Power Players At Tokyo's Imperial Hotel

by Armand Vaquer


Above, the dinner group at the Imperial Viking restaurant at the Imperial Hotel.

The Imperial Hotel, the one that Steve Martin (Raymond Burr) stayed at while in Tokyo (while there was still a Tokyo) during Godzilla's rampage, saw a group of power players at the hotel's Imperial Viking restaurant gather for a relaxed dinner.

Over the years, I have been treated to many a courtesy and assists by friends from Toho Co., Ltd. and I thought this trip would provide a good opportunity to host a thank-you dinner to return the favor and show my appreciation.

The Imperial Viking was chosen as it was able to accommodate dinner parties and I was seeking an elegant place to treat everyone. The restaurant is on the hotel's 17th floor and had commanding views of Hibiya Park, the Imperial Palace and the National Diet Building.

Above, the view of the lit-up National Diet Building from our table at the Imperial Viking restaurant. Photo by Armand Vaquer.

Those joining Denise and I were Mr. G-FEST himself, Yoshikazu Ishii; former Toho L.A. General Managers Masaharu Ina (now with Toho Cinemas division) and Shozo Watanabe (now with Toho's legal division); former Toho Pictures President Shogo Tomiyama; translator and Tohoku documentary star at NHK World, Jessica Claros.

The conversation ranged from what everyone's doing today, remembering Koichi Kawakita, Shin Godzilla (now in production), Godzilla Final Wars, Japanese cuisine, Japan's beaches, Toho's Malibu estate (where Toho's general managers live during their tenures in Los Angeles), my fondness for cheesecake and many other subjects.

Godzilla: King of the Monsters (1954)(Toho)

GODZILLA IS DEAD!
City Saved By Scientist's Secret Invention
Tokyo, Japan - Steve Martin - United World News - Chicago
(Fiction)

Our tale begins dramatically amidst the smouldering ruins of what was once a great city. Twisted girders, cracked, blistering sidewalks and the skeletal frames of demolished buildings paint a grim portrait of this smouldering memorial to the unknown. Tokyo, once a proud metropolis of six million people, is now a graveyard.

See Also: Gojira (Godzilla King of the Monsters) 3D Shadowbox Collage - One of a Kind Original Artwork

The mind is a curious thing. It takes so much for granted! Freedom, happiness, security....these are things we've lived with and accepted, but rarely appreciated. As I look across the crimson, still-smoking horizon, these ideals seem very far away, for what I see, and smell, and sense...is death. Perhaps I myself am dead, and this fiery, lifeless landscape is actually Hell! I don't know..I don't know anything anymore, except that I, as a man, as a member of the human race, have been dwarfed by a living nightmare. It has proven itself stronger, smarter...more powerful than the Earth itself! My world burns before me, and with it, my very soul.

My name was Steve Martin. I used to be a foreign correspondent for United World News. I was headed for a routine assignment in Cairo when I decided to stop off in Tokyo to see an old friend. But that was days ago...I was a man then.

Now I am part of the human wreckage, the rubble and blood and total destruction of last night. I am in a hospital, and all around me are the dead and the injured. Those who are alive are silent, thoughtless...they know it is only a matter of time before "It" strikes again.

People are walking by me very fast now. I can hardly see their faces. Perhaps it is just as well....what does the face of defeat look like, anyway? It couldn't be more sickening that the cold, blank expressions of the lifeless. But ....wait. That girl coming toward me-I know her! Why, it's..."Emiko, Emiko!"

"Steve, Steve Martin! Are you Badly hurt?"

"After last night I'm lucky to be alive. And your father....is he alright?"

"Yes! He's meeting with the security officials now. Don't move Steve, I'll try to get a doctor for you."

A doctor! Hah! What can a doctor do? Will he bring the city back? Will he bestow life upon upon those trampled and crushed and burned? What can anyone do now...now that Godzilla lives? Emiko means well, as do they all...but tonight he will return. Tonight we will not be as fortunate! Death stalks us all, in the furious, rampaging form of a behemoth such as modern man had never seen prior to last night. But wait - I am wrong? He had never been seen! But no one believed those sightings, those reports of a vengeful monster out of ancient myth and legend....it seems so long ago now, but I can still recall every horrifying moment as clear as crystal. A few days ago things were normal...

A small sailing vessel was drifting peacefully in calm water. Some of the men were on deck, staring into the infinite loneliness and wonder that was the ocean. How old the ocean was, they thought. And how mysterious. Suddenly a stark, glaring light flashed across the deck. The men rose instantly and looked about. Then their eardrums burst and their bodies crumpled before a sound like no other....a heavy, thundering roar like the wail of some unholy foghorn. Flames filled the air. The radio men tried to send for help but there wasn't enough time. In an instant, the vessel had disappeared beneath the cruel, burning waves...

