Monday, October 24, 2016

Bandai's Human Size Godzilla Figure

by Armand Vaquer


Above, yours truly with the Godzilla statue at Toho Studios in 2010.
The closest I've ever gotten to a human-sized Godzilla was when I saw several filming & event suits. and the Godzilla statue at Toho Studios over the years.

Now, "true" Godzilla fans can own a human-sized Godzilla figure of their very own. The only problem is coming up with the money to buy one and where to put it.

Otaku USA has an article on the Godzilla figure.

They begin with:
Are you a Godzilla fan? 
Okay, cool. But are you a big enough Godzilla fan to buy an incredibly expensive, human-size Godzilla figure? 
Yeah, me neither. 
First of all, I’m not sure where exactly I would put it, but more importantly, check out that price tag: ¥4,482,000. Four-point-four million yen. In U.S. dollars, that’s about $43,000 smackeroos.
The figures are from Bandai and they are part of a new toy line called the Human Size Project. If some G-fan wants one, they'd probably better hurry up as the production run is limited to ten (10) figures and they stand 6' 3".

To see it and read more, go here.

Tuesday, October 18, 2016

Cover Ideas: "The Monster Movie Fan's Guide To Japan" 2nd Edition

by Armand Vaquer


Above, the cover to the current edition.
Now that I've seen Shin Godzilla (Godzilla Resurgence) twice, I can now finish work on the updated edition of The Monster Movie Fan's Guide To Japan. I'll do that after my upcoming cross-country trip to Metropolis, Illinois. Hopefully, I can finish it in time and get it to the publisher with enough time to promote it in the U.S. and in Japan by around April.

The real standouts as far as locations are concerned from Shin Godzilla are Tokyo Bay (near Yokohama), the Tama River and the historic Tokyo Station. I'll be adding those places into the travel guide.

If anyone has any suggestions for additions, feel free to let me know in the comments section for this blog post.

For the new edition's cover, I am considering these photographs (feel free to post your preference in the comments section):


  1. Shinjuku Godzilla



2. Hibiya Godzilla Statue



3. Godzilla Slide

Thursday, October 13, 2016

We Waited 12 Years For This?

Review of Shin Godzilla (Godzilla Resurgence) by Armand Vaquer.


Above, this shot of Pete Brothers may reflect our feelings of Shin Godzilla. Photo by Armand Vaquer.

UPDATE (10/18/16): I viewed the movie again last Saturday and have posted a 2nd review. To view it, go here.

October 12 on my calendar was originally going to be the day that my Small Claims Court case against my ex-fiancee would have been heard, had we not gone on Hot Bench last month instead. After seeing Shin Godzilla (Godzilla Resurgence) last night, something tells me that an appearance in Small Claims Court would have been much more entertaining.

Above, the Shin Godzilla poster at the theater. Photo by Armand Vaquer.

Above, the entrance to the auditorium. Photo by Armand Vaquer.

Peter H. Brothers and I met up at the Muvico Thousand Oaks 14 theaters to see the movie. Before going inside the auditorium, I perused a collection of Star Wars figures by Sideshow Collectibles in the theater lobby. Surprisingly, we were joined by Brant Elliott, who also happened to attend this screening and bought a ticket for the seat next to Pete. I hadn't seen Brant in years and it was a nice reunion.

Above, Brant Elliott and Peter H. Brothers. Photo by Armand Vaquer.

I purposely avoided reading any fan reviews of Shin Godzilla so I could make up my own mind about the film and to avoid any spoilers. Some fans said the movie was "different" and "interesting". Yes, I have to agree to both adjectives. "Entertaining" is not an adjective that I would bestow upon it, however. It started with a lot of promise, but was a disaster soon after.

Above, Pete Brothers and Armand at the bar following the movie. Photo by Brant Elliott.

For starters, the movie was about 95% talk-talk-talk-talk-talk-talk-talk by bureaucrats of various ministries of the Japanese government on dealing with the situation of Godzilla. That is fine to poke fun at the farcical ways the machinery of government operates, particularly the Japanese way of "governing by committee". But to make that 95% of the movie was overkill at its worst.

Above, Han Solo in carbonite in the theater lobby 
 by Sideshow Collectibles. Photo by Armand Vaquer.

