Source: Warner BrosThe long-awaited showdown between Harry and Voldemort "brings them back to the place where they each became who they were," author J.K. Rowling states. "It had to end at Hogwarts."
Their battle plays out through the school's once-hallowed halls. Director David Yates staged the sequence so it was not just two wizards in a wand duel, but two sworn enemies locked in mortal combat that can only end when one...or both...are dead.
The director elaborates, "We have them racing through the halls hurling spells at each other, but it also gets very physical. There's a point where they have each other by the throat and fall off a high balustrade, and they're twisting and turning, until you're not sure where one ends and the other begins. I was very keen to explore that because, thematically, that connection is what we'd been developing throughout the films."
Production Designer Stuart Craig and his team crafted the set to provide a multi-leveled arena. The production designer says, "Our principal objective was to introduce another element to the battlefield that would provide for more interesting blocking, so David (Yates) was involved in the design plan from the start. We created a series of staircases so that either Harry or Voldemort could be in the ascendancy and the other below, but it could switch very easily."
"I must have climbed more stairs for that scene than I have in my entire life," Radcliffe laughs. "But it was incredible."
Their battle plays out through the school's once-hallowed halls. Director David Yates staged the sequence so it was not just two wizards in a wand duel, but two sworn enemies locked in mortal combat that can only end when one...or both...are dead.
The director elaborates, "We have them racing through the halls hurling spells at each other, but it also gets very physical. There's a point where they have each other by the throat and fall off a high balustrade, and they're twisting and turning, until you're not sure where one ends and the other begins. I was very keen to explore that because, thematically, that connection is what we'd been developing throughout the films."
Production Designer Stuart Craig and his team crafted the set to provide a multi-leveled arena. The production designer says, "Our principal objective was to introduce another element to the battlefield that would provide for more interesting blocking, so David (Yates) was involved in the design plan from the start. We created a series of staircases so that either Harry or Voldemort could be in the ascendancy and the other below, but it could switch very easily."
"I must have climbed more stairs for that scene than I have in my entire life," Radcliffe laughs. "But it was incredible."
Merging practical design and virtual design has always been integral to establishing the worlds of the Harry Potter movies, but that amalgamation was particularly vital in staging the battle at Hogwarts in "Harry Potter and the Deathly Hallows - Part 2." For the first time, the wide exterior shots of Hogwarts Castle were not captured with practical models, but were instead rendered though the use of CGI.Yates says, "We constructed a good part of it, as always, but we also built a digital Hogwarts, which gave us the freedom to take the action in and around the school, anywhere we wanted."
But Harry and Voldemort are not the only ones fighting to the death. All around them the good and evil forces of the wizarding world—including creatures great and small—are engaged in a climactic all-out war, which bring brings back many familiar faces on both sides.
David Barron states, "We were fantastically lucky because virtually the entire cast wanted to be part of the finale. Some of them are only briefly seen, but it was important to them, and to us, that they be there. There are even a few characters who came to an untimely end in the previous films who make their presence felt in surprising ways, like Gary Oldman as Sirius Black and Michael Gambon as Dumbledore."
The returning cast also included Robbie Coltrane as Rubeus Hagrid, Emma Thompson as Professor Sybil Trelawney, Jim Broadbent as Professor Horace Slughorn, Miriam Margolyes as Professor Pomona Sprout, Gemma Jones as Madam Pomfrey, David Bradley as Argus Filch, Jason Isaacs and Helen McCrory as Lucius and Narcissa Malfoy, Natalia Tena as Nymphadora Tonks, and Dave Legeno as Fenrir Greyback.
The war against the Death Eaters takes a terrible toll on a number of favorite characters. Beloved wizards have fallen and Bellatrix Lestrange is poised to kill another—Ginny Weasley—when Molly Weasley steps into the fray.
Playing the Weasley family matriarch, Julie Walters offers, "Of course, Bellatrix is thinking, 'Come on, Granny,' but she has no idea what she's up against when she takes on the fierce, protective love of a mother."
The power of a mother's love has been an inherent theme throughout the Harry Potter stories, beginning with Lily Potter, whose supreme sacrifice for her son allowed him to be "the boy who lived." Rowling relates, "I lost my own mother six months into writing Harry Potter and then I became a mother shortly after. Motherhood, in every way, had a huge influence on my own life as I was writing the series, so it naturally seeped into the story in a relevant way."
Faced with a decision that could spell life or death for Harry, Narcissa Malfoy proves that the strength of a mother's love is not confined to any one side. "Narcissa may be a Lestrange by birth and a Malfoy by marriage, but it is the passionate loyalty to her son that defines her. Risking her own life, she protects Draco—first and foremost, she is a mother."