When I finally arrived at the airport the following morning, I was greeted by Shegarito, Dr. Serizawa's trusted assistant. But before we could visit the good scientist, a Japanese officer interrupted our meeting and asked me to come to the security headquarters. Slightly annoyed at the curious request, I asked Shegarito to extend my apologies to Dr. Serizawa and reluctantly followed the officer into a small room. Although I could not understand all of it, I figured out that the reason for everyone's strange behavior this curious morning involved the sinking of that small sailing vessel...

My part in the confusion was finally made clear to me. A friendly, English-speaking Japanese official named Tomo asked me several questions about my flight. He was seeking answers to the perplexing enigma of that ship disaster! What could have caused it? A mine, or a collision perhaps...but when the ship's doomed radiomen sent a message through, it told only of a blinding flash of light.


It was a mystery, alright. The Japanese authorities were trying to solve that mystery by sending out a rescue ship to survey the disaster area.

That rescue ship was never heard from again.

While officials tried their best to control the panic elicited from these strange accidents, news of the disasters finally leaked out. A frightened public demanded an explanation! Scientists and government men were brought together to discuss courses of action and offer solutions. Among them was Dr. Yomane, Japan's foremost paleontologist, whom I had met through my friend Serizawa several years ago. If there was an answer to these mysterious sea disasters, it would come from these men.

After much desperate conversation, Dr. Yomane suggested to the officials that they question the natives of Odo Island, a small bleak, spot of land that was close to the area where the tragedies had taken place. Confused, but receptive, the authorities quickly agreed. I was allowed to tag along.

Odo was an industrious little island in the Pacific populated by several hundred natives who were now paralyzed with fear. These people were the only ones to see some of the fires at sea, as well as locate one survivor of a sinking. His visit, unfortunately, was a short one! As the Japanese officials descended upon the island’s small community, the natives became even more frightened. One babbled what everyone considered to be a “ridiculous” story to Tomo. Nervously, he informed the official that a horrible monster was responsible for all the disasters.

Too much sake, I thought to myself.


That evening I had the unique opportunity to witness a rare ceremony. The islanders were apparently performing an ancient folk-dance, and wore rather frightening reptile-like face masks. Tomo enlightened me as to an old Odo legend, which stated that somewhere off shore there lived a massive creature of incredible strength. Although this sounded silly to me at first, I was curious about the monster’s name and asked Tomo if he knew it. A native answered for him. The thing was called Godzilla.

Much later that night, Tomo and I were sleeping in a tent we had set up at the far edge of the island. Restless, I awoke to notice a peculiar flickering in our lantern. The very ground beneath us appeared to be quivering! Tomo and I wedged ourselves around our tent pole for support as wind and rain began to pound against us. Staring into the furious blackness, we could hear huts falling a people shouting. For this was more than just the wind and rain and lightening. Much more. I wasn’t sure just what it was. No one was sure. No one except the natives, and they were positive. They said it was….Godzilla!

It was decided that a return trip to Odo was necessary if the mystery of these unusual occurrences would ever be solved. Dr. Yomane himself would visit the island to search for signs of unusual phenomena. On the morning of the sailing, Pier “J” swarmed with well-wishers for the doctor and his party. But there was still a feeling of anxiety among the passengers. For every ship that had taken this course had vanished from the face of the Earth. Yes, there was a feeling of anxiety, but perhaps the two exceptions were Emiko and a young marine officer named Ogata. When I had last seen Emiko she had just been engaged to Dr. Serizawa; it was the usual triangle, only this time it was to play an important part in the lives of millions of people.

When the troupe finally arrived the next day, they discovered various large, radioactive openings in the soil of Odo Island. Dr. Yomane was stunned….they were the footprints of a living creature! Suddenly, Emiko pointed out something in the crack of the imprint. It was a trilobite, a three-winged worm thought to be extinct.

The shrill sounds of a native gong rang out across the peaceful morning silence and everyone began running toward the top of a hill. I hastily asked Tomo what was going on, but he simply insisted that we follow. Soon we were swept along with the frenzied natives in that strange exodus toward that mountain peak. From our position in the crowd, we could see that Dr. Yomane and his party were fairly close to the top. Then it happened. At first it looked like the mountain was moving….but this was no mountain. Nor was it anything else I could possibly imagine. Several jagged, pointed spines rose like majestic warriors from behind the hill! The horrified people cried out in fear and melted into the side of the mountain for protection. For this was Godzilla….an incredibly large, unbelievably massive prehistoric beast, and the most frightening thing I had ever seen in my life! Staring at the tiny human beings before it, the creature roared and bellowed in terrifying defiance. It was challenging us, challenging mankind itself for mastery of our world.

At a scientific conference held a few days later, Dr. Yomane, one of the eyewitnesses, lead the discussion. Of course, the question we were all asking ourselves was how this animal could reappear after all these years, and so close to the coast of Japan? The doctor suggested that some rare phenomenon of nature allowed this breed of the Jurassic Age to reproduce itself and, for a long span of time, the beast had no reason to reappear to the world. But now that analysis of radioactivity in the creature’s footprints showed the existence of Strontium-90, a product of the H-Bomb, it was Yomane’s considered opinion that Godzilla was resurrected due to repeated experiments with nuclear bombs.