Next, the editing and structure of the movie was horrendous. Scenes were constantly jumping from one bureaucrat to another, with a little Godzilla thrown in on occasion. That was tiring! There was no continuity to the movie and there were no likable characters. There was no real storytelling. It almost makes Godzilla Final Wars (2004) a masterpiece of cinema in comparison (and I liked that movie)! It was a mess! Hideaki Anno, who directed the movie, may be a good anime director, but he completely ruined the Toho Godzilla's return.

The only redeeming feature of the movie are the special effects by Shinji Higuchi. They were inspired and innovative at times (I loved the scenes of boats being shoved aside on a river by a submerged Godzilla, which in his "early form", resembled a plucked Thanksgiving turkey). Those scenes reminded me of the tsunami footage from the Great East Japan Earthquake. Still, while the special effects were great, there was not enough Godzilla in the movie.

While it was nice to hear some of Akira Ifukube's Godzilla themes, the film had no coherent score to speak of.

One has to wonder, "What was Toho thinking?" when they greenlighted this movie.

Above, Yoda in the theater lobby. Photo by Armand Vaquer.

This has to rank as the worst Godzilla movie ever. Even worse than the 1998 American fiasco! At least G.I.N.O. (as we fans call the 1998 Godzilla by Roland Emmerich and Dean Devlin) had some storytelling to it.

I promised I'd take Jessica, my ex-roommate, to see it on Saturday. I guess I'll have to endure it again.
I very much wanted to enjoy the return of Toho's Godzilla, but this movie completely let me down.

I'm sorry to say. My grade: D-.

Saturday, October 8, 2016

October Is Here - Welcome To The Month Of Monsters!

October is the "Month of Monsters" at Monster Island News. All month long our website will be featuring stories, profiles and collectible items about some of Hollywood's greatest icons of horror.

Check out what has crawled out of the grave so far - Monster Island News

The Mummy

In 1932 a new horror movie was put into production to capitalize on the success of Frankenstein, and its star Boris Karloff. The initial idea was to produce a film based on the real life exploits of the French mystic Cagliostro, who claimed that he had lived for several generations. This idea was soon dropped for a screenplay that was penned by Nina Wilcox Putman that featured the resurrected corpse of an ancient Egyptian prince. One has to remember that Tutankhamen’s tomb had just recently been discovered and there was a national obsession with Egyptology. Universal felt that the combination of Karloff and this topical theme would guarantee a hit, and they were right.

King Kong

Carl Denham is a producer and director of adventure films specializing in remote and exotic locations. He sets off to a remote island, uncharted except for a map he purchased from a seaman. He hires a ship and with the star of his film, Ann Darrell, he sets off to Skull Island where there supposedly lives a large ape known as Kong. Thie island itself is is divided and the giant ape lives behind a great wall. Whe the local islanders kidnap Ann to offer her as a sacrifice, Denham and John Dricsoll set off to rescue her. It's obvious that Kong is fascinated with Ann and means her no harm but Dehnam gasses the beast and transports it
to New York where he puts it on display. When it manages to escape, it terrorizes the city, climbing to the top of the Empire State building where it must confront air force planes trying to shoot it down.

The Wolf Man

In 1941 Curt Siodmak sat down at his desk with the intention of writing a horror story that would draw on Greek Mythology and the belief that somehow a man could transform into an animal, a common legend that ran through the folklore of just about every culture on Earth. Little could he have realized that the script he was about to write, The Wolf Man, would not only have an effect of the future of horror films, but the future of the occult as well. It has always been a common belief that many of the concepts of lycanthropy that were portrayed in the film came from a collection of popular folklore and witchcraft. In fact nothing is further from the truth. Siodmak was responsible for coming up with the design of the pentagram, the werewolf’s vulnerability to silver, and the full moon being the catalyst for the transformation from man to beast all on his own. In fact the legendary poem “Even a man who is pure of heart, and says his prayers by night, may become a wolf when the wolf bane blooms, and the autumn moon is bright.” is a Siodmak original.

Don;t worry crypto fans we got ya covered as well...

Bigfoot

‘Huge, scary, aggressive, fast, and threatening’. These terms are used to describe several Bigfoot-like creatures said to inhabit the desert regions of southern California. These mysterious giant apes go by many different names, The Borrego Sandman, The Speedway Monster, Zoobies, Devils, and the Yucca Man. It may come to the surprise of those who follow stories about Bigfoot and other mysterious creatures that the first report of these creatures by European settlers did not come from the East Coast, Midwest, or even the Pacific Northwest. It actually came from southern California. In 1769, Spanish priests founded the first mission in San Diego.

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