were created by a mysterious group called the Followers of the Light. Human operators were chosen from all around the world to operate the massive robots in order to battle evil.

The series is firmly rooted in the Marvel Universe, as evidenced by their interactions with Doctor Demonicus in issues #12-14 and the Fantastic Four in the last two issues of the series. Issue #15 was a fill-in issue written by Steven Grant with art by Mike Vosburg. The series took a dramatic turn with issue #16, as the Shogun Warriors' mentors were destroyed by the Primal One and his followers. This alien force decided that Earth's technology had outpaced its morality, and so it was their duty to destroy the Shogun Warriors as well as other powerful humans, including Reed Richards and Tony Stark.

Though he never appeared in the comic series, Red Ronin (a robot created for Marvel's Godzilla comic) was mentioned occasionally and was frequently talked about in the letters pages.

Speaking of Godzilla & Rodan:


Friday, March 26, 2010

Johnny Sokko And His Flying Robot Coming To DVD Exclusively Through Amazon

Written By: Ken Hulsey
Sources: TV Shows on DVD / Avery Guerra



MGM is about to release the long-awaited Japanese television series "Johnny Sokko and His Flying Robot" on DVD exclusively through Amazon.com

The seven DVD set will include the entire run of the series, which has been high on Japanese monster movie fans lists for over a decade.

The exact date of this release has not yet been disclosed, but fans will be able to preorder it very soon (see link above).

The series, called "Giant Robo" in Japan was produced by Toei Company Ltd., and aired on NET (now TV Asahi) from October 11, 1967 to April 1, 1968, with a total of 26 episodes. The English dubbed version of the series was produced by American International Television as "Johnny Sokko and his Flying Robot".

The entire series was first broadcast in the United States in 1969 by American International Television, and became quite popular in syndication over the next several years, particularly from 1971-74 when it reached its peak in distribution. The series was still in active syndication through the early 1980s. In 1970, several episodes were edited together to create the movie Voyage Into Space, which has now reached cult film status.

The series was astonishingly violent by American standards of children's programming in the 1960s (in its home country of Japan, though, it was no more violent than any other tokusatsu airing at the time). Gunplay are staples of every episode of the series, and the series' two child leads - Johnny Sokko and Mari Hanson (Mari Hanamura in the Japanese version; a 9-year-old girl introduced in the seventh episode who speaks 39 languages and is a crack shot with a firearm) were frequently seen shooting along with the rest of the Unicorn agents. In one episode, Johnny and Mari are captured and tied to trees by Gargoyle, and are within seconds of being executed by firing squad, when Unicorn agents rescue them. Oddly enough, though practically every Japanese anime exported to the United States during that period was edited due to violent content, Johnny Sokko and His Flying Robot seemed to have escaped close scrutiny in that regard, and what editing was done on the show seemed to have been more for the purposes of squeezing in another commercial or two rather than in the interest of curbing the show's violence.

Plot:

The Earth is under invasion by a terrorist group called Big Fire (Gargoyle in the US version), an illuminati style organization led by the alien Emperor Guillotine, who spends almost the entire series in a multicolored space ship hidden at the bottom of one of the Earth's oceans (presumably the Pacific) whence he issues his orders to the members of Gargoyle (frequently referred to in the series as "The Gargoyle Gang").

The members of Gargoyle, as it turns out, are an ambitious but somewhat incompetent bunch who appear to have a fairly high mortality rate due either to Unicorn actions or Guillotine's own fits of anger. Their wardrobe is an interesting collection of what appears to be an assortment of castoffs from Soviet officers, wartime Wehrmacht personnel, Central American guerillas, and the designers of Italian sunglasses. In addition, at least one Gargoyle member is always seen with a beatnik beard. Most of Gargoyle's members wear berets adorned with a skull on the front. All members of Gargoyle have an explosive device implanted within their bodies that can be detonated in the event they are captured, though this seems to be used only rarely.

Guillotine himself has a large blue head with tentacles extending from the bottom of the head; not unlike Cthulhu. He wears a long robe, and carries a staff with a white orb at its furthest end. Like his head, the rest of his body is blue. He is capable of growing to an enormous height, though this is only seen once in the series; specifically, it is only seen in the last installment, where he himself actually fights, and loses to, the Flying Robot.