A short while later I phoned my boss, George Lawrence, in Chicago and eagerly gave him the following headline: SECURITY DECIDES TO USE DEPTH BOMBS AGAINST GODZILLA. It would be the first real test of man’s defenses against this prehistoric foe!

In the midst of all the excitement, I finally contacted my good friend, Dr. Serizawa, but declined to see him that evening when he mentioned that Emiko was visiting. The marriage between Emiko and Dr. Serizawa had been arranged when they were both children, and while the girl wasn’t in love with the great scientist, she had great respect and admiration for him. It proved difficult for her to tell him she was planning to marry the young sailor, Ogata.

But what was more important and, indeed, far more surprising lay in the doctor’s mysterious laboratory. Before Emiko could explain her true feelings, Serizawa insisted she observe his new discovery. A large beautiful fish tank stood in the center of his lab, and the girl seemed enchanted with it. Then, Serizawa placed a strange pellet into the water and pulled Emiko away. Bubbles arose furiously from the capsule, and Emiko screamed in revulsion!

Whatever it was she saw, the scientist made her promise to tell no one of it.

By the end of the day, it was generally assumed that the underwater demolitions had ended the short but terrible reign of Godzilla. There was a feeling of relief throughout Tokyo, even celebration, but both the hope and the celebration were short-lived.


For the massive creature was soon sighted rising from the ocean outside of Tokyo! Within moments the city was aware that Godzilla was inside the harbor, and panic began to spread and mount to uncontrollable proportions. The monster slashed at the ocean as the Japanese military began firing. Their bullets and rockets had no effect whatsoever. With the thunder of some monstrous demon, the creature climbed upon land! It was like the end of the world for the seaside citizens of Tokyo. Godzilla crushed automobiles and small houses beneath his massive feet. An oncoming train was savagely attacked, its steel cars crushed within the ferocious jaws of the prehistoric horror. The monster left a legacy of terror and destruction before it finally turned back toward the sea. But we knew that he would be back soon to destroy us all unless some means were found to combat him.

Tokyo was quick to ready its defenses. The city was surrounded by high-tension electrical towers, and to get to the heart of the area, Godzilla would have to break through 300,000 volts of electricity! The officials were fighting against the clock to have everything ready by nightfall, and a general evacuation of all non-essential personnel was ordered. It was a monumental job, but a job that had to be done. By the early evening hours everyone was off the street. The news office commanded a good view of Tokyo and received all reports directly from security headquarters. Everyone in the city was on a watch a wait basis. The wait….was not a long one.

Like some monstrous denizen of Hell, Godzilla emerged from the ocean depths and walked toward the shore. Here in Tokyo, time has been turned back two million years as the creature stalked defiantly across a well-guarded landscape. He was as tall as a thirty-story building, and we gasped with terror as he approached the city’s main line of defense: the 300,000 volts of electricity strung around Tokyo as a barrier against Godzilla! The monster cautiously neared the wires. Explosion after explosion of electrical power began! It seemed for a while as if, at long last, something had finally worked in stopping the prehistoric leviathan. But then our hopes died with the next fatal blow. From out of the monster’s massive mouth came a stream of radioactive vapor! Spewing fire upon the life-saving electrical towers, the strong, steel girders became soft and weak, and began to melt. I could hardly believe what I was seeing. Now it seemed Tokyo had no defense!

The monster destroyed everything in its path. Nothing could withstand its other-worldly might! Buildings, bridges, aircraft, all were wiped from the face of the Earth by this incredible force of ancient nature. An entire tank battalion was sent out to point-blank firing range. The soldiers who commanded these defenses were incinerated in a matter of seconds! Death loomed over Tokyo. Godzilla roared and screamed his challenge into the fiery night sky, as if to alert man of his numbered days. And before I realized what was happening, the ceiling above me began to collapse, and I was soon buried under the wreckage.

Now, it’s a blurred memory as I lie here in the hospital.

“Hi Emiko”, I moan as the young girl’s vision comes into focus and wracks me from my tormented dreams. Her fiance is with her.

“Ogata!” I exclaim. “Anything new develop?”

Emiko answers before the sailor can even speak. “Nothing new will develop unless….I was shown a terrible secret, and was asked never to reveal it!”

I look the girl squarely in the face, and find my senses returning to me at long last. “Emiko”, I ask soberly, “If you can help, you must! Last night Tokyo was destroyed. Tomorrow it might be Osaka or Yokahama.”


“When I went to see Dr. Serizawa, I had intended to tell him of Ogata and me, but there was something he wanted to show me first…He had been experimenting with oxygen when he came upon a terrible chemical discovery: A way to destroy all oxygen in water, thereby disintegrating all living matter! An amount no larger than a baseball could turn Tokyo Bay into graveyard. Serizawa had found a terrible destructive power and until he could find a counteractive developed from his experiments, he didn’t want the world to know his secret. He swore me to silence!”