On the other hand, "Voldemort sees no necessity for love or friendship or compassion," Radcliffe observes. "He thinks of them as quite contemptible, a weakness, but that is his own weakness."
The casualties of the war extend beyond people to the stately Hogwarts School of Witchcraft and Wizardry, which is left in utter ruin. Though the resulting devastation appears to be haphazard, Craig counters that it was all by design. "It wasn't just a question of knocking some walls down; the silhouette was as significant as a piece of sculpture. The Great Hall, for example, was the spine of Hogwarts, so in demolishing that, we knew it had to be an image that would leave a lasting impression."
"There is the sense that this is what war does; it decimates your places of safety and security," Rowling says. "Yes, they may only be physical places. But when it's home, that's everything."
The Great Hall had been one of the earliest and largest sets ever erected and it was a constant at Leavesden throughout the entire series. The sight of the production's longest-standing set reduced to rubble had a tremendous impact on the filmmakers, cast and crew.
Radcliffe recalls, "It was hard to watch something that had always been so vast and so solid suddenly be knocked down."
"It was quite shocking," Grint nods. "We grew up on those sets, so it was difficult for all of us to see."
"The idea of everything being taken down permanently felt a bit tragic," Watson says. "I guess I imagined they would always be there," she smiles.
Heyman, who had, years ago, witnessed the Hogwarts sets being built, offers, "To see the grandeur of Hogwarts destroyed was very emotional. In a very graphic way, it really brought home the fact that we were rapidly moving toward the end of the journey."
Emotions were high for eveone involved in the production as each day marked the "last time" for some aspect of filming until it was, in fact, a wrap.
David Barron recalls, "I thought I was prepared because we knew the day was coming for so long, but it was surprisingly moving for all of us. Everybody put so much of themselves into these movies, and on this one we all shared the added goal of making it a fitting finale to the series."
"Part of one's job is to say goodbye," Alan Rickman says. "There comes that time when it is right and proper to let it go; otherwise you can't move on. And so the best thing one can say is that it all ended the right way."
Rupert Grint offers, "The Harry Potter experience was an amazing time of my life, and something I'll never forget. I'm so proud to have been a part of it."
"How do I put into words what all of this has meant to me?" Emma Watson muses. "I don't consider it over because it will always be a part of who I am, and I feel so blessed to have shared in it."
Daniel Radcliffe reflects, "I know I'll never see a frame of these films that I don't connect immediately to a memory of a place or a time or a person. Even now I can't fully express how important it's been to me, but I can say it was a great time and it's something I will never be able to recreate."
David Yates agrees. "It's really hard to contextualize it, except to say it's been enormous fun—intense and very challenging at times, but never not fun. I wouldn't have missed it for the world and I'm proud and happy to have seen it through to the end."
"This was a wonderful collaboration," J.K. Rowling shares. "I was proud to work and form lasting friendships with some immensely talented people. So the overall experience of the films for me has been truly outstanding."
"I count myself extremely fortunate to have been part of Harry Potter, but none of us would have had this opportunity were it not for Jo Rowling and the world she so brilliantly created," David Heyman concludes. "One of the things I love about the books is that the stories are timeless...and hopefully we've achieved that with the movies."
See Also: New Photos For GREEN LANTERN And HARRY POTTER AND THE DEATHLY HALLOWS - PART 2 / The Deathly Hallows of "Harry Potter and the Deathly Hallows - Part 1" / Sneak Previews For Harry Potter And The Deathly Hallows - Part 1, Jonah Hex, A Nightmare On Elm Street, The Losers & The Book Of Eli - Release Dates! / Harry Potter And The Half-Blood Prince (2009)(Warner Bros) / Harry Potter And The Order Of The Phoenix (2007)(Warner Bros)/ Hogwarts Yearbook - Actor Profile - Daniel Radcliffe / Hogwarts Yearbook - Actress Profile - Emma Watson / Hogwarts Yearbook - Actor Profile - Rupert Grint / Harry Potter And The Half-Blood Prince - Young Love Spawning New Problems At Hogwarts / Harry Potter And The Half-Blood Prince - Quidditch As You Have Never Seen It Before / Harry Potter And The Half-Blood Prince - Lord Voldemort's Chosen One / Harry Potter And The Half-Blood Prince - Looking Backward To Move Forward / The New Harry Potter Makes Its North American Premiere July 9th / The Night Harry Potter Made London Stand Still / Potter Star Radcliffe Shows A Different Side In Details Magazine Interview / Harry Potter and the Half-Blood Prince Release Pushed Back Until The Summer Of 2009 /Sex And Drugs In The New Harry Potter Movie!?
