Eerie #9 October 1952 American Comics Group
Order This Issue at View Obscura Comics
Cover by Sid Check. Edited by Sol Cohen. Art by Alvin C. Hollingsworth, Sid Check, Norman Nodel, Joe Kubert and Vince Alascia.
Tales of horror from the era just before the Comics Code was introduced. A violinist makes a macabre deal to get his hands back; A hot-dogging skier must outrace a skeletal ghost-skier or forfeit his life; A pianist discovers a musical passage that revives the ghostly muse of Frederic Chopin, but it isnt a healthy relationship. Second cover appearance of the gasping girl from issue #5, now a blonde. The Phantom Hitch-Hiker; The Hands of Death!; The Thing from the Grave; Death on Skis!; The Haunted Melody; The Haunted Cave; Princess of the Subway.
Showing posts with label Pulp Fiction. Show all posts
Showing posts with label Pulp Fiction. Show all posts
Monday, May 7, 2018
Sunday, May 6, 2018
"Giants of the Golden Atom" - A Thrilling Lost World Adventure
Planet Comics #55 July 1948 Fiction House
Order This Issue at View Obscura Comics
The Lost World (art by George Evans), Futura, Auro Lord of Jupiter, Space Rangers (art by Doyle), Star Pirate (art by Maurice Whitman), Life on Other Worlds: Neptune (art by Murphy Anderson, 1 page), and Mysta of the Moon (art by Matt Baker). Text story, "Murder on Mercury."
Marcia Reynolds was a second-grade technical secretary living in Titan City of Earth sometime in the late 21st century. She had no money and no family, and only a norm-plus rating on the intelligence quota, energo-efficiency and mating potential. In other words, she was a very average human girl, for her time. That was, until she was abducted by the Brain-Lords of Cymradia, and became Specimen Nine of Project: Survival. After her body and mind was tested and probed, the Cymradians determined that she had great potential, describing her as a "prize of prizes" and giving her the lab name, Futura. The Cymradian named Mentor, suspected that though she possessed great courage and foresaw that she would assert herself as a leader. He was proven correct, as Futura proved to be a courageous fighter, successfully managing to rally the other test subjects against the Cymradians. Finally, she escaped in an escape pod, as much of the planet of Cymradia was buried in hot magma from a geyser.
After her escape from Cymradia, Futura fell into trouble with a number of space pirates, including Yrina and Omma, and Captain Blargo, the Lawless.
Futura was a tenacious and savage fighter, a good athlete and she spoke the Trans-Cosmos language.
Monday, April 16, 2018
A Novel Of The Future Complete In This Issue!
Startling Stories V. 8 #3 November 1942 Better Publications
$17.99 - Order Here
15 · The Day of the Cloud · Ross Rocklynne · n.
90 · The Earth-Saver · Joseph J. Millard · ss
100 · The Ancient Brain · A. G. Stangland · nv Science Wonder Stories Oct 1929
114 · Death Ray · Henry S. Lewis · ss
Startling Stories was an American pulp science fiction magazine, published from 1939 to 1955 by publisher Ned Pines' Standard Magazines. It was initially edited by Mort Weisinger, who was also the editor of Thrilling Wonder Stories, Standard's other science fiction title. Startling ran a lead novel in every issue; the first was The Black Flame by Stanley G. Weinbaum. When Standard Magazines acquired Thrilling Wonder in 1936, it also gained the rights to stories published in that magazine's predecessor, Wonder Stories, and selections from this early material were reprinted in Startling as "Hall of Fame" stories. Under Weisinger the magazine focused on younger readers and, when Weisinger was replaced by Oscar J. Friend in 1941, the magazine became even more juvenile in focus, with clichéd cover art and letters answered by a "Sergeant Saturn". Friend was replaced by Sam Merwin, Jr. in 1945, and Merwin was able to improve the quality of the fiction substantially, publishing Arthur C. Clarke's Against the Fall of Night, and several other well-received stories.