Ogata eyes his future wife nervously. “Emiko! We need Dr. Serizawa’s help. There is no other way!”

I nod in agreement, and then watch the young couple leave the hospital room.

I don’t know what went on when Emiko and Ogata went to see the great scientist. I only know that he finally did consent to let them use the weapon, after burning the formula for the deadly discovery in his fireplace. We all stand together now, united in our hope for the future.

The boat; finding the location of Godzilla; the oxygen destroyer; all these are ready. Serizawa is assisting Ogata in placing the weapon deep under water as an announcer aboard the ship eagerly asks the world to “please stand by”.

They’ve been under water for several minutes now. It seems like….wait! Serizawa seems to be having trouble! Ogata radioed that he refuses to come to the surface!

“Ogata, is it working!” Serizawa’s voice crackles over the speaker. He can see the horrendous creature approaching in the distance, already feeling the effects of the deadly weapon. As Ogata is pulled to the surface, he can see his comrade remove a knife and start cutting his own hose! “Live happily with Emiko.” He says.

The sea around us is erupting. We are motionless; still; waiting to see what happens next. Suddenly the monster appears! But he is not the terrifying sight that instilled fear and terror into our very souls as before. Godzilla is now bellowing his death throes. In an instant he disappears beneath the surface.

The menace is gone, and so is a great man. But now the whole world can wake up and live again, and perhaps now, with the example set by Dr. Serizawa, we can do so more wisely.

The original "Godzilla" was first released in Japan on November 3, 1954.

Godzilla vs. King Kong To Be Part of Trilogy

Above, the Godzilla mural at Toho Studios. Photo by Armand Vaquer.
by Armand Vaquer

It appears that Godzilla and King Kong will be reunited somewhere around 2020 (according to most reports).

At least, this is what an article at Huewire.com indicates, and it begins with:
Both the character, Godzilla and King Kong have an huge potential to be converted into a franchise together in one space. The first film, “Kong: Skull Island” has an estimated budget of more than $25million, though Warner Bros. will also include it in a three-picture contract which also includes the proposed sequel and the crossover film. 
The second installment is titled “Godzilla 2″, and it will hit the theatres on June. Both films feature the human Monarch organization. 
The Legendary CEO, Thoman Tull and Warner Bros CEO, Kevin Tsujihara made the announcement and combined the epic monsters in a trilogy. 
Who would you like to see appear in the trilogy alongside Godzilla and King Kong?
At the dinner party last Tuesday night, the subject of pairing Godzilla with King Kong came up. My Toho dinner guests couldn't say (it was essentially a "we don't know," but with big winks and grins that even George Reeves would envy), but the indicators are that the "rematch" is a definite "go".

To read the full article, go here.

"Managing Godzilla" by Shogo Tomiyama

by Armand Vaquer


Above, the cover to "Managing Godzilla" by Shogo Tomiyama. Photo by Armand Vaquer.

Last Tuesday night, when I threw the little dinner party atop of the Imperial Hotel in Tokyo, several of my guests brought along gifts.

One of which was a book written by and published this year by former Toho Pictures President Shogo Tomiyama.

Above, the Imperial Hotel dinner group. Shogo Tomiyama is second from right. 

Mr. Tomiyama brought an autographed copy of his book, "Managing Godzilla". It is in Japanese, but it is loaded with behind-the-scenes photographs from his years as producer (picking up the torch from Tomoyuki Tanaka) and president of Toho Pictures. This is a book that all Godzilla fans should include in their collections!

It contains 288 pages and is in paperback. Cover price: 2,300 yen.

Above, the autograph. Photo by Armand Vaquer.

It can be obtained through www.kadokawa.co.jp/. The ISBN is 978-4-04-869000-3.

At the dinner, I thumbed through the book and marveled at the photographs. I received a good laugh from the dinner group when I mentioned that even though the text is in Japanese, "the pictures are in English."

I had planned to bring along a copy of The Monster Movie Fan's Guide To Japan for Mr. Tomiyama, but in the rush to get to the dinner, I forgot to bring it. I mailed a copy to Mr. Tomiyama the next day.

My dear old monster. I owe everything to him. He's my best friend

During the production of Frankenstein (1931) there was some concern that seven-year-old Marilyn Harris, who played Maria, the little girl thrown into the lake by the creature, would be overly frightened by the sight of Boris Karloff in costume and make-up when it came time to shoot the scene. When the cast was assembled to travel to the location, Marilyn ran from her car directly up to Karloff, who was in full make-up and costume, took his hand and asked "May I drive with you?" Delighted, and in typical Karloff fashion, he responded, "Would you, darling?" She then rode to the location with "The Monster."

