Showing posts with label Star Wars Episode 4 A New Hope. Show all posts
Showing posts with label Star Wars Episode 4 A New Hope. Show all posts

Experience the Thrill of the Original Star Wars on the Big Screen Once More!


 Written By Ken Hulsey

Exciting news for Star Wars fans! Multiple sources have confirmed that, to commemorate the film's 50th anniversary, Lucasfilm will bring the original version of Star Wars: A New Hope back to theaters on February 17, 2027. This is the untouched cut that fans remember, before George Lucas made changes and added new scenes over the years. That's right—get ready to chant "Han shot first" once more!

Digging Deep Into My Archives For A Star Wars Mega Post! - My The 4th Be With You

Star Wars: Journal of the Whills


ANOTHER galaxy, another time.

The Old Republic was the Republic of legend, greater than distance or time. No need to note where it was or whence it came, only to know that… it was the Republic.

Once, under the wise rule of the Senate and the protection of the Jedi Knights, the Republic throve and grew. But as often happens when wealth and power pass beyond the admirable and attain the awesome, there appear those evil ones who have greed to match.

So it was with the Republic at its height. Like the greatest of trees, able to withstand any external attack, the Republic rotted from within though the danger was not visible from outside.

Aided and abetted by restless, power-hungry individuals within the government, and the massive organs of commerce, the ambitious Senator Palpatine caused himself to be elected President of the Republic. He promised to reunite the disaffected among the people and to restore the remembered glory of the Republic.

Once secure in office he declared himself Emperor, shutting himself away from the populace. Soon he was controlled by the very assistants and boot-lickers he had appointed to high office, and the cries of the people for justice did not reach his ears.

Having exterminated through treachery and deception the Jedi Knights, guardians of justice in the galaxy, the Imperial governors and bureaucrats prepared to institute a reign of terror among the disheartened worlds of the galaxy. Many used the imperial forces and the name of the increasingly isolated Emperor to further their own personal ambitions.

But a small number of systems rebelled at these new outrages. Declaring themselves opposed to the New Order they began the great battle to restore the Old Republic.

From the beginning they were vastly outnumbered by the systems held in thrall by the Emperor. In those first dark days it seemed certain the bright flame of resistance would be extinguished before it could cast the light of new truth across a galaxy of oppressed and beaten peoples…

From the First Saga

Journal of the Whills

“They were in the wrong place at the wrong time. Naturally they became heroes.”

Leia Organa of Alderaan, Senator

From the prologue of the Star Wars novelization - 1976/77



Star Wars - The Story of a Boy, a Girl and a Universe


 In early 1976 a small blurb appeared in the news section of Science Fiction Illustrated Magazine stating that film maker George Lucas was shooting some kind science fiction out in the valley north of Los Angeles. The project was way over budget and the executives at 20th Century Fox were getting scared and thinking about cutting their loses. It was the opinion of the reporter that the film would never be finished. 

We all know that the unnamed project that George Lucas was wasting Fox's money on was Star Wars which by a shear miracle would end up becoming the top grossing movie of all-time and a pop culture phenomena the world had never seen.


By the winter of 1976 20th Century Fox had determined that they had sunk such a large amount of money into Star Wars that they literally had no choice but to go all-in on trying to promote the movie in hopes that it may actually break even. The first trailer for Star Wars hit theaters in December of 1976 and featured the best of the completed special effects shots. There were space ships, robots, monsters and lots of explosions. 


There was some really interesting stuff that ended up on the cutting room floor.

The Tosche station deleted scene from Star Wars: A New Hope paints a fascinating picture of early plans to flesh out the galaxy far, far away, even if, in hindsight, it was probably for the best that it remained on the cutting room floor. But as Mark Hamill recently reflected, one sad reason it remains mostly hidden is the insight it gives to Luke’s character. 

 Speaking recently as a guest on the Russo Brothers’ Instagram Live series, the Pizza Film School Hamill reflected on one of the earliest deleted scenes in Star Wars history. It would’ve seen Luke witness the Tantive IV and Devastator’s brief battle above Tatooine before heading on over to Tosche to get those power converters he loves whining about. There, Luke bumps into a few friends: Camie and Fixer, but also a returned Biggs Darklighter, who’s graduated from the Imperial Academy that Luke so desperately wants to flee to himself... but as Biggs confides to Luke, he’s got no plans of staying part of the Empire’s regime.


Star Wars Carrie Fisher: Lunch With Monsters At A Chinese Restaurant
 

First published in Science Fiction, Horror & Fantasy (Magazine) – Fall /Winter 1977.

In STAR WARS, Carrie Fisher has a film role that measures up to her fantasy life. She portrays the beautiful Princess Leia, a senator from the plant Alderaan and a rebel-leader working secretly for freedom and justice against the oppressive, evil Galactic Empire.

“When I made my first film, SHAMPOO, my scene was shot in Beverly Hills, which is where I grew up. I wore this little tennis outfit, which was something I might wear in real life. It wasn’t at all what I expected making movies would be,” Carrie Fisher said. “I grew up watching movies and they always seemed like adult recess. And that’s exactly what making STAR WARS turned out to be – a kind of adult recess. I got to go to lunch with outerspace monsters at a Chinese restaurant.”

Born October 21, 1956, the daughter of Debbie Reynolds and Eddie Fisher, Carrie Fisher is five foot one with dark hair and large dark eyes. She was brought up in the show-business-oriented world of Beverly Hills and made her professional debut at the age of thirteen in her mother’s nightclub act. After appearing in SHAMPOO she attended the Central School of Speech and Drama in London. She had been approached to do several motion picture roles following the stir her brief scene in SHAMPOO had created, but none of them really interested her until she read and was tested for STAR WARS.

