Sunday, November 29, 2009

Book Review: Mushroom Clouds and Mushroom Men: The Fantastic Cinema of Ishiro Honda



Book Review: Mushroom Clouds and Mushroom Men: The Fantastic Cinema of Ishiro Honda

Reviewed by Armand Vaquer

Mushroom Clouds and Mushroom Men: The Fantastic Cinema of Ishiro Honda
Author: Peter H. Brothers
Publisher: AuthorHouse
ISBN 978-1-4490-2771-1

Since I’ve had four days off from work for the Thanksgiving holiday, when I wasn’t working on The Monster Movie Fan’s Guide To Japan, I read Peter H. Brothers’s new biography/filmography on Japanese director Ishiro Honda. It is titled, Mushroom Clouds and Mushroom Men: The Fantastic Cinema of Ishiro Honda.

Ishiro Honda was the director of the 1954 movie that ushered in the golden age of Japanese science-fiction and fantasy films: Godzilla. He went on to direct other science-fiction classics such as Rodan: The Flying Monster, The Mysterians, Battle In Outer Space, King Kong vs. Godzilla, Mothra and many others.

As in the case of the book Eiji Tsuburaya: Master of Monsters by August Ragone, this book was written by a fan. Although a fan, Brothers does not mince words on things he likes about a given movie or the things he doesn’t like about said movie. This is good as he does not come off like a fawning fanboy. For example, he described the farewell scene at the airport in Ghidorah, The Three-Headed Monster (1964) as “a boring and stagnant affair.” So, if you’re looking for a critical analysis of Honda’s movies, both good and bad, you’ve come to the right book. He also discusses each of Honda's movies with quite a bit of wry humor.

Originally, the book was going to be published by Midnight Marquee, but due to time delays in getting a contract out and the publishing schedule, Brothers decided that he wanted his book out sooner rather than later.

So he checked out AuthorHouse, a self-publishing publisher, and decided to go through them.

In my initial perusal of the book at a gathering at Brothers’s home in Agoura Hills, I came away impressed at their professionalism in their set-up of the book, including the cover. While they are a self-publisher, they do have arrangements with retailers and have a marketing staff to market the book. This does not leave the author “alone in the woods” to fend for himself.

Within days of publication, Amazon.com offered the book on their website. This is far better than having to, as some may get the impression when dealing in self-publishing, market and promote a self-published book on one’s own time and dime. AuthorHouse also provided review copies of the book.

A few things would have improved the book. One, is having an index. There are two schools of thought on having an index: first, it makes it easier for the reader to locate items of interest. Second, by not having an index, it forces the reader to actually read the book. You decide which school you belong to.

Having photographs also would have improved it. Brothers originally planned to include photographs (at least one for each movie covered), but due to rights issues and costs, it was decided to forego photographs. He discusses his book at length in an interview in an upcoming issue of G-FAN. Although it would have been an improvement, most people who would be buying the book are already familiar enough with the movies that photographs aren’t critical.

Overall, I think the buyer will find this book useful and interesting. My grade: A.

Friday, November 27, 2009

Happy Birthday Jonathan Frid!

Above, Jonathan Frid in 1984. Photo by Armand Vaquer.

Happy Birthday Jonathan Frid!

by Armand Vaquer

A pop-culture icon will be celebrating his birthday this coming week.

Next Wednesday, December 2, actor Jonathan Frid will become 85-years-young. Frid is best remembered as the 175-year-old vampire Barnabas Collins in the 1966 - 1971 gothic soap opera Dark Shadows.

Baby-boomers around at that time would race home from school in the afternoon to catch the latest installment of the show. Dark Shadows originally was conceived to be a gothic soap opera embodied by paperback book illustrations of a damsel looking fearful with a looming spooky mansion in the background.

At first, the show garnered enemic ratings. So producer Dan Curtis added some supernatural elements (ghosts, a woman phoenix, etc.). It helped the ratings a little but the show was still in danger of being cancelled.

Figuring that he had nothing to lose, Curtis decided to introduce the Barnabas Collins character. Canadian-born Jonathan Frid was chosen to play the vampire for about thirteen weeks. But he became so popular with viewers that it was decided to keep him on. In a way, the vampire became a national hero. A flashback story was presented when governess Victoria Winters (Alexandra Moltke) was taken back into time via a seance. This story showed how Barnabas became a vampire.

Above, Jonathan Frid as Barnabas Collins.

As the show progressed, Barnabas became the star of the show and Frid attained star billing along with veteran actress Joan Bennett (who played matriarch Elizabeth Collins Stoddard). Other supernatural characters such as witches, warlocks, werewolves were introduced during the show's run.

IMDB decribes Jonathan Frid's career (I cannot vouch for the accuracy) as follows:

Jonathan Frid's career in drama began when he first "offered his soul" to the theater as a young boy at a preparatory school in Ontario, Canada. Following his graduation from McMaster University, he attended London's Royal Academy of Dramatic Arts and later earned a Master's Degree in Directing from the Yale School of Drama. Mr. Frid was a leading actor in English and Canadian repertory and went on to work in many of the most celebrated regional theaters in the United States, including the Williamstown Theatre Festival, the Old Globe Theatre in San Diego, and the American Shakespeare Festival under the direction of John Houseman, performing with Katharine Hepburn in "Much Ado About Nothing". He has appeared in major roles on-and-off Broadway, in such productions as "Roar Like A Dove", "Murder in the Cathedral" and "Wait Until Dark". But, it was Mr. Frid's portrayal of a complex, conflicted vampire on ABC-TV's daytime drama series "Dark Shadows" (1966) (co-starring with Joan Bennett) and in the subsequent motion picture "House of Dark Shadows" (1970) that earned him a place as an icon of American popular culture. His other film credits include co-starring roles in "The Devil's Daughter" (1973) (TV) (with Shelley Winters) and "Seizure" (1974) (Oliver Stone's directorial debut). In 1986, Mr. Frid joined the Broadway production of "Arsenic and Old Lace" (co-starring with Jean Stapleton). He won critical acclaim for his villainous turn as the homicidal nephew and spent ten months with the play's national tour. That same year, Mr. Frid founded his own production company, "Clunes Associates", to create and tour a series of one-man readers' theater shows across North America. Mr. Frid continues to perform his one-man shows, now under the banner of "Charity Associates", to raise money for a variety of charities. Combining the arts of his voice and his zest for entertaining", as one critic put it. In June of 2000, Mr. Frid returned to the traditional professional stage in the play "Mass Appeal" at the Stirling Festival Theatre in Stirling, Ontario.


Now retired from acting, Frid spends much of his time working on his website in which he posts his musings on his career, current events and personalities and answers queries from fans. He has also returned to making appearances at annual Dark Shadows Festivals after a hiatus of several years.

