Monster Yakety Yak

"When I was nine I played the demon king in Cinderella and it launched me on a long and happy life of being a monster." - Boris Karloff

"I'd like to quit the supernatural roles and play just an interesting, down-to-earth person." - Bela Lugosi

"The film makers were scratching their heads wondering who they could get to put on the (Godzilla) suit, then the remembered my stunt. They thought hey let's get that guy we set on fire last year." - Haruo Nakajima

"My father would be horrified if he knew I was making it in the pictures and that I'm not billed as Creighton Chaney." - Lon Chaney Jr.

"No matter what you do, you can act your heart out, but people will always say, "Oh, Julie Adams - Creature from the Black Lagoon." - Julie Adams

"Often we'd secretly like to do the very things we discipline ourselves against. Isn't that true? Well, here in the movies I can be as mean, as wicked as I want to - and all without hurting anybody. Look at that lovely girl I've just shot!" - Claude Rains

"Lon Chaney and Boris Karloff didn't like the word 'horror'. They, like I, went for the French description: 'the theatre of the fantastique'." - Christopher Lee

"I don't play monsters. I play men besieged by fate and out for revenge." - Vincent Price

"My wife has good taste. She has seen very few of my movies." - Boris Karloff

"The monster was very hard to play because the (King Kong) suit was so different. The arms were long, longer than my own, and I had to use sticks to control the hands, also the legs were short so I had to walk all hunched over." - Haruo Nakajima

"As far as I see it 'Creature from the Black Lagoon' was just another movie and it was just another job. I've done many things since then that I am much more proud of. But I've gotten more reaction out of the Creature thing than anything else. Well, I guess that's life!" - Ricou Browning

"Every actor's greatest ambition is to create his own, definite and original role, a character with which he will always be identified. In my case, that role was Dracula." - Bela Lugosi

"He [Merian C. Cooper] called me into his office and showed me sketches of jungle scenes and told me, 'You're going to have the tallest, darkest leading man in Hollywood'. Naturally, I thought Clark Gable. But then he showed me this sketch of a giant ape up the side of the Empire State Building, and he said, 'There's your leading man'. - Fay Wray

"A reporter noticed me and a much smaller mate of mine when he visited his sick mom in the hospital where I was working and photographed us walking together and took some pictures of my feet. I didn't win the big feet contest, but that eventually led to my role in Sinbad." - Peter Mayhew

"They were considered B pictures because they were made on a tight budget. But we outlived many of the A pictures made at the same time." - Ray Harryhausen

"I sometimes feel that I'm impersonating the dark unconscious of the whole human race. I know this sounds sick, but I love it." - Vincent Price

"One is always considered mad when one perfects something that others cannot grasp." - Ed Wood

"I took a lot of my anger that had been stored inside of me for many years and let it loose. I helped to create the character Varla [in Faster, Pussycat! Kill! Kill! (1965)] and helped to make her someone that many women would love to be like." - Tura Satana

" I don't really scare them any more than do Jungle Jim, Dan Dunn, Tarzan, and the other heroes of the comic sections." - Boris Karloff

""The most memorable thing I did in that film (Bride of Frankenstein), I believe, was my screaming. In almost all my movies since, I've been called upon to scream. I don't know if it's by chance, but I would like to think that I'm not hired for that talent alone" - Elsa Lanchester

"I will play no more monsters. Dracula is different; he is such an exciting person." - Christopher Lee

The Monstrous Movie Quote Of The Day: Sir John Talbot (The Wolfman 1941)

"Gypsy woman? Now we're getting down to it. She's been filling your mind with this gibberish. This talk of werewolves and pentagrams. You're not a child Larry, you're a grown man and you believe in the superstitions of a Gypsy woman!" - Sir John Talbot (Claude Rains)(The Wolfman)(1941)

The Wolf Man (1941)(Universal)

The Wolf Man (1941)
Aka: Destiny (1941)

Universal Studios

Directed By: George Waggner
Written By: Curt Siodmak

Cast:
Claude Rains as Sir John Talbot
Warren William as Dr. Lloyd
Ralph Bellamy as Col. Paul Montford
Patric Knowles as Frank Andrews
Bela Lugosi as Bela
Maria Ouspenskaya as Maleva
Evelyn Ankers as Gwen Conliffe
J.M. Kerrigan as Charles Conliffe
Fay Helm as Jenny Williams
Lon Chaney Jr. as Larry Talbot / The Wolf Man
Forrester Harvey as Victor Twiddle

Runtime: 70 Minutes
Country: USA
Language: English
Color: Black and White
Sound Mix: Mono