“I wanted to do the role of Princess Leia because I wanted to have real conversations with people with bubbles on their heads,” Carrie explained, “I just wanted to be blasé about someone sitting across from me being a ‘small person’ or some strange looking person who was hired through the Ugly Agency. I love that there’s an agency in London called that. I can’t tell you how thrilled I was to be casually sitting around with those people as if they didn’t have hair-dryer heads and things like that. I wanted to sit next to Wookies, which are tall, half-man, half-ape creatures, Jawas, which are tiny, shrouded creatures with glowing eyes, and all kinds of robots.

“The people in the restaurant wouldn’t react. I thought that was terrific. And we were in Borehamwood, which is the English version of Crazylady, Wyoming. If I saw someone who was seven foot two, like Peter Mayhew, who plays Chewbacca the Wookiee, with someone like me, who is really small, and all of the rest of the weird looking cast, I certainly would react. We looked like a Fellini congregation entering this little Chinese restaurant.”

“Although I never read much science fiction before I made STAR WARS I had a kind of active space fantasy life all my own.”

When asked about her feelings about making a space fantasy film such as STAR WARS, Carrie admits that she enjoyed doing the stunts. “Especially swinging across the Death Star chasm. I was scared to death. And when I finally did it, I felt like my body was being ventilated from the inside. But it was a different kind of terror. And I knew it wasn’t going to be fun to do. I was really afraid of doing something wrong. I was sort of sorry we got it right on the first take. Once I got over the initial shock of doing it, I wanted to do it again. I still do. And that’s why I hope they do a sequel with lots of swings across chasms in it.”

What Was It Like To See Star Wars In 1977?


 A brand new video from Looper that is circulating around that rather accurately depicts just how popular and life changing an experience seeing Star Wars back in 1977 actually was. 

Before I share that video I want to share my very own experience. The first ever image that I ever saw from Star Wars appeared on a fellow classmates school folder. It was a scene from the film that featured two Imperial Stormtroopers in combat. I didn't known anything about the movie in fact I didn't even know that the characters I were looking at where called Stormtroopers. In fact I'm sure that I thought that they were supposed to be robots. It honestly didn't matter. From that one image I knew that I had to see Star Wars. Those two Imperial Troopers were the coolest thing my ten year old eyes had ever seen!

I actually didn't get to see Star Wars in it's first run, even though I pleaded and pleaded, due solely to the fact that I lived in a small Texas town with a small theater that didn't show it. The closest theater showing Star Wars was an hour away and my parents weren't going to take a four hour round trip to see some space movie.

Had it been a John Wayne movie my dad would have been up for it, but a movie about robots and stuff, not a chance.

As luck would have it, the very next summer Star Wars would return to theaters and my family would be in the process of moving from Texas to New Mexico. My folks had a bunch of boring paperwork to do so they mercifully dropped off this kiddo at a local theater for my first viewing of Star Wars. I have to tell you, my geeky little mind was blown away within the first few minutes of the movie. The film, as you know, starts of with a bang and before I could recover from the opening scrawl spaceships are flying over my head locked in combat. You really have to put that one scene into perspective for someone in the seventies seeing it for the first time. Nothing like that had ever appeared in a movie before. In shows like Star Trek a space battle consisted of two ships pairing off face to face taking two or three shots at each other before someone surrendered. This was an actual space battle!

From that point on I was engrossed in the type of science fiction film that I had always dreamed about and to make a long story short, I have been a die hard Star Wars fan ever since.

Now here is that video I promised:


Bob Anderson The Forgotten Darth Vader


Most Star Wars fans know that the evil Lord of the Sith, Darth Vader, has been played by multiple actors.

Even though British actor and stunt man David Prowse insists he IS Darth Vader.

Of course Prowse played Vader (Physically) in the original trilogy while James Earl Jones supplied his voice. Veteran theater actor Sebastian Shaw played the Sith Lord when we was unmasked in ‘Return of the Jedi, while Hayden Christensen donned the costume (with help from some shoe lifts) in ‘Revenge of the Sith’.

When Vader returned to the screen in 2016's ‘Rogue One’, James Earl Jones once again provided his iconic voice, while Spencer Wilding and Daniel Naprous were responsible for the physical performance.

One name you may not know is Bob Anderson an English Olympic fencer and a renowned film fight choreographer who stepped in for Prowse for the lightsaber battles in The Empire Strikes Back and Return of the Jedi.

Anderson subsequently went on to be involved in all three of the original Star Wars films. Anderson did not receive much recognition for his work for years after their initial release. Mark Hamill in 1983 revealed, "Bob Anderson was the man who actually did Vader's fighting. It was always supposed to be a secret, but I finally told George I didn't think it was fair any more. Bob worked so bloody hard that he deserves some recognition. It's ridiculous to preserve the myth that it's all done by one man." Anderson in 1994 specified that for The Empire Strikes Back and Return of the Jedi he staged the lightsaber duels and also wore the Vader costume in fight scenes. David Prowse, who played Vader, said he did his own swordplay in the first Star Wars film but afterward, "having one of the principals do his own stunts made [the filmmakers] very weird from an insurance point of view. - Wiki

Here is a short bio for Bob Anderson:

Robert James Gilbert Anderson (15 September 1922 – 1 January 2012) was an English Olympic fencer and a renowned film fight choreographer, with a cinema career that spanned more than 50 years and included films such as Highlander, The Princess Bride, The Mask of Zorro, The Lord of the Rings, and Die Another Day. He was regarded as the premier choreographer of Hollywood sword-fighting, and during his career he coached many actors in swordsmanship, including Errol Flynn, Sean Connery, Antonio Banderas, Viggo Mortensen, Adrian Paul, and Johnny Depp.

