Missoula instrumentalist pens score for Korean monster film
Perhaps Yongary, a Korean knockoff of Godzilla, is like a grizzly bear – a misunderstood predator roused by the humans.
That's the frame of mind Travis Yost, a longtime Missoula musician, had to assume while writing an original score for "Yongary: Monster from the Deep," a 1967 B-movie about "a prehistoric gasoline-eating reptile that soon goes on a rampage through Seoul," according to the plot summary.
He had to create suspense for certain scenes while trying hard to ignore the fact that on screen, what's clearly a man in a rubber monster costume is battered with real fireworks.
It was "the worst job as a stuntman in the 1960s," he said.
Next Thursday, Yost will perform the score along with the movie at the Roxy Theater, armed with a guitar, keyboards, a drum machine and pedal board.
He'll play it all live, with some sequencing but no sampling. It has elements of rock and bubbly electronic, some atonal parts and some lighthearted moments.
"There's going to be a little tiptoeing into the clever," he said.
It is, after all, a man in rubber suit.
Roxy executive director Mike Steinberg gave Yost a list of suggestions for movies he could score, including some old Mexican wrestling films and sci-fi flicks.
The late 1960s look of "Yongary" immediately appealed to Yost, a fan of classic Connery-era Bond.
It has green-screened scenes of characters in automobiles, speeding along past repeated background loops. (Didn't they already pass that gas station?). It has lo-fi action sequences, such as helicopters on a string.
It has bizarre sequence in which an astronaut is summoned for a space mission. In classic B-movie style, he agrees regardless of the fact that he's on his honeymoon.
No one has ever proven a Bigfoot exists, but that isn’t stopping one small town from proclaiming the ape-like monster its “official animal...
Vera Farmiga has opened up about her role in the upcoming "Godzilla: King of Monsters" revealing that her character may have a ...
Honestly I've been covering Japanese monster and sci-fi movies for twenty years now and this is the first that I have ever heard of t...