Above, Dark Shadows cast members have a reunion at the 1989 Dark Shadows Festival. Photo by Armand Vaquer

He is still sharp as a tack, but grouses over the inconveniences of aging. I had the pleasure of meeting Frid at one of the earliest Dark Shadows Festivals in 1984. The photo of Frid at top of this article was one I took at that festival.

Frid is tentatively planning on attending the 2010 Dark Shadows Festival in California next summer. He has started an online store at his website and plans to have items available for sale at the festival.

A big "Happy Birthday" to Jonathan Frid!

Thursday, November 26, 2009

Hot On The Heals Of 'Astroboy' Comes 'Americanised Gigantor'

Written By: Ken Hulsey
Sources: Undead Backbrain / Avery Guerra

It seems that a less than stellar box office for the modern computer animated version of "Astroby" hasn't deterred Hakari Productions and Imagi Studios from going after another of Japan's classic characters, "Tetsujin 28″ (Gigantor)

Indeed the Tokyo and Hong Kong based companies have been working overtime producing a teaser trailer and promotional artwork for the project despite financial problems.

It is obvious that a large publicity campaign will be in order to help get this baby off the ground and it seems that the film makers are gearing up for just that.

Over at the the film's official website fans are being encouraged to 'vote' on whether they would be interested in seeing the film or not. The results of this online poll will undoubtedly be used to gauge the interest in a new "Tetsujin-28" film and help secure more funding for the project, if they turn out highly positive. You can do that - HERE - if you like.

The film has been listed under several different titles, “Tetsujin 28″, “T28″ and now on IMDB as "Americanised Gigantor".

If the film goes on as planned it wouldn't be the first time that the classic animated giant robot has gotten the CGI treatment. Back in 2005 there was the live-action film "Tetsujin niju-hachigo (Tetsujin 28) directed by Shin Togashi. That film featured CGI rendered robots inserted into real-life scenes. This new version, however, will be 100% computer animated.

That film was very good, and if you haven't gotten a chance to see it, I recommend that you search it out.



Here is some history:

Tetsujin 28-gō (Iron Man #28) is a 1956 manga written and illustrated by Mitsuteru Yokoyama, who also created Giant Robo (also made into a live-action TV series, released as "Johnny Sokko and his Flying Robot" here in America)

The manga was later adapted into several anime TV series, the first in 1963. It was the first manga to feature a giant robot. The 1963 series was released here in America in 1966 as Gigantor.

As with the Japanese animated series, "Speed Racer", the characters’ original names were altered and the original series’ violence was toned down for American viewers. Originally produced in black and white, the show was colorized and revived in the 1990s.

Plot:

During the final days of World War II, the Japanese military is secretly developing a superweapon that will turn the tides of war and save the Japanese Empire. After twenty-seven failed attempts, the project gives fruit: a three-stories high, remote-controlled robot. The metal man is christened Tetsujin 28-go.

The war, however, is over. Rather than becoming the military's "ace in the hole", Tetsujin becomes a civilian robot. Under the control of Shotaro Kaneda, the twelve-year-old son of Tetsujin's developer, the iron giant is put to work stopping criminals and enemy robots.

You have to admit that the trailer and production stills (below) look very promising. I would be more inclined to shell out the money to go see “Tetsujin 28″ than I was for "Astroboy", though I believe that the film makers will have a hard time producing a film that can equal, or better, the 2005 Shin Togashi film.

Lets hope that Hakari Productions and Imagi Studios can get the fan support and funding they need to get this one off the ground.

Here are the stills:





Zack Whedon Breathes New Life Into Terminator

Source: Dark Horse (Press Release)

In 2029, Kyle Reese will be sent to 1984 to stop a T-800 from killing the mother of the resistance, Sarah Connor. But before his future son will send him back in time, Kyle Reese is simply another survivor in a desolate future.

In a brand-new series, Zack Whedon (Dr. Horrible, Deadwood, Fringe, Rubicon) brings his sharp writing skills to one of the most celebrated sci-fi properties in history to tell the story of a man struggling to live in a world with little food, water, or hope.

Never before has the iconic character from James Cameron’s first Terminator film been explored with such depth and humanity. Readers will have the opportunity to follow Kyle Reese and his closest allies as they face insurmountable odds in a world run by cold, calculating machines bent on destroying the last memory of what it means to be a human being.

In a world wrought with Hunter Killer Drones, T-600s, T-800s, H-Ks, and a host of other terrifying technology, a small band of friends must find a way to keep the resistance breathing amidst an eviscerated landscape devoid of nearly all life. Kyle Reese, the father of the future, leads these rebels with only the slightest promise of peace and the most basic of mortal codes—never give up.

Andy MacDonald (NYC Mech, Punisher War Journal) will draw the two three-issue arcs, with covers by renowned illustrator Massimo Carnevale (Y: The Last Man).

“It’s an honor to be a part of the ongoing Terminator saga, and to have the talents of Andy MacDonald and Massimo Carnevale helping me in bringing this story to life,” said writer Zack Whedon.

The much-anticipated first issue from the dynamic creative team will be released from Dark Horse Comics in March 2010.

Dark Horse’s successful Terminator Omnibus Volumes 1 and 2 are currently available at a retail price of $24.95.

See Also: Terminator Salvation (2009)(Warner Bros) / Terminator Salvation: Building The Devil's Army / Judgement Day Happened: Building The World Of Terminator Salvation / Schwarzenegger Confirms Terminator Salvation Appearance But Only In Stock Footage And CGI / The Trailer For The Asylum's Terminators / The Governator Returns! - A Big Bad Killing Machine From Terminator Salvation / Terminator Salvation Terminator Voice Changing Helmet / Exclusive Images From Asylum's The Terminators / The Sexy Women Of Street Fighter: The Legend Of Chun-Li / New Terminator Salvation Flash Poster And Video Clips / Production Artwork For Terminator Salvation / Dark Horse To Release 25th Anniversary Terminator Comics / Warner Bros - Comic Con 2008 Sneak Previews / Special Effects Master Stan Winston Passes Away / The Japanese Now Have Human Robots - How Long Will It Be Until We Are Replaced!

Wednesday, November 25, 2009

Avoid Black Friday Shopping! - Buy Your Electric Train Set From "The Railroad Modeler"!

Let's face it, shopping on 'Black Friday' is just going to be nuts, so unless you like rubbing bodies with your fellow man at Walmart, you should do all your purchases online.

One of the big ticket items this Christmas is electric train sets, yes they are back in a big way, and all of the kids (big and small) are asking for them.

Luckily for you, the online model train retailer, "The Railroad Modeler" has ya covered. In anticipation of this high demand for electric train sets, several have just been added to their catalogue.

Check these out!

* Bachmann On30 Scale Electric Train Set - Rio Grande - $240.68
* Bachmann G Scale Electric Train Set - North Pole Special - $293.51
* Athearn HO Scale Iron Horse Express Electric Train Set - BNSF - $105.77
* Lionel O Scale Electric Train Set - B&O - Just In Time For Christmas! - $199.99
* Lionel O Scale Electric Train Set - Rio Grande Flyer- Just In Time For Christmas! - $300.00
* Lionel O Scale Electric Train Set - Polar Express - Just In Time For Christmas! - $244.77

Some of those are listed at almost $100 below suggested retail price!