Star Wars: Mark Hamill Press Conference
 

Mark Hamill Talks About His Experience Making Star Wars

From a press conference of the Hollywood Foreign Press Association – By Yani Begakus

Mark Hamill – With all the merchandising that’s going on, I really wish they would publish the original screenplay for STAR WARS. It is so thick with ideas – more descriptions and more of everything than was in the movie. There just wasn’t time to get it all in. Yes, it is very simple, and people say there is no story line – just bad guys chasing you because you have something they want. On one level, that’s true; on another level…you know, even though I am ostensibly the hero, George Lucas has given me a menagerie of supporting creatures – animal, vegetable and mineral – and everybody’s working together. Men working with machines, working with rodents, working with whatever…I think it’s terrific.

There are things that don’t satisfy the audience about Luke – I’m too naïve, too straight forward, too earnest. All those things are complicated by Harrison Ford’s character, who is cynical, or Carrie Fisher’s character, who is very aggressive and sure of herself. Every creature in the story line has such a recognizable human quality. The kids, of course, respond to the Wookie because he’s big and furry and scary, but also he’s more scared than they are. That they love!

They were always fair with us during the filming. They didn’t make us fly blind. I mean, we had all those oil paintings that were done by Ralph McQuarrie, visualizations, beautiful paintings of all the characters. On certain sequences, like say, the rescue of the Princess, they used story-boards just like a Sunday comic strip. Like a Walt Disney animation.

We went to see all the models before filming; and they said: this is the Millenium Falcon, and these are the fighters. I just sort of memorized them all so I knew what they were talking about in the screenplay.

As much as possible, they tried to show us what it was all going to look like. But we were still amazed when we saw it!

One of the most difficult things was the final battle sequence. Everybody, all the pilots, sat in the same cockpit. It was like popping people into a dentist’s chair. Pilot number one, pilot number two, pilot number three….I was pilot number five. Take a number and wait. They had all these guys rocking you on a platform ten feet off the ground, bored. And there was nobody reading off lines to you – no script girl. We went through what must have been fifteen pages of that last battle without stopping! I had to memorize all the different dives and where this guy gets blown up and that he was supposed to be my friend in high school and where to turn off the targeting device and then just fly along for a while. If I forgot, I’d just fake it. That was really hard! I asked George later why he did that sadistic thing to the actors, and he said because it added a sense of urgency.

Tunisia. Ah, that was my favorite part of the movie. It was very easy to imagine you were out in another galaxy if you just turned your back on the film crew and watched the sun going down. It’s so exotic. Plus, when I’d be in the Landspeeder, they’d give me a suite, a robot – all those toys!

George Lucas is very generous with his actors. He’s very open to suggestion. If you have a better idea for a line of dialog, he’ll listen. He’s much more, I think, a technical director. He knows film. He knows camera angles, F-stops, lighting, everything like that, but he’s such an inward person – a private shy man – he is not the kind of director who will say: that was GREAT. He just says: that’s not right, do it again. He doesn’t want to tell an actor how to do it.

When I went in to do the screen test for the part, George didn’t say: Luke is an innocent but shy, earnest young lad. He wanted my version, and I lucked out. I played it straight because I thought the six pages I was reading were so ridiculous it must be like BATMAN or something. I mean, it’s a very fine line you tread when you’re saying things like: Golly, they followed us! You’re just potato chip thin away from being camp.

The new KING KONG (1976) didn’t get that line right. They couldn’t decide whether they were sincere or not. I have to think that one reason it didn’t work was that it was not set in the thirties, when people were naïve and you could do those lines. Why did it work in the original and it didn’t work with the Seventies sensibility?


That’s why setting STAR WARS in another galaxy is a stroke of genius, as far as I’m concerned, because then it not burdened with being scientifically correct for the science-fiction buffs, the ones who say it’s absurd to have sound in outer space. You ask them: is it any more absurd than having a nine-foot apeman wearing headphones flying our spaceship? In STAR WARS, we don’t things the way we would from a Seventies point of view – with all we’ve been through. Then the Princess can give me a kiss on the cheek to show me her confidence. It’s funny to us, because the Stormtroopers are after us and forty-thousand ray guns are pointed at our heads. But it’s not the Seventies, it’s somewhere a long time ago; so why shouldn’t the Princess give me a kiss on the cheek for luck? It’s my favorite part.

STAR WARS is like a good ride at Disneyland. You just put on your seatbelt, relax, and off you go. George really and sincerely made it for children, but it has that magic ingredient you find in the classic Disney movies – it doesn’t pander to children. It tells the story straight. George gave them a thousand things at once without explaining any of them. He hit a chord with adults. It’s a cliché, but it’s true that there is a portion of child in you until you die.

Is Luke really George Lucas? I didn’t think so a t first. I just didn’t make the obvious connection of Lucas and Luke. I started thinking of it when I saw the things that tickle George, or the kind of humorous things I might say to cheer him up (he suffers so when he makes his movies). I discovered that George is such a kid. He built this movie around gadgets and toys because he loves them so much. We gave him a little BUCK ROGERS liquid helium pistol, Carrie and I, as a gift. He loved it; he wouldn’t put it down. He’d spin it – and not let the other children play with it.

I think George just thought: if I’m going to have to write a character who’s going to appeal to children, I’ll have to write all the things I would like to do if I were the hero – whether swinging across the chasm or flying the X-Wing.

From the beginning I thought we were going to be doing sequels, so I chose to play Luke really young, as I could and get away with it. More than the other characters, my character will have to swing into young manhood.

I understand George’s and Gary Kurtz’ intentions; they always wanted to set up their own little JAMES BOND series – taking the environment George has set up but keeping it limitless in terms of what the characters can do. For the sequel, he’s going to add new characters. It won’t be a direct sequel to the first story; it’ll be a series of adventures, you know, in that galaxy. George has such an opportunity to surprise you!


I think the second film will be better than the first one, simply because the vision is so much clearer now. When they were trying to get over nine hundred people to match up with what was in George’s imagination, when they had to have a guy in the art department go and tell this guy to build something and then explain to the studio why it costs so much money…I mean, the fact that it came off at all is amazing. But now that’s it’s clear in people’s minds what we’re trying to do….which, as far as I’m concerned is just escapist entertainment.