See Also: Dracula / Frankenstein 8 x 10 Studio Still - Dracula / Frankenstein Poster Image - Original Studio Image

"One always hears of actors complaining of being typed - if he's young, he's typed as a juvenile; if he's handsome, he's typed as a leading man. I was lucky. Whereas bootmakers have to spend millions to establish a trademark, I was handed a trademark free of charge. When an actor gets in a position to select his own roles, he's in big trouble, for he never knows what he can do best. I'm sure I'd be damn good as little Lord Fauntleroy, but who would pay ten cents to see it?" - Boris Karloff (IMDB)

Read Also: Frankenstein: Comics Greatest Monster - and - Five Myths About The ‘Frankenstein’ Monster

Monster of Frankenstein Book and Record Set (Power Records) - May 1974 Issue - Marvel Comics

From View Obscura Comics

Only 1 available - Order Here

Written by Gary Friedrich. Art by Mike Ploog.

In 1788, Victor Frankenstein leaves his family estate in Geneva, Switzerland to study natural science at the University of Ingolstadt. While there, he becomes obsessed with the idea of recreating life from dead tissue and begins robbing graveyards in order to acquire body parts. He stitches the various body parts together and subjects the patchwork subject to chemical treatments and electrolysis. Frankenstein succeeds in bringing his creation to life. Horrified by the creation's jaundiced features, Victor abandons his creation and returns to Geneva.

The monster becomes a subject of fear and horror in Ingolstadt and flees into the forests. He briefly befriends an old man and learns how to speak and read. With time, he decides to travel towards Geneva to find his father to learn why he had created, and later rejected him.

The monster comes upon young William Frankenstein and accidentally murders him. He frames a woman named Justine Moritz for the crime. Justine is the Frankenstein house servant and lifelong friend of Victor. She is arrested, tried and sentenced to hanging for the murder of young William Frankenstein. Victor soon discovers that his creation is responsible for the death of his little brother. He begins searching all over Switzerland for him, but it is the creature that finds him first.

See Also: Eerie (1966 Warren Magazine) #71- January 1976 - Warren Magazine - and - Eerie #41- August 1972 - Warren Magazine

The 100 Greatest Monsters From Movies And Television #91 - #100

Originally published in 2010 our "The 100 Greatest Monsters From Movies And Television" series proved to be one of the most popular in the history of Monster Island News. It only seemed like a no-brainer to dust it off to help launch our month long celebration of horror and movie monsters for Halloween.

100. GIANT RABBITS

Night of the Lepus, also known as Rabbits, is a 1972 American science fiction horror film based on the 1964 science fiction novel The Year of the Angry Rabbit. Released theatrically on October 4, 1972, it focuses on a group of people in a small Arizona town battling thousands of mutated, carnivorous killer rabbits. The film was the first science fiction work for both producer A.C. Lyles and director William F. Claxton, who both came from Western film backgrounds. Various character actors from Westerns the pair had worked on were brought in to star in the film, including Stuart Whitman, Janet Leigh, Rory Calhoun, and DeForest Kelley. Shot in Arizona, Night of the Lepus used domestic rabbits filmed against miniature models and actors dressed in rabbit costumes for the various attack scenes.

Before its release, Metro-Goldwyn-Mayer (MGM) renamed the film from its original name of Rabbits, and avoided including rabbits in most promotional materials to try to keep the mutant creatures being featured a secret. However, the studio itself broke the secret by releasing rabbit foot themed promotional materials before the release. Widely panned by critics for its premise, bad directing, stilted acting, and laughable special effects, the film's biggest failure was considered to be the inability to make the rabbits seem scary. The film has gained cult status for its badness, and was released to home video for the first time in October 2005 when it was released to Region 1 DVD. (From Wikipedia)


99. THE GIANT CLAW

The Giant Claw is a 1957 sci-fi film about a giant bird that terrorizes the world. Produced by Clover Productions under the working title 'Mark of the Claw' and released through Columbia Pictures, it starred Jeff Morrow and Mara Corday, and was directed by Fred F. Sears. The film has been a staple of the bootleg video market with only two official VHS releases (one in the USA through Goodtimes Home Video and the other through Screamtime in the United Kingdom) to date. Columbia Pictures finally released the film officially to DVD in October 2007 as part of the two disc four film set Icons of Horror Collection.

Mitch MacAfee (Jeff Morrow), while engaged in a radar test flight, spots an unidentified flying object. Jets are scrambled to pursue and identify the object but one goes missing. Officials are initially angry at MacAfee but are forced to take his story seriously after several other planes disappear. A gigantic bird, purported to come from an antimatter galaxy (and then later from the year seventeen million B.C.), is responsible for all the incidents. Mitch, along with his mathematician girlfriend Sally Caldwell (Mara Corday), Dr. Karol Noymann (Edgar Barrier), and generals Considine (Morris Ankrum) and Van Buskirk (Robert Shayne), works feverishly to develop a way to defeat the seemingly invincible enemy. The climactic showdown takes place in New York City, with the bird attacking both the Empire State and United Nations buildings. (From Wikipedia)




98. REPTILICUS

Reptilicus, a giant monster film about a fictional prehistoric reptile, is a Danish-American co-production, produced by American International Pictures and Saga Studios, and is upon close examination two distinctly different films helmed by two different directors.