Released: December 12, 1941
The Wolf Man - Legacy CollectionBy it for $19.79 at The Monster Store

Written By: Ken Hulsey

In 1941 Curt Siodmak sat down at his desk with the intention of writing a horror story that would draw on Greek Mythology and the belief that somehow a man could transform into an animal, a common legend that ran through the folklore of just about every culture on Earth. Little could he have realized that the script he was about to write, The Wolf Man, would not only have an effect of the future of horror films, but the future of the occult as well. It has always been a common belief that many of the concepts of lycanthropy that were portrayed in the film came from a collection of popular folklore and witchcraft. In fact nothing is further from the truth. Siodmak was responsible for coming up with the design of the pentagram, the werewolf’s vulnerability to silver, and the full moon being the catalyst for the transformation from man to beast all on his own. In fact the legendary poem “Even a man who is pure of heart, and says his prayers by night, may become a wolf when the wolf bane blooms, and the autumn moon is bright.” is a Siodmak original.

The Wolf Man was not the first werewolf film to be produced by Universal, that distinction belongs to “Werewolf of London” which flopped at the box office in 1935. The film starred popular character actor Henry Hull in a far more subtle makeup job by Jack Pierce, the same man who transformed Lon Chaney Jr. Into the Wolf Man six years later. Many fans that have seen this earlier effort have commented that the werewolf looked far more menacing than the version that came after.


Universal convinced the reluctant Lon Chaney Jr. to follow in his father’s footsteps and endure the six-hour makeup sessions to portray Larry Talbot and his harry alter ego the Wolf Man. The character transformed Cheney into a superstar. The Wolf Man would prove to be so popular that it would appear in a total of five films (Frankenstein Meets the Wolf Man, House of Frankenstein, House of Dracula and Abbott and Costello Meet Frankenstein) all of which were played by Cheney. It has often been noted that all the popularity and fame that Cheney achieved never brought him true happiness. In real life the actor had his own internal demons to deal with. Alcoholism would be a life long fight that would eventually take a toll on him. When Cheney passed away he was so riddled with disease that he donated his body to the USC Medical Center for study, leading to the urban legend that somewhere in the bowls of the hospital the actors head is preserved in a jar.

When Larry Talbert returns to Llanwelly, Wales to rekindle a relationship with his estranged father, Sir John Talbert (Claude Rains) he gets far more than he bargained for. While examining his fathers telescope he accidentally focuses in on the bedroom of the fetching Gwen Conliffe (Evelyn Ankers). The young Talbert is so impressed with the young woman that he shows up at the family store the next morning to meet her. While there he stumbles upon an interesting walking stick that bears the silver head of a wolf marked with a mystic pentagram. Talbert feels inclined to purchase the item to convince Conliffe that his intentions are admirable and that he would be trustworthy enough to go out with. Not completely trusting him she agrees to the date, but only if she can bring one her friends along.



While the trio is out at a local carnival Gwen’s friend Jenny is attacked by what appears to be a wild animal. Talbot uses his new cane to fend of the creature, but gets bitten in the process. When the police arrive to investigate the attack they discover the dead body of a traveling gypsy. Talbot is questioned but cannot explain how he could have mistaken the young man for a wolf.

Strange things begin to happen to Talbot. He starts experiencing missing time and begins to feel as if he is loosing control of his sanity. To make things worse there are more murders and the local authorities begin to doubt his stories and his innocence.

The gypsy woman, Maleva, soon reveals to Talbot that the animal he killed was not a wolf at all but a werewolf. Her son Bela (Bela Lugosi) had lived with the curse for years and now the lycanthropy had been passed to him.



Uncontrollably the stricken Talbot begins running wild at night and the local populous begins to organize hunting parties to capture or kill him. One night Gwen comes looking for him and he attacks her. John Talbert arrives just in time to stop the attack and unknowingly kills his own son with the silver handled walking stick. Moments after his death he reverts back to his human form revealing that the monster had indeed been Larry Talbot the entire time.

The Wolf Man not only was inspired by already existing mythos, it successfully changed it forever. Every werewolf picture that was produced after it followed the new folklore that was created for the film. It was almost like all prior legends of the creature had been erased from public knowledge. One can only give credit to a well conceived screenplay and a well executed film that made a strong enough impression on audiences that it actually rewrote history….in a sense.

See Also: Bela Lugosi's Birthday / Conrad Veidt A Lost Actor In Universal's History Of Horror / Creature From The Black Lagoon (1954) / Dracula (1931) / Frankenstein (1931) / The Mummy (1932)

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