I think the only danger with this whole phenomenon of STAR WARS is that people are placing too much importance on it. I think that’s why you’re getting some negative reactions. People say: oh, come on – it’s fun and it’s dazzling, but it’s very simple minded. Well, what’s wrong with that? I mean, I don’t need to have some sort of false intellectual experience every time I go into a movie theater. What for? To make me feel better about the fact that I’m nor home reading a best-seller?

I saw CLOSE ENCOUNTERS yesterday for the second time. I really liked the movie. It’s inevitable, I guess, that it’s being compared to STAR WARS, but as far as I’m concerned, the only thing they have in common is vehicles that go off the ground. It’s like trying to compare PSYCO with SNOW WHITE AND THE SEVEN DWARFS. The two movies have such different intentions. CLOSE ENCOUNTERS is a realistic account of what would happen if people on Earth in the present day came in contact with extraterrestrials. Even my family is doing it. I took them all to see CLOSE ENCOUNTERS; and of course they’re so loyal; they said: STAR WARS is better. I said: why didn’t you say that TURNUNG POINT is better or GOODBYE GIRL or HIGH ANXIETY? You just can’t make comparisons like that.

Did the Success of STAR WARS help CLOSE ENCOUNTERS? I don’t know. I think CLOSE ENCOUNTERS would have done well regardless of us. Because it’s just a real good movie. It’s funny…I saw it with George Lucas and Gary Kurtz, and as soon as we had finished seeing it, we had dinner with Steven Spielberg. It was great. Both of them really like each other’s films. George doesn’t feel threatened by CLOSE ENCOUNTERS and Spielberg doesn’t feel threatened by STAR WARS. There’s so much rivalry in this business that it’s nice to have two people who are this successful and are both friends.

The future? If the STAR WARS series runs as long as I think they’re going to run. I will be Ben Kenobi’s age when I do the last one.



I am not alone with feelings about seeing Star Wars for the first time. Several years ago I asked some of my celebrity friends to share their own stories:

Sci Fi & Horror Actors / Actresses Talk Star Wars


Peter Mayhew (Chewbacca Speaks!)

KH - Your first Hollywood job was playing the Minotaur in Sinbad and the eye of the Tiger. Is it true you got the job because of a photo in a London newspaper?

PM - Yes, actually, the article was about people with big feet. A reporter noticed me and a much smaller mate of mine when he visited his sick mom in the hospital where I was working and photographed us walking together and took some pictures of my feet. I didn't win the big feet contest, but that eventually led to my role in Sinbad.

KH - Back when you were working on Star Wars: A New Hope did you get a sense that you were working on something special or did it just seem like the usual B-movie space opera?

PM - I'm not sure what the usual B-movie space opera would have been. I don't think my thinking went that deep at the time, I really just thought it was a B-movie....period. I really don't think anybody knew what we were about to become a part of.

KH - What was it like to be in the Chewbacca costume? I would imagine it was quite uncomfortable on the set, but I bet you got the last laugh in Norway filming Empire?

PM - Yes, Norway I would have been the warmest one of the lot. Otherwise, it's something that you get used to and hopefully build some tolerance for the heat. I do admit that the new Chewie suit has a water cooling system though, makes it better.

KH - What were some of your favorite moments from filming the original Star Wars trilogy?

PM - Probably the chess match. I really didn't know how to play chess and since there weren't any pieces on the board anyway, I didn't feel very handicapped. I thought the final scene of the chess match as it was composited turned out really well. Well, at the very least, you should always let the wookiee win.

KH - What was it like to work with George Lucas? Many people have had different takes on him. What was your impression of the man?

PM - I really, honestly like George and can tell you from personal experience that he hasn't changed much, if at all, over the years. I'm pretty sure those were the same sneakers and the same flannel shirt that he was wearing during shooting in 1976.

KH - Many fans have wondered why "Chewie" never received a medal at the end of A New Hope? Did you ever want to speak up and say "Hey where's Chewie's medal George?"

PM - I was much too timid for that, but Chewie did finally get a medal at the MTV Awards several years back, it is one of my prized possessions.

Suzi Lorraine (Actress/Model/Writer)

"Star Wars" was of course a cultural phenomenon that changed the world of filmmaking. I remember all the action figures when I was little, and I always thought they were pretty cool. I remember those and my brother's 'Kiss' action figures vividly. The first time I saw Star Wars was on VHS. I was completely blown away with the creativity, concept and characters! I thought the effects were amazing- particularly so for 1978! I loved R2D2 and C3PO. The Star Wars bar rocked, and I make references to it often. If I have to pick my favorite characters- it would have to be the Ewoks from Return of the Jedi- ugly, cute, and whimsical all at the same time. As a "true" Star Wars fan - I'm not as fond of the new 'prequels'...."


Carl Craig (Jim Morgan in Destroy All Planets/US Air Force/US Government)

"The summer of 1977, I was a rising senior in college. I had just signed on for a new job right after finals. I already had a job with UPS and I needed the extra bucks for the new Corvette I was going to buy that summer. That and a serious relationship with a college girlfriend were the two most important topics of the day. However, there was a rumor of an incredible movie due out at the end of May and there was a big buzz about it. Also, there was talk about a new space TV show that fall (Battlestar Galactica). I liked the thought of some space themes as opposed to a big shark eating everyone and the last thing that was "spacey" was Close Encounters but that movie seemed so goofy and distant. The idea of a space theme with the name "Wars" in the title stimulated my thoughts of what a fighter pilot of the future might be like."

"I was learning how to fly that summer as a part of my Air Force R.O.T.C. scholarship. I was due to be commissioned and go to pilot training in 1978 and was really into airplanes, spacecraft, and the likes. I built every flying model known to man as a young boy and still had aspirations of space travel as an astronaut. I had the Battle of Britain hanging from my ceiling despite my folk's concern for me destroying the structural integrity of the ceiling and the house. It is funny how your dreams as a kid can be so exciting but when the realization of them coming true becomes a possibility, new feelings emerge from your already heaving emotions."