Bachmann, Athearn and Lionel, The Railroad Modeler has them all!

If you resident train nut already has a collection, add too it with these items:

* Athearn HO Scale GE AC4400 Locomotive - Union Pacific - $61.28
* Trainline HO Scale Alco FA-1 Locomotive - Union Pacific - $54.99
* Athearn HO Scale EMD GP38-2 Locomotive - Santa Fe - $51.60
* Athearn HO Scale PS-2 Covered Hopper - Santa Fe - $18.47
* Athearn 50ft Ice Reefer Box Car - Santa Fe (Scout) - $18.79
* Athearn HO Scale Cupola Caboose - Santa Fe - $14.07
* Athearn HO Scale GP60M Locomotive - Santa Fe - $73.07
* Athearn HO Scale SD60M Locomotive - Burlington Northern Santa Fe - $114.39
* Athearn HO Scale SD60M Locomotive - Burlington Northern / BNSF - $189.92
* Trainline HO Scale 50ft Plug Door Box Car - Western Pacific - $17.99
* Bachmann HO Scale 4-8-4 GS-4 Locomotive - American Freedom Train #4449 - $120.25
* Athearn HO Scale 4-8-4 Nothern "800" Locomotive - Union Pacific - $326.59
* Athearn HO Scale 50ft Combo Door Box Car - Union Pacific - $13.99
* Bachmann HO Scale 4-8-4 GS-4 Locomotive - Southern Pacific (War Baby) - $122.82
* MTH HO Scale 4-8-4 GS-6 Locomotive - Western Pacific - $449.99
* Athearn HO Scale C44-9W Locomotive - Southern Pacific - $73.07
* Athearn HO Scale GP40-2 Locomotive - Southern Pacific - $51.60
* Athearn HO Scale Bay Window Caboose - Southern Pacific - $13.27
* Athearn Genesis F45 HO Scale Locomotive - Santa Fe - $117.95
* Athearn SW1000 HO Scale Locomotive - Burlington (CB&Q) - $65.50
* Trainline EMD GP9M HO Scale Locomotive - Burlington Northern - $54.99
* Walthers HO Scale Pullman Observation Car - Wabash - $41.69
* Bachmann Spectrum 2-8-0 Consolidation HO Scale Locomotive - Rock Island - $129.99
* Bachmann HO Scale 2-6-2 Prairie Locomotive - Rio Grande - $72.24
* Trainline EMD GP9 HO Scale Locomotive - Rio Grande - $54.99
* Bachmann 2-10-4 Texas HO Scale Locomotive - Santa Fe - $145.38
* Bachmann 4-8-4 Northern Locomotive - HO Scale - Santa Fe - $113.26
* Proto 2000 Diesel EMD F7A-B Set Powered - HO Scale - Santa Fe - $299.99
* Bachmann HO Scale FT Locomotive - Santa Fe - $31.69
* Walthers HO Scale F7 Locomotive - Santa Fe - $36.64

Note: All sales are through Amazon.com, so you they are safe and guaranteed!

Remember what Santa always says "A merry Christmas to all, and a chugga-chugga choo-choo."
(Yeh, I'm Surprised I Wrote That Too!)

Friday, November 20, 2009

Controversy in Oklahoma: The Making of Bad Girls Burn In Hell

Last month, I was down in Oklahoma with Death Factory, Inc. making a horror movie called BAD GIRLS BURN IN HELL! I play Susan Shepard, and the amazing Chris Burchette plays my husband David. We both went nuts when our daughter was killed by a group of girls driving drunk. Ever since then, we've been kidnapping "bad girls," as we perceive them to be, and we punish them.

Our film shoot took place in Picher, Oklahoma, a small town in the upper right hand corner of the state that barely exists anymore, but has a rich history. During both World Wars, Picher was a location for mines that supplied bullets to the soldiers. During mining operations, the workers removed subsurface material from the town, which left the city's structures unstable. Picher had already been declared closed when a tornado hit the town last year. The government gave its residents checks to assist with relocation.

Since Picher wasn't really functional anymore, we were all staying at a hotel in a nearby town called Miami, OK. I know it's spelled just like Miami, FL, but don't be fooled by the name. It's pronounced "My-AM-uh," not "My-AM-ee". Remember this if you ever go there. They get a little defensive about it.

The house we were contracted to use had no plumbing and no electricity, so we had to set up port-a-potties and a generator, while we were on set. The house was decorated with all kinds of beautiful--yet old-fashioned and somewhat creepy--photographs, paintings and knicknacks. There was a scary shed, which was decorated to represent the "basement" where we tortured the girls. Among other things, there was a bed, handcuffs and some big, glass jars with ambiguous contents that had girls' names taped to the side. Suffice it to say, it was creepy.

Some looters had already stolen a generator, so when some of the crew saw some people poking around in the shed, they decided to call the police. When they arrived, they were surprised to find a group of 20-somethings in surgical masks who were not thieves at all, but amateur, paranormal researchers. Apparently, they had stumbled upon the Shepards' makeshift torture chamber and thought they had found a real murder site, and a goldmine for ghost hunting. When we showed up with the cops, they were both disappointed to find out there were no ghosts, and relieved that we weren't actually going to kill them. This was my first day on set. I knew it was going to be an interesting week.

Lloyd Kaufman from Troma came into town to do a cameo for the movie. I had worked with Lloyd before and it was great to see him again. We did a gore effect in which we blew his fake head off of a mold of Michael Keaton's torso from BATMAN '89, which we were fortunate enough to have on set.

Before I explain what happened, there's something you should know. Our director of photography is Craven Moorehead, the famous porn director. He did an excellent job shooting, was a pleasure to work with, and was a lot of fun to be around. A few days before we were scheduled to go back, he knocked on the door of my hotel room.

"We lost the house," he told me. "They think we're shooting porn."

"What? Why would they think that?"

"I don't know. They say it's my fault, but who knows?"

Everyone thought for sure that someone in authority must have found out who he was. When we saw the article in the Joplin Globe, we learned that this was not the case.

A resident had heard about what we were doing and decided to check it out. The resident in question was Gary Linderman, and he's actually a very interesting guy. He's the town pharmacist in Picher, and when the town was cleared out a year ago, he vowed to stay in the town as long as there were people who needed him, and to be the last person out of the town. Since there are a few who adamantly refuse to move, he's still there. He was once featured in People Magazine's Heroes Among Us. He was, however, not so keen on the idea of our film. He checked out the website, full of blood and boobies, and decided he did not like what he saw there.