The original version, which was shot in Danish was directed by Danish director Poul Bang and released in Denmark on February 25, 1961.

The American version, which was in English with a nearly identical cast, was directed by the film's American producer-director Sidney W. Pink; this version was initially deemed virtually unreleasable by American International Pictures and had to be extensively reworked by the film's Danish-American screenwriter, Ib Melchior, before being finally released in America in 1962.

Resembling a giant dragon-like serpent with webbed wings, Reptilicus, with near-impenetrable armor-plated skin, had the ability to regenerate itself from any segment as well as fly (a feature obscured in the US version, when AIP removed the flying scene). In the US version, an effect was added (albeit randomly and clumsily) where Reptilicus shot a neon-green acid slime from his mouth. (From Wikipedia)

97. GAPPA

Daikyojū Gappa (大巨獣ガッパ?, "Giant Beast Gappa") is a 1967 tokusatsu kaiju film. The film was produced by Nikkatsu Corporation, and was their only film in the giant monster genre. The international English title for the film was Gappa the Triphibian Monster. The international English print was reedited and retitled Monster from a Prehistoric Planet, for its original release in the United States.

An expedition from Tokyo heads to Obelisk Island, which a greedy entrepreneur (Mr. Funazu, the President of Playmate Magazine) wants to turn into an island resort. The natives of Obelisk welcome the expedition, but when two members, Hiroshi and Itoko, venture into the forbidden part of the land, they skeptically venture ahead, despite the pleas of a native boy named Saki. They enter a cavern (which was blocked by a statue that had collapsed) and find a giant egg, out of which hatches a baby monster, a "bird-lizard", referred to as a "Gappa" by the natives, who plea with the scientists not to take the baby away, lest they anger the baby's parents, to which the scientists react with skepticism. Sure enough, they take the baby away, and soon, inside the caverns, its two larger parents rise from the underground waters! They rise from beneath the island volcano, destroying everything in their path, with Saki being the only survivor left on the island (rescued by an American navy fleet and brought back to Japan).

Meanwhile, back in Japan, the baby "bird-lizard" monster makes world headlines, not to mention being experimented on by scientists. But to the shock of the expedition members, they hear news of two giant flying creatures appearing over Sagami Bay. The Gappa parents ravage cities looking for their offspring, and are impervious to military weapons. Hiroshi, Itoko and Professor Tonooka (a scientist from the expedition) have figured that the "Gappas" aren't a legend after all. They, and Saki, try to plead to the headstrong Mr. Funazu to let go of the baby and return it to its parents. Will they convince him before the Gappas destroy Japan and perhaps the world? (From Wikipedia)


96. KONGA

Konga is a 1961 British science fiction film directed by John Lemont and starring Michael Gough, Margo Johns and Austin Trevor.

British botanist Charles Decker goes insane after he discovers a serum that turns his cuddly chimpanzee subject Konga into a ferocious gorilla-sized ape. To further his hideous experiments, Decker mesmerizes the chimp and sends it to London to kill all his former enemies, including the lover of the woman the doctor wants for himself. This doesn't set well with Margaret, the botanist's assistant and current girlfriend, who attempts to get even by giving Konga an enormous amount of the strange serum and turns him into a Godzilla-sized monster, though she becomes his first victim. Just before going on a deadly rampage, the super-sized ape grabs Decker in one of his enormous hands. His rampage comes to a stop when he and Decker are killed by the British army. Upon his death, he reverts back to a chimpanzee. (From Wikipedia)


95. GREEN SLIME

The Green Slime (ガンマー第3号 宇宙大作戦, Ganmā Daisan Gō: Uchū Daisakusen?, aka Gamma 3: Operation Outer Space) is a 1968 science-fiction film produced by MGM in the United States and shot in Japan at the studios of Toei Company by director Kinji Fukasaku. The film was spearheaded by the same creative team who produced similar Italian outings including Wild, Wild Planet, Ivan Reiner and Walter Manley.

A group of astronauts set out to stop a giant asteroid on a collision course with the planet Earth. They land on the asteroid, plant explosive charges and destroy it. Afterwards they return to the staging area, a space station called Gamma 3 in orbit around the Earth. Unfortunately, a scientist from the mission has unwittingly carried a luminous-green substance on the leg of his spacesuit which quickly mutates into one-eyed, tentacled monsters with the ability to discharge lethal bolts of electricity. The Gamma 3 crew fend off the alien creatures with their laser-based weaponry, only to discover the creatures feed off the energy which, in turn, allows them to multiply rapidly, sprouting the new creatures from their blood. As the creatures overrun the station the crew continues to fight back against overwhelming odds. (From Wikipedia)


94. GIANT LEECHES

Attack of the Giant Leeches is a low-budget 1959 science fiction film from American International Pictures. It was directed by Bernard L. Kowalski, produced by Gene Corman, and the screenplay was written by Leo Gordon. The film is in black and white, and runs for 62 minutes. It was one of a spate of monster movies produced during the 1950s in response to cold war fears; in the film a character speculates that the leeches have been mutated to giant size by atomic radiation from nearby Cape Canaveral.