"I was really excited about being a pilot and more excited about being a fighter pilot. The futuristic battle in space was looming just weeks ahead. I can remember that I made a special effort to be at the box office some 5 hours ahead of the first showing. My college roommate thought I was crazy when we pulled into the parking lot at about 2 P.M. We had done this numerous times to get good student tickets for college football games. In fact, we had camped out a few times overnight to get them but to go to a movie theater this early? His thought of how crazy I was quickly diminished when he saw that we were going to be somewhere in the middle of the line to see the movie. The hoopla was genuine; the people we were talking with in line were extremely excited."

"We first sprinted to get seats and then I went and got a tub of well lubed corn and Raisinettes. It was unseasonably hot that week of May and the a/c was feeling pretty good while we waited for the lights to dim. I realize that Industrial Light and Magic and the program Lightwave was the basis for all the special effects from Lucas in new films of the era but the miniatures and models of Star Wars were spectacular! As a Japanese Monster Movie veteran, I was thoroughly impressed with the effects of Star Wars as opposed to my experience in Destroy all Planets with piano wires and the "man-in-a-suit" efforts."

"I had not been in a movie theater where people cheered and screamed when a premier was over. I do recall my folks telling me when they went to see Cecil B. DeMille’s 10 Commandments, the people applauded as the curtain closed. Now I was really fired up about being a pilot and an astronaut. Not only was the flying great, the pilot got the good looking chick to kiss him. Ok, it was his sister but how were we supposed to figure George Lucas out that early?"

"Anyway, I rate that movie as one of the most moving movies of my life. It could not have been timed any better and now, (40) years later, I still can sit through the entire movie and feel the same way I did the very first time. Star Wars has a special place in my life and I celebrate the (40th) anniversary with great enthusiasm. Long live the Jedi Knights and I am a firm believer in the "Force." It was with me for a long time and I hope it will stay with me for a long time to come."


Mr. Lobo (Host of the nationally syndicated TV series Cinema Insomnia)

"As a child of divorce in the 70's Star Wars was my mother and father. Star Wars was the Beatles of my generation and next to Creature Features the main inspiration that jumpstarted my career in fantasy."


Christopher Mihm (Writer & Director of The Monster of Phantom Lake)

"Actually, my first brush with Star Wars is my first memory EVER. I was born in 1976. When I was a kid, my parents would take my brothers and I to the local drive-in almost every weekend. I don’t know if it was the summer of ’77 or a repeat showing in ’78 but my dad took my mom, older brother and I to see Star Wars at the drive-in. He’d already seen it a couple times so it was no big deal that he would miss part of the movie to go get some treats from concessions for my mom. I wanted to go with so he took me. I distinctly remember being walked by my dad to the concession stand and turning around to look at the screen. I saw Obi-Wan Kenobi’s flashing lightsaber as he fought Darth Vader. I remember being mesmerized by the color and movement and to this day, it is literally my earliest childhood memory. I grew up with Star Wars and to this day, I am a rabid fan. I own a collection of Star Wars memorabilia that is easily worth $50,000 (or more) and I have introduced my own kids to it. My love of Star Wars and its inspirational effect on my filmmaking is equaled only by my uber-geek love of Star Trek."

Sara Dunn (The Queen of Trash) (Actress and Model)

"Star Wars changed my sex life forever. What better way to get the middle aged fan boys eating out of my hands then to don my Princess Leia slavegirl outfit! It never fails!!"


Norman England (Director)

"Seventeen at the time of its release, I was certain that Star Wars had come custom made for this sci-fi geek who had grown up on a steady diet of 50s and 60s sci-fi films and TV shows. But Star Wars' impact - great as it was - came not so much from the first screening but a week prior its release in the form of a small B/W photo run in the Arts and Leisure section of the Sunday New York Times. A somewhat blurry dot matrix picture, it showed two Storm Troopers with weapons extended. Nothing more. "Holy crap!" I thought as the design of both the outfits and the laser rifles announced that some cool cinematic times were brewing in the genre I loved most.

Being (Forty) years ago and seeing as I saw the film no less than ten times in the theater (topped only by EMPIRE, which I saw sixteen times in the theater) it is hard to weed out the memory of the very first screening. However, one memory that does stand out is a visit to the house of a girlfriend shortly after seeing STAR WARS for the first time. Gathered upon her dresser was the entire set of just-released Kenner Star Wars figures. My first time to see such a thing, I asked what "that" was all about. "I'm not sure," she replied, "but I like the way they look." And now forty years later, it seems that so did the rest of us."

Ellen Dubin (Actress)(Lexx, Napolean Dynamite)

I was a child when STAR WARS came out but I remember my parents taking me to the film and being mesmerized by the whole experience.

I remember loving the whole fairy tale aspect of the movie at the time- the princess being rescued etc.

But as I grew older, I learned to appreciate the multi layered movie that Lucas created it is astounding! it was the first time, I became aware of the difference of good and evil in a movie.









May the 4th be with you!

I'm Luke Starkiller. I'm here to rescue you


"A death-white wasteland stretches from horizon to horizon. The tremendous heat of two huge twin suns settles on a lone figure, LUKE STARKILLER, a farm boy with heroic aspirations who looks much younger than his twenty-two years. His curly hair and baggy tunic give him the air of a simple, but lovable lad with a prize-winning smile."

From IOL

Most fans of the popular sci-fi franchise will know that Hamill's Jedi Master character Luke Skywalker was originally supposed to have the surname Starkiller.

And Hamill has revealed in the first original movie 'A New Hope' the scene where Luke and Han Solo (Harrison Ford) rescue Princess Leia (Carrie Fisher) had to be shot again.

The 66-year-old actor wrote on Twitter: "FUN FACT - the name change to Skywalker came late enough in production that we had to re-shoot the scene where I liberated the Princess from her cell.