It has been a long, lonely summer for Harry Potter as he awaits his fifth year of study at Hogwarts School of Witchcraft and Wizardry. It’s bad enough that he must endure living with the odious Dursleys, but he hasn’t received even a note from his classmates and closest friends, Ron Weasley and Hermione Granger. And there has not been any word from anyone in the aftermath of his confrontation with the evil Lord Voldemort. The letter that does arrive is not the kind for which he was hoping—pronouncing that Harry is about to be expelled from Hogwarts for illegally using magic outside of school and in the presence of a Muggle, namely his obnoxious cousin, Dudley. Never mind that it was in defense against an unprovoked and inexplicable attack by two Dementors.
Meanwhile, in an effort to keep an eye on Dumbledore and keep the Hogwarts students—especially Harry—in line, Fudge has appointed a new Defense Against the Dark Arts teacher, the duplicitous Professor Dolores Umbridge. But Professor Umbridge’s “Ministry-approved” course of defensive magic leaves the young wizards woefully unprepared to defend themselves against the Dark Forces threatening them. So, at the prompting of Hermione and Ron, Harry is convinced to take matters into his own hands. Meeting secretly with a small group of students who name themselves “Dumbledore’s Army,” Harry teaches them how to defend themselves against the Dark Arts, preparing the courageous young wizards for the extraordinary battle that he knows lies ahead.
The fifth year of study at Hogwarts School presents a turning point, not only for Harry Potter but for his friends and classmates as well. No longer children, they are suddenly faced with the choices and challenges of young adulthood…and the consequences that come with them. Harry—dealing with the return of Lord Voldemort and the death of his friend Cedric Diggory—has been forced to grow up perhaps more quickly than the others and is compelled to take on responsibilities he never could have expected.
Returning in the role of Harry Potter, Daniel Radcliffe attests, “I loved working with David. He is a delightful man, very soft-spoken, and yet I have never been pushed as hard as I was on this film, partly because of the nature of the story and partly because of his directing. He never settled for less; he always wanted me to go deeper, which was exactly what I felt I needed. He is a brilliant director.”
Yates was working from a script by another newcomer to the fold, screenwriter Michael Goldenberg. “I was thrilled when David Heyman called and asked me to be involved,” Goldenberg recalls. “The great thing about working on a Harry Potter film is that it’s something bigger than yourself, so there is no question of ego getting in the way. I know it’s a cliché, but it’s a magical thing to be a part of what has become this amazing phenomenon and to have a role in helping to bring it to the screen; I felt a great sense of responsibility in the best sense of the word. David Heyman made it fun, which is what a Harry Potter film should be, and Jo (J.K. Rowling) was incredibly sweet and could not have been more generous in giving us room to make the best film possible. David Yates was intent on keeping every moment of the story grounded in reality, and I think that’s what makes the magic even more magical.
Producer David Barron offers, “Poor Harry. After everything he’s been through, he has been shut away in Little Whinging with absolutely no news from anybody. He thinks everybody is ignoring him—Ron, Hermione, even Dumbledore—and I think, coupled with the normal stresses of being a teenager, it’s just a bit much for him to bear. It’s a side of Harry we haven’t seen before. He doesn’t start out quite as level-headed as he has been in the past…not without justification, though.”
First, however, they must take a detour to a secret location, where Harry will discover there has been a lot going on while he has been sequestered in Little Whinging. Arriving at number twelve Grimmauld Place, which, if you don’t know is there, is not there—Harry is reunited with Ron and Hermione. And it is there that he is first introduced to the Order of the Phoenix, “a clandestine organization originally formed by Dumbledore to combat the forces of evil represented by Voldemort,” David Heyman explains. “They meet in secret, in large part because Fudge, who is in charge of the Ministry of Magic, feels threatened by Dumbledore and is trying to repress stories of Voldemort’s return. But those in the Order know that Voldemort is gathering followers and his power is growing.”
Nevertheless, before Harry can think about fighting Voldemort, there is the matter getting reinstated at Hogwarts. Harry must defend his actions at a hearing at the Ministry of Magic. The décor of the Ministry’s grand atrium is dominated by what production designer Stuart Craig describes as “a Soviet-style propaganda poster of Fudge.”
Escorted by Mr. Weasley, Harry enters the Ministry through the visitors’ entrance, which, for all intents and purposes, looks like an ordinary telephone box in the heart of London. “We thought it would be amusing to put the Ministry of Magic underneath the Muggle ministries, so we positioned the telephone box on the sidewalk very close to the Ministry of Defense. So, unbeknownst to the Muggles, underneath the British Ministry of Defense lies the Ministry of Magic,” Craig smiles.
Reprising the role of Albus Dumbledore, Michael Gambon says, “Harry’s view of Dumbledore is that he is Harry’s rock, but he sees his rock is collapsing a bit in this movie. Dumbledore’s power is severely threatened, but that makes him more human, doesn’t it? It also gave me another level of his character to explore, which was an interesting experience.”