In the Florida Everglades, a pair of larger-than-human, intelligent leeches are living in an underwater cave. They begin dragging local people down to their cave where they hold them prisoner and slowly drain them of blood.

One of the first people to be so taken is the local vixen, Liz Walker, played by Yvette Vickers. After a couple of gratuitous displays of flesh (Yvette appeared as the centerfold in the July 1959 issue of Playboy), and some running around on her husband (Bruno VeSota), Liz finds herself a prisoner of the leeches along with her current paramour. Game warden Steve Benton (Ken Clark) sets out to investigate their disappearance. Aided by his girlfriend Nan Grayson (Jan Sheppard) and her father, Doc Grayson, he discovers the cavern.

The giant leeches are unrealistically portrayed by men in rubber suits, but they do provide suitably disgusting scenes when attacking their victims. The monsters are finally destroyed when Steve, Doc, and some state troopers blow up the cavern with dynamite. (From Wikipedia)


93. RAIGA

The second theatrical film directed by Shinpei Hayashiya, a rakugo master (comic storyteller). Raiga, the evolved version of the deep-sea aquatic dinosaur “Reigo” from his first film Deep Sea Monster Reigo, runs rampant in the town of Asakusa! …

It has been over six decades since the battle of Deep Sea Monster Reigo and Battleship Yamato. As global warming worsens, throwing the ecosystem off balance, a disaster approaches Japan. A mysterious, massive creature emerges from the nearby ocean and a fishing boat encounters an ominous deep-sea creature in Tokyo Bay. Then a giant monster “Raiga” lands in Asakusa, Tokyo! The Taito Guard is called out at the request of the government, and a cut-throat battle beyond all imagination begins…


92. MOORWEN

Outlander is a 2008 science fiction film directed by Howard McCain and starring James Caviezel. Caviezel has described Outlander to be a light combination of Braveheart and Highlander.

Outlander begins when a spacecraft tears through the atmosphere and streaks across the sky, crashing into a Norwegian lake in 709AD. From the wreckage emerges Kainan, a soldier from a faraway planet, and a deadly alien stowaway called a Moorwen. Before he has a chance to track down the alien Kainan, the Outlander, is captured by a Viking warrior and held prisoner in the local village led by King Rothgar. Gradually, as the Vikings come round to accepting his story about "hunting a Dragon", he is accepted into their society. Flashbacks reveal his history where man and monster both seek revenge for violence committed against them.

As the Moorwen "Dragon" ravages the Viking lands, killing everything in its path, Kainan forms an alliance with the primitive but fierce warriors. The Moorwen devastates the rival village, triggering war with its surviving warriors led by King Gunnar, who assaults Kainan's village. However, Gunnar's forces are repulsed, and as the enemy Vikings retreat into the forest, the Moorwen strikes leaving the Vikings no choice but to run back for refuge to their former foes. Together, the two sides attempt to destroy the Moorwen and its newly spawned off-spring. The village takes massive casualties, including both of the tribal kings. With the warriors demoralised, most of the Vikings leave the village in search of a new home and safety.

Kainan, his friends, and the King's feisty daughter Freya, stand together to destroy the Moorwen. Kainan assists the Vikings by salvaging pieces of his crashed spacecraft and forging weapons capable of harming the creature. After a harrowing journey, the Vikings and Kainan confront the Moorwen in caves under the village where the alien monsters are finally defeated. Only Kainan and Freya survives. As the movie ends, Kainan destroys a homing beacon triggered when his ship crash-landed, deciding to remain on Earth rather than return to his home in the stars. He marries Freya and becomes the new King of the tribe. (From Wikipedia)


91. THE 50 FOOT WOMAN

Attack of the 50 Foot Woman is a 1958 American science fiction feature film produced by Bernard Woolner for Allied Artists Pictures. It was directed by Nathan H. Juran (credited as Nathan Hertz) from a screenplay by Mark Hanna, and starred Allison Hayes, William Hudson and Yvette Vickers. The original music score was composed by Ronald Stein. The film was a take on other movies that had also featured size-changing humans, namely The Amazing Colossal Man and The Incredible Shrinking Man, but substituting a woman as the protagonist.

The story concerns the plight of Nancy Archer, a wealthy heiress whose close encounter with an enormous alien being causes her to grow into a giantess. She uses her new size and power to seek revenge against her philandering husband Harry and his mistress, Honey Parker.