Guillotine leaves day-to-day matters in the hands of various commanders; principally Spider (a human who is eventually killed by a spray of acid), Doctor Botanus (Doctor Over in the Japanese series; a silver-skinned alien capable of teleportation), Fangar (Red Cobra in the Japanese series, and also alternatively referred to as Dangor the Executioner in the US series - a bizarre alien with a pegleg and crutch, a greatly enlarged forehead, protruding upper teeth, and a costume that looks like a traditional striped prison outfit in front and a red velvet jumpsuit in back), Harlequin (Black Dia in the Japanese version, who has a fascination with the suits of playing cards), and The Golden Knight (Mr Gold in the Japanese series; a gold colored armoured knight).

The group captures scientists to create an army of giant monsters to rampage the Earth. But fate stumbles on a little boy named Daisaku Kusama (Johnny Sokko in the US) and a young man named Jūrō Minami (Jerry Mano in the US), the latter is secretly Member U3 of the top-secret peacekeeping organization, Unicorn. Daisaku and Jūrō are shipwrecked on an island after the ocean liner they were on was attacked by a giant sea monster called Dracolon, and are captured by members of Big Fire. When trying to escape, they end up in an elevator that leads down to a huge construction complex where a giant robot is being built. Pharaoh-like in appearance in that the design of his head resembles the headdresses worn by the Pharaohs of ancient Egypt, this nearly indestructible humanoid robot is being built by captive scientist Dr. Lucius Guardian, who decides to give the two escapees its control device, a miniature transmitter built into a wristwatch. The robot can only be controlled by the first voice recorded in his electronic brain; however, he first needs to be charged up by atomic energy. Dr. Guardian helps Daisaku and Jūrō escape, only to be shot to death, but not before he set an atomic bomb that destroyed the base, the resulting explosion activates the giant robot, which moves to Daisaku's every command. As the controller of the robot (heretofore known as "Giant Robo," or just "Giant Robot" in the US), Daisaku is invited by Jūrō and his chief Azuma to join Unicorn as its 7th member, U7. As U7, Daisaku fights the evil forces of Big Fire with the help of U3/Jūrō and Giant Robo.

The Tragically Funny Story Of 'The Lizard Boy'

Written By: Ken Hulsey
Sources: Undead Backbrain / Avery Guerra

I know that the title for this article looks like it was taken straight off of the Weekly World News or some other grocery store rag, but I assure you that it pertains to a movie.

No, really, a horror movie.

Surprised?

Well, it looks like another independent film director, in this case, Paul Della, has chosen to explore what kind of mayhem can happen when man tries to play God.

And what generally happens when someone tries to play God?

um.......bad stuff?

Correct!

To be persice, a government funded scientist creates a half-man-half-lizard who goes on the warpath in a small town.

Here is the synopsis:

A small mountain town is terrorized by a half-man, half-reptile creature when renowned geneticist, Dr. Gino Conti, contracted by the Defense Sciences Office to develop a top-secret hybrid animal, pursues personal experiments in an effort to reconcile his tragic past. An entertaining sci-fi thriller with plenty of action, drama, humor and bits of gore, Lizard Boy raises questions about modern genetics while harkening back to the monster movies of old.

Della describes his film as a “sci-fi tragicomedy”, which seems to fit the bill considering our "Lizard Boy" is a poor outcast....with wicked ninja skills.

A lizard-ninja? Are we sure that this thing didn't come from the Weekly World News? .....yeh, we checked.

Speaking of tabloids, it is interesting to note that Lizard Men have been seen all over this country, mostly in South Carolina. I don't think that any of those reports mentioned the creatures kicking asses like ninjas. Then again, who would report that? People would think that you are crazy or something........lol......ahem.

Here are more photos from "Lizard Boy":



Spaceballs (1987)(MGM)

Written By: Ken Hulsey

Things have gotten way too serious around here, so it's about time that we all had some fun!

Okay, things have never really been that serious around here, so it is about time that I wrote about a sci fi comedy for a change, and not about some foreign film with a fancy-pants rubber suited monster or bikini girls (?).

Many people, mostly squares, questioned why the great Mel Brooks would choose to make a parody of "Star Wars" ten years after the film was released?

The answer was simple, because he could, and because it was the last film genre (Sci Fi) left for him to lampoon.

You have to remember that Brooks had made a very honest living poking fun at the best that Hollywood had to offer. He had slighted Hitchcock with "High Anxiety", he had roasted classic horror with "Young Frankenstein", he had farted in the general direction of 'true-grit' westerns with "Blazing Saddles", and even re-wrote history with "History of the World, Part I". So, George Lucas, and his "Star Wars" films, were easy targets, and next in line.

Granted, making a film based on the original "Star Wars" ten years after the fact, was not one of Brooks better timed ideas, but the original trilogy was still on the minds of young movie goers, and the merchandise was still weighing down shelves at the K-Mart.