Now everyone always asks, Why didn't you just prove to them that you weren't shooting porn? But then that's the problem--how do you prove a negative? Say the District Attorney comes to set and doesn't see any porn being filmed. How does he know we're not going to start filming porn as soon as he leaves? If we give him the footage, how does he know we didn't just keep all the footage that had porn on it? Once the proverbial "they" get involved, "they" are going to believe what they want to believe, and there's nothing we can do about it.

I'd filmed in small towns before. The locals are usually excited to see a movie being made near them, no matter how small the project. Even if it's a student short, they ask all kinds of questions and just observe to see how it's done. But Picher, and the surrounding areas, were towns much smaller than I'd ever been to in my life. We tried to order subs for the cast and crew one day, and we couldn't get them because the local Subway didn't have enough bread.

The rest of the article in the Joplin Globe was...interesting, to say the least. The assistant to the District Attorney reportedly said of our film, "the test--the question is--is it obscene?" They also amusingly quoted my Twitter page, including my confusion about the pronunciation of "Miami."

Fortunately, our ever resourceful producer, Joe Hollow, secured a new location within a day. Our director, Travis Miller, purchased the shed we were filming in for ten bucks, so that we could come back and finish later. We are about seventy five percent done, and we won't be able to resume filming until January. But in a way, I'm glad, because working on the film was a great experience, and I feel very fortunate to be able to go back to it.

Hopping The Train From Monster Island


Written By: Ken Hulsey

I'm certain by this point that many of you begun to wonder what has happened to me? Monster Island News has been devoid of updates for about a week now and people have been starting to become concerned.

First off, let me assure you that nothing has happened to me, I wasn't in any sort of accident, or I haven't suffered any sort of health problem. I'm fine.....well physically anyway.

I have, however taken a week off from writing here on MIN to do some soul searching and begin work on a new project. More on that in a minute.

Over the past few months I have begun to notice that my writing has become more a more labored. I just kept finding it harder and harder to come up with interesting things to write about. I honestly hit a wall. I think that the whole thing came to a climax last Friday when I tried to write a review of the 1977 William Shatner movie, "Kingdom of the Spiders", I tried to write it a couple of times, and ultimately I just couldn't do it. All I produced was random thoughts with no substance.

I know what your thinking, "But, Ken all your articles are just random thoughts with no substance?" True, but this was different.

It was at this point that I had to be honest with myself. I am burnt out. Big time.

For those of you, who don't know my history of sci fi and monster related websites. I started doing this kind of stuff way back in 1998 with a couple of groups on MSN. One about the TV show "Babylon 5" the other about "Star Wars."

I them founded kensforce.com, and ran that from 2000 to 2007. I then founded two Monster Island News blogs, monstermovieblog.blogspot.com and, of course, robojapan.blogspot.

That's about twelve years of sci fi on the internet and it's been hard to keep it going for that long.

I've had a great time and I have met a ton of great people over that time period, but I think that I need a change.

Over the past week, I have launched a new blog that centers on my first true love, trains. Yes, besides being a sci and monster geek, I have always been a train geek as well.

Oh, here is the new site, I call it "The Railroad Modeler". It's kinda a online model train store and railroad news site.

Well, to make a long story short, I have been extremely happy working on it, and I believe that I will be for a long time to come.

So what I'm getting at is that I will be shelving Monster Island News indefinitely while I work on my Raidroad site.

I have a passion for this project, which has been missing for the sci fi and monster stuff for some time.

At this junction, "The Railroad Modeler" is making me feel positive, while "Monster Island News", just honestly doesn't.

What does this mean? Well, I don't know. I have put some thought into relaunching MIN after the first of next year, but the more I think about it, it seems that will be unlikely.

I don't want to close the doors on the site, I have invested too much into it, but the writing appears to be on the wall.

I do want to mention that part of my thinking is financial based. Money is tight......real, real tight, and MIN and the Monster Movie Mall make little to no money.

I do need to take time to pursue better employment and get my affairs in order and I just can't do that and devote the time I need to keep MIN running right.

"The Railroad Modeler" is much less time consuming to work on, and there is far less competition for selling model trains than sci fi merchandise.

I do want to thank everyone for reading my ramblings here. I truly love you all!

I will be contacting a lot of you personally to talk this stuff over.

I'm not going to be saying goodbye at this point, just see ya later.

If you want to find me, I will be sitting track side watching the trains go by.

Go to: THE RAILROAD MODELER

"The Monster Movie Fan's Guide To Japan" Layouts Received!



"The Monster Movie Fan's Guide To Japan" Layouts Received!"

by Armand Vaquer

The final layouts arrived in the mail yesterday from J. D. Lees.

Now all I have to do is review them and plan out the advertising inserts. Unfortunately, they were sent as a .pdm file, which is a file program my Windows XP can't open.

I am checking with Comixpress to see if they can and send me a review version that my infernal machine can open. Sometimes things just don't happen all that easy!

Also, I received an email from the Japan Times:

Your "Monster Movie Fan's Guide To Japan" sounds like an interesting story. We would like to know if you will be in Japan over the Christmas/New Year period and willing to make yourself available for one day to talk to one of our writers and show him around the sites. We are interested in running a half page (broadsheet) story with photos on some of the locations mentioned in your guide.


I wish I could do this, but right now the personal funding isn't on-hand to accomplish a trip at present.

UPDATE (11/20/09): J. D. sent me the layouts in PDF format (this is what Comixpress needs anyway) last evening. I am pleased at the results and the corrections/additions I requested were done.

I also learned something new last night. During our email exchange, I said, "Domo arigato gozaimasu!" (That's "thank you very much" in Japanese.) J. D. responded with, "Don't touch the mustache!"

I replied with something silly (not knowing what he meant). And his response was,
"Just in case you didn't know, "Don't touch the moustache" is the way of remembering "do itashimashite" or "Don't mention it" in Japanese."

So one learns something new everyday!

Monday, November 16, 2009

"Ataque de Pánico!" (Panic Attack) A New Killer Giant Robot Clip From Uruguay

Written By: Ken Hulsey
Sources: Quiet Earth / Sneakhype / Avery Guerra

Okay, here's the question, "What do you do if you are one of the best special effects guys in Uruguay, you have six months to kill, and ya got about $300 (US) in your pocket?"

The answer, you make one of the coolest giant robot short films of all time.

That is exactly what Aparato Post, and fellow effects man, Fede Alvarez, did.

The short film that I am referring to here is called "Ataque de Pánico!", or in English, "Panic Attack!" and it is almost five minutes of pure, unadulterated, giant robot mayhem.

The film starts with a young boy playing with his robot toys down by the riverside. Suddenly 'real' giant robots start marching on the nearby city. The boy is shocked at what he is seeing.....wouldn't you?

To be honest, I have had fantasies like this while playing with my "Shogun Warrior" toys....as a youth.........okay.....last Thursday.

Anyway, the giant bots start blowing the crap outta everything in site. There's missiles flying around, stuff blowing up and people running around like scared ants.

It's frigging awesome!