Much of Startling's cover art was painted by Earle K. Bergey, who became strongly associated with the magazine, painting almost every cover between 1940 and 1952. He was known for equipping his heroines with brass bras and implausible costumes, and the public image of science fiction in his day was partly created by his work for Startling and other magazines. Merwin left in 1951, and Samuel Mines took over; the standard remained fairly high but competition from new and better-paying markets such as Galaxy Science Fiction and The Magazine of Fantasy & Science Fiction impaired Mines' ability to acquire quality material. In mid-1952, Standard attempted to change Startling's image by adopting a more sober title typeface and reducing the sensationalism of the covers, but by 1955 the pulp magazine market was collapsing. Startling absorbed its two companion magazines, Thrilling Wonder and Fantastic Story Magazine, in early 1955, but by the end of that year it too ceased publication.
$17.99 - Order Here
15 · The Day of the Cloud · Ross Rocklynne · n.
90 · The Earth-Saver · Joseph J. Millard · ss
100 · The Ancient Brain · A. G. Stangland · nv Science Wonder Stories Oct 1929
114 · Death Ray · Henry S. Lewis · ss
Startling Stories was an American pulp science fiction magazine, published from 1939 to 1955 by publisher Ned Pines' Standard Magazines. It was initially edited by Mort Weisinger, who was also the editor of Thrilling Wonder Stories, Standard's other science fiction title. Startling ran a lead novel in every issue; the first was The Black Flame by Stanley G. Weinbaum. When Standard Magazines acquired Thrilling Wonder in 1936, it also gained the rights to stories published in that magazine's predecessor, Wonder Stories, and selections from this early material were reprinted in Startling as "Hall of Fame" stories. Under Weisinger the magazine focused on younger readers and, when Weisinger was replaced by Oscar J. Friend in 1941, the magazine became even more juvenile in focus, with clichéd cover art and letters answered by a "Sergeant Saturn". Friend was replaced by Sam Merwin, Jr. in 1945, and Merwin was able to improve the quality of the fiction substantially, publishing Arthur C. Clarke's Against the Fall of Night, and several other well-received stories.
Much of Startling's cover art was painted by Earle K. Bergey, who became strongly associated with the magazine, painting almost every cover between 1940 and 1952. He was known for equipping his heroines with brass bras and implausible costumes, and the public image of science fiction in his day was partly created by his work for Startling and other magazines. Merwin left in 1951, and Samuel Mines took over; the standard remained fairly high but competition from new and better-paying markets such as Galaxy Science Fiction and The Magazine of Fantasy & Science Fiction impaired Mines' ability to acquire quality material. In mid-1952, Standard attempted to change Startling's image by adopting a more sober title typeface and reducing the sensationalism of the covers, but by 1955 the pulp magazine market was collapsing. Startling absorbed its two companion magazines, Thrilling Wonder and Fantastic Story Magazine, in early 1955, but by the end of that year it too ceased publication.
Sunday, June 4, 2017
Startling Stories (June 1943 Edition) Wings of Icarus
Startling Stories (June 1943 Edition) Wings of Icarus
(Ray Cummings; Stanley G. Weinbaum; Frank Belknap Long; Raymond Z. Gallun; Thorne Lee)
Published by Better Publications, NY Vol. 9, No. 3.[Edited by Oscar J. Friend.] Cover by Bergey for "Wings of Icarus" (novel) by Ray Cummings. Includes "The Ideal" ("Hall of Fame Classic") by Stanley G. Weinbaum; "Son of His Father" by Frank Belknap Long; "Ghost Planet" by Thorne Lee. Features: "The Ether Vibrates"; "Thrills in Science" by Oscar J. Friend; "This Starling War"; "The Rocket's Red Glare" by Carter Sprague (Sam Merwin, Jr.); "Meet the Author" highlights Cummings; "Review of the Fan Publications" by Sergeant Saturn. Illustrated by Marchioni, Paul, Virgil Finlay.
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See Also:
Startling Stories (Fall 1944 Edition)
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