In fact, if you really wanted to press the issue, maybe the film was actually released too soon. Maybe the films meager $38 million gross, could be blamed on the fact that everyone was kinda getting sick of seeing anything even remotely resembling a Wookie by 1987?

Hey, if you didn't live it, you have no idea. You know that I love everything "Star Wars", but by the late 80s it was like "ENOUGH ALREADY!"

Brook's shellacking of the highest grossing film of the day was a complete one. The film's hero, Lone Star, played by Bill Pullman, was a perfect hybrid of Han Solo and Luke Skywalker. The damsel, Princess Vespa, (Daphne Zuniga) a spoiled brat who undoubtedly mirrored the Princess Leia Organa we never saw growing up on Alderaan. Barf, (John Candy) a furry side-kick, like Chewbacca, that was always looking for a snack. Hey, you don't think that the Wookie wasn't munchin down on Alpo off camera?

Like Lucas, Brooks filled his galaxy....far....far.....away with various robots, flying Winnebago's, blond twins, and, of course, an evil empire, The Spaceballs, who run around making trouble and stealing precious oxygen.

Of all of these colorful characters, it is Rick Moranis' Darth Vader inspired 'Lord Dark Helmet' that really steals the show, and in a lot of ways, saves the movie. As is true with most villains, Helmet has the best, and funniest lines in the film.

When the character is first seen on camera, it is a somewhat imposing sight, like Vader before him, with a that eerie deep breathing sound. Then suddenly, without warning, the visor comes up to reveal the rather geeky man within struggling to breath under the mask. A wonderful parody of the ultimate evil that is Darth Vader.

Plot:

Planet Spaceball, led by President Skroob (Mel Brooks), has wasted all of its air and, desperate to find more, plans the extraction of all the air from planet Druidia. They plan to kidnap the Druish Princess Vespa (Daphne Zuniga), who is about to marry the narcoleptic Prince Valium (Jim J. Bullock). Resenting this marriage, Vespa runs off from the altar with her Droid of Honor, Dot Matrix (Joan Rivers/Lorene Yarnell), and escapes into space, where she is attacked by the Spaceballs under the command of Dark Helmet (Rick Moranis).

Vespa's father, King Roland (Dick Van Patten), hires Captain Lone Starr (Bill Pullman) and his mawg (half-man, half dog) sidekick Barf (John Candy), who are desperate for money to pay back their debts to the Mafioso Pizza the Hutt (Dom DeLuise), to rescue his daughter. Aboard their Eagle V, Lone Starr and Barf save Vespa and Dot, and distract the Spaceballs by literally jamming a radar hub on their flagship, Spaceball One, and then escaping by entering light speed. In response, Spaceball One pursues by attempting to go faster, but end up traveling at "ludicrous speed" and overshoots Eagle V. Upon exiting hyperspeed, the heroes realize they have run out of fuel and crash-land on the desert "Moon of Vega". There, they meet Yogurt (Mel Brooks), who introduces Lone Starr to The Schwartz and the audience to the film's merchandising (which is prevalent throughout the film henceforth). However, the Spaceballs, having discovered their location by using an "instant cassette" of the movie itself, trick Vespa and capture her again, taking her to their capital city. Lone Starr and Barf rescue the Princess again, but not before the Spaceballs have succeeded in forcing King Roland to reveal the entry code to Druidia's atmosphere (1, 2, 3, 4, 5).

Spaceball One, upon arriving at Planet Druidia, transforms into Mega Maid with a vacuum cleaner, which starts to extract the air from the planet. Lone Starr uses his Schwartz ring to reverse the procedure, and sneaks through Mega Maid's ear to the central brain area of the ship to activate the self-destruct button. As he is about to press the button, Dark Helmet appears and challenges him to fight. They proceed to duel using lightsaber-like weapons emanating from their Schwartz rings, until Dark Helmet tricks Lone Starr into losing his ring. Yogurt then speaks to Lone Starr, convincing him he doesn't need the ring to use the Schwartz. Using this advice, Lone Starr summons a mirror to reflect Dark's attack and inadvertently press the self-destruct button, causing chaos aboard the ship as Mega Maid counts down to self-destruction. The heroes then escape as Dark Helmet, President Skroob and Col. Sandurz (George Wyner), failing to make it to any of the escape pods in time, look on in horror. The resulting explosion causes the three along with parts of Mega Maid to crash-land on a neighboring planet, much to the horror of its simian residents.