Then a bunch of UFOs attack and then there's this giant bomb that goes off!

Apparently somebody doesn't like Uruguay!

The effects seen here are really grade A, and unless I miss my guess, somebody is going to be knocking on good old Aparato and Alvarez's doors very soon wanting them to work on their film, or produce a full scale movie based on "Ataque de Pánico!"

Okay, you really just gotta see the clip! (plus another photo below)





Yeh, six months and $300 is what it took for this to be made!

What Does Youtube Have Against The "Creature From The Black Lagoon"?



Written By: Ken Hulsey

Or should I say, "what does Youtube have against ME posting the 'Creature from the Black Lagoon' trailer?"

This past weekend, I came into possession of a bunch of great old movie trailers, so I decided to add them to my channel on Youtube. Everything was going fine, I was able to upload the trailers for "Godzilla: King of the Monsters", "Gigantis The Fire Monster", "20 Million Miles To Earth" and "Attack of the 50ft Woman" with absolutely no problem.

Then I tried to upload the trailer, actually two, from "Creature from the Black Lagoon." After the video had been uploaded and processed, I went to watch it to see if everything had went okay. It was at that time that I noticed that the trailer wasn't qued on my main page.

I went into my list of videos and noticed that the clip had been tagged with a message stating that it was violation of copyright.

Okay, I get it. I'm not Universal, I didn't make "Creature from the Black Lagoon" and I didn't produce the films trailer. So, I figured that the studio was blocking people from uploading stuff from their films.

I did find this odd, because I had uploaded the trailers for "Dracula", "Frankenstein" and "Frankenstein Meets the Wolf Man", each a Universal film, without any hassle.

Out of my own curiosity, I quickly did a search on Youtube for other "Creature" related clips.

Surprise! There were several.

So, what gives? Is Universal just blocking 'new' "Creature" clips because of the upcoming remake? Is Youtube out to destroy me?

Who knows? I just find it strange that the website allows certain content from certain individuals and not from others. There seems to be no rhyme or reason to it.

I think that it is just 'The Man' trying to keep me down.

So, I uploaded the trailer to the site for everyone to enjoy. F-You Youtube!

I will, of course, still be adding more trailers to the site........if they let me.

See Also: More Ultra-Rare Items From Classic Horror, Sci Fi And Monster Films Go On The Auction Block / Creature From The Black Lagoon - Funko Force Figure / Creature From The Black Lagoon Autographed 8x10 Photo By Julie Adams And Ricou Browning / The Creature From The Black Lagoon Gets A Bad-Ass Makeover? / Creature From The Black Lagoon Musical Opens At Universal Studios Hollywood / Gort And The Creature From The Black Lagoon Go To High School in "Go Mutants!" / The Creature From The Black Lagoon Musical / King Kong, Godzilla And The Creature From The Black Lagoon At The Rose Parade / The Most Talked About Stories Of 2008 / The Top Ten Hottest Monsters Of 2008 / Life Magazine Discovers Rare Publicity Photos From Creature From The Black Lagoon - Update! / Life Magazine Discovers Rare Publicity Photos From Creature From The Black Lagoon / The Witch's Dungeon 40 Years Of Chills An Amazing Tribute To The Golden Age Of Horror / Creature From The Black Lagoon / The Creature No Longer Walks Among Us - Ben Chapman (1928 - 2008) / The Creature From The Black Lagoon Polystone Diorama / Universal Monsters Creature From The Black Lagoon Head Knocker / The Creature From The Black Lagoon Film Cell / 1:4 Scale Creature From The Black Lagoon Statue

Sunday, November 15, 2009

Ray Bradbury’s "Chrysalis" Makes A On Demand Cable TV Premiere

Source: Katherine Herrera / Urban Archipelago Films, Inc

Lightning Entertainment has picked up Urban Archipelago Films' production of Ray Bradbury’s Chrysalis for domestic distribution. The feature film based on a short story by the
internationally acclaimed author will premiere on November 17, 2009, via On Demand through Time Warner, Charter, and Bright House digital cable providers. The film will be available in more than 50 million homes in the U.S. Additional dates for multiple other providers including Comcast and digital satellite services will be announced shortly.

The beloved author of such classics as The Martian Chronicles and Fahrenheit 451, who has been consulted in every aspect of the film’s production, says: "Chrysalis started to develop in my life more than forty years ago. I wrote ten different versions of the story and tried, unsuccessfully, to sell it to various magazines. I finally wrote one more version and sold it to "Amazing Stories." To have it come off the page and come alive is a real triumph. [Producer] Roger Lay, Jr. has done a first-class, A-1 job."

Ray Bradbury’s Chrysalis has also been picked up for international distribution by Arsenal Pictures and will begin airing worldwide in the fall. Some of the initial international territories include Russia and Japan, two of the largest non-U.S. markets for Bradbury's work. More territories and release dates will continue to be announced in the coming months at: www.chrysalismovie.net.

The film has also been playing to great reception at such film festivals as:
The Science + Fiction Film Festival, Italy
The Shriekfest Horror and Science Fiction Film Festival
The Phoenix Comic-Con Film Festival
The Boston Science Fiction Film Festival
The Cannes Film Market
The Fen-Con Science Fiction Festival
The CineFantasy Film Festival, Brazil
The International Horror and Science-Fiction Film Festival (Winner, Best Sci-Fi Feature)
Details for the film's DVD release should be available in early 2010 following its On Demand television run.

About The Film:

In the future: The world is ravaged, our planet is in a state of decay. In a sheltered research facility a handful of scientists investigate ways to sustain plant life. Dr. Benjamin Rockwell is called to the facility to investigate the mysterious death of Smith, one of the scientists, whose body has become encased in a strange, green growth. After getting over the shock and completing an examination, Rockwell realizes that, beneath the surface, Smith is still alive. Now in Earth’s darkest hours these scientists must figure out what mysteries lay inside the chrysalis, the dawn of a new super-being or the final destruction of man.

Ray Bradbury’s Chrysalis features John Klemantaski (Viva), Darren Kendrick (Disorder, the upcoming Marvel’s Thor), Corey Landis (Dinocroc Vs. Supergator), Elina Madison (Brothers and Sisters), Larry Dirk (Dr. Quinn, Medicine Woman), and Glen Vaughan (Jesse James: Legend, Outlaw, Terrorist).

The film is produced by Roger Lay, Jr. and directed by Tony Báez Milán. Cheyenne Pesko is the editor and post-production supervisor. Gabriel Diniz serves as director of photography with production design by Gladys Rodriguez. Music is composed and conducted by Brandon Moore
The film features special creature effects by Romaire Studios, the FX facility founded by EMMY Award winner Lee Romaire. Some of Romaire's recent credits include the TNT series Nightmares and Dreamscapes, based on the short stories of Stephen King as well as the HBO hit Drama series Six Feet Under, for which he was awarded an Emmy award for outstanding make up effects (prosthethics).