"We had already shot it using the original line: 'I'm Luke Starkiller. I'm here to rescue you!'"

The original 'Star Wars' legend have all reprised their iconic roles in the current trilogy and in two instalments so far, both Han and Luke have died.

However, Fisher tragically passed away in December 2016 after shooting her final scenes for the eighth instalment 'The Last Jedi' and director Rian Johnson decided not to include her death in his movie, leaving J.J. Abrams to complete Fisher's 'Star Wars' saga.

Source

Star Wars: Rare Photos And Trivia - "Mother, I want to fly coach, will you f**k off?!"

Trivia From IMDB

See Also: Star Wars: Episode VII

 George Lucas had planned the character of Han Solo to be a huge green-skinned monster with no nose and gills. Then Lucas changed the idea of Han Solo to a black human. He auditioned several black actors and even musicians (including Billy Dee Williams) until finally settling on Glynn Turman. But after this he decided to make the role white. Kurt Russell, Nick Nolte, Christopher Walken, Jack Nicholson, Al Pacino, Chevy Chase, Steve Martin, Bill Murray, Robert Englund, Sylvester Stallone, John Travolta and Perry King were all candidates for the role of Han Solo. George Lucas also wanted to stay away from any actors he had previously used in his films. James Caan, Jack Nicholson, Robert De Niro and Burt Reynolds turned down the role. Harrison Ford (who had played Bob Falfa in Lucas's American Graffiti) read the part of Han Solo for screen tests of other characters but wasn't originally considered for the part. During these tests Lucas realized Ford was perfect for the role.

Due to the limited budget the American cast members and crew (including George Lucas) all decided to fly coach class to England, rather than first class. When Carrie Fisher's mother Debbie Reynolds heard about this she called Lucas, complaining about how insulting it was for her daughter to be flying coach. Fisher was in the room with Lucas when he took the call, and after a few minutes asked if she could talk to her mother. When Lucas handed her the phone she simply said, "Mother, I want to fly coach, will you f**k off?!" and hung up.


At one point, George Lucas planned for the characters of Luke Skywalker and his aunt and uncle, to be dwarves.


Industrial Light and Magic (ILM) spent most of the production period in chaos, attempting to create special effects that had never been created before. They blew half their budget on four shots which George Lucas rejected. Ultimately, around $5,000,000 of the $8,000,000 budget was spent by ILM.


Alec Guinness always recalled the experience of making the movie as a bad one, and consistently claimed that it was his idea to have his character killed in the first film, so he "wouldn't have to carry on saying these rubbish lines". Reportedly because he hated working on Star Wars so much, Alec Guinness claims that Obi-Wan's death was his idea as a means to limit his involvement in the film. Guinness also claimed to throw away all Star Wars related fan mail without even opening it. Contrary to this, George Lucas has said he made the decision to kill off Kenobi, that Guinness was "less than happy" his character was dying earlier than expected, and that Guinness appeared to enjoy his time on set. While Alec Guinness made no secret that he disliked the dialogue in George Lucas's script, he claimed that he accepted the role for two reasons: 1). He was an admirer of Lucas' previous film American Graffiti and 2). The narrative compelled him to read the whole script through to the end, in spite of not liking the dialogue and not being a fan of science fiction.


George Lucas had not originally intended to use Anthony Daniels's voice for the voice of C-3PO. He only changed his mind after a suggestion by Stan Freberg, one of the actors considered as Daniels' replacement Daniels' voice was altered in post-production. His character was supposed to be like a "used-car salesman". Ultimately, though, George Lucas was won over by the charisma of Daniels' reading of the part as a "snooty British butler" and so Daniels has done the voice for C3PO ever since.

Carrie Fisher found the dialogue to be very difficult, later saying, "You can type this stuff, but you can't say it". Harrison Ford had similar trouble (particularly in the scene where the Millenium Falcon leaves Tatooine), and persuaded George Lucas to let him change several lines.

P.J. Soles, Sissy Spacek and Nancy Allen, Farrah Fawcett, Glenn Close, Barbara Hershey, Bernadette Peters, Bonnie Bedelia, Dianne Wiest, Margot Kidder, Jessica Lange, Meryl Streep, Sigourney Weaver, Cybill Shepherd, Christine Lahti Jane Seymour, Anjelica Huston, Catherine Hicks, Christine Baranski, Kay Lenz, Kim Basinger, Kathleen Turner, Debra Winger, and Geena Davis all auditioned for the role of Princess Leia. Linda Blair, Pamela Sue Martin and Jill Clayburgh were considered.

Terri Nunn of the band Berlin was in the running for the role of Princess Leia and had readings with Harrison Ford and Mark Hamill.

Before casting Alec Guinness as Obi-Wan Kenobi, George Lucas considered casting Japanese actor Toshirô Mifune. He also considered making casting a Japanese Princess Leia.


Before Alec Guinness was cast as Obi Wan, George Lucas briefly considered using Peter Cushing, who plays Tarkin.


On the first day of filming in the deserts of Tunisia, the country experienced its first major rainstorm in 50 years.


Carrie Fisher's breasts were taped down with gaffer tape, as her costume did not permit any lingerie to be worn underneath. She joked later, "As we all know, there is no underwear in space."


The origin of R2-D2 can be found in the "drones" Huey, Dewey, and Louie from the film Silent Running. Upon meeting Douglas Trumbull, director and special effects chief on "Silent Running", George Lucas commented on how much he liked the designs of Trumbull's two-footed robots in the film (which were operated by bilateral amputees). Four years later, a functionally similar design appeared as R2-D2 in "Star Wars". Universal Studios, the distributor of "Silent Running" noted the similarity between the robots (and the similarity of "Star Wars" to the Buck Rogers serials of the '30s), and promptly sued 20th Century Fox for infringement. The lawsuit was eventually settled when Fox counter-sued over Battlestar Galactica: Pilot, which bore a striking resemblance to "Star Wars".