Lone Starr returns the Princess to Druidia and leaves without taking the agreed payment of one million spacebucks after learning that Pizza the Hut ate himself to death. After disgustedly leaving a space café after an alien bursts from the stomach of a customer, Lone Starr offers a snack to Barf who is still hungry. Barf opens a fortune cookie (originally given to Lone Starr by Yogurt) to discover that Lone Starr is a "soitified (certified) Prince", and they return in time to interrupt the marriage, and for Lone Starr to marry Princess Vespa.

"Spaceballs" is no where near the caliber of Brook's prior classics like "History of the World, Part I", "Young Frankenstein" or what I think is his best work, "Blazing Saddles." That's not to say that the film is a dud, no way, "Spaceballs" stands on it's own merits as a wonderful comedy.

It is almost unfair to try to gauge it against the other films in Brook's collection, simply because they are such masterpieces.

Though the critics of the day were a bit harsh in critiquing the film, it has continued to hold on to a strong cult following, which is ultimately the measuring stick to base the quality of a movie on.

Would I recommend "Spaceballs" to people, yes, without a doubt I would. Because it is a great parody film, that takes a well deserved stab at "Star Wars", and sci fi in general.

And let us remember that parody is often time the sincerest form of admiration. Just because we can see the humor in a genre's cliches doesn't mean that we dislike it, just the opposite, we laugh because of our love for it.

Well......maybe not "The Phantom Menace"......?

Here are more photos from "Spaceballs":




Thursday, March 25, 2010

Karen Gillan Talks About Playing Amy Pond On Doctor Who

Source: BBC

The regenerations of the Doctor are a staple part of the mythology of Doctor Who, but across the past five decades there has been another constant in the series; the changing faces of his Companion. Now, as Inverness-born Karen Gillan becomes the latest actress to join the Doctor in the TARDIS, we find out her thoughts on landing one of the most enviable roles in British television and making her mum cry...

"It was one of the strangest experiences ever; it was a really weird feeling!" exclaims Karen Gillan about her casting as Amy Pond.

"I found out on the day of my second audition with Matt, so at least I didn't have a really long wait. It just didn't feel real, and I couldn't believe it!"

But auditioning for Doctor Who is unlike any other audition for the excitable, down-to-earth actress: "I knew that the audition was for the part of the Companion, but I wasn't allowed to tell anyone about it. They even had a code name for the role because it was so top secret. The code name was 'Panic Moon'; an anagram of Companion which I thought was really clever."

Even after Karen discovered she had been cast as Amy Pond the veil of secrecy was not lifted: "I wasn't allowed to tell anyone that I got the part but my boyfriend was with me when I found out so there was rather a lot of screaming!

"I decided not to tell my parents as I didn't want to spoil the surprise but when I finally did tell them I made a special day of it and my mum took a day off work. She just couldn't believe it when I told her. She was doing the dishes and she literally stopped in her tracks and cried. She's a huge fan of the show, has been a fan for years. She even has Dalek bubble bath at home!"

However, when the BBC announced her casting Karen was just as curious as her parents to find out what reaction she'd get from the fans.

"I couldn't resist it; I couldn't stop myself from having a look online to see what people thought," laughs Karen.

"Although after a while it all got a bit strange seeing people talking about me so I had to stop and I haven't looked since!"

Part of the interest in Karen was due to her being a relative newcomer to the industry, so how would she explain her life so far to the public?

"I'm from Inverness in Scotland, right up in the Highlands. When I was 16 I moved to Edinburgh to study acting and I stayed there for a year, then at 17 I decided to move to London to continue my acting career," she reveals. "I also did a little bit of modelling for two years which I enjoyed. I met some great people and it was a really fantastic experience."

As the countdown to the new series starts, Karen is determined not to allow the intense interest in the show to distract her.

"There is no other show that brings the same level of interest and hype or frenzy around it. I don't think it's really registered with me yet although I'm sure it will do when it gets closer to transmission. But mainly it's just great to know there are loads of people that are interested in the show and care about it. I think the best thing for me is to concentrate on doing the job well."

Karen's first day of filming the series was made even more memorable by her first encounter with the one thing which, more than any other, represents the show.

"It was great having the TARDIS there. It felt quite strange to see it on a beach in Wales; it's such a beautiful and iconic thing."

But seeing the exterior of the TARDIS still couldn't prepare Karen for the moment when she first entered the blue box, as she explains: "I was in awe of the whole thing. I'd seen the old one so much on TV and then I walked into the new one and it was breathtaking; just the sheer scale of it. It was so exciting. I thought to myself that I had to remember that moment for when Amy walked into it for the first time."