Principal photography on Ray Bradbury’s Chrysalis took place on multiple sets at the Burbank Production Stages where production designer Gladys Rodriguez and her art department built a completely connected and functional environment recreating an underground research facility. Each set was connected through a series of hallways and passageways allowing the crew to shoot continuously without revealing any set backings or lights. Everything was built-in, allowing the film crew to follow the characters on camera from one part of the facility to another without ever having to cut. The filmmakers decided to go for a look that pays tribute to the science fiction films of the genre’s golden age. For that same reason, it was decided to build everything physically and limit the use of computer generated effects.

Additional work was done on the FX stage at Vlaze Media Networks in Los Angeles where multiple news segments and emergency broadcasts where shot in order to composite into monitors on the research facility set. Second unit photography was completed at the El Mirage dry lake bed in California, and the rainforest of El Yunque in Puerto Rico where the film’s breathtaking finale was shoot at 3,800 feet above sea level on one of the rainforest’s highest peaks.

The film also features a sweeping orchestral score by composer Brandon Moore, which was recorded in Los Angeles utilizing a live orchestra combined with electronic sounds performed on synths by the composer in order to heighten the film’s chilling undertone.

About Ray Bradbury:

Ray Bradbury, the creative force behind the story Chrysalis, is known as one of America’s greatest creative minds. Throughout his long and remarkable career, Bradbury has established himself as a novelist, short story writer, essayist, playwright, screenwriter and poet.

His reputation as a writer of courage and vision was established with the publication of The Martian Chronicles in 1950, which describes the first attempts of Earth people to conquer and colonize Mars, as well as the unintended consequences. Next came The Illustrated Man and then, in 1953, Fahrenheit 451, which many consider to be Bradbury’s masterpiece, a scathing indictment of censorship set in a future world where the written word is forbidden. Other works include The October Country, Dandelion Wine, A Medicine For Melancholy, Something Wicked This Way Comes, and I Sing The Body Electric! In all, Bradbury has published more than thirty books, close to 600 short stories, and numerous poems, essays, and plays.

His short stories have appeared in more than 1,000 school curriculum “recommended reading” anthologies. Ray Bradbury’s work has been included in four Best American Short Story collections. He has been awarded the O. Henry Memorial Award, the Benjamin Franklin Award, the World Fantasy Award for Lifetime Achievement, The Grand Master Award from the Science Fiction Writers of America, and The PEN Center USA West Lifetime Achievement Award, among others.

In November 2000, the National Book Foundation Medal for Distinguished Contribution to American Letters was conferred upon Mr. Bradbury at the 2000 National Book Awards Ceremony in New York City. He has been nominated for an Academy Award (for his animated film Icarus Montgolfier Wright), and has won an Emmy Award (for his teleplay of The Halloween Tree). He also adapted sixty-five of his stories for HBO’s Ray Bradbury Theater. He is also the recipient of a 2007 Pulitzer Prize Special Citation. He resides in Los Angeles, California where he still writes and occasionally lectures.

The Wacky UK Horror Comedy "The Vampires Of Bloody Island" Gets A Holiday DVD Release

Source: The Weird World of Wibbell (Press Release)

New DVD label 'The Weird World of Wibbell' (the cult movie arm of UK indie distributer Wibbell Productions) today announced that the long awaited DVD release of it's British comedy-horror film 'The Vampires of Bloody Island' is expected before Christmas in the UK, USA, Canada and Ireland. The exact dates for each territory will be declared within the coming weeks.



'The Vampires of Bloody Island' starring Pamela Kempthorne as Vampire Noblewoman Morticia de'Ath, Leon Hamilton as her zombie servant Grunt and Oliver Gray as eccentric English demon hunter Professor Hans Van Rental, is set on a fictional island off a remote part of the English coast called Bloody Island, where the locals fear for their lives as every night they lock their doors and hang-up fresh garlic to protect themselves from "Vampires and werewolves... and virgins!"

Filled to it's rotting rafters with creepy comical characters, weirdly witty dialogue and eerily disturbing Hammer Horror-like locations, 'The Vampires of Bloody Island' is a laugh packed send up of every vampire film you've ever loved and a must-have for your DVD collection.

Scream Magazine has forcast the film to become "A real cult classic". Chronicles magazine calls it "bloody good fun" while Dark Nights Magazine says it's "Genuinely hilarious and tremendous fun". British Film Magazine claims 'The Vampires of Bloody Island' is "set to tantalise fans of horror and comedy alike".

In anticipation of the imminent release, Wibbell are giving away five free copies of the 'The Vampires of Bloody Island' on DVD signed by the lead star and the director. In addition to this the gothic retailer http://www.vampireshop.co.uk/ has also promised to add an additional surprise mystery free gift.

To enter the free prize draw just go to http://www.bloodyisland.co.uk/ where you can watch the trailer and enter the prize draw. A free copy of 'The Vampires of Bloody island' on DVD and surprise bonus gift could be yours!

Saturday, November 14, 2009

A Get-Together Celebrating Peter H. Brothers' Book

A Get-Together Celebrating Peter H. Brothers' Book

by Armand Vaquer

Above, author Peter H. Brothers with his new "baby" in his back yard.

Getting together with friends is a good thing. Celebrating a friend's new book made it even better.

Peter H. Brothers has a new book out. It's called Mushroom Clouds and Mushroom Men: The Fantastic Cinema of Ishiro Honda. It is a biography/filmography of the most celebrated director of Japanese science-fiction and fantasy films, Ishiro Honda.

Today, several of us gathered at Peter's home in Agoura Hills, California for a little celebration of his book's "going live" (i.e., offered on the market) through his publisher, AuthorHouse and through Amazon.com (see photos).

We discussed the trials and tribulations (and joys) of getting a book out into print. Originally, Peter's book was accepted by a publisher, but their schedule was too lackadaisical for Peter's taste (he discusses all this at-length in an upcoming G-FAN interview). Rather than let things languish, he elected to go the self-publishing route.

Above, Peter is joined by friends Gordon (left) and Ray.

To be honest, although he would have preferred to have gone through a conventional publisher, he is pleased at the end result. The book does look good and, it is being offered at Amazon.com. The arrangement offered him more control over the resulting product. So, as far as he's concerned, he's satisfied that his years of work is seeing the light of day.

Above, I was impressed with the job AuthorHouse did on Peter's book.

While there, I showed the group the initial layouts and cover of The Monster Movie Fan's Guide To Japan and they were complimentary.

Peter and I may join forces at next year's Monsterpalooza in Burbank and have a table set up to sell our publications.

Now the task of promoting it begins!

Fifth Anniversary: Godzilla's Walk of Fame Induction!

Above, Johnny Grant is Master of Ceremonies at Godzilla's induction.

Fifth Anniversary: Godzilla's Walk of Fame Induction!