A TV Announcer (Dale Tate) tells of people around the globe spotting a floating red ball. Nancy Archer (Allison Hayes) is a wealthy but highly troubled woman. She's speeding along the desert roads at night, fleeing her problems. A glowing ball settles on the highway in front of her. A giant reaches for her, but she runs back to town. No one believes in her story because of her drinking problem and having been institutionalized before. Her shifty husband (William Hudson) is more interested in his floozy (Yvette Vickers). Nonetheless, he pretends to be the good husband in hopes that Nancy will 'snap' and return to the 'booby hatch'. She convinces him to search the desert with her, looking for the "satellite". Eventually, they find it, and as the giant emerges Harry flees, leaving Nancy behind. Later, Nancy is found on the roof of her pool house. She's sedated by her doctor. Harry thinks to give her a lethal injection of sedative, but when he goes up to her room, he finds she's grown into a giant. The sheriff and Nancy's Butler find and explore the alien's spherical ship. Seems the giant alien needs diamonds, perhaps fuel. The giant alien interrupts, wrecking their car, so they walk back. Nancy awakens and breaks free. Determined to find her wayward husband, she breaks through the roof of her house, and stomps off to town. In town, she takes the roof off the bar. A beam falls on the floozy, killing her. Nancy picks up Harry and walks away, The sheriff shoots at her to no apparent effect, but accidentally hits a power line transformer. It blows up near Nancy and kills her, with Harry lying crushed in her hand. (From Wikipedia)

See Also: The 100 Greatest Monsters From Movies And Television #81 - #90

Marvel Classic Comics #9 - Dracula - September 1976 Issue - Marvel Comics

From View Obscura Comics

$9.99 USD - Only 1 available

Nestor Redondo art; Gil Kane cover.

London solicitor Jonathan Harker travels to the castle of Count Dracula in Transylvania to broker a real estate deal. Dracula purchases the lot of land known as Carfax Abbey in London. Harker realizes soon after however, that Dracula is a vampire lord and intends on using the purchase to expand his influence into England. He enslaves Jonathan and keeps him trapped in his castle while he travels to England.

Jonathan eventually escapes and travels as far as Budapest before he can make contact with his family back in London. Jonathan's fiancée, Mina Murray receives his letter and travels to Budapest. The two are married soon after Jonathan recovers from injuries sustained while a prisoner in Dracula's castle. Mina believes that his experiences may be the result of a fever.

Back in London, Dracula arrives at Whitby on the Demeter. Almost immediately, he begins hunting for fresh victims. He finds Lucy Westenra, a friend of Mina's and begins the seduction that will ultimately transform her into a vampire. Lucy’s fiancée, Arthur Holmwood discovers that she is sick, and seeks the aid of Dr. John Seward and Professor Abraham Van Helsing. But neither of them are able to save Lucy's life. Lucy dies and rises from the grave as a vampire. Arthur and Van Helsing go to her tomb and capture her during sunrise. They hammer a wooden stake through her heart, destroying her.

See Also: Giant Size Dracula (1974) #3 - December 1974 Issue - Marvel Comics - and - Tomb of Dracula #43 - April 1976 Issue - Marvel Comics

Doc Brown Comes 'Back to the Future' in Teaser for New Short

Christopher Lloyd reprises his famous role for 'Doc Brown Saves the Day'

From The Hollywood Reporter

As all true Back to the Future fans know, Oct. 21, 2015, is a very important date for time travelers — it's the day the 1980s Marty McFly arrived in his future for the first time. It turns out it's also going to be the date that Christopher Lloyd's Doc Brown makes his long-awaited return from the Wild West

See Also: The Man Called Flintstone - Original 11 x 14 Movie Lobby Card

Universal has released a teaser for Doc Brown Saves the World, an exclusive short included in the 30th-anniversary re-issue of the Back to the Future trilogy, showing Lloyd reprising his role as the absent-minded inventor and getting out of the iconic DeLorean time machine one more time — although quite what he's up to beyond that remains unclear for now.

This is actually the second time Lloyd has played Doc Brown this year; in May, he returned to the character in a teaser for the multifranchise crossover video game Lego Dimensions. Quite where Mary Steenburgen's Clara Clayton is during all of this is a question no one has seen fit to answer just yet.

Also Read: Diamond Select Toys Announces Panels, Party and Promos For Comic-Con International 2015 - and - Back to the Future II DeLorean Vehicle



READ MORE

Mulder And Scully Reunite In 2-Part Trailer For 'The X-Files' Revival

From The Huffington Post

"In 2002, our investigation ceased, but my personal obsession did not."

Read Also: The X-Files Comics Digest #1, December Issue - Topps Comics

Those words, uttered by Fox Mulder in a new two-part trailer released on Monday, will be music to the ears of "X-Files" fans everywhere.

The Fox drama series is making a TV comeback in January after a 13-year hiatus. The new trailer shows Mulder (played by David Duchovny) reaching out to his former partner Dana Scully (Gillian Anderson), and gives a glimpse of the eerie excitement in store.

As the trailer promises: "The truth is still out there."

See Also: 'The X-Files' Boss Chris Carter Explains Mulder and Scully Split - and - X-Files Wraps Up Filming As Twin Peaks Preps Production





READ MORE