Since Doctor Who's return in 2005, there have been a number of memorable Companions for the Doctor. How does Karen feel Amy compares to those that have gone before?

"Well, for a start Steven Moffat has written a brilliant character. I do think Amy is different from previous Companions because she's very equal to the Doctor. She doesn't take his word as gospel and she's always happy to challenge him. If he tells her to do something then she won't necessarily do it, she might go off and do her own thing which can sometimes create a rift between the two of them! They are best pals though and it's a very up and down relationship because they are both very passionate people."

So is it fair to say that we will see some conflict between Amy and The Doctor?

"The Doctor is definitely an alpha male and Amy is an alpha female, so when they meet, they combust. They have quite a turbulent relationship but it's also really passionate and they care about each other. Amy can really hold her own against him and Steven's written some great one-liners. It's a great relationship."

As soon as the series started filming and Karen was pictured in the media it became clear that Amy Pond has a very unique style. So how involved was Karen in the sartorial choices?

"I think it's quite important that I feel like her when I wear the clothes. So I worked quite closely with the costume designer, Ray, and also the producers, to come up with the signature Amy look. They were generally vintage clothes, but we tried to incorporate high street styles as well because Amy is young. I think naturally there is going to be some of me in her style, as I relate to Amy and we are the same age as each other."

And Karen feels Matt Smith, as the youngest actor ever to play the Doctor, has risen to the challenge admirably.

"I think Steven said it perfectly; Matt manages to be old and young at the same time," explains Karen.

"That's the great thing about the Doctor; he has the energy and mischief of a young child as well as the wisdom, age and intelligence of someone a lot older. Also, with Matt's performance in particular, he's so believable that he isn't human. He has all these things that he does that make you really believe he is an alien or a Time Lord and you're drawn in by that."

However, as well as working with Matt, the series has also given Karen the opportunity to work with a spectacular array of guest stars.

"That's the fantastic thing about Doctor Who, you get the most amazing people coming in as guest stars. I got to work with incredible actors; Alex Kingston is back as River Song and she's a legend! I'm managing to learn so much from all of these people. I feel privileged and I'm always trying to pick up tips from them."

Is there anyone who hasn't been in the series yet that Karen would love to work with?

"As a Scot, I have to say that Billy Connolly would be really great and really funny. It would also be amazing to have someone like Judi Dench to come in and play a character. That would be mind blowing!"

If Karen were in Amy's place and could commandeer the TARDIS for a day, where would her first stop be?

"I would like to go millions of years into the future to see how people have changed and what technology we have come up with. Also, it would be really interesting to see how far humans have advanced physically. There is this theory that people are going to get really frail and skinny with big heads because they only use their brains and not their body. If I was going to go into the past then I think it would definitely be to see Elvis in concert or visit Gracelands."

There is one question which will be asked more than any other in the coming months and Karen is unequivocal in her answer; who is Karen's favourite Doctor?

"That's simple. Matt."

See Also: Doctor Who To Make A 'Whistle-Stop' Tour Of The UK / A New Doctor - A New Logo / John Simm Promises That Tennant's Doctor Will Get A 'Brilliant Send-Off' / A Sneak Peek At The The Ultimate Monster Guide And Other Doctor Who Tidbits / 'Four Weddings And A Funeral' Scribe Richard Curtis To Write For Doctor Who / The Name Is 'Who'......'Doctor Who' / Doctor Who Black And White Action Figures - Second Doctor & Cyberman / The First Look At The Animated Doctor Who From Dreamland / Doctor Who Star David Tennant Sends 'Postcard' From America / Doctor Who - Filming Begins For The 11th Doctor / Doctor Who: The Waters Of Mars - Sneak Preview / Euros Lyn To Helm Doctor Who Movie For 2011? / Torchwood: Children Earth Doctor Who On BBC America In July / The Doctors New Traveling Companion Will Be Karen Gillan / Tennant's Doctor Making The Move From TV To Big Screen / The Doctor Makes A Surprise Appearance On The Sarah Jane Adventures / Gillian Anderson To Guest Star On Doctor Who / Doctor Who Theme Voted Best On Online Poll / Simpson And Bennett Named As Producers For Doctor Who / David Tennant And Michelle Ryan Talk About Doctor Who: Planet Of The Dead / Doctor Who - Planet Of The Dead / Doctor Who 5-Inch Wave 4 Action Figure Case / Tonight's The Night Gives One Doctor Who Fan The Chance Of A Lifetime / Doctor Who Remote Control K-9 / Lindsay Duncan Joins The Doctor For The Second Special Of 2009

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