Text and Photos by Armand Vaquer

It is a little mind-boggling that it was five years ago this month that we congregated to Hollywood, California for Godzilla's induction into the Hollywood Walk of Fame and attended the ceremony for the unveiling of his star.

Above, Godzilla blasts the assembled press covering the ceremony.

The late Honorary Mayor of Hollywood, Johnny Grant, led the festivities which included an address to the throngs by Toho Executive Producer Shogo Tomiyama. There was a lot of levity in the proceedings as Grant botched the names of different Toho kaiju while reading the history of Godzilla speech (that I prepared for him).

It was a busy weekend. Besides the Walk of Fame ceremony, the premiere of Godzilla Final Wars took place at Grauman's Chinese Theater. Godzilla's star is located in front of the theater. And, the night before the star ceremony, Godzilla appeared as a float in the Hollywood Christmas Parade.

Above, Godzilla gets his star.

In a way, this also marks the mid-way point for Godzilla's imposed 10-year retirement by Toho. Unless Toho changes its mind, we've another five years to go before Godzilla returns to the big screen.

It was a fun weekend for those who attended.

Friday, November 13, 2009

Evangelion 1.01 You Are (Not) Alone - English Dubbed - The First Eight Minutes - HD

Written By: Ken Hulsey
Source: Funimation

There is a popular adage that states, "If it isn't broken, don't fix it." Most people in entertainment industry generally live by these words, normally leaving their pet projects alone once they are completed. Of course, there are always exceptions. As we know, George Lucas believes that his films are 'never' finished and in the case of Japanese director Hideaki Anno, he believes that his popular animated series, "Neon Genesis Evangelion" should get a complete face-lift every decade or so.

In 2007 Anno set out to remake the first six episodes of "Evangelion" a re release them as four separate theatrical features. It was not the film makers intention to 'change' the series in any serious way, just to update the animation with modern techniques and add some computer graphics.

Some may consider such a time consuming venture 'fool-hardy', due to the fact that the original series was such a hit, and also because the series still covets hordes of 'die-hard' fans that savour every 'unaltered' frame.



From a financial standpoint, however, Anno's relaunch of "Evangelion" turned out to be a bonanza.

When the first installment, entitled "Evangelion: 1.0 You Are (Not) Alone" hit Japanese theaters in September of 2007, it quickly became the number box office draw. In it's initial weekend, the film grossed an amazing Y280 million ($2.4 million) though it was only showing on 84 screens.

This success took the Japanese entertainment industry totally by surprise.

Likewise, the subsequent release of "Evangelion: 2.0 You Can (Not) Advance" this past summer was also a huge hit, as should be the forthcoming "Evangelion: 3.0" and "Evangelion: Final".

It is rumored that the last installment will feature a brand-new ending, the only substantial change that Anno had planned for his "Rebuild of Evangelion" tetralogy.

American "Evangelion" fans will finally get to see "Evangelion 1.0" on November 17th when the anime distributor, Funimation Productions, will release the film on DVD.

As a promotion, Funimation has released the first eight minutes of "Evangelion: 1.0 You Are (Not) Alone" and I have that clip for you below:



Plot:

Shinji Ikari is sent for by his estranged father, Gendo at the beginning of the film. As he wanders around the town, which has been shut down over an emergency announcement, he is caught in the crossfire between the U.N. army and the fourth Angel. Rescued by Lt. Colonel Misato Katsuragi, Shinji is brought to Tokyo-3 and NERV headquarters, where he is pressured by Gendo, NERV's Supreme Commander, into piloting the Evangelion Unit-01 against the Angel because the other Evangelion pilot, the mysterious Rei Ayanami, is too injured to do so. After the initial fight, Shinji is taken in by Misato as her new housemate and enrolled in middle school. The film portrays Shinji's attempts to "settle in" with his newfound life alongside Misato, Rei, and the other characters while continuing to defend Tokyo-3 and the world from the coming Angels.

At the film's climax, the sixth Angel tries to drill into NERV headquarters. To motivate the despondent Shinji, Misato takes him down to the deepest level of the base and shows him a giant white entity crucified to a giant cross-like restraint: the second Angel, Lilith. Misato explains that reaching this area is the goal of the Angels and that any contact between them and Lilith would bring about the end of all life on Earth.

With this information and the encouragement from his new friends in school, Shinji and Rei, piloting Unit-00, attempt to kill the Angel by sniping it using the Evangelions and an experimental positron rifle, which requires the entire electrical power output of Japan to function. Rei is nearly killed in the battle, though Shinji is able to save her by prying her out of her damaged Eva using Unit 01's Progressive Knife. Shinji and the normally cold Rei share an emotional moment and Rei eventually shares a warm smile with him.

The final scene opens on the surface of the Moon, with what appears to be blood splashed across a large swath of it. Nine coffin-like containers are arranged in a line on the surface, with five of them open. Kaworu Nagisa awakens and rises from the fifth container. In front of him is an unidentified white giant, surrounded by construction equipment and scaffolding, wearing a purple Seele mask. Kaworu engages in a brief, cryptic conversation with the Seele 01 monolith, saying that "the third one" has not changed at all and that he looks forward to meeting Shinji.

See Also: Neon Genesis Evangelion Revoltech Blue EVA-00 Figure / Neon Genesis Evangelion Rei Ayanami Statue / Evangelion Shin Gekijouban: Ha Set For A Summer 2009 Release

"The Monster Movie Fan's Guide To Japan": Anime World Is Spreading The Word



"The Monster Movie Fan's Guide To Japan": Anime World Is Spreading The Word

by Armand Vaquer

The Anime News Network has posted my news release on the Monster Movie Fan's Guide To Japan. This is good news as other anime-related websites do rely upon the Anime News Network for news in anime entertainment.

Their reach in the anime world is impressive. Other anime websites have picked up the feed from Anime News Network and have posted the story on their sites. Here is just one example.

To read ANN's post, go here.

Thursday, November 12, 2009

Asian Cinema - 'Assault Girls' - New Poster And Synopsis - 'The Cup Of Tears' - Trailer

Written By: Ken Hulsey
Sources: Twitch / Tv Kon / Avery Guerra

For quite some time now you have read on and on about how geeked up I am about Mamoru Oshii's upcoming sci fi action film "Assault Girls".

With the release date quickly approaching, December 19th in Japan, information about the film is now starting to be more forthcoming. Today we have the first look at the films poster and a more detailed synopsis:

The story takes place in an in-game virtual space called "Avalon (f)", a barren desert-like battlefield, resembling a devastated world after a nuclear war. "Avalon (f)" is a world full of gigantic monsters. It is a fictional world where an endless "hunt", known as "play", repeatedly takes place. The drama centers around a sniper who pilots a camouflage fighter plane; a sorcerer who can freely transform herself; a woman fighter equipped with an assault rifle on a horseback; and a large-framed man equipped with an anti-tank rifle. There is also the "Game Master" who watches the players from the air.