Luke went through several changes. Lucas toyed with the idea of changing him into a woman after cutting Princess Leia from the script. He also entertained the notion of casting the principal characters as a dwarfs. In an early screenplay, Skywalker was a 60 year-old general. In the shooting script, he was called Luke Starkiller but this was changed to Luke Skywalker during production.


During the scene on the Death Star right after Ben leaves to shut down the tractor beam, Chewbacca barks something to Luke to which Han says "Boy, you said it Chewie". Backstage footage reveals that what Chewie says is "The old man's gone mad".


20th Century Fox was so sure Star Wars was going to be a disaster that they came within a matter of days of selling off their stake in the film as a tax shelter. Positive feedback from an advanced screening made them change their minds, and the profits from the film ended up saving the studio from bankruptcy.

For the special edition version, in the Cantina the close-up shot of the wolfman was removed. He was replaced with a close-up shot of a CGI dinosaur-type man. However in additional frames, you can still see the wolfman in the background.

Following principal photography, new scenes had to be filmed for the Cantina scene, to give it more diversity and add more aliens to the scene. However, the reshoot set was very small. If you look at the close-up scenes of most of the aliens when Luke and company enter, you can see the same window in the background.

David Prowse was not the only on-screen actor to have his voice overdubbed by another. In the early rough-cut of the Cantina sequence, Wuher, the barkeeper is speaking in a very pronounced Cockney accent, one that was overdubbed by an American actor before the film's release. The same also happens with the character of Dr. Evazan ("I have the death sentence in 12 systems!") for much the same reason.

The cantina creature later to be known as 'Dice Ibegon' was really nothing more than a hand puppet known as the 'Drooling arm'. This was because it was fashioned to have a red, oozy liquid drip from it's mouth. When they tried this on film however, the liquid spurted all over the place and the shot was judged to be too disgusting for a PG movie.


A small pair of metal dice can be seen hanging in the cockpit of the Millennium Falcon as Chewbacca makes preparations to depart from Mos Eisley. Set designer Roger Christian claims he added the pair of dice hanging in the Millennium Falcon cockpit (briefly seen when Chewbacca bumps his head on them as he first enters) because there were dice hanging in Harrison Ford's car in American Graffiti. However, Ford's character had a skull hanging from his rear-view mirror. Ron Howard had the fluffy dice. They don't appear in subsequent scenes, because they were stolen from the set and not replaced.

George Lucas planned to score the film with existing classical music like Stanley Kubrick had done on 2001: A Space Odyssey before Steven Spielberg introduced him to composer John Williams. Lucas and Williams agreed on a classical 19th-century Romantic music style with liberal use of leitmotif for the score. Since the movie would show worlds never seen before, the music had to serve as an "emotional anchor" for the audience to relate.

In earlier drafts, including the ones that were used for audition readings, the planet Alderaan was known as Organa Major. Although the name was changed, the "Organa" was retained and became Leia's adoptive family name.

Stunt doubles were not used for the scene in which Luke and Leia swing to safety. Carrie Fisher and Mark Hamill performed that stunt themselves, shooting it in just one take.

When the film was re-released in theaters after it became so successful, the Daffy Duck cartoon Duck Dodgers in the 24½th Century was run preceding the feature at the request of George Lucas.


James Earl Jones supplied the voice of Darth Vader, but specifically requested that he not be credited. At the time, the reason he cited was that he felt he had not done enough work to get the billing, but he later admitted that he didn't want his name associated with the film because he was still an up-and-coming actor, and didn't want to be typecast. Jones does receive billing in the 1997 "Special Edition".

George Lucas originally wanted Orson Welles to do Darth Vader's voice, but decided against it, feeling that Welles' voice would be too recognizable.


The terms "X-wing" and "Y-wing" and "TIE fighter" were used by ILM effects guys to distinguish the fighters. These terms are not used in this film, though they were incorporated into the sequels. They also became popular with the public after the toys and the Making of special aired on tv. In addition, ILM's special effects staff nicknamed the Millennium Falcon "The Porkburger" but this never caught on.


Several scenes were filmed of Luke with his friends on Tatooine in an effort to introduce the main character earlier in the film. First Luke and watches Princess Leia's ship battle with the Imperial cruiser through his Macrobinoculars and later he meets his best friend Biggs Darklighter in Anchorhead, who has left the Imperial Academy and plans to join the Rebel Alliance, Also present in the Anchorhead scenes were Anthony Forrest as Fixer and Koo Stark as Fixer's girlfriend Cammie. All these scenes were later cut, leaving Luke's mention of Biggs to his aunt and uncle as the sole reference to his character early on. The scenes have never officially appeared in any release of the movie, but stills were included in "The Story of Star Wars" (a book-and-record set), and the scenes also appeared in the comic book and novel adaptations. This has lead several people to believe they actually saw the scenes on the silver screen. All of the scenes were included on the CD-Rom Star Wars: Behind the Magic in 1998. A reunion scene between Luke and Biggs at the Rebel base was included in the Special Edition re-release of the movie. However, a line by Red Leader about having once met Luke's father was cut from this exchange.

Star Wars: Um ... the guy used to like to choke people for fun.

Darth Vader Had Emotional Problems ... Ya Think?

Written By: Ken Hulsey
Source: Yahoo

I think that it is safe to assume that Darth Vader (aka Anakin Skywalker) may have had a few 'issues'.

He left his mother at a tender age to join the Jedi only to seek her out as a teen, he finds her after she was captured by Sandpeople then she dies in his arms. He got a little upset and went on a killing spree. He always thought that his fellow Jedi were holding him back so he turned to the dark side and slaughters his comrades, kills his own wife and tries to barbecue his best friend and mentor only to end up becoming a half-machine half-man monster with a bad Asthma problem.