In a world where giant Sunakujira (Sand Whales) monsters crawl the earth, storming battleships fly high up in the sky, and assault rifle muzzle flashes go off everywhere, can anyone shoot down the mutant monster, Madara Sunakujira (Spotted Sand Whale)? If so, who?!

That puts a better perspective on things.

And lets not forget that "Assualt Girls" stars the three lovely actresses, Meisa Kuroki, Rinko Kikuchi and Hinako Saeki.

The film just looks awesome!

Speaking of awesome looking films, I stumbled upon the trailer for this upcoming film yesterday. The film is called "The Cup of Tears", and believe it or not, it is actually a sci fi/martial arts film produced by the Irish film company One Punch Films under the direction of Gary Shore.

Give this a look:



Here is the synopsis from "The Cup of Tears":

The narrative follows a scorned geisha who creates a magical cup made of tears that causes any man who drinks from it to fall under a stasis of permanent sleep. One night the cup is stolen, setting off a chain of events that threatens civil war amongst the clans. Taro, a once gifted samurai, and his companion Jin set out to find the cup and the one who can break the spell before inner turmoil.

Again, this one looks awesome as well. Look for "The Cup of Tears" in 2010.

See Also: New Publicity Stills From Mamoru Oshii's 'Assault Girls' / Hollywood Was After Oshii's 'Assualt Girls' Before It Was Even Finished / A New Kick Ass Trailer For Mamoru Oshii's 'Assault Girls' / Meisa Kuroki Struggles With English During Assault Girls Voice Recording / Meisa Kuroki, Rinko Kikuchi And Hinako Saeki Go Sand Worm Hunting In Assault Girls

Wednesday, November 11, 2009

A Special Effects Video Bonanza - Galactic Raiders - Dinocroc vs Supergator

Written By: Ken Hulsey
Sources: Larry Arpin / Jim Wynorski / Avery Guerra

Everyone knows that the backbone of any fantasy or science fiction film is it's special effects. Now, George Lucas can go on and on about how any movie effect is boring without a good story to set it up, but as we know from his "Star Wars" prequel series, good effects can make up for a week story, or even fill in where there is no story at all.

When it comes to movie effects, and in particular monster movie effects, there are three ways to go. The very time consuming art of of stop-motion animation, the sometimes effective and some times not, art of putting a man in a monster suite, like the Japanese "Godzilla" and "Gamera" films use, or the quicker and cheaper computer generated type of effects that are permeating the movie industry.

Well I have good examples of two of those types of effects for you here today.

First, I want to show you a great video by film maker Larry Arpin on how he is doing the effects for his independent film "Galactic Raiders". For the film, Arpin is doing it the old-fashioned way, using stop-motion monsters.

As I said before, this process is very time-consuming. That is probably why "Galactic Raiders" has been in production for over a year and a half.

I do give Larry a lot of props for following in the footsteps of Ray Harryhausen in producing these effects. I honestly wish more people would go back to this.



Now we move to the complete opposite end of the effects spectrum with a clip from Jim Wynorski's "Dinocroc vs. Supergator". As you can probably guess, this film features modern computer generated effects.

Many people are fans of what technology has done to improve the quality of movie effects, and no one can argue that the medium has put the tools for creating impressive effects into the hands of film makers who can now make the kinds of films that were impossible to produce just a decade ago.



Which is better? Well that depends on who you talk to. I personally believe that each has their place in modern film making. Sometimes combinations of all the above methods work out best. The Japanese, for example, have used stop-motion, suite actors and CGI effects in their recent monster movies, with mixed results. Hollywood, on the other hand, likes to throw as much computer generated effects at you as they can.

In the end, I think that film makers will always be discovering new and inventive ways to produce film effects using whatever is available to them, and who can say what the future will hold. Whether you do it 'old-school' like Arpin, or with the power of the computer, like Wynorski, movie effects continue to spark the imagination and inspire future film makers to produce their own fascinating films.

See Also: The Monster Mash - 08/17/09 - A Look At Smaller Monster Movie Productions / Behind The Scenes Photos From Galactic Raiders / Galactic Raiders - Making Larry Arpin's Dream Come True

Jim Wynorski Releases Images Of The Late David Carradine From 'Dinocroc vs. Supergator' / Dinocroc vs. Supergator - Let's Get Ready To Rumble! / Has Jim Wynorski Created The Fattest Movie Monster Of All Time? / Cleavagefield Special Effects Photos / B Movie Celebration Scores World Premiere Of Cleavagefield / The First Trailer For Cleavagefield / The First Image From Cleavagefield / A Brand New Promo Photo From Cleavagefield / Cleavagefield - Giant Monsters And Giant Breasts All In One Movie! / Another Bizarre Hollywood Death: David Carradine

Tuesday, November 10, 2009

Kirin Beer's "Fire" Commercials Featuring Godzilla

Kirin Beer's "Fire" Commercials Featuring Godzilla



This is actually Kirin's coffee.

Famous Monsters Of Filmland - Editor To Be Announced Soon - Magazine Being Pushed Back

Source: Michael / Famous Monsters of Filmland

Since the very first day that famousmonsters.com went online, the question we’ve been asked most often is “when is the magazine relaunching?” Not if, mind you, but when. There seems to have been no doubt whatsoever that a new version of the print magazine would be shortly following on the heels of the web version. Admittedly, we helped to stoke this fire by announcing the “2009 Edition” last spring. Well…things change. When it began to look as though the “2009 Edition” wasn’t going to be everything that either we or you hoped for, we decided to throttle back a bit and regroup.



Inevitably, though, in the absence of regular updates over an extended period, some other information will always find its way to the public, accurate or otherwise. Case in point, some of you have read an interview with Robert Aragon in HORRORHOUND #20 (on stands last week) that contains quite a few details about the upcoming print version of FAMOUS MONSTERS OF FILMLAND. Unfortunately, this interview was conducted several months ago, and, well…things change.

As it so happens, we’re only a matter of days away from making an official announcement. What we can tell you today is that Robert Aragon, while a valuable contributor to the current incarnation of FM, will not be the editor-in-chief, nor will we be producing the previously-discussed “2009 Edition.”

We do appreciate our friends and colleagues at HORRORHOUND firing up the legions of FM fandom, but trust us, if there is something to be said, we’ll be saying it here before we say it anywhere else (our Director of Operations hates it when we take our in-house news to other venues first).

As to the identity of FM’s new editor-in-chief, the only clue we’ll give you for now is on the other side of the ellipsis…

See Also: Famous Monsters Of Filmland To Give Carla Laemmle A Grand 100th Birthday Bash / Famous Monsters Of Filmland Is Reborn On The World Wide Web / Dracula (1931) / "Famous Monsters" Trademark Injunction Won By Philip Kim / Forrest J. Ackerman, 1916 - 2008 / RIP Forrest J Ackerman (1916-2008) / Forrest Ackerman's Health Is Failing Now Is The Time For Fans To Contact Him / Mad Monster Party (1969) /