Most people may be a little off center after experiencing stuff like that.

Now some bored French researchers have spent some quality time watching the "Star Wars" films over and over again with pen and paper in hand to figure out just what was eating at the elder Skywalker.

Their conclusion, Vader continually displayed six of the nine criteria for borderline personality disorder.

Borderline personality disorder? Borderline? Um ... the guy used to like to choke people for fun.

What were the signs doc? Well according to the French, Vader suffered from extreme mood swings, had unstable relationships and was easily influenced by others, namely Emperor Palpatine. Oh, and his use of the dark side of The Force could have been like an addiction to medication or hard-core drugs for Vader.

The researchers that conducted the evaluation of the 'Dark Lord of the Sith' concluded that if the Jedi had gotten the young Anakin Skywalker some therapy he probably wouldn't have turned to evil and may have had a relatively 'normal' Jedi life. You know, gone fishing with Obi Wan and Yoda, celebrated Life Day on Naboo with his in-laws and family, taught Luke and Leia how to fly a speeder or use a lightsaber to promote peace, and helped Jar Jar with his English.

Sort of Norman Rockwell in an intergalactic way.

Why would a bunch of French doctors waste valuable time and money to put a fictional character on a hypothetical couch? Well to promote awareness of BPD (borderline personality disorder) and teach young psychology students to understand and diagnose the symptoms of this serious problem that effects both men and women.

Now, analyzing Darth Vader seems like a relatively easy one, try The Joker from the "Batman" comics. Now that would be a challenge worthy of French psychologists!

Oui he is a crazy clown person no? Le bonkers ... homicidal no?

Peter Cushing – The Good Man Behind Evil Characters

Horror film enthusiasts love, respect and fear Peter Cushing as the fanatical scientist Baron von Frankenstein and Dracula’s perennial nemesis, the determined and steely Van Helsing. Now he has become Grand Moff Tarkin, the Governor of the Imperial Outland regions, whose insatiable political ambitions to become Emperor have driven him to ruthless means to quell an intergalactic rebellion.

Although Peter Cushing has had a remarkable career portraying deadly characters in horror movies, he is a decidedly unsinister person off-screen. As greatly loved for his gentleness by his co-workers as he is loved for his evil ways by horror movie cultists.

Carrie Fisher says, “I like Peter Cushing so much that it is almost impossible for me to feel the hatred I need to act against him.”

Cushing is delighted, but not overwhelmed by the enthusiasm his name brings to members of the vast horror film audience. “I have no deep personal interest in the horror genre, but I do enjoy making films.”

When asked about his technique for personifying evil, Cushing explains, “I don’t think Peter Cushing is all that much like Dr. Frankenstein. But the challenge to the actor is enormous in these strange, weird parts, and I like that. The depth of such roles rests in combination of one’s own imagination and the ways in which one looks on a particular character.

“I don’t mind being a horror film star. That would be like socking a gift horse in the face. And no one wants to see me do HAMLET, but millions want to see me as Dr. Frankenstein. Audiences are the most important thing to an actor. I have been awfully lucky in the amount of work I’ve been able to do. However, I don’t think people should be called comedy actors or horror actors. They’re just actors.”

As an actor away from horror films, Peter Cushing’s credentials are quite substantial. On British television he starred in GASLIGHT, THE BROWNING VERSION, and THE WINSLOW BOY – “Every one a winner and every part superb, “ Cushing notes, “which is a great help to an actor because once you’ve got a good part in a good play, you have to be very bad to fail.”

It was Cushing’s success on television that led him to starring in the popular series of horror films produced by Hammer Productions. “I heard they were considering a remake of FRANKENSTEIN. I remember like the earlier version with Karloff playing the monster and Colin Clive as Frankenstein, so I rang up my agent, who informed Hammer I was keen to work with them. I had no idea what I was beginning, though I soon found out that everything I did afterwards was described as a horror film, even the SHERLOCK HOLMES film I did.

“I think what I do is more fantasy than anything else. People enjoy being scared that way. It allows them to purge themselves of worries. They don’t have to worry about Dracula in their private lives, but they do have to worry about muggers and thugs on the streets after they come out of the theatres.

“The horror movies give so much pleasure. And that’s what filmmaking is all about, isn’t it? That’s why I wanted to do STAR WARS. It’s a fantasy. People can experience emotions watching STAR WARS that they can’t experience in their ordinary lives,” Cushing said.

“Certainly I want to do other things than Horror films and play villains. I enjoyed playing in Laurence Olivier’s production of HAMLET. But I hope there are Dracula and Frankenstein films I can play in a wheelchair when I get old. Give up playing Van Helsing in DRACULA? Over my dead body.”

A Modern Classic Reborn in Star Wars: Episode IV A New Hope OGN

From Marvel Comics

Lucasfilm Ltd. and Marvel Entertainment have already taken the industry by storm with blockbuster new stories set in the Star Wars universe. This May, we’re proud to return you to the story that started it all as the first original comic adaptation of the greatest space-fantasy film of all time is reborn as the STAR WARS™: EPISODE IV A NEW HOPE OGN!

Weeks before George Lucas’ first Star Wars film hit theaters – Marvel gave eager fans their very first look at Luke Skywalker, boldly asking “Will he save the galaxy, or destroy it?” Now, 30 years later, you may know the answer, but that doesn’t spoil the excitement of reliving this now classic adaptation like you’ve never seen before – including scenes that never made it to the silver screen!

Completely remastered for the modern age with new coloring by Chris Sotomayor, Roy Thomas and Howard Chaykin’s iconic story debuts this May in an oversized hardcover format with a new cover by famed artist Adi Granov! Now is your chance to relive the original Marvel Comics adaptation that started it all when STAR WARS™: EPISODE IV A NEW HOPE OGN comes to comic shops and book stores this May!

Plus, don’t miss exciting remastered adaptations of The Empire Strikes Back and Return of the Jedi